MusicalInstrument
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Insert Coin: TouchKeys overlay brings whole new meaning to 'tickling the ivories'
In Insert Coin, we look at an exciting new tech project that requires funding before it can hit production. If you'd like to pitch a project, please send us a tip with "Insert Coin" as the subject line. Keyboards haven't changed much in the last, oh, few hundred years or so. You play a note by hitting and releasing it, use a pedal to sustain and change volume through the high-tech means of "bashing harder." TouchKeys wants to give you much more control with its touch sensitive, DIY stick-on overlays that can even sense multi-touch. While similar to what we've seen recently with the Roli Seaboard (which has rubberized keys that let you bend notes), TouchKeys can be added to most keyboards and would let you do even more, in theory. Similar to a smartphone screen, it senses up and down or side-to-side finger movements with up to three touches, all of which can be mapped mapped to different sounds or effects. For instance, you can create a vibrato by shaking your hand side-to-side, move up and down to bend notes, use multi-touch pinch and slide to change midi mappings, or play different sounds by multi-tapping. Most of the kits sold will be DIY, meaning they'll come as self-installed peel-and-stick keys and sensors that fit standard-sized keyboards, starting at £330 for 25 keys. You'll also have to open up the keyboard to tuck in the narrow controller, but the company said it hasn't seen any models that don't work yet. If you're not inclined to futz around, you'll be able to buy a limited number of pre-installed kits starting at £660 with a Novation Impulse 25 keyboard. TouchKeys is looking for a relatively modest £30,000 as its funding goal, so if you're looking for the latest musical edge, hit the source.
The Wheelharp delivers string-orchestra sounds via a mechanical keyboard
Currently up for $50,000 in funding on Kickstarter, the Wheelharp delivers the sounds of a chamber string orchestra via a keyboard and a full chromatic set of real strings. Oh, and it's pretty much the most striking instrument we've ever seen. Developed by Los Angeles-based Antiquity Music, the device reacts to a user's press of the keys by moving a corresponding string to a rotating wheel with an edge that bows the string. The instrument gives the player plenty of controls; the right pedal controls wheel speed, while the left mans the strings' damper system. Though an early version was demoed at NAMM this year, the Wheelharp is currently in R&D mode, and Antiquity plans to put much of the Kickstarter money toward researching the optimal string selection. Hit up the source link to hear the instrument in action. Just don't get too excited; the instrument will retail for a cool $12,500 -- or a slightly more palatable $10,000 through the crowdfunding site.
Samsung receives patent for music player that lets you add your own riffs
Though patents often never amount to anything, we sincerely hope this wacky one from Samsung does. It's an approved idea for a portable music player that also contains keys and motion detectors to let it function as a "musical instrument," too. While listening to that epic jam, you could play along by pressing keys on the side of the device as if you were fingering a guitar's fretboard. You'd be able to change position on the "guitar neck" by moving the player back and forth, and a motion detector on the side would sense the fingers on your other hand as you strum chords or pluck out a solo. Your GarageBand-style noodling, along with the original music would all blare through a speaker and amp combo on the device, to the amusement / horror of your friends. That's assuming Samsung ever builds one, of course -- but if not, our John Q. Engadget will be the first name on a petition to get it to market.
Jamstik portable MIDI guitar lets you play and learn on the iPad wirelessly
We heard from our friends over at TechCrunch (thanks, John Biggs!) that a company called Zivix has been showing off a cool little MIDI guitar at CES, so here it is! Dubbed the Jamstik, this digital instrument serves the same purpose as the already-available You Rock, except this one comes with real guitar strings, works wirelessly over WiFi, features a lower latency (under 10ms instead of about 20ms, according to Zivix's lab test), and it also has a shorter neck plus a much smaller body for the sake of portability -- even for some casual plucking on the plane. The Jamstik also supports string bending thanks to the way it detects finger movement on the neck -- the rows of infrared lights and sensors under the strings make the magic happen. Of course, you'd need a PC or an iOS device (with CoreMIDI-compatible apps like GarageBand and Animoog) to get the audio, and for the latter, Zivix will be offering three apps: JamTutor guitar teaching suite, JamHero game (very much like Guitar Hero and Rock Band) and Jam Live music remixer. We had a go using a wired prototype Jamstik, and apart from the slight delay between our strumming and the audio output (which will be further fine-tuned before going retail), we had a lot of fun with it. Check out the demo videos after the break, and expect to see the Jamstik hit the market this summer for somewhere around $249 to $299.
