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Panasonic shrinks its Micro Four Thirds lenses, launches X-series with wide-angle, telephoto zooms
Anyone who's used Panasonic's 14-42mm Micro Four Thirds zoom lens has probably noticed its relatively bulky design, especially when compared to Olympus's counterpart. Today, the company announced a new lens that offers the same zoom and f/3.5-5.6 aperture range in a housing less than half the size when closed, and still noticeably smaller when extended. The first of two optics in Panasonic's premium X-series -- the second is a 45-170mm f/4-5.6 zoom -- it's been billed as the world's smallest digital interchangeable power zoom lens, thanks to its internal zoom motor which lets you adjust the focal length using a side-mounted rocker -- the design is similar to the zoom toggle included with the company's new FX150 superzoom. Priced at $399, it also includes a metal lens mount, instead of the plastic mount used with the existing $199 14-42mm lens. That second 45-170mm zoom ($449) can replace Panasonic's 45-200mm lens ($349), and while the size difference isn't as dramatic is its smaller X-series sibling, it's still noticeably smaller and lighter. Both lenses include optical image stabilization and feature nano surface coatings, designed to reduce ghosting and lens flare. The 14-42mm lens will ship in October in black and white (for use with silver bodies), and the 45-170mm zoom will ship in September. They'll only be compatible with the GF-2, GF-3, and G3 at launch after downloading a firmware update -- Panasonic is leaving it up to Olympus to release supporting firmware for its own cameras be compatible with all G-series cameras at launch, without the need for a firmware update. Jump past the break for more details from Panasonic, and check out the gallery below -- complete with side-by-side shots for both lens classes.%Gallery-131060% Update: Panasonic issued a correction saying that both lens will be compatible with all G-series cameras without the need for a firmware update.
Sony reveals three new NEX E-mount lenses, LA-EA2 A-mount adaptor with translucent mirror
Sony's NEX line of mirrorless interchangeable lens cameras (ILC) deliver quite a lot of bang for your buck, but a diminutive lens selection reduced appeal for advanced shooters. Today, the company is growing its E-mount family of lenses by three, now offering a total of seven compatible lenses. Shipping in October, the Carl Zeiss SonnarT E will take the helm as Sony's flagship optic, delivering a 24mm fixed focal length and f/1.8 aperture, with a minimum focus distance of 16 cm and a sky-high $999 price tag. Also packing a speedy f/1.8 aperture, the $300 E 50mm OSS doesn't sport Carl Zeiss branding, but it does include built-in image stabilization and a circular aperture, promising smooth defocus. Both lenses will ship in December. Hitting stores in October, a new telephoto lens, the $350 E 55-210mm compensates for its sluggish f/4.5-6.3 maximum aperture with optical image stabilization while offering 3.8x magnification. And finally, Sony's LA-EA2 A-mount adapter lets you use your full-size Alpha lenses with the NEX cameras without losing functionality, thanks to built-in Translucent Mirror Technology and a dedicated AF motor. NEX-3, NEX-5, and NEX-C3 owners will need a firmware update to take advantage of the adaptor, but if you already have a collection of A-mount lenses, $400 may be a reasonable price to pay for full compatibility when it ships in November.%Gallery-131067%
Sony announcing three NEX lenses on August 24th?
Last month we fell in love with a camera. Specifically, the Sony NEX-C3. We were so enamored with its lilliputian body and stunning image quality that we gave it a "9," declared it nearly perfect and promptly began recommending it to everyone we know. But if there's one thing we thought needed improvement, it was the selection of lenses. Well, it looks like we had nothing to fret about -- a series of leaked shots suggest the outfit's had at least three in the works all along. According to the shots, originally posted in DPReview, we're looking at a 55-210mm / F4.5-6.3 zoom lens and fixed 50mm / F1.8 and 24mm / F1.8 numbers. Though the poster stopped short of revealing any pricing info, he seems confident Sony will announce them on August 24th. Now, while we typically take rumors with a grain of salt, it turns out that the tipster who posted these shots is none other than "Eddieaus," the same guy who splattered forums with pictures of the VAIO Z next to its external Power Media Dock -- the same press photos, in fact, that Sony unveiled days later. So we're inclined to believe NEX loyalists are about to get a few new pieces of glass to play with. And if that rumored August 24th launch date is also on the money, you won't have to wait too long to find out how many pretty pennies they'll cost.
