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  • Nikon 1 J1 review (video)

    by 
    Zach Honig
    Zach Honig
    10.03.2011

    Pentax Q interchangeable lens camera review Samsung's NX200 camera: 20.3 megapixels, interchangeable lenses, full HD video Two megapixel mini-camera measures in at under a cubic inch, weighs under an ounce So, Nikon finally has a mirrorless camera, after what was quite possibly the most dramatic launch event the company has ever conducted. Sure, competing models from Panasonic, Olympus and Sony have already reached the second, or even third generation before Nikon lifted the veil on its J1, but did last month's long-awaited announcement bring us the ILC to rule all ILCs? Well, no, not at all. Nikon isn't targeting pros or even advanced amateur shooters with its latest addition to the interchangeable lens camera family. Instead, the company is marketing its J1 to soccer moms (and dads), fashion-conscious young folk, and casual shooters who want some of the versatility of a DSLR, but are willing to sacrifice excellent image quality for a more compact design. But what about the rest of us? Will Nikon one day reward our patience with a true class competitor? Perhaps, but that's definitely not what we have here. Nikon built the $650 J1 "from the ground up" -- a reference to its 10.1 megapixel, CX-size sensor with a 2.7x crop factor, along with a handful of quirky features that we probably won't use, but that some of you (or perhaps your family members) may love. Jump past the break to see what we really liked about the camera, and what left us rather unimpressed. And it you're dying to judge its performance for yourself, you can check out a handful of untouched images at the coverage link below the conclusion, along with a variety of sample videos spattered throughout.%Gallery-135514%

  • Canon plans Hollywood event, ready to roll out the red carpet on November 3rd

    by 
    Zach Honig
    Zach Honig
    09.15.2011

    Oh, what's this, Canon? You want your turn in the spotlight as well? Well, we suppose a hint of an announcement is better than a non-announcement, so bring it on! The imaging company just sent us word of a presumably star-studded SoCal event on November 3rd, giving its cameras a chance to walk the red carpet in a rather surprising Hollywood role reversal. We're not sure exactly what Canon plans to unveil that night -- a new mirrorless camera, or perhaps some fancy pants camcorder, destined for Hollywood's elite? But assuming the company isn't crying wolf, we'll be there with a live report from the red carpet.

  • Olympus PEN E-P3 Micro Four Thirds camera review

    by 
    Darren Murph
    Darren Murph
    08.29.2011

    Being the gadget hounds that we are, we're still struggling to fully digest the Micro Four Thirds / interchangeable lens camera market. The performance freak in us suggests that one simply buy a smaller DSLR given the parallel annoyance of carrying around a bag full of lenses, but the mobility junkie in us does appreciate the downsizing -- however minor. Olympus' PEN line has been a beautiful one from the start, but one that found itself out of consideration for many due to the poor value proposition. Even the newest PEN E-P3 isn't a bargain; at $900 with a somewhat versatile 14-42mm lens, it's well north of most entry-level DSLRs, and on-par with many mid-rangers. So, is it really worth splurging on a slightly more compact frame, devilishly good looks and "the world's fastest autofocus system?" Read on for our take. %Gallery-130071%

  • Olympus PEN E-PM1 Mini gets a $500 price tag, September release date

    by 
    Zach Honig
    Zach Honig
    08.25.2011

    Remember that cute little Micro Four Thirds camera that Olympus unveiled in June? Well, we just got word that the PEN E-PM1 Mini will ship next month, with an equally petite $500 price tag -- including a 14-42mm f/3.5-5.6 kit lens. The company is positioning the 12.3 megapixel camera as an upgrade for point-and-shoot users, as "the easiest PEN to use," thanks to a new, simpler user interface and 23 Scene-Select modes. Still, the E-PM1 is a very capable interchangeable lens camera (ILC), and includes a 3-inch 460k-dot LCD, 1080i HD video capture, RAW shooting and a maximum sensitivity of ISO 12,800, along with Manual, Aperture Priority, and Shutter Priority shooting modes. The Mini will be available in purple, pink, brown, white, silver, and black -- our color of choice. Jump past the break for the full scoop from Olympus.