Moog's LEV-96 sensoriactuator prototype wields touch control of 96 simultaneous harmonics, we go eyes-on (video)
Late last week, Moog outed its LEV-96 sensoriactuator prototype and offered a glimpse at its latest R&D unit. Even though it's still in the early phases of beta-testing, we were able to stop by the Moog Music factory for a closer look and a brief glimpse of the gear in action ahead of its appearance at Moogfest. While the unit is installed on acoustic guitars for the time being, the company says that similar tech can be used on other acoustic instruments and eventually to other surfaces -- this is just the current manifestation. Since the tech modifies the guitar's natural harmonics and string vibrations, the LEV-96 is getting cozy on both traditional acoustic guitars and those outfitted with pickups in its present state. As far as controls go, the entire unit is capacitive touch-enabled from the moment a finger swipe powers it on. Sliders allow for adjusting the intensity, harmonics and note duration while the other buttons enable arpeggio presets and modulation that includes tremolo and random harmonic tweaks. Those sliders remain in play when a preset is activated, serving to enable further adjustments on selected There is a lock button, too, so that you don't accidentally make a switch mid-strum. All of these finger-friendly surfaces work alongside two pairs of electromagnetic pickup channels per string to wrangle the 96 simultaneous harmonics. Magnets work to either increase of decrease the string's motion, bringing out vibrational modes that have always been in-play on acoustic instruments, but have never been offered the power needed to make 'em sing. The folks at Moog are quick to remind us that the LEV-96 is still in its infancy, but you can rest assured we'll be keeping an eye our for what develops. For a peek at the tech in action, head on past the break for a really quick demo that we kept brief due to that fact that this is an early prototype.%Gallery-169322%
Moog shows off LEV-96 sensoriactuator prototype on an acoustic guitar
Moogfest isn't happening for another week, but the synth-maker couldn't wait to take the wraps off of its latest bit of technology. Still in the early days of beta-testing ,the LEV-96 is a far cry from the classic analog instruments we've come to associate with Moog. The company is showing off the sensoriactuator in its early stages by affixing it to a guitar, with two pickup channels beneath each of the acoustic's strings. The strings' vibrations trigger the sound, with the device "bring[ing] out hidden modes of vibration that have always been there, but were never energized in a direct manner," according to the company -- in all, the system is capable of managing up to 96 simultaneous harmonics. On the LEV-96, you'll find touch-based control sliders, which let the player adjust intensity, harmonics and note duration. Additional triggers let you change arpeggio presets and modulation (tremolo and random harmonics), while a lock button makes sure you don't adjust anything by accident. Moog is careful to point out that the LEV-96 we're seeing (still being referred to as a "concept project") is just the tip of the iceberg, and "could easily be affixed to any surface or material." The company has promised to show the concept in action soon, including an appearance at Moogfest on October 26th and 27th in the company's home of Asheville, North Carolina. For more info consult the source link below.
Futulele goes live for iPad, ukelele serenades just went multi-touch (video)
Futulele has come a long way since we saw it in March; it's now on the App Store and has put on a lot of sheen in return for slipping past the original April release target. Along with a few more flowers to reinforce the Hawaiian vibe, Amidio's definitive ukelele app has since gained the requisite support for the new iPad's graphics and a fully automatic mode, just in case you're not yet a virtual Jake Shimabukuro. If your ambitions do involve playing for yourself, you still have access to the promised maximum 132 chords (12 per set) with the flexibility to adjust chorus, delay, EQ and reverb in addition to recording those plucky creations. We're still waiting on the Futulele Remote app (and matching case) to choose chords more like we would on the real deal, but you can do it all on the iPad for now if you're willing to spend a fiver at the App Store. A flower necklace and an impressionable young lover are optional.
