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Fujifilm X-Pro1 high-ISO shots go under the loupe in mirrorless standoff with OM-D E-5 and NEX-7
We'll soon be putting Fujifilm's new interchange able shooter through our own wringer, but in the meantime we found an apt low-light comparison with two of its non-reflex brethren. Although blogging photog Steve Huff admits the tests are "crazy" and depend on the camera's own auto-exposure choices, the results do give some food for thought. How would the pricier rangefinder-bodied X-Pro1 stack up against the Sony NEX-7 and Olympus OM-D E-M5? If we had to guess -- and we really do, given his methodology -- the noise levels on the Fuji at ISO 3200 and 6400 look to be slightly better than the Sony and smaller-sensored Olympus. If you'd like to take a stab at judging for yourself, follow the link below.
Panasonic Lumix GF5 looks identical to its predecessor, offers similar specs for $100 more (hands-on)
It's been a bumpy ride for Panasonic's GF line of Micro Four Thirds cameras. The GF1, an excellent mirrorless camera for its time, was soon replaced with a less-capable entry level model, the GF2. Then another, the GF3. And now, it's time to say hello (again) to the GF5. For better or worse, the GF3 won't be going away -- it'll sit tight at its new $500 price point (with a 14-42mm kit lens), ready to confuse consumers looking to purchase its nearly identical, yet $100 pricier, pseudo-replacement. Both cameras come equipped with 12.1-megapixel Live MOS sensors, though the newer model adds a "High Picture Quality" distinction -- it's been dubbed a 12.1-megapixel "High Picture Quality" Live MOS sensor. So, naturally, we're going to expect some pretty incredible images. Panasonic has also added an ISO 12,800 "extended" mode (the GF3 topped out at a native ISO 6400). There has been a jump in the video department, with 1080/30p MP4 recording joining the 720p mix. Burst mode capabilities have seen an increase as well, from 3.8 frames-per-second to... 4. Finally, it's slightly larger, due to a more substantial (and more comfortable) grip, though battery life has dropped from 340 shots to 320, likely due to a new processing technique aimed at further reducing noise in low-light captures. The GF3 and GF5 look so similar that we mistakenly photographed the former for a minute or two, only realizing the error when we flipped on the LCD. The 5 has a much-improved touchscreen, with a 920k-dot resolution (460k dots on the GF3). It looks gorgeous by comparison, but amateurs making the switch from a point-and-shoot may not take notice. The features they'll appreciate most relate entirely to the GUI, and include a highlight window for selection options, 14 filters with a realtime preview option, a background image that appears on the main menu and a filter recommendation while in Intelligent Auto. This feature works by suggesting that you apply the Expressive or Toy Effect if you're taking a macro shot, for example. Other additions include a stereo microphone for video capture, though the left and right mics are positioned oddly near each other -- on either side of the word "MIC" on the top of the camera, with the right mic angled towards the left -- so we can't image that you'll be getting a true stereo effect. Like its predecessor, the GF5 is clearly designed with beginners in mind -- more advanced photogs should consider the GX1 -- but with a $599 sticker price (with 14-42mm lens), it's sure to be a hit.
Lensbaby Composer Pro gets Samsung, Sony, Micro Four Thirds mirrorless mounts
Lensbaby faithfuls awaiting a mirrorless-compatible Composer Pro lens need not hold out any longer. The company's high-end creative optic is now shipping for mirrorless mounts of the Samsung NX, Sony NEX and Micro Four Thirds variety -- including the Panasonic Lumix G and Olympus PEN. These latest additions join Canon, Nikon, Sony Alpha, Pentax K and Four Thirds versions, which are all available for 300 bucks at the source link below.
Panasonic Lumix GF5 accidentally leaked by Hong Kong spokesperson?
Frequent social networkers will tell you that Instagram's usually plastered with food photos and self-portraits, so we were quite surprised to see a product leak over there. After some careful inspection, we're pretty certain that the above picture shows a legit Panasonic Lumix GF5, which from this angle bears much resemblance to the GF3 bar the grip. To add credibility here, the uploader is none other than Hong Kong celebrity Angelababy who happens to be the brand ambassador for Panny (oopsie!). Unsurprisingly, the twee model has already removed the offending picture from her account, but the direct image link still works.You may be wondering: shouldn't this Micro Four Thirds camera be the GF4 after the current GF3? Well, much like Chinese superstition, Japan also prefers to steer clear of the number 4 as it sounds the same as "death" in Japanese. For instance: there was no Lumix LX4 before the LX5. As for specs, Chinese website Nphoto reported earlier this month that the GF5 will also feature a 12-megapixel sensor but with a better signal-to-noise ratio and topping at ISO 12800, while on the back it'll have a much sharper LCD with 920k dots (instead of just 460k on the GF3). Judging by the looks of things it shouldn't be long before we see Angelababy presenting this new camera for real -- let's just hope that she gets to keep her job.
Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April)
If a ship date pops up on Amazon for a date in the not-so-distant future, we're typically inclined to listen up -- after all, the world's largest e-tailer probably has a fairly good idea of when its products will first leave the warehouse. This time, it's the Olympus OM-D E-M5, which just appeared on the distributor's Japanese site with an estimated release date of March 31st. There's no mention of a date on the company's U.S. site, however, so it's still unclear whether or not the Micro Four Thirds cam will hit North American shores on the 31st as well. Still, unless a trip to Japan is in the cards for the end of Q1, your best bet for getting early access to the highly-anticipated mirrorless cam would probably be to get your pre-order on at our coverage link below.Update: We're now seeing US retailers listing the device with an April 10th release date. Check the More Coverage links below.
Sonnetar 25mm f/1.1 lens coming with Micro Four Thirds mount
Just what the optician ordered: a prototype Micro Four Thirds 25mm lens that will put just 1.1 f-stops between you and a beautiful photograph. It's the work of specialist fast-glass maker Sadoyasu Miyazaki, who manufactures under the Sonnetar brand and is well know for his hand-assembled primes. There's no word on price or release date yet but the same lens with a Pentax Q mount can be had on eBay right now for $650 including shipping, so this MFT lens should be in the same range. Don some shades and then click the KTF Turbo link below for sample images (and look for "MS Optical R&D" in the top-right.)
Olympus black E-M5 Micro Four Thirds camera and internals eyes-on
By now we're quite familiar with the Olympus E-M5's attractive external appearance, but what does it look like on the inside? The company carefully disassembled its new flagship model, and displayed the components in ten layers for us to examine at CP+ in Yokohama, Japan. The image sensor module is perhaps the most impressive component, due in part to its five-axis sensor-shift image stabilization. We can also spot the magnesium alloy shell, main system board and top plate. Another display encased a compete E-M5 kit, with a lens, split right down the middle. You'll find a variety of views in the gallery below, along with a special treat: the all-black version of the E-M5, in all its smooth metal glory.
Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video)
Olympus's inaugural OM-D mirrorless interchangeable lens camera, the E-M5, boasts the world's fastest autofocus and a pretty fantastic design, but it's also the first camera to implement a new five-axis sensor-shift image stabilization technology, that allows the lens to compensate for camera shake. The company was on hand at CP+ 2012 to demo the new sensor, which really does shift every which way to keep your photos and video still. We'll of course need to spend some time shooting photos and video with the E-M5 before labeling the five-axis sensor a success, but from the demo we saw today, it looks pretty darn promising. Jump past the break for a video hands-on, and scroll through the photos below for an up-close view of Olympus's latest Micro Four Thirds masterpiece.
Olympus OM-D E-M5 Micro Four Thirds camera preview (video)
Olympus has embraced the camera designs of yesteryear for several generations, from its first Micro Four Thirds models to last year's E-P3. But now the Japanese camera maker is stepping up its retro game, announcing a brand new line of Micro Four Thirds cams. Meet the OM-D. A dramatic departure from the more modern-looking PEN cameras, this new line of mirrorless models, specifically the E-M5, in many ways duplicates the design elements of the 1970s-era OM System. The first consumer camera in that SLR lineup, the OM-10, served as clear inspiration for the slightly boxy, black or silver and black magnesium alloy digital model we have today. We were able to spend some time with the Olympus E-M5 before tonight's announcement, and were very impressed with what we saw. Jump past the break for our impressions and an Olympus-guided video walkthrough, and thumb through the gallery below for a detailed look at the company's answer to the Fujifilm X-Pro1.
Olympus OM-D E-M5 leaks continue, 'super fast' AF and 3D tracking system on the way?
A certain purported Olympus Micro Four Thirds shooter has been anything but shy prior to its official unveiling (whenever that happens). Now, 43 Rumors is keeping the intel flowing with tidbits it received from a "super European source." The fresh bits suggest the E-M5 could sport a "super fast" autofocus and 3D tracking system, an external "weather-sealed" GN10 flash and additional filters. And, if rumors are to be believed, you'll be able to see the effects of the image stabilization through the electronic viewfinder. Though your skep-alarm should be on high alert, we can't keep you from believing, so hit up that source link to find the rest of the alleged details.
