brushes
Latest
Adobe digitally recreated Keith Haring’s paint brushes and tools
Adobe digitally recreated 37 brushes inspired by iconic artist Keith Haring.
5 amazing iPad paintings that we know are real
The internet just can't seem to come to a consensus on whether or not that ridiculously detailed iPad painting of Morgan Freeman was legit or not, but that's OK, because we have plenty of examples of jaw-dropping iPad art that we know for sure are real. How do we know? Well, we have full videos showing the artists creating them with their very own fingers. "Girl with a Pearl Earring" Five hours using ArtStudio on an iPad mini. Wow. Portrait in one sitting Done in ArtStudio, but this time on a full-sized iPad. "Adventure Rat" This one was painted using Inspire Pro. Check out part 1 to see how it began. "Jack Sparrow" Painted using the Brushes app on a full-sized iPad. "Untitled" A stunning piece by artists Peanut Butter and Rolling Stone, a pair of feline painters. Bonus: Morgan Freeman, again This, um, remarkable rendition of Morgan Freeman by Twitter user Jamie Jones is undoubtedly not a copy of a photograph. We'll bet on that.
Nomad brushes with wide strokes at Macworld | iWorld 2012
Don Lee, CEO of Nomad Brush, was kind enough to meet with us for a few minutes on the floor of Macworld | iWorld 2012 last week to chat about his creation, which is one of the nicer brushes available for virtual painting on Apple's devices. Nomad's got a few different makes and models for various uses, but Lee says his goal for them is all the same: To provide a "good bridge between analog and digital painting." The brushes all do that -- they're solid brushes that respond well to the iPad's screen. But what they don't do is what all brushes and styluses can't yet do, and that's invoke pressure sensitive information onto Apple's glass screen. Lee says that it's actually a choice on Apple's part. He says that the software can determine the size of a touch on the screen -- in other words, if your finger touches it only slightly, that's a smaller screen space than if your finger (or a capacitive brush) is completely pressed up against the glass. But Apple doesn't allow developers to take advantage of that information with their apps. "If they were to let that open," says Lee, he'd obviously be able to sell more useful brushes, but until then, brushes are basically finger substitutes, not the full tools they could be. Now developers, being developers, have come up with lots of little tricks to get around this lack of pressure information. The app Zen Brush, which Lee says makes a nice example for his brushes, actually uses the speed of your finger swipe (along with "projected" virtual ink on the screen) to make a more realistic representation of how the brush would interact with an actual page. Nomad doesn't have its own app, but Lee says the company "would love to talk to some developers" about possibly making an app built to work with its brushes. In the meantime, of course, they work just fine with almost any drawing app. As for the brushes themselves, Lee says the biggest difference between them is basically just the size of the tips -- some are wider and better used at painting bigger strokes, and some are better for closeup work (only in the feeling, of course -- again, the size of the brush's contact on iOS' surface doesn't really matter, and all of the various brush settings have to be worked on in the actual software). But one thing Nomad is thinking about doing that customers have asked about is creating brushes with interchangeable tips, so that users can customize their handles with whatever brush they'd like to use. There are a few different choices in terms of brush styli for the iPad and iPhone, but Nomad seems like a good option, and it was interesting to talk to Lee, who's actually an architect by trade. All of Nomad's brushes are available on its website now.
Kyle Lambert paints portraits with the iPad
UK-based visual artist Kyle Lambert put together a slideshow for Macworld that showcases the power of the iPad in the hands of professional. I couldn't create anything nearly as nice as this, but Lambert has been able to create a life-like portrait using only his fingers, the Brushes app for the iPad and an iPad as the canvas. It doesn't look like much when he starts with his rough outline, but the finished product is amazing. We won't spoil the fun by spilling his secrets here. You will have to travel to Macworld and learn the tricks of the trade from the expert himself.
Music video created with iPad Brushes app
This video for the song named "Undivided" by the band Blush is intriguing. First of all, because it's a pretty solid pop song (with, as far as I can tell, a rare safe-for-work appearance by Snoop Dogg himself). Second, because the simple but beautiful animation was entirely created by animator Shawn Harris on his iPad using the Brushes app. It's very well done. You can tell that many of the parts are strictly done with finger painting, but he's also got some interesting photo editing effects, too. There's a "making of" video to watch as well that goes through some of the techniques used by Harris. Surprisingly, it was all done in the app -- he simply recorded each brushstroke as a frame of video, and used Brushes' own tools to output the final product. Good stuff! [via Gizmodo]
Found footage: Creating photorealistic portraits with a finger and an iPad
Artists are taking to the iPad like ducks to water. The device seems to be a natural tool for many artists to use, and the public is now starting to see the fruits of the relationship in the form of some startling and beautiful digital art. Kyle Lambert is a perfect example of an artist who has quickly adapted to the iPad as an art creation tool. The Cheshire, England based portrait artist recently spent six hours painting an astoundingly good portrait of performer Beyonce using an iPad, his finger, and the Brushes iPad app (US$7.99). Lambert makes time-lapse movies of his creation process, and it's fascinating to see the details of Beyonce's face emerge from the digital canvas in the movie above. We'd also like to see what other professional artists are accomplishing with the iPad, so if you have a work that was created on the iPad or iPhone, let us know by clicking or tapping that Send a Tip link at the top of the page. Thanks to Paul Kent for the tip!
