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Ideum unveils speedy Platform and Pro multi-touch tables, says PixelSense ain't got nothin' (video)
Who knew giant multi-touch tables would trigger the next big speed race? Ideum clearly thinks that the PixelSense-based Samsung SUR40 is lagging with that AMD Athlon II X2, because it just rolled out a pair of speed demon 55-inch, 40-point touch surfaces (but not Surfaces) in the Platform and Pro. The Platform has a respectable dual 2.2GHz Core i7 and 8GB of RAM, but it also carries a pair of 256GB solid-state drives in case that museum exhibit app won't load quickly enough. Hopping to the Pro switches to two not quite as speedy 500GB hard drives in standard trim. It more than makes up for this with a quad 3.4GHz Core i7 and NVIDIA's Quadro 600 for the truly stressful projects -- the combination can juggle multiple users and tasks even more smoothly than its MT55 Pro ancestor. Outside of raw speed, picking a table depends mostly on svelteness versus expansion: the Pro has a full-fledged HP tower inside that can drop in SSDs and other upgrades you might fancy, while the Platform is half as thick as a SUR40 (at two inches) and sleeker overall than its big brother. We're working to get price quotes, but the early five-digit figures we've seen in the past likely rule out upgrading the family coffee table. You can convince yourself with a video after the break.
Modbook teases a 'Pro' announcement on Facebook
Modbook -- now there's a portmanteau we haven't heard in a while. Looks like that'll change this week, however. The company has offered up the intriguing promise that "imagination goes pro. Tomorrow," alongside the image of the edge of a slick looking device and some familiar OS X icons. Color us modtrigued.
Qualcomm Snapdragon S4 CPU family expands past phones to HDTVs, tablets and Windows 8 PCs
Sure Qualcomm has snagged quite the coup by sliding some of its dual-core S4 CPUs into the US-bound Galaxy S IIIs, but it's not stopping there. The company just revealed versions of these chips will power connected HDTVs and set-top boxes as well as PCs and Windows 8 (including Windows Phone 8) devices. There's four tiers of the upcoming processors: Prime, Pro, Plus and Play. S4 Prime is the smart TV platform that includes the MPQ8064 1.5GHz quad-core CPU with Adreno 320 graphics, while S4 Pro processors are ready to be the brains of Windows RT tablets, laptops and tablet / laptop combos. S4 Plus is the high-end smartphone experience we've come to associate with the Snapdragon brand, and finally S4 Play for more entry level mobile devices. Check after the break for more info on the chips in each family and details on what they can do, and our hands on with some S4 powered Windows 8 devices right here.
Dell Precision R5500 lets four graphics pros work on one PC, we wish it did gaming
Workstations aren't normally our focus, but when Dell shows off a new Precision system that lets four media pros share its graphics hardware at once, you can be sure the company has our attention. If your IT chief springs for a Precision R5500 with four Quadro 2000 cards, each of those cards can take advantage of a graphics pass-through in Citrix's virtualization to render 3D models at speeds much more like what you'd get if the Quadro were sitting in your own PC. Before you have visions of four-player Modern Warfare parties after-hours at work, the inherent barriers of distance and the virtual machine itself will likely rule out any game sessions.
Nikon D800 review roundup: significant upgrades to an already top-notch DSLR
Three years is quite a long time for any one gadget to complete its product cycle -- even a high-end DSLR. The D700 remained on its flagship DSLR perch since its launch in the summer of 2008, all the way through Nikon's D800 announcement earlier this year. During that tenure, the full-frame camera became the primary workhorse for a bounty of photography pros, and it appears safe to confirm that its successor is up to the same task. The 36.3-megapixel D800 has completed its labs tour, leaving reviewers with positive impressions across the board. As always, DPReview offers some of the most comprehensive analysis on the web, and highlights several advantages over the D800's competitor, the Canon 5D Mark III, including a higher megapixel count (36MP vs. 22MP) and a significantly lower price tag ($3,000 vs. $3,500). CNET struggles to identify cons, and praises the cam for its "stellar photos, excellent videos, speedy performance, and a relatively streamlined shooting design." Ken Rockwell brings a D800E into the reviews mix, concluding that the low-pass-filter-less flavor isn't the best fit for everyone. Finally, newcomer The Photo Brigade put the camera in the hands of Preston Mack, a professional on assignment who used the DSLR to capture a GigaPan photo for MLB.com and offered this takeaway: "I am very happy with the Nikon D800 camera. It is an amazing value." Overall, seems like quite a hit -- you'll find links to all of the above reviews just past the break.