Sony LA-EA2 lens adapter gets ready for its close-up in 'leaked' render
Hey Sony, you hear that? Sounds like you might have another leak on your hands. We got our fourth unofficial look at Sony's Alpha A77 this morning, and now it's time for a little accessorizing. What you see above is reportedly a shot of a new lens adapter called the LA-EA2, which would apparently bring the outfit's translucent mirror technology to its range of little NEX shooters. As you might recall, that mini-mirror brings with it continuous phase-detect autofocus. Of course, this is just a rumor, but it does lines up with previous reports of a forthcoming NEX-7. You know we enjoy a leak as much as the next guy, but we like hard facts even more. So what's it going to be Sony?
Shot glass lens set likely won't improve your photography
Find your Nikon or Canon lens mug a little too big for some other beverages you may enjoy from time to time? Then you might want to consider stocking your cupboard with a few of these lens shot glasses now available from Photojojo (and made by DERELIQ). They're are only available in the Canon variety so far, but they are just as detailed as their larger counterpart, right down to the raised switches and image stabilizer markings -- we hear that feature leaves a bit to be desired, though. $18 will buy you a set of three.
Engadget's back to school guide 2011: digital cameras
Welcome to Engadget's Back to School guide! We know that this time of year can be pretty annoying and stressful for everyone, so we're here to help out with the heartbreaking process of gadget buying for the school-aged crowd. Today, we've got our optical viewfinders set firmly on digital cameras -- and you can head to the Back to School hub to see the rest of the product guides as they're added throughout the month. Be sure to keep checking back -- at the end of the month we'll be giving away a ton of the gear featured in our guides -- and hit up the hub page right here! Welcome to Digital Cameras 101. This single-lecture class will feature a handful of top cams for every budget, and since you're just getting back from a summer of wild shooting, we'll try to keep things brief this time around, giving you one last chance to enjoy that crisp natural light. There won't be a pop quiz, but if you're feeling lucky and don't mind following our simple instructions, we may just be able to send you home with your very own Sony NEX-C3. Simply leave a comment below to be entered to win, and check out our giveaway page for more details. So wipe off the glasses, grab your clicker, and get ready to jump past the break for a top-level overview of this year's picks for back to school.
Olympus launches SP-810UZ, packs 36x wide-angle zoom in a compact camera
Travelers often must choose between carrying a pair of powerful zoom lenses and tackling the weight of a full DSLR kit, or bringing along a point-and-shoot, in turn sacrificing image quality and versatility. The Olympus SP-810UZ sets out to eradicate that latter obstacle, pairing a 14-megapixel image sensor with a massive 24-864mm, f/2.9-5.7 optical zoom lens. The result is a 36x superzoom point-and-shoot camera, with 720p HD video, 3D image capture and a 3-inch LCD. Olympus hasn't hinted at a release date for the $330 cam, but you hit up the gallery below for a trio of glamour shots.%Gallery-129288%
T-Mobile myTouch 4G Slide glides into pre-sale for $200
Blessed be the patient ones, for thy reward will be a myTouch 4G Slide. After what seems like an eternity of Mr. Blurrycam shots, press renderings, and an official announcement, it's time to get one ordered. Both black and khaki varieties are available on T-Mobile's website for $200, in advance of the handset reaching store shelves on July 27th. If you're eager to check out "the most advanced camera of any smartphone," with its f2.2 wide-aperture lens, now's your chance -- throw Gingerbread and HTC Sense 3.0 into the mix, and you certainly have a tantalizing phone to consider. You've waited long enough for this time to come, so head to the source link to get your just deserts.