Finger painting on the iPad
We've speculated before about what artists could do with the iPad's bigger screen, and here's an answer. In the video above, portrait artist David Kassan uses the Brushes app to create a painting from a live model. I don't know what the fingerless gloves are all about, but you can definitely see how the iPad helps -- he can make bigger swipes across the screen, match colors with the extra screen space, and run touchups on a few different parts of the work at a time. According to the video's description, the whole thing took about three hours, and the end result looks great. I like one of the YouTube comments on this one, too: Who needs a camera on the iPad, anyway?
Apple spotlights apps ready for iOS 4.0
We already spotlighted a few big apps that have made the jump to iOS 4 (and I'm sure we'll have more coming up soon), but Apple has gone ahead and put a few of its favorites on a page in iTunes for you to browse through as well. There are some excellent games on the list (PopCap didn't waste any time, and Ngmoco has a few, along with both Firemint titles). Art app Brushes and TUAW favorite Dropbox are there too, along with a bevy of other popular titles. This list definitely isn't definitive (iBooks is obviously ready for iOS 4, though it's not on there), but if you want to see what the Retina Display is like or check out multitasking on an app like Pandora, you can do so. One interesting note on what's not on there: Apple hasn't yet updated its official Remote app, and Texas Hold 'Em hasn't been updated since it first came out back on September 1st, 2008. So even Apple isn't worrying about compatibility with all of its apps -- if you have a favorite app that's not updated often, you might be waiting a while to get full functionality with the new OS. [via DF]
iPad apps: creativity unleashed
We love to create things: drawings, movies, photos, songs, and, on occasion, stunning literary imagery with the help of text styling. While Apple didn't necessarily blow us away with its offerings on this front for the iPad (no GarageBand, iPhoto, or iMovie, for instance), 3rd party developers are naturally happy to oblige. We were frankly surprised at some of the depth and functionality we discovered in the App Store, but while what we have here is a nice start, we're even more curious to see what sort of creativity these developers can coax out us with a few months of iPad experience under their belts and a better handle on the strengths and weaknesses of the system. For the time being follow us after the break as we run you through some of our existing favorites. Not enough apps for you? Check out some of our other roundups!
Adobe releases Adobe Ideas for iPad
Just because Adobe can't have Flash on the iPad doesn't mean that they want to miss out on the Apple tablet bandwagon. Adobe has released a pretty cool app called Adobe Ideas. Adobe Ideas is a sketchbook for the iPad. The app features vector-based drawing tools, zoom control, sizable brushes, layers, and the ability to email PDF documents for editing in Adobe Illustrator and Photoshop. While Adobe Ideas isn't as feature-rich as Brushes for iPad, it is a free app that starving artists will appreciate (though, if you've bought an iPad, I don't think you technically count as a "starving" artist). Brushes for iPhone was used by Jorge Colombo to paint a cover of The New Yorker. It's going to be cool to see how artists start embracing the iPad and its larger screen with apps like these. Picasso may have had his Moleskine (may have), but the next great artists might just be sketching their budding visions on the iPad.
iPad apps: defining experiences from the first wave
There are now over 1,348 approved apps for the iPad. That's on top of the 150,000 iPad-compatible iPhone programs already available in the App Store. When Apple's tablet PC launches, just hours from now, it will have a software library greater than that of any handheld in history -- not counting the occasional UMPC. That said, the vast majority of even those 1,348 iPad apps are not original. They were designed for the iPhone, a device with a comparatively pokey processor and a tiny screen, and most have just been tweaked slightly, upped in price and given an "HD" suffix -- as if that somehow justified the increased cost. Besides, we've seen the amazing potential programs have on iPhone, Android, Blackberry, Windows Mobile and webOS when given access to a touchscreen, always-on data connection, GPS, cloud storage and WiFi -- but where are the apps that truly define iPad? What will take advantage of its extra headroom, new UI paradigms and multitouch real estate? Caught between netbook and smartphone, what does the iPad do that the iPhone cannot? After spending hours digging through the web and new iPad section of the App Store, we believe we have a number of reasonably compelling answers. Update: Now includes Wormhole Remote, TweetDeck, SkyGrid, Touchgrind HD, GoToMeeting, SplitBrowser, iDisplay, Geometry Wars and Drawing Pad.