HTC reckons it's business time, includes requisite 'pro' suffix
When established enterprise competition is currently hurting, now's the time to strike. At least, that appears to be HTC's thinking, which has refreshed its HTCpro site that encompasses the manufacturer's suit-centered features and mobile solutions. This includes security guidelines for personal devices brought into businesses by its employees and more info on business apps created by its partners. Now, we're obviously all about the mobile business solutions here at Engadget and if you're looking to play buzzword bingo with the likes of maximize, leverage and innovation, you can hit up the source. You should be able to find plenty of excuses reasons why the entire office needs, nay, demands new One Xs.
Koss intros Striva headphone systems, lets you stream music over WiFi straight to your ears
Koss may be known for its budget-minded offerings in the headphone space, but today it's announced something to shake things up a bit. Falling under the Striva moniker, Koss has created what it claims as being the first lineup of headphones to use "WiFi technology that receives music directly from the Internet without wires." To start, there's the over-ear Pro model, loaded with gesture controls for volume and channel adjustments, while an in-ear set, dubbed Tap, is also available for extra portability. Interestingly, the Taps don't use a connecting wire -- instead, "microprocessors" inside of of each earpiece consistently ensure that the stereo signal stays in sync. To elaborate, both models feature Koss' Core, which the company describes as battery-powered microprocessors coupled with WiFi components. Utilizing its new MyKoss server, you'll be able to pull content from a variety of free audio streams and customize your own listening experience with the included music management software. Lastly, if you don't have a WiFi connection -- in cases such as using your cellphone -- each unit comes with a "matchbook-sized" Content Access Point, which lets you create a WiFi hotspot to enable wireless listening wherever you are. If these headphones have piqued your interest, get ready for the kicker: the Taps are priced at $500, while the Pros are set at a slightly cheaper $450. Both models are available from Koss today, and you'll find more info in the press release and video just after the break.
Nikon D3200 sample pics appear on Flickr, make a slightly noisy entrance
Ahead of getting trigger happy with a fully-working D3200 -- rather than the pre-production unit from our hands-on -- we've been checking out some official 24-megapixel samples on Flickr. To our eyes, the images befit the smaller pixel size, namely sharp and high-res, but with a good dollop of noise on the side. Albeit completely unscientific, a blowup compared to an image from the similarly priced Sony NEX-5N looks grainier at the same 1600 ISO. On the plus side, the JPEGs show almost zero compression artifacts, so budget-minded shooters could easily print poster-sized images -- of course, providing they have enough light for a low ISO shot in the first place.
JVC demos GY-HM600, launches HM650 Mobile News Camera with WiFi and FTP at NAB
Sure, you can always roll up with a full-blown sat truck or a camera tethered to a ViaSat SurfBeam 2 Pro Portable, or you can pick up the JVC GY-HM650, which lets you beam those video bytes back to base with any ole hotspot. The company's Mobile News Camera packs a trio of 1/3-inch 1080p 12-bit sensors, a 29-667mm lens, 3.5-inch LCD, SDXC compatibility and HD-SDI outputs, but it also includes WiFi connectivity with FTP server support, letting you record then automatically transmit footage back to a newsroom for editing and broadcast. The camera itself is very compact, considering that it's primarily suited for professional news applications, and also includes all the standard audio hook-ups, like dual XLR jacks, a shotgun mic holder, headphone jack and a separate connector for a wireless mic receiver, along with GPS and Android/iOS app control. JVC also launched another model, the GY-HM600, which offers similar features, save for those wireless connectivity bits. Both cameras look nearly identical, though the company only had the less-abled 600 on display at NAB. That camera will retail for $4,695 when it hits in the fall, while the 650 will cost you $1,000 more, with a winter 2012 shipping estimate. We weren't able to peek at the WiFi model at the show, but you'll be able to get a fairly good idea of how that camera will look in the glass-enclosed HM600 shots below.