  • Sony reveals three new NEX E-mount lenses, LA-EA2 A-mount adaptor with translucent mirror

    by 
    Zach Honig
    Zach Honig
    08.24.2011

    Sony's NEX line of mirrorless interchangeable lens cameras (ILC) deliver quite a lot of bang for your buck, but a diminutive lens selection reduced appeal for advanced shooters. Today, the company is growing its E-mount family of lenses by three, now offering a total of seven compatible lenses. Shipping in October, the Carl Zeiss SonnarT E will take the helm as Sony's flagship optic, delivering a 24mm fixed focal length and f/1.8 aperture, with a minimum focus distance of 16 cm and a sky-high $999 price tag. Also packing a speedy f/1.8 aperture, the $300 E 50mm OSS doesn't sport Carl Zeiss branding, but it does include built-in image stabilization and a circular aperture, promising smooth defocus. Both lenses will ship in December. Hitting stores in October, a new telephoto lens, the $350 E 55-210mm compensates for its sluggish f/4.5-6.3 maximum aperture with optical image stabilization while offering 3.8x magnification. And finally, Sony's LA-EA2 A-mount adapter lets you use your full-size Alpha lenses with the NEX cameras without losing functionality, thanks to built-in Translucent Mirror Technology and a dedicated AF motor. NEX-3, NEX-5, and NEX-C3 owners will need a firmware update to take advantage of the adaptor, but if you already have a collection of A-mount lenses, $400 may be a reasonable price to pay for full compatibility when it ships in November.%Gallery-131067%

  • Sony announces entry-level A65, adds yet another DSLR to the Alpha family

    by 
    Zach Honig
    Zach Honig
    08.24.2011

    Sony is on a roll with some fairly incredible product unveilings this morning. The Alpha A65 is almost an afterthought when compared to today's NEX-7 and A77 announcements, but this $900 (body only) DSLR targets the vastly popular entry-level category, while still including a new OLED electronic viewfinder, 24.3 megapixel CMOS APS-C sensor, and 1080 / 60p AVCHD video capture. Many of the A77's other features made the cut as well, including Sony's Translucent Mirror Technology, an ISO range of 100-16,000, object tracking autofocus, and a high-speed shooting mode (though the pricier model can shoot 12 fps, compared to 10 fps on the A65). You will be missing out on the A77's nifty three-way tilt and swivel LCD, though the A65's display does support tilt. Also missing is a 19-point AF sensor (the A65's has 15 points), a secondary text LCD, and support for an optional vertical grip. Jump past the break for a brief video walkthrough from Sony, along with a sneak peek at the A77.%Gallery-131370%

  • Sony Alpha A77 hands-on preview (video)

    by 
    Zach Honig
    Zach Honig
    08.24.2011

    When it comes to cameras, digital SLRs are a breed all their own. Many DSLR owners don't upgrade their bodies often -- if at all -- and even fewer would consider a switch to a competing camera system, especially after investing in a handful of high-end lenses. Manufacturers need to push innovation even further to target this segment of the market -- when some cameras cost thousands of dollars and already offer excellent performance, simply releasing a body with more megapixels and HD shooting options won't prompt photographers to pull out their credit cards. With its massive 24.3 megapixel sensor and high-res OLED electronic viewfinder, however, Sony's $1,399 Alpha A77 may just be the DSLR upgrade you've been waiting for. We spent a few days with a pre-production A77 paired with Sony's brand new 16-50mm f/2.8 lens ($1,999 in an A77 kit), and were very impressed with what will undoubtedly be a worthy successor to the well-received A700. Jump past the break for our initial impressions, along with plenty of still photo and HD video samples.%Gallery-131349%

  • Sony NEX-5N replaces NEX-5, adds 16.1 MP sensor, 25,600 max ISO, OLED viewfinder option (video)

    by 
    Zach Honig
    Zach Honig
    08.24.2011

    Without a doubt, today's biggest news on the NEX front is Sony's 24.3 megapixel NEX-7. But for photographers looking for a bit less power (and a lower $600 body-only price tag), the NEX-5N delivers some of the 7's headline features in a slimmed-down magnesium-alloy body. Sony boosted the NEX-5's sensor from 14 to 16 megapixels in the N, also adding 1080 / 60p AVCHD video capture, a 10 fps continuous shooting mode, a touch-enabled 3-inch LCD, and a maximum sensitivity of ISO 25,600. The mid-range NEX cam also supports an optional XGA OLED electronic viewfinder, which attaches to its accessory port and carries a price tag of $350. We should note that although the accessory port appears to be similar to that used on the NEX-C3 and previous gen NEX-5, the OLED attachment is only compatible with the 5N. Want to know more? Jump past the break for a brief overview video, and check out the rather comprehensive gallery of press shots below.%Gallery-131065%

  • Ricoh GXR Leica M-mount module gets a September ship date, lets you swap lenses with one sensor

    by 
    Zach Honig
    Zach Honig
    08.05.2011

    Sure, you've seen cameras with interchangeable lenses -- you might even own one or two -- but a cam that lets you swap out the sensor with the lens? Now that's pretty unique. Ricoh's GXR has been around since 2009 and does exactly that, with four lens / sensor combos, including two zooms and a pair of fixed lenses. Now, the company has confirmed that its new Leica M-mount module will ship on September 9th, letting you use your existing Leica lenses with the GXR. The module includes a 12.3 megapixel APS-C sensor and has a 27.8mm Leica M bayonet mount, with support for RAW image capture and 720p video. It also has an "open" price, which means it's still anyone's guess as to how much you'll be shelling over. But if you own a collection of Leica glass and are interested in experimenting with such a unique sensor-swapping camera system, you're probably somewhat open to open pricing.