New screenshots of iPad apps start to make this thing seem less like a giant iPhone
We already knew that the iPad would be getting a few pieces of software that haven't shown up on its tinier, phone counterpart -- but now that a few screenshots of forthcoming apps for the device have reared their head, we're getting a clearer picture of just what this thing will feel like. If these shots of the new Yahoo! Entertainment, Bento, OmniGraffle, and Brushes are any indication, the iPad will be doing a lot more than just zooming up your Facebook profile. There's definitely an emphasis on content creation, file exporting (if not saving), and syncing with desktop versions of some of these apps, and Yahoo!'s work (alongside Brushes') shows that we've only begun to scratch the surface of what interfaces will be like on this device. We're sure the next week will be filled with all sorts of these kinds of leaks, but for now you can cherish the moment when you first laid eyes on your new way to check a TV schedule. A few more shots after the break, and lots more at the sources.
David Hockney paints with his iPhone, results not typical
Artist David Hockney isn't afraid of picking up new media -- over the years, he's used Polaroids, photocollages, and even fax machines to create his art -- in addition to regular, old-fashioned painting. Now, he's taken to using his iPhone to create new works of art. The resultant "paintings" have been exhibited at the Tate Gallery and Royal Academy in London, as well as galleries in Los Angeles and Germany. Like artist Jorge Colombo (whose iPhone fingerpainting was featured on the cover of The New Yorker), Hockney uses the iPhone app Brushes to create his works. In an interview with the New York Review of Books, Hockney notes that he prefers and still uses the original version of the app, not the more recent updates. Hmm... maybe the reason our own Brushes paintings stink is because we're using the update! [Via All Things D]
Can you believe it? New Yorker cover done on iPhone app.
Looking at the cover of the June 1 New Yorker Magazine it is pretty hard to believe that it was created with a US$4.99 app on an iPhone. The app is Brushes [App Store] and it allows painting on the iPhone /iPod touch screen using your fingers and a variety of brush styles. If you have a Mac, you can export your work at resolutions up to 1920x2880. The app also saves a record of your brushstrokes and other actions and can replay them on your Mac. The artist who did the New Yorker cover, Jorge Colombo, obviously has impressive talent. You can see some of his other iPhone work here. Colombo told the New York Times he loves the app because it "made it easy for me to sketch without having to carry all my pens and brushes and notepads with me, and I like the fact that I am drawing with a set of tools that anybody can have easily in their pocket." This video will show you a stroke by stroke look at how the cover was created. If you're looking for more info on this app try the developer site here. Another similar app at the same price is Colors, [App Store] which has also been responsible for some impressive artwork. Wow. Just wow.
iPhone-generated artwork featured on cover of The New Yorker
Well, what do you know? It looks like our favorite fingerpainter is really making a name for himself with his handset artwork. Like his other New York City-scapes, Jorge Colombo's cover for the June 1, 2009 issue of The New Yorker was composed entirely in the Brushes iPhone app. And it looks like the artist's switch to a digital format is no gimmick -- he tells The New York Times that the device allows him to work "without having to carry all my pens and brushes and notepads with me." And he can work in anonymity -- to complete the cover he spent about an hour on 42nd Street, with no interruptions (try doing that with a canvas, an easel, and a full compliment of art supplies). Mr. Colombo, if you're out there: we'd like to add you to our Mafia Wars family. Drop us an email.
Artist "fingerpaints" art on his iPhone
Portuguese artist Jorge Colombo's been working on a series of "finger-paintings" of cityscapes done entirely on his iPhone. Using only his finger and an application called "Brushes," he's done some fairly impressive scenes of New York City. Hit the read link for a full set of iSketches this fanboy's whipped up.[Via Make]
Pixelmator 1.4 Sprinkle out now
The folks at Pixelmator have released version 1.4, named Sprinkle, and it's now available from their site or from directly within the app. They've got more performance improvements in here, and the big addition this time around is brushes: not only are there a host of new brush options in the app, but users can now also import Adobe Photoshop brushes. Users can now create and use document presets, and there's a new "clouds" filter that can be used to create realistic clouds and special effects. As usual, the update is free to registered users, or you can pick up a copy for $59.Pixelmator continues to impress as a powerful yet slim photo and image editor. I use it daily. I have recently had an issue with it not sticking to its own space in Leopard -- sometimes, when switching to or from the Space that Pixelmator is in, it'll drift off in front of the app that I'm working on, or not show up for a few seconds. But this update also introduces a few "performance improvements," so hopefully my issue is in there somewhere.