Microsoft outs three flavors of Windows 8: Windows 8, Windows 8 Pro and Windows RT
We've known for what feels like ages that Windows 8 would come in at least two flavors: one supporting x86 devices and one for ARM machines. Now Microsoft's ready to put a naming scheme on its much-anticipated menu for the operating system. According to a post on the Windows blog, ARM devices will get Windows RT, while x86 / 64 devices will run Windows 8 and Windows 8 Pro (also for x86 devices) will offer the suit-and-tie set added features for "encryption, virtualization, PC management and domain connectivity." Windows Media Center will be packaged as an add-on for the folks who go Pro. For a full break down of what each version will hold hit the source link below and check out our hands-on impressions of the OS preview here.
Canon Cinema EOS C500 camera hands-on (video)
The familiar EOS-1D C isn't the only Canon camera to make its public debut ahead of NAB. The Cinema EOS series welcomes a third model to the collection this week, with looks that nearly match last year's C300. Unlike that model, which you can already pick up through e-tailers and at specialty shops, the C500 has a long way to go before it gets a shipping nod -- it may not even make it to market in 2012. The $30,000 price tag may pose an even greater barrier to entry than its to-be-announced availability date, however, and may in need of some tweaking before it's ready to compete with already established models, like the much less expensive RED Scarlet. Like the 1D C, the C500 can shoot 4K video -- the most apparent upgrade from the $16,000 C300. To that end, boosting its price tag may be the only way for Canon to avoid cannibalizing that less-abled flavor, since many cinematographers would otherwise pay little attention to the C300, due in part to its 1080p-limited shooting capabilities.It's been a few months since we've last seen Canon's first Cinema EOS model, but the C500 has a look and feel that seems to be only subtly different from the C300. It is noticeably heavier, likely due to the additional cooling gear on board to accommodate 4K shooting. Both flavors include dual CF card slots, which you'll only be able to use for snapping 1080p video -- 4K is fed to an external recorder through the dual 3G-SDI ports, which for obvious reasons you won't find on the C300. There's also a larger grip on board, now a permanent fixture on the C500, which should aid with bare-bones handheld shoots -- but if you're dropping 30 grand on a digital body, some sticks and a dolly shouldn't be far behind. Like its sibling, this year's model ships with either a Canon EOS or industry standard PL mount, so if you have a need for both, you'll need two cameras. Overall, you're looking at the same sleek, albeit slightly unconventional body design, with a price tag that's likely to make amateurs weep and pros run for the rental house. As always, there's a hands-on video waiting just past the break.
VizTools reveals HandiZoom video accessory for Canon DSLRs
Wanna shoot really serious video of the sidewalk on your DSLR, but can't get along with those dicey standard controls? Then maybe VizTools has a solution -- or at least a working prototype it's readying for NAB. The HandiZoom can be operated with only one hand and does motorized zoom with adjustable speed settings, as well as various other primary controls. It hooks up to compatible Canon DSLRs using USB and a rail system, with the aim of making the camera feel more like a traditional news shooter. Check out the video after the break, and then maybe throw down a few more pennies to pair it with one of these.