Incident Tech's gTar gets teased, remains largely silent (video)
What you see above is the gTar, an upcoming electronic musical instrument from Bay Area-based startup, Incident Technologies. It's got what appears to be an iPhone docked in the pick-guard and it looks pretty cool lit up in the teaser video after the break. Beyond that, there's not a ton of information about the thing available online, but we did some digging and have pieced together a pretty good idea about the thing. The device made an appearance at South by Southwest earlier this month, and bits and pieces have made their way into the web by way of startup site AngelList and social networks like Facebook, Twitter and, of course, YouTube. A posting on the former describes it as "a consumer electronics device that enables an interactive music entertainment experience to anyone without any kind of previous musical knowledge."From the looks of it, the thing is a little bit Guitar Apprentice and a little bit Tabber. Unlike the plasticky Guitar Apprentice, however, this device looks like a genuine guitar (strings and all), albeit one with a light up fretboard for Tabber-like educational purposes and a "docked mobile device." The guitar also makes it possible to share music socially, though it's not entirely clear whether this is accomplished via the docked smartphone or an external output like a PC, though given the company's connections to the developer community, we suspect that both will be options, be it through built-in functionality or available APIs. The gTar is also being positioned as a music creation device, rather than simply an educational tool (à la Tabber) or a simple overblown Guitar Hero-style controller.Check out a flashy, if rather uninformative teaser after the break.
PatchWerk lets you control a monstrous modular synth with your browser (video)
The Paradiso Synthesizer at the MIT Museum might be the largest homemade instrument of its type. That fact alone does make it interesting but, what makes this room-sized collection of wooden cabinets connected by a web of cables really stand out is the fact that you can control it from the comfort of you home with nothing more than a browser. The web app, PatchWerk, lets individuals from around the world come together and commandeer Joe Paradiso's creation... at least in a limited form. As you turn dials and flip switches you can hear the soundscape change, and their real life counterparts react in kind on the museum floor. Hit up the source link to try it out for yourself and check out the video after the break to see the monstrosity you'll be hijacking.
Sphero + keyboard + iPad = cacophonous synthy fun (video)
If you're not familiar with Shapesynth, it's a pretty sweet little synthesizer app for iOS that lets you draw waveforms and works with Akai's SynthStation. Its creator, Erik, is also toying with some new code that'll let you use other iOS accessories to control various variables. For example, the Sphero. Sadly, we don't have a ton of details on how it works -- the developer is merely taunting us for the moment. But we can see that by lifting and tilting the interactive ball he is able to manipulate frequency and other parameters. Check out the video after the break to see it in action.
Teenage Engineering introduces Oplab musical prototyping platform
After finally getting the OP-1 up for order last January, Teenage Engineering is getting its second product to market -- Oplab. The latest offering is meant to compliment its slick synth, but we can see plenty people falling in love with it on its own. The Oplab is a tinker kit and DIY platform, akin to Arduino or Microsoft's .NET Gadgeteer, but designed explicitly for generating and manipulating sound. The main board, which retails for $299, is home to a trio of USB ports (two of them hosts), three MIDI connections (one in, one out and one sync) and a pair of CV in and CV out jacks. There's also a bank of switches for changing settings and a host of connectors for plugging in various sensors. The Swedish company is offering a number of add-ons for $49 apiece: an accelerometer (Flip), a piezo microphone (Tap) and a pressure sensor (Poke). Strangely enough, there's also a $149 a sneaker that has a rubber pouch that you can slip one of the aforementioned sensors into. Hit up the source link for more details and to order yours now.