Sony Alpha NEX-C3 review
Traditionally known as DSLRs, interchangeable lens cameras (ILC) have always promised excellent image quality, speed, and versatility. But their enormous size and weight, lofty price tags, and intimidating design have forced casual photographers to focus on compact and superzoom point-and-shoot cameras instead, often leaving those bulky, confusing monstrosities to the pros. Enter mirrorless models, which scrap an optical viewfinder in favor of shrinking both body size and price tag, have provided the rest of us with a welcome mat to the world of powerful sensors, high-speed shooting, and swappable lenses -- with relatively little sacrifice along the way.The 16-megapixel Alpha NEX-C3 builds upon the successes of its predecessor -- the NEX-3 -- sporting a slimmer body and redesigned APS-C sensor. It also adds a reported 20-percent boost in battery life, improved low light performance, and a slimmer, more attractive design. We spent well over a month using the NEX-C3 as our primary camera for product shoots, trade shows, hands-on videos, and vacations, and were blown away by its performance as both a versatile still snapper and a powerful video camera. It's important to note that while the C3 does capture 720p video, it can't shoot in 1080p, so you'll need to look elsewhere if you need full HD. Like all mirrorless cameras, there's also no optical viewfinder, nor is there a traditional hot shoe. Instead, Sony included the same propriety connector found on the NEX-3 and NEX-5, enabling connectivity with a dedicated external microphone and a limited variety of external flashes, including the compact strobe that ships in the box. While some photographers may find the NEX-C3 inadequate for their needs, we absolutely loved shooting with it, and we think you will too. Jump past the break to see why.%Gallery-128646%
Olloclip three-in-one lens for iPhone 4 review
The age of lugging around a pricey DSLR kit just to capture casual fisheye, wide-angle and macro photos may be nearing its end -- for some of us, at least. Designed by a startup duo in California, the Olloclip was the first project featured in our Insert Coin series, and we were thrilled to learn not only that it was successfully funded, but that the device is ready to ship to both early supporters and new customers just two months later. The accessory brings the functionality of all three lenses to the iPhone 4, and it does so well enough to warrant leaving your pro kit at home on occasion -- assuming, of course, that your photographs aren't responsible for putting food on the table. While a bargain compared to its professional equivalents, $70 is a lot to spend on any iPhone accessory, so the lens's price tag may not sit well with some users. Also, design limitations mean you won't be able to use the lens with other devices, and there's no way to guarantee compatibility with future iPhones as well. Nonetheless, we had a blast shooting with the Olloclip, and we think you will too. Head past the break to find out why.%Gallery-128329%
iPhone 4 SLR Mount lets you shoot 5-megapixel photos with your $3,000 lens
So you flew around the world for a photo assignment, camera bag packed full of high-end lenses, but forgot the DSLR on the kitchen counter. Not to worry! You never leave home without your iPhone 4 and its new must-have accessory: the iPhone SLR Mount. $190 $249 scores you one of these aluminum bad boys, eager to pair with your multi-thousand dollar Canon or Nikon optics, bringing "powerful depth of field" and manual focus to your smartphone's itsy bitsy image sensor. You can reportedly use the new pricey mobile rig to capture photos with shallow depth of field, without the need to add one of those "unethical" $5 digital filter apps. The accessory is ready to ship, so you're just 24 hours (and a couple hundred dollars) away from having this life-changing masterpiece sent straight to your door. As for us? We're holding out a bit longer for the iPad version. Update: The folks at Photojojo wrote in to let us know that the $190 price provided earlier today was incorrect -- the iPhone 4 mount will actually set you back a cool $249.
Brando's iPad 2 telescope is perfect for watching the next Apple keynote
If you're like us, you've spent entirely too much time wondering how the movie Rear Window might have played out differently, had someone just handed Jimmy Stewart's character an iPad to play with. With the introduction of the Super Gear Telescope, it seems that the plot would've been mostly the same, just as soon as he finished beating Angry Birds. The Brando add-on brings 6x zoom to the iPad 2 and generally looks far less awkward than its iPhone predecessor. All in all, $26 seems like a small price to pay to see what the neighbors are looking at on their own iPads.