Sony HXR-NX30 camcorder: built-in projector, 96GB storage for $2,500 (video)
Don't worry, lone gunslingers, today isn't just about the NEX-FS700. Sony's pro range has also been bolstered with the HXR-NX30 for videographers who need to travel light. This model sacrifices interchangeable lenses in favor of a palm-friendly form factor with a 26mm-260mm (35mm equivalent) Carl Zeiss Vario-Sonnar T fixed lens. The camera sports Sony's 'Balanced Optical SteadyShot' technology, which means both the lens and the sensor assembly are floated as a single element to minimize camera shake. Unlike that of the larger NEX-VG20, the HXR-NX30's sensor is shrunken too: it's an Exmor R CMOS that's only slightly larger than 1/3-inch. The North American NX30U variant handles 1920 x 1080 at 60p, 30p and 24p, as well as 60i and 720/60p, stored as AVCHD on the camera's 96GB of internal memory. A detachable XLR unit takes care of pro-quality audio. Weirdly, the HXR-NX30 even houses a built-in projector that plays back 100-inch footage from a distance of 16 feet. It's an interesting feature, but will it be worth its weight? Further specs and a promo video await after the break.
Sony to launch NEX-FS700E 4K cinema camera for $9,000 at NAB?
What would you pay for the ability to capture cinema quality 4K video? $36,000? $18,000? Try $9,000. That's the expected price of Sony's rumored NEX-FS700E, which could launch at NAB next month with a June ship date. EOSHD reports that the camera will pipe 4K video to a dedicated external recorder over 3G HD-SDI. It will reportedly use the same NEX E-mount as its predecessor, the FS100, and may include a trio of neutral density filters to increase versatility. We haven't been able to track down an image of the rumored cinema cam (the model in that image above looks identical to the FS100), but we wouldn't be surprised to see another detail or two leak out before the broadcast community's annual Vegas gathering kicks off in a little over two weeks. For its part, Canon is also expected to announce a 4K EOS-format DSLR at NAB, as a less-expensive alternative to the $16,000 C300, while RED's Scarlet already has 4K capabilities, and a $9,000 price tag.[Thanks, Andrew]
Nikon D800 studio samples posted at DPReview (update: 5D Mark III studio sample added)
Nikon faced some backlash following the announcement of its D800 DSLR, due both to the camera's potentially excessive 36.3-megapixel resolution and its relatively limited top sensitivity of ISO 25,600. Then, less than one month later, Canon revealed its own mid-range full-frame cam -- the 5D Mark III -- with a 22.3-megapixel sensor, and an option to shoot at ISO 102,400. Both models appeal to the same market of professional photographers, but with vastly different specs, which is the better pick? Low-light shooters will likely base part of that decision on high-ISO capabilities, and after reviewing samples from both cameras, there appears to be a winner.DPReview spent some time with the D800, and we took the Canon for a spin last week. We scaled the D800 sample down to 22.3 megapixels to match the 5D, then pasted a 300-by-400 1:1 pixel section from each camera side-by-side in the image above. The D800 JPEG (on the left) appears to be the noisier of the two, which seems logical, considering that Nikon opted to boost the camera's resolution instead of its sensitivity. Still, the cam's top-ISO is quite usable, and if you plan to shoot in a studio setting or can live without a six-digit sensitivity, the D800 will likely suit you just fine. Hit up our source link for samples shot at the full ISO range, including full-res downloads, to make that call for yourself.Update: We've replaced the Canon sample with a studio shot from DPReview, which provides a more accurate comparison. You can find images from both cameras at our source links below.
Polaroid's Pro smartphone series hands-on
It wasn't just Polaroid's tablets getting showing at MWC. The former photographic powerhouse has been readying a selection of Android-powered handsets that it's trying not to confuse with the HD camera seen at CES. Polaroid's Pro phone range seem to be pitched at the Alcatel side of the smartphone spectrum and ironically, given its heritage, the models on show brandished slightly lower-specced camera modules than the final versions. The Pro X11B's 1.3-megapixel camera will increase to two, while the 3-megapixel Pro A12 steps up to a 5-megapixel sensor. Unfortunately, the series' flagship 4.3-inch model displayed in Polaroid's smartphone brochure missed its flight to Barcelona, while, bizarrely, the working mid-range model was running HTC Sense. However, we were told that this software build was apparently there to demonstrate the (poor) screen technology. Build quality is similarly depressing and felt plasticky and out-of-date already. We were told that final models would arrive a little skinnier, but that's only the start of a whole raft of improvements needed here. Polaroid's distribution plans and pricing are still a little blurry, but until we hear more, you can check out our gallery for some close-up details.%Gallery-149167%
Mad Catz shows off MLG Pro controller at CES, for the discerning button pusher
A controller is a controller is a controller. The most innovative additions to console controllers these days usually involve an extra turbo switch, or maybe a fan in the handles. Mad Catz' new MLG Pro Circuit Controller stands out, and was first shown off at CES 2012 last week. Mad Catz worked with Major League Gaming players and other gamers to figure out just what it is they wanted a controller to do, and rather than just add some new lights (or those fans), they took a few good steps forward. The analogue sticks and D-pads are fully removable and customizable, and the controller comes with all sorts of possibilities. With this controller, you can implement the layout you want.