  • Olympus PEN E-PL3 gets a price tag, release date

    by 
    Zach Honig
    Zach Honig
    07.27.2011

    Last month, Olympus lifted the veil on a trio of 12.3-megapixel Micro Four Thirds cameras, replacing both models in its PEN line and adding the small and light E-PM1. We already knew to expect an August ship date for the $900 E-P3, but now the company filled us in on its tilt-enabled E-PL3, which will be available in black, white, red, and silver when it ships in September. Priced at $700, the kit will include either a 14-42mm zoom or 17mm fixed lens, and will retail for a full c-note higher than its predecessor, the E-PL2. Olympus also announced the VF-3 Electronic Viewfinder (EVF), which will feature a 100-percent field-of-view, 90-degree rotation, and brightness and color temperature adjustments -- though it sounds like that last feature could potentially leave you with off-color images if you mistake the EVF's white balance for what the camera will capture. We're still waiting on availability for the runt of the litter, but we imagine the E-PM1 will make its stateside debut soon -- perhaps even with a price tag lower than its rather pricey, beefier siblings.

  • Canon restores camera production in Japan, hints at mirrorless model in 2012

    by 
    Zach Honig
    Zach Honig
    07.05.2011

    There's no question that Canon and Nikon still dominate the interchangeable lens camera (ILC) market, but with Olympus, Panasonic, Sony, and now Pentax all launching compact, inexpensive, mirrorless models in recent years, the legacy manufacturers have some catching up to do. In an interview confirming the restoration of pre-quake production levels in Japan, Canon camera division head Masaya Maeda told Reuters that the company is "considering the technical aspects" of creating a mirrorless camera, following up by saying "we will launch an interesting product next year." The comment doesn't exactly make a mirrorless Canon a sure thing, but it's as solid a commitment as we can expect for now. One possible concern for Canon is that entry into the new ILC category would cannibalize the company's higher-end point-and-shoot offerings, which likely offer higher margins. But if mirrorless models gain market share over traditional DSLRs and Canon doesn't have its own cam to match, the company could find itself racing to catch up, rather than dominating the ILC category as it has done in the past. Competition from Canon isn't likely to start a price war, since there isn't much elasticity at this point, but it could put pressure on other manufacturers to push the limits with image quality, accessory selection, and perhaps even lead to a future lens standard -- though we're probably more likely to see a Pentax Q that can actually capture DSLR-quality images far before manufacturers decide to adopt a universal lens mount.

  • Olympus PEN E-P3, PEN E-PL3, and PEN E-PM1 hands-on

    by 
    Zach Honig
    Zach Honig
    06.30.2011

    Earlier today, Olympus announced its loosely veiled PEN E-PM1 (in the image above), along with the PEN E-P3 and PEN E-PL3. Our Chinese bureau had a chance to go hands-on with the trio of Micro Four Thirds cams at an event in Hong Kong, and walked away with some fairly positive impressions. The $900 E-P3 feels solidly built, and did appear to offer excellent autofocus performance, though we weren't able to verify Olympus's rather lofty claims that the new flagship model features "the world's fastest autofocus." We were able to capture an image within a second of tapping the shutter button, including the time required to refocus on a subject. The 3-inch OLED display was sufficiently bright for outdoor use, with noticeable improvements over its predecessor, and the touchscreen was a pleasure to use, offering three straightforward shooting functions -- focus, focus and shoot, and enlarge. We'll have additional details to share after spending more time with all three models, but our hands-on photos in the gallery below should help whet your appetite in the meantime.%Gallery-127483%

  • Is this the Olympus E-P3?