Guitar apprentice hands-on (video)
You know the whole "why don't you learn to play a real guitar" backlash that comes with the release of every Guitar Hero title? Multiply that by a hundred, and you're about ready to get down with Guitar Apprentice. The iPad add-on from the folks who brought you the similarly named Piano Apprentice turns your Apple tablet into something roughly the shape of a Gibson SG. From afar, it does look like a guitar. It's a fair bit lighter though, the wood swapped out for plastic, which feels pretty hollow. The iPad sits in the body of the Guitar Apprentice. Right now, it just works with Garage Band, though the company tells us that its working on a proprietary app, so don't let the fact that the neck doesn't line up right now throw you too much. The neck is covered with small buttons, which light up and play as notes from their corresponding placement on the fretboard through a small speaker on the bottom of the guitar's body -- hold multiple down simultaneously and you'll get chord. The speaker on the thing is pretty quiet -- that can be adjusted with the single volume knob, though that, like a lot about the Guitar Apprentice, isn't quite ready. The company tells us that the device is still a ways off, which means that, at present, you still can't strum the thing. Still, it's actually kind of neat, if totally ridiculous. This could be a solid educational devices for parents who aren't quite ready to plunk down the cash for a guitar and amp. When it's released, the Guitar Apprentice will run around $100 -- plus the price of an iPad, naturally.
Stradivarius violin recreated from CAT scan, 'sounds amazingly similar'
We've seen all kinds of crazy things being printed -- from bones to blood vessels -- and now you can add antique violins to that list. Music loving Radiologist Steven Sirr popped his into a CAT scanner to see what it was made of, then showed the results to a violin-making friend. Curiosity soon led them to scan everything from guitars to mandolins, so when the chance to take a peek inside a 307-year-old Stradivarius came up, how could they resist? 1000 scans later, the files were converted to 3D CAD format and another violin maker enlisted. Crucially, the images show the density of the wood all the way through, allowing a CNC machine to carve out copies of each section, with different woods used to match the differing densities. With all the parts in place and a lick of varnish, the replicas were complete. Sirr claims the copies sound "amazingly similar" to the original, but we are unsure if he plans to make it open-source.
Utamin: the adorable, Theremin-like toy that's a great gift for someone else's kids
With the holiday season fast approaching, it's important to start figuring what to get all the little ones on your shopping list. If your local Toys"R"Us is all out of Keepons maybe you can import a few Utamin -- just make sure to give the noisy little buggers to someone else's kids. The strange crowned spheres "sing" as you wave your hand in front of them. In simple mode it merely bangs out some pre-programmed nursery rhymes, but it also has a rhythm and melody mode, the latter of which lets you play any note in the musical scale. Pitch is determined by how far your hand is from the Utamin, which is detected using an IR sensor. Two can even be connected to perform adorable duets. The toys will be shipping this month to Japanese customers in green, pink or blue for ¥3,800 ($49). Check out the video after the break.
Gibson's Firebird X robot guitar finally ready to ship after a very, very long delay
Like the Droid Bionic of the guitar world, the Firebird X was announced almost a year ago, packed with piles of impressive technology, and delayed so many times that practically everyone forgot it existed. Well, on September 30th the Firebird X will finally start filtering into retail channels for the rather excessive price of $5,570, in your choice of either Redolution of Bluevolution finishes. On board are a boatload of effects as well as an automated tuner, which we've come to expect from the so-called "robot guitar" series. The Pure-Analog sound processing engine is also open to developers, allowing owners to add on new effects and sounds down the road. But, enough with our ramblings. You know the drill, gallery below and PR after the break. %Gallery-135134%
Griffin's StompBox available to order, virtual guitar shredding now a go
Remember that Griffin-made StompBox we showed you back in January? Well, it's finally hit the market, so you can free up those virtuoso hands and get to pedal-pounding wicked sound effects. The four button foot controller works with Frontier Design's iShred LIVE app for iOS, connecting your instrument via an included GuitarConnect cable to a 1/4-inch jack. The device is "designed to work with... a guitar, bass guitar, electric violin and keyboard," so your virtual jam band session is all but guaranteed. This musical f/x dongle is available to order now for $99.99 online, or you can just head to one of Apple's boutiques to snag it. Sadly, the effects switcher doesn't come bundled with a copycat of Slash's hat, but that shouldn't stop your credit card from indulging in this latest bout of Gear Acquisition Syndrome.