Olympus OM-D E-M5 shots orchestrally maneuver out of the dark
Would you look at that? According to PhotoRumors, that chunk of retro beauty is purportedly a full-on snap of Olympus' new OM-D Micro Four Thirds shooter (from an Amazon Japan listing that's since been pulled) affixed with its optional battery grip (adding what appears to be a secondary shutter button). That, or someone knows exactly what makes us go "Oooh." The chunky '70s stylings make us fear we'd abandon our career to go become a war photographer if one of those was placed in our hands. 43Rumors believes the unit will hold a 16.1 megapixel EDR CMOS, beefier than the 12.3 sensor inside the PEN E-PL3, but we hope this new body (however beautiful it is) doesn't spell the end for the dinky PEN series. If that wasn't enough, that Amazon listing we mentioned also pointed out a 1.44-megapixel electronic viewfinder, a tiltable OLED display on back and a total weight of 454 grams with its kit lens attached. We've got a few more shots in the gallery below, with others rocking some serious cropping, but each is more deliciously teasing than the last. Joe Pollicino contributed to this report.
Kenko Tokina 400mm lens for Micro Four Thirds and Sony NEX hits Japan tomorrow
Looking for a zoom booster to flesh out your NEX or MFT kit? Then take a highly magnified gander at Kenko Tokina's 400mm f/8 mirror lens, which now comes with both E- and T-mounts to complement the manufacturer's existing SLR-compatible range. So long as you don't mind the light-sapping aperture and manual focus, you'll be able pick one up in Japan tomorrow for a price that should soon become apparent. Just bear in mind that other new MFT options from Tamron and Astrodesign are likely on their way too.[Thanks, Tibor]
Tamron and Kenko bring third-party glass to the Micro Four Thirds bash
The fresh trend of Micro Four Thirds shooters is on the rise, thus it shouldn't come as a surprise that more glass-makers are jumping on the MFT bandwagon. Joining the likes of Panasonic, Olympus and Kodak as part of the Micro Four Thirds Group, is a trifecta of third-party lens manufacturers: Tamron, Kenko Tokina and ASTRODESIGN. Following closely behind rival Sigma, the newcomers are looking to make a dent in the four-thirds universe. Better late than never, right? There's still no sign of these optics being available for you to stack in your camera bag, but the news just came in, so it shouldn't be too long before you can get some extra glass for your shiny new GX1.
Panasonic Lumix DMC-GX1 Micro Four Thirds camera review
It's no surprise that the mirrorless interchangeable lens camera category is continuing to grow at a rapid pace. These compact, pro-featured ILCs undoubtedly have a strong future, with mass consumer appeal and a widening assortment of price points. We're particularly taken with the technology's compact footprint -- we're focusing our camera reviews on mirrorless models, and even outfitted our entire CES team with Sony's NEX-C3. But long before the likes of Sony and Fujifilm launched their first cameras, Olympus and Panasonic dominated the then-infant mirrorless category, developing the Micro Four Thirds sensor standard, that, for better or worse, has failed to catch on among other manufacturers. Surprisingly, Panasonic's pioneering days were far stronger than those of recent past, with the company's GF1 melting the hearts of compact-seeking professionals. But following that successful first model, Panasonic opted to take the GF series in a different direction, launching a dumbed-down GF2 (and later GF3) in what was likely an attempt to appeal to the much larger amateur category. This left the GF1 faithful without a worthy successor -- until now. Panasonic's Lumix line gets a lot more crowded Panasonic Lumix GX1 Micro Four Thirds camera surfaces in leaked photos Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-onThe Panasonic Lumix DMC-GX1 looks pretty standard on paper: there's a 16-megapixel Live MOS sensor, a choice of body colors, RAW shooting, HD video and a top sensitivity of ISO 12,800. Just as it did with the GF2 and GF3 body designs, Panasonic took a different direction with its new X-series lenses, swapping the traditional manual zoom for a motorized version, enabling a much more compact footprint. The difference when positioned alongside the NEX-C3's 18-55mm zoom is staggering, but Panasonic didn't arrive at this slick design without compromise, particularly noticeable when it comes time to swallow the $950 kit price. Still, one look at the hardened matte black metal body is all it takes to know that this is no GF4 -- this is it, the long-awaited successor to the GF1 has finally arrived. So, will the GX1 be our new top pick for the mirrorless category? Join us past the break to find out.
Olympus teases with leaked image of OM-D camera, saves the best for last?
Some would say that "one picture is worth a thousand words," but all we're visualizing here are a few camera-driven buttons and a small portion of Olympus branding. Though, 43 Rumors is claiming that this is indeed the soon-to-be new addition to the OM series, which is expected to get unveiled next month. Olympus is no rookie in the Micro Four Thirds game, so it shouldn't come as a surprise for the rumored specs to be a decent upgrade in comparison to its PEN shooters. Allegedly, the rig may sport a magnesium chassis, 16 megapixel sensor with HDR optimization, up to 25600 ISO and a 3-inch OLED swivel display (because Olympus knows you love gadgets with rotating screens), amongst other features. Tickle your fancy? Well, best start saving now, as word on the web is that it'll set you back a cool $1,100 when it's revealed.