    by 
    Zach Honig
    Zach Honig
    06.26.2011

    There's only one way to make leaked blurrycam images appear even less legit: shoot 'em in black and white. That's exactly what we have here with the claimed leak of a new Olympus camera -- the E-P3, according to Photo Rumors -- in all its Micro Four Thirds glory. The camera appears to be a hybrid of both the E-P2 and E-PL2, including a P2-style button layout, but with a pop-up flash and sloping top plate reminiscent of the PL2. The new cam is also rumored to include a new 12 megapixel sensor, a max sensitivity of ISO 12,800, a high-res touchscreen, much-needed AF improvements, and an updated UI. Photo Rumors expects Olympus to announce the E-P3 on June 30th, along with an E-PL3 and E-PM1. That last model would be the first in the rumored Pen Mini series. We don't expect the E-PM1 to best the new Pentax Q's record-breaking small size, but with a significantly smaller sensor, the Q will be no match for any of Olympus's new Micro Four Thirds offerings. Update: Andrea wrote in to tell us that Mirrorless Rumors now has a much clearer publicity shot. Isn't it lovely?

  • Canon 18-55mm lens torn open to expose visuals of Image Stabilization (video)

    by 
    Joe Pollicino
    Joe Pollicino
    06.25.2011

    Hey there, snap-shooter. If you've ever used a Canon DSLR with an 18-55mm lens, you may be horrified to know that the image above is its exposed lens elements. Don't worry, though, it's for science! Recently, Preston Scott from Camera Technica used a laser to show how unsteady your hands are when taking a photograph; now he's back to detail how lenses with Image Stabilization compensate to help in achieving crisper images. IS isn't exactly new technology, but seeing how the glass' internal springs, accelerometers, and gyroscopes react to movement is mesmerizing. Not surprisingly, he also found that photos taken with IS deactivated were usually less sharp. You'll find a steady video of the action past the break, as well a detailed breakdown by hitting the source link below.

  • Pentax intros Q, world's smallest interchangeable lens digital camera (hands-on video)

    by 
    Zach Honig
    Zach Honig
    06.23.2011

    Yesterday, the Sony NEX-C3 was the world's smallest interchangeable lens digital camera. It's not anymore. That title now belongs to the Pentax Q. To achieve the camera's incredibly small body size, Pentax had to shrink the sensor as well, making the Q not only the world's smallest interchangeable lens camera (ILC), but also the cam with the world's smallest sensor in an ILC. The Q uses a 12.4 megapixel, 1/2.3-inch backlit CMOS image sensor, manufactured by Sony -- significantly smaller than the 4/3 and APS-C sensors used in Micro Four Thirds and Sony NEX-series cameras, respectively. As image quality is dependent on sensor size, the Q won't be able to compete directly with any other ILC -- instead, its images are most comparable to those you'd capture with a traditional digital compact (which, ahem, don't cost $800). The Q will ship in late September or early October with a 47mm f/1.9 kit lens for about $800, and will be available in black or white -- abandoning the incredibly diverse color palette offered with other Pentax DSLRs. It will also be compatible with a 27.5-83mm zoom ($300), a 160-degree fisheye ($130), and 35mm and 100mm "toy camera" lenses ($80 each). The ILC will shoot 1080p/30 video with h.264 compression, 5 fps stills, and includes an HVGA-resolution 3-inch LCD and unique pop-up flash. A dedicated bokeh filter makes up for the camera's natural inability to capture images with a shallow depth of field. During our brief hands-on, images captured at up to the Q's highest available sensitivity of ISO 6400 appeared to be usable, at least based on a magnified LCD view (we weren't permitted to capture images to our own SD card). The cam offers traditional DSLR capture modes, in addition a a variety of creative modes and Smart Effect Options, including an HDR capture mode. The version Pentax had on hand wasn't fully baked, but jump past the break for our video walkthrough with a product manager.%Gallery-126956%

  • Nikon's D5100 impresses, captures children's birthday parties with incredible clarity

    by 
    Terrence O'Brien
    Terrence O'Brien
    04.27.2011

    We're not the only site to put Nikon's new mid-range DSLR through its paces. Plenty of others have taken the D5100 for a spin and we thought you might like to know: they're all pretty impressed. The new 1080p30 video mode was much appreciated as was the larger, higher resolution swivel screen around back. The biggest props generally went to the improved high-ISO performance (which was already quite respectable on the D5000 it's replacing) and the boost in autofocus speed, especially when using the LCD as a view finder in Live View mode. Oddly, the built-in effects also garnered a lot of attention. The Miniature Effect (a tilt-shift simulator) and Selective Color mode impressed reviewers the most with their surprising level of sophistication for in-camera processing. All of the effects can also be used when shooting video, so you can make your HD footage look like black and white 8mm by turning on Night Vision. Criticisms were relatively minor and applicable to most mid- and entry-level DSLRs -- primarily that the body is plasticy and there is a slight lag in focus and shutter performance. The D5100 is an obvious upgrade over the D5000 and more than holds its own against its competitors, but if you want to dig deeper check out our review and the ones below. Read - DPReview Read - Photography Blog Read - CNET Read - Nikon Rumors Read - Pocket-Lint Read - Pocket-Lint (2)