Laser Pitch Detection system turns your axe into a luminous, latency-free MIDI machine (video)
Here's a fact you should remember about lasers: they make everything better. Even musical instruments. Anyone who has ever tried to use their trusty six-string as a MIDI controller knows the pain of the latency introduced by trying to convert string vibrations into digital signals. M3i's Laser Pitch Detection (LPD) system skirts this issue by running a laser beam under each string. Instead of detecting vibrations the optical pickup measures the distance between the diode and the depressed string, then converts that into a pitch. That not only means there's no delay, but also that no need to actually tune your instrument -- it combines all the laziness of Antares' ATG-6 with the class of Beamz. If you're curious, there's a demo video after the break.
Caption Contest: A heaping helping of wearable music
Is this the new musical Power Glove? Imogen Heap thinks so. The Grammy winner rocked the stylish hand warmers at a TEDGlobal 2011 event in Edinburgh, Scotland, creating gesture-based music during a four-minute demonstration, with the gloves wirelessly connected to a nearby laptop. Could this be the death of the theremin as we know it, or just another good excuse to do a caption contest? Brian: "Imogen there's no heaven." Terrence: "Ms. Heap hard at work on a sequel to the NES "classic" Bad Street Brawler, tentatively titled Street Corner Complainer." Darren: "Seriously? Wires?" Brad: "Now if only I could find some oven mitts that would magically bake cookies for me, I'd be set!" Jon: "Force enhancing gloves allow Imogen to one up Luke, raise X-Wing." Tim: "Do I look intense enough now? Too pensive? What if I tilt my head up a bit further?" Amar: "And then they handed me the Grammy and I grabbed it like this and then -- oh, have I already told you this story?" Dante: "What do you mean they aren't cashmere?!?!" Joseph: "So I was holding Bjork's leg up like this, but she still couldn't get over Madonna's gate." Sean: "To sleep, perchance to dream – ay, there's the rub..." Christopher: "Please sir, I beg you -- don't take my Flowbee away." Richard Lai: "Ceiling cat, come to momma." [Image credit: University of the West of England]
DIY iPad music breakout gives pro-grade stage presence, mixes circuitry with art (video)
If you're thinking this iPad audio breakout dock looks remarkably good considering its DIY origins, then you should know it wasn't put together by any old screwball with a soldering iron. Nope, this was made by Qubais "Reed" Ghazala, a very particular old screwball who's been blurring the lines between circuitry, music and art since the Summer of Love (that's 1967 on a normal calendar). His latest invention is all about getting pro-grade sound connections into and out of an iPad 2 -- much like an Alesis dock or Akai SynthStation, but with that special "I made this" charm and minimal price tag. Key ingredients include a Macally aluminium iPad stand and a 30-pin PodBreakout board. Hit the video after the break to get further instructions and hear Ghazala's "bottomless well of chance music" -- both come at your own risk.
Otomata sequencer creates generative music for the melodically challenged (video)
It won't bring you the success or adoration that Brian Eno's enjoyed, but the Otomata sequencer could have you making noise like the Roxy Music alum in seconds. Way back in 1996, Eno espoused the idea of generative music, which is a non-repetitive form of music created, in this case, anyway, by a piece of software. Otomata takes that idea and puts it to use in a cellular automaton, consisting of a simple grid of cells in different states. With Otomata, each selected cell has four states: up, down, left, and right. When activated, the cells move in the direction of their given state, and when they encounter an obstacle, like a wall, a pitched sound is created. After each collision, the cells turn around and head in the opposite direction until they hit another obstacle, and the process continues indefinitely. The result is a chaotic but somehow lulling symphony of electronic sounds, a la Mr. Eno, that anyone with a mouse can muster. Head on past the break to see for yourself.