Engadget Primed: Why your camera's sensor size matters
Primed goes in-depth on the technobabble you hear on Engadget every day -- we dig deep into each topic's history and how it benefits our lives. You can follow the series here. Looking to suggest a piece of technology for us to break down? Drop us a line at primed *at* engadget *dawt* com. The first thing I look for when purchasing a camera is something most aren't even aware of. It's not the brand name or the quality of the lens, the touch screen technology or the LCD screen size, and not the array of functions it offers or shooting presets available – it's the size of the image sensor. As a 20-year pro photographer who's captured over a million images during my career, I'm the guy who admires the parts of the engine instead of falling in love with the flashy exterior or high-end sound system. The image sensor is where the rubber meets the photosensitive diodes. In writing my first installment for Primed, I'll give a few definitions to clear things up a bit when it comes to a camera's image sensors and size, explain in detail the parts of a sensor, how it alters the photos (or video) you capture, where it came from, and why it's important to consider its size – I'll cover the meat and bones, get to the heart of the matter, the nub, the crux, the nuts and bolts, get down to the brass tacks, all while exhausting our thesaurus. Let's dive in, shall we?
Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-on
Remember the Lumix GF1? It was one of Panasonic's first Micro Four Thirds cameras, setting the bar quite high for models to come. But the GF1's successors -- the GF2 and GF3 -- did not live up to expectations, with the company gradually shifting the series towards transitioning point-and-shoot users, and away from early adopters who grew accustomed to the performance and build quality offered by that beloved early mirrorless cam. Now that familiar look and feel is back, in the form of the Lumix DMC-GX1. The 16 megapixel ILC includes a Live MOS sensor and Venus engine, with a maximum ISO of 12,800. Like other Panasonic G-series cameras, the GX1 uses a Micro Four Thirds mount, and is compatible with both Panasonic and Olympus lenses, including the standard 14-42mm zoom that ships with the $800 kit, or the Lumix G X Vario PZ 14-42mm retractable lens that comes packaged for $950. Existing lens owners can pick up just the body for $700. What we really missed was the solid feel of the GF1 -- everything from the housing to the controls felt well-made, while the design of later GF models, was... underwhelming. Picking up the GX1 helped to restore our confidence in the series -- it was a pleasure to hold. There's quite a bit of power under the hood, too. We weren't able to test the GX1, which is expected to hit stores in mid-December, but Panasonic promises autofocus speeds of 0.09 second -- you can focus simply by touching your subject on the 3-inch, 460,000-dot touchscreen. There's also an external EVF option, which attaches to the camera's hot shoe and offers a 1.44 million-dot display with 100-percent field of view. Movie buffs can capture 1080/60i HD video, with either MP4 or AVCHD compression. It goes without saying that the GX1 can shoot in RAW, and offers the complete gamut of advanced shooting modes. Of course the features don't stop there, so jump past the break for the full PR from Panasonic.%Gallery-138523%%Gallery-138519%
How would you change Olympus' PEN E-PL3 and E-P3?
Canon's been focused solely on the top-end of things here recently, but it's obvious that the mirrorless and Micro Four Thirds markets are booming. Cute sells, right? And if you've taken the plunge on either of Olympus' newest PENs (that'd be the E-PL3 or E-P3), we're interested in knowing how you really feel about 'em. Would you have preferred a slightly larger casing? Still want it smaller? Cool with the kit lens? Any quibbles with the exterior? The UI? The company's made quite clear that the PEN line ain't going anywhere anytime soon, so speak up in comments below, won't you?
Panasonic Lumix GX1 Micro Four Thirds camera surfaces in leaked photos
Panasonic just launched a whole new series of Micro Four Thirds lenses a couple of months ago, and it looks like it might soon also have a new Micro Four Thirds camera to take advantage of them. That photo you see above recently turned up on the Mobile01 forums with a bundle of others, showing a hereto unannounced Panasonic Lumix GX1 MFT camera, which looks like it could be a true successor to the GF1 (as opposed to the GF2 and GF3 that moved in a less pro-minded direction). Rumored specs remain a bit light, but the camera apparently has a touchscreen display 'round back, which will likely see a fair bit of use unless you opt for an external EVF. It's also suggested that the camera will be launching soon -- on November 8th -- although that's obviously yet to be confirmed. [Thanks, Amin]
LiveLens MFT adapter brings aperture control to Canon EF lenses
It may be serving a somewhat small niche, but we're guessing that niche will be plenty pleased that something like the LiveLens MFT adapter now exists. That's MFT as in Micro Four Thirds, and the adapter is for Canon EF lenses. Nothing too special there, but this particular adapter now also allows for aperture control for the first time, which is actually done on the adapter itself, not the camera -- the only remaining drawback is a lack of autofocus. Expectedly that ability comes at quite a premium -- you'll have to fork over $442 for the adapter and an extra $52 for the necessary 9V battery cable.