  • Nikon D5100 impressions, head-to-head with D7000

    by 
    Kevin Wong
    Kevin Wong
    04.27.2011

    Nikon has stirred up the camera crowds once again with its newly released D5100, filling the industry with the buzz of a new high-resolution articulating screen. In terms of consumer DSLR options, the D5100 has taken on the role of the mid-range model in Nikon's product line between the D3100 and the D7000 and we think it assumes the part rather nicely. In terms of price, the D5100 fits right in as well, fetching an MSRP of $900 (vs. $700 and $1600, respectively for the two aforementioned camera kits). Of course, the D7000 lands you the better 18-105 f/3.5-5.6G ED AF-S VR lens, a larger and brighter viewfinder, built-in focus motor, weather-proof sealing, and a few other internal upgrades. But don't judge too quickly, because we've had some time to play with Nikon's latest creation and the D5100 can certainly shoot along with the big boys of consumer cameras -- read on past the break for our impressions and comparisons with the D7000. %Gallery-121549%

  • Nikon D5100 kit hits Best Buy shelves early, still costs $900

    by 
    Kevin Wong
    Kevin Wong
    04.17.2011

    Eagerly waiting for some swivel screen action on the upcoming Nikon D5100? Well friend, you just got lucky, as said camera has just hit the shelves of Best Buy a few days early. The mid-range DSLR kit is now up for grabs either online or in stores for $900, but we expect Nikon to start shipping body-only options soon after -- Amazon and Adorama are already taking pre-orders for $800. Unfortunately, it looks like the accompanying ME-1 external mic won't be here until the original April 21st launch (or so we hope), but we're sure all Nikonians will be just fine without it over the next four days. Now go check out your local Best Buy to nab one of these swivelicious cameras.

  • Nikon D5100 and ME-1 external mic coming April 21st, we go hands-on (video)

    by 
    Vlad Savov
    Vlad Savov
    04.05.2011

    Okay, so Nikon kind of spoiled the surprise with this one, but we can now enlighten you with the full details of its upcoming midrange (or "advanced beginner" as Nikon calls it) DSLR refresh. The D5100 takes the spot of the venerable D5000, but follows the previous generation's recipe for success pretty closely. The D5000 was a stripped-down D90 in a simpler, smaller package that came with an articulating LCD, and the D5100 just so happens to feature the same mighty 16.2 megapixel sensor as the D7000 (Nikon's current high-end consumer DSLR) augmented with a flipout screen. Having the D7000's internals helps the new shooter churn out 1080p video at 24fps, 25fps, or 30fps, depending on your preference for up to a maximum of 20 minutes. The D5000 is only capable of five-minute bursts of 720/24p video and isn't able to continually autofocus, which the D5100 can. The D5100 also betters its predecessor in terms of physical fitness, coming in at a healthy 10 percent lighter and smaller, while a good number of the physical controls have been repositioned in order to allow for a new horizontal opening mechanism. That'll be a well appreciated tweak for tripod users. The new screen's also 17 percent thinner, we're told, and steps up to a 3-inch diagonal with a 920k-dot resolution. Solid stuff. After the break you'll find a full spec sheet along with some video action with the D5100. Pricing for this camera is set at $800 / €777 / £670 for the body only or $900 / €904 / £780 for the body plus an 18-55mm VR kit lens. The ME-1 external mic introduced alongside it -- did we not mention the D5100 has an external mic input -- will cost $180 / €139 / £120 and both are expected in stores on April 21st. %Gallery-120375% %Gallery-120376% %Gallery-120374%

  • Pentax K-r receives a rainbow paintjob, 35mm prime lens for limited edition kit

    by 
    Vlad Savov
    Vlad Savov
    12.03.2010

    Do not adjust your browsers, that really is a Pentax product adorned with a generous helping of the three primary colors and a mech's head attached to its flash hotshoe. Why? In response to customer demand, of course. It'd seem people were so enamored with the way the K-x got abused restyled that they wanted more of that Korejanai magic, and Pentax is kindly obliging them with a limited run of 100 "robotized" K-r sets. The internal specs are unchanged from the original, but you do get a new 35mm prime lens with a wide F2.4 aperture to play with. Pre-orders costing ¥99,800 ($1,187) will start on December 24th for a delivery in early January. Yup, just in time for you to be the coolest blogger at CES.