Nikon D4 hands-on and manufacturer sample images (video)
With the onslaught of CES launches still several days away, the big news today is the D4, Nikon's brand new full-frame digital SLR camera. The 16.2 megapixel DSLR offers 1080/30p video capture, an extended ISO range of 100 to 204,800, a 91,000-pixel 3D color matrix meter and a top high-speed shooting option of 11 frames-per-second. And with the D3 first hitting stores nearly five years ago, this FX-mount successor was long overdue. Earlier today, Nikon held its D4 launch event in Asia, previewing the camera before a group of journalists in Hong Kong. We were on hand for a first look at the massive $6,000 pro body, and were quite pleased with what we saw. Jump past the break for our impressions.
Nikon announces D4 DSLR camera: full-frame 16.2 MP sensor, 204,000 extended ISO, $6,000 price tag
More than two years after the D3S began shipping and roughly a half-decade after we first got a peek at the D3, Nikon has finally announced the full-frame DSLR's long-awaited successor. As expected, the Nikon D4 boosts both megapixel rating (to 16.2) and extended ISO (204,800 at Hi-4), and includes a brand new full-frame FX-format sensor. Video capture also jumped from 720/24p to 1080/30p, but so did the camera's somewhat-out-of-reach price tag -- you'll be dropping $5,999.95 when the D4 hits stores in late February. You're clearly not spending all that hard-earned photo dough for nothing, though. There's also a 91k-pixel RGB 3D Color Matrix Meter III, compared to a 1,005-pixel meter in the D3S, enabling the camera to evaluate the color and brightness of a scene with much greater precision, yielding much more accurate results. And since the D4 reportedly offers phenomenal low-light performance, you'll probably be using it quite often in the dark -- letting you get good use out of the new back-lit controls. Photographers can preview images using the 921k-dot 3.2-inch LCD, which offers a 170-degree viewing angle and ambient light sensor. HD video can be previewed on the display as well, or directly through the HDMI port, which also supports uncompressed 8-bit preview video output with optional overlay. Naturally, the D4 is fast. It can power on and be ready to shoot in approximately 0.012 seconds, and can capture 10 fps stills at full resolution with full auto focus and exposure. Willing to lock both AF and AE? The D4 goes to 11. A new 51-point AF system offers full cross-type focusing that's compatible with all Nikon lenses, even when paired with a teleconverter. The D4 includes two card slots with support for both UDMA-7 CF and the recently-announced XQD format, which brings write speeds of up to 125 MB/s -- enough to capture 105 consecutive RAW images at 10 fps. You'll find full details and specs on the D4 just past the break, along with an overview of Nikon's new AF-S NIKKOR 85mm f/1.8G FX-format lens, which is set to ship in March for $499.95.
Canon EOS-1D X first hands-on (video)
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa Nikon D5100 DSLR surfaces with 16.2 megapixel sensor, 1080p video recording Canon's EOS-1D Mark IV gets unboxed, high ISO modes tested Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X -- the latest in a series that dates back to 2001 with the EOS-1D. As you've probably noticed, the company's new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We've been anxiously awaiting an opportunity to check out Canon's new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company's Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.%Gallery-137442%