Sony NEX-C3 hands-on (video)
Sony announced the successor to its NEX-3 digital camera earlier this week, so we decided to take a post-E3 road trip down to the electronics maker's US headquarters in San Diego to check out the $599 NEX-C3 for ourselves. We'll analyze the new sensor's image quality in a full review before the camera hits stores later this summer, but from our initial impressions, the new cam appears to offer fairly minor tweaks compared to its predecessor. It's incredibly small for a camera with an APS-C sensor -- perhaps even awkwardly so, when paired with the comparatively massive 18-55mm kit lens or Sony's enormous 18-200mm optic -- but not small enough to be any less functional than the previous iteration. Like the NEX-3, the camera was designed to be held by resting the lens on your left palm, rather than by the grip, so size isn't likely to be an issue. Cosmetic changes include a magnesium alloy top panel, front microphone positioning, and a more efficient display hinge, which helped reduce the camera's thickness. We'll be posting a full review in several weeks, but jump past the break for more observations, and a hands-on video from Sony HQ, shot with the NEX-C3.%Gallery-126159%
Ricoh unveils waterproof, dirt-resistant PX camera for outdoorsy photographers
Just a few months after releasing its outdoorsy, G700 point and shoot, Ricoh has taken the wraps off yet another rugged digital camera -- the waterproof, shockproof and dust-resistant PX. This small warrior packs a 16-megapixel CCD sensor along with a 5x optical wide zoom lens and is capable of booting up in just 1.4 seconds. The device also supports subject-tracking and face-priority auto-focus features, in addition to a host of shooting modes, including toy camera, soft-focus and high-contrast black and white, among others. Most alluring, however, is its resilience. According to Ricoh, the PX can survive drops from an altitude of up to five feet, remains waterproof at depths of about ten feet, and is impermeable to dust, sand and dirt. There's also a 2.7-inch, scratch-resistant LCD on its backside, meaning you won't have to worry about casually tossing it in your backpack as you make your way along the trail. More flamboyant hikers, meanwhile, can add their own personal touch to the PX by wrapping it in a protective silicon sleeve, available in five, vibrant colors. If you're interested, you can grab a PX of your own when it hits stores later this month, for $300 AUD (about $317). You can check out some sample images from Digital Photography Review by hitting the link below, or flip through some pics of the PX in the gallery below. There's also a full PR waiting for you, after the break. %Gallery-125925%
Sony announces NEX-C3 and Alpha A35 cameras, new macro lens
We've been (impatiently) waiting for Sony to update its NEX line of digital cameras since the NEX-3 was discontinued earlier this year, and it looks like a worthy successor has finally been named. Announced today, the NEX-C3 appears identical to the model leaked in April, and uses the same format APS-C image sensor as its predecessor, bumping resolution to 16.2 megapixels in a camera body smaller than the NEX-5. Sony says the new entry-level cam is designed to fill the gap between point-and-shoot and DSLR cameras, and is the smallest body to pack an APS-C sensor, offering DSLR-level image quality -- the same 16.2 MP chip is also included in its new full-size Alpha A35, which replaces the A33. Both cameras can shoot at up to 5.5 fps (the A35 adds a 7 fps mode at 8.4 megapixels), and include 3-inch LCDs, with the NEX keeping its hallmark tilt display, and the A35 adding Sony's Translucent Mirror live-view mode, and an electronic viewfinder. We have plenty more to share, including a new lens and flash, along with pricing and availability for all, so jump past the break for the juicy details. %Gallery-125282%
Sony stands behind its digital projectors, claims the only thing ruining movies is Russell Brand
In case you missed it over the weekend, the Boston Globe published an article stating that the misuse of 3D lenses on Sony 4K projectors is drastically reducing the amount of light and color in digitally projected 2D movies. Sony Digital Cinema has finally responded with a list of "The Facts" that reiterate information some readers have posted in our comments and that we've obtained from individuals working as projectionists. They claim that contrary to the Globe's information, the projector technology used as described isn't to blame for poor picture quality. Notable items on the list are that the Sony system does not alternate between two images rapidly, changing the lens takes less than 20 minutes, the RealD 3D filters only reduce light output by 20% (not 85%), and if the lens can't be changed, then it's still capable of playing back content at 14fl (foot lamberts) which is within the recommended specs for brightness. All of these go directly against information from the original "Deep Focus" source, although it still doesn't explain why they could see such a marked difference between films in the same theater being projected digitally or on film. However, simpler explanations like an old and weakened bulb, a film projector set outside the specs, or unintentional misconfiguration could account for all of that. Until this is sorted, all we can recommend for your summer movie viewing is that if you do see anything out of order, don't let that jumbo tub of popcorn and Icee slow you down -- complain to management loudly and quickly to get the picture fixed. Check after the break for Sony's claims, as well as more detailed information from a projectionist we spoke to that broke down just how the technology works.
Movie theaters could screw up your 2D movies by leaving the digital projector set up for 3D
We generally prefer to do our movie viewing in our own home theaters, but when we succumb to the temptation of public moviehouses we often choose digital projection hoping for a flawless viewing experience. Unfortunately, this report by The Boston Globe indicates that may not be the case. It is alleged by unnamed theater employees that theaters are leaving the 3D lens adapters on their Sony 4K digital projectors even when showing 2D. Just like viewing 3D, this cuts the light output and it's worse for 2D films not made with that in mind, but theaters do it because removing the lenses is overly complex and many moviegoers don't seem to notice or complain. The Globe suggests checking the digital projector yourself -- if you see two beams of light from on high at a 2D flick then something is rotten in Denmark. Check the article at the source link for a rundown of many of the chains using these types of projectors and why that's the case (money), but after this and Liemax premium VOD is starting to sound better and better.
$4,000 Leica lens split in two, sold on eBay as $1,000 piece of art
Discontinued products typically dip in value, but such is not the case with Leica lenses -- unless they're sawed in half. Leica students had an opportunity to "make" cutaways of two Leica lenses as part of a graduation project. A discontinued Tri-Elmar-M 28-35-50mm (valued at about $4,500 when fully functional) and a 50mm f/1.4 Summilux (about $3,700) were split, exposing various layers of glass and metal. Now forever unable to capture images of their own, all four halves were photographed, and the tri-focal lens was sold for $995 on eBay, complete with original box -- which, unlike its contents, appears to be in like-new condition. We were probably at home playing Frogger when Kermit went under the knife in biology, but we would have definitely had a perfect attendance record in any class that involved brushing camera equipment across a circular saw.
Insert Coin: Olloclip three-in-one lens for iPhone 4 (video)
In Insert Coin, we look at an exciting new tech project that requires funding before it can hit production. If you'd like to pitch a project, please send us a tip with "Insert Coin" as the subject line. We typically prefer to mount our macro, wide-angle, and fisheye lenses directly on a DSLR, but lugging around a pro-level kit isn't always an option. The olloclip adds some flexibility to your iPhone 4's camera, complimenting the built-in lens with a three-in-one optic that clips onto the phone and can be stored in your bag or pocket when not in use. The attachment includes three lenses: a 180-degree fisheye on one side, a wide-angle lens on the other, and a 10x macro that's revealed after unscrewing the top of the wide-angle. Based on the intro video, the wide lens appears to have some rather significant barrel distortion, so we hope inventor Patrick O'Neill and designer Chong Pak are able to work that out before this hits production. A $45 pledge to this Kickstarter includes one olloclip, which you're getting at a 25 percent discount. Lenses should ship 4 weeks after the project hits its $15,000 funding goal -- if it does hit that goal -- and are expected to retail for $60.
Olympus still loving E-series DSLRs, but teases new Micro Four Thirds lenses to confuse you
The Micro Four Thirds form factor may be a compelling choice for those seeking portability with affordable prices and notable quality, but there's no doubt that many folks are still loyal to the conventional DSLRs. If you're one such Olympus fan who's concerned about the fate of the larger E-series lineup, fret not: Akira Watanabe, head of product development, reassured PCPOP that the E-series models are here to stay because of their unique features, though his team's still pondering over the idea of replacing the budget triple-digit line (like the E-620) with the PEN series, as suggested by his colleague previously. But shifting the focus back to PEN, Watanabe teased that his crew's developing some MFT lenses to boost the portfolio, though little is revealed other than that these will cater users who have specific photographic needs. Very intriguing indeed -- maybe some fisheye and tilt-shift love?
