Nab2011
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Apple announces Final Cut Pro X, rebuilt from ground up with 64-bit support (update: $299 in June)
Apple's just announced Final Cut Pro X at NAB, and Chief Architect of Video Applications Randy Ubillos is demonstrating a beta release as we speak. The "rebuilt from ground up" video editing suite -- which now shares a similar look and feel with iMovie -- will be shipped with 64-bit support to finally make use of more than 4GB of RAM, as well as handling 4K clips on 8-core editing rigs (by way of the Grand Central Dispatch feature on OS X Snow Leopard). Most notably, though, is that this new FCP will always be rendering instantly in the background, meaning you can edit on the fly much like you do on iMovie! There's also a whole stash of other new features: editing before media ingest, magnetic timeline, people detection, instant color matching between clips, smart collection of media based on custom keywords and people, auto image stabilization on import, and many more. Itching to get your hands dirty with Cupertino's new video tool? You'll be able to download it from the Mac App Store in June for just $299. Update: @robimbs has just posted a video of Randy Ubillos' wrap-up at the show. We've got it after the break.
Blackmagic announcing a free version of DaVinci Resolve
This week at NAB 2011, Blackmagic Design has announced version 8 of the very high-end dedicated color-grading solution DaVinci Resolve. The upgrade brings XML support, multi-layer timelines, curve grading, noise reduction, stabilization, automatic 3D matching and OpenCL acceleration to the solution, making it a substantial upgrade. Unfortunately, if you don't have an equally high-end paycheck then the US$29,995 price for the full system is probably prohibitively expensive, and even the software-only version costing US$995 may stretch many people's budgets. If you're in that boat, Blackmagic has some good news for you: it's releasing a free version in the form of DaVinci Resolve 8 Lite to "help promote the art of color correction."
Dear Apple, here's our Final Cut Studio wishlist
Today the NAB exhibit hall opened, and just about everyone in the video world is showing off the hot new stuff they've been waiting to announce to video professionals from around the world. Apple, however, is notably absent again this year, choosing instead to make an announcement tomorrow evening at the Final Cut Pro Users Group SuperMeet. As rumors of a long awaited update to Final Cut Studio started circulating, we asked you how the new version needed to change. While some commentators defended Final Cut Studio enthusiastically, most of us feel that an update is long overdue despite our affection for Apple's professional video suite. Some users have already jumped ship because their needs are better filled by alternative editing applications, while other users plan to give Apple a chance to meet all their needs with a new update before deciding to explore other options.
Matrox strikes at NAB, first to market with Thunderbolt products
Word out of NAB is that Matrox, known best for enabling day-traders to run an excessive number of monitors off a single graphics card, will be the first company to market with peripherals designed to use Thunderbolt. All the latest models of its MXO2 family of video I/O boxes will be shipping with Thunderbolt on board, while budding film makers using the current gen MXO2 devices will be able to push 10Gb worth of pixels per second by picking up an adapter. Matrox didn't announce a firm release date or price, though we expect it will fall in line with the current products, which range from $449 up to almost $2,400 for the MXO2 Rack with Matrox Max. They're not exactly must have accessories for the average user, but if you simply can't wait any longer to put those Thunderbolt ports to use, it's the only game in town.
Thunderbolt peripherals announced at NAB this week
Sure, you've got a shiny new MacBook Pro with that top-of-the-line Thunderbolt interface, but odds are that you don't have anything besides a DisplayPort adapter to plug it into yet! Worry not -- the National Association of Broadcasters is meeting in Las Vegas this week, and a few companies there are announcing new products designed to work with the Thunderbolt interface. Matrox and AJA are announcing breakout boxes to hook up current products to the Thunderbolt port, while Blackmagic Design has a box called UltraStudio 3D designed to transfer high-quality 3D video (that's two different streams in full resolution), and PROMISE is showing off both SAN/FibreChannel adapter boxes and the previously announced RAID hard drive solutions. Not so coincidentally, we were just talking about the likelihood of new Thunderbolt gear on last night's Talkcast. Before you get too excited, know that most of these product announcements are just that -- the actual products probably won't be out later this year, and most of these products are for high-end audio or video editing rather than anything your average consumer would need. But the key here is that we are seeing some adoption of this new standard at the highest levels, and that's good news for anyone who owns an Apple computer, since Apple has already decided that Thunderbolt is the new interface of choice. Bottom line: That new port on your MacBook Pro has more uses every day. [via MacRumors]
Sony shoots out CineAlta F65 4K camera and PMW-TD300 3D camcorder at NAB
The current trend in the world of home theater may seem like 3D cinematography is all the hype these days, but Sony's latest imager in its CineAlta family begs to differ. Unveiled at the 2011 NAB Show, this F65 mammoth camera (pictured right) packs one beastly 20.4 megapixel, Super 35mm CMOS sensor -- a huge leap from the F35's 12.4 megapixel 1080p CCD. Aside from the obvious quantitative difference, what's special about this new chip is that unlike the Bayer BG-GR subpixel matrix on conventional 4K sensors, here we have green pixels forming the 4K grid while an RB-BR matrix fills in the space, thus doubling the number of horizontal pixels to 8K for a finer 4K picture (see illustration after the break), as well as allowing better visual effects editing using the extra data. What's more, this sensor is fast -- not only can it capture up to 72fps on 4K, but it can also crank up to a smooth 120fps on 2K. As for those seeking to squeeze out every bit of detail from their clips, don't worry: the F65's got you covered with a 16-bit RAW output (19Gbps) at 4K resolution, or it can be compressed to 5Gbps for the convenience of recording onto the new SR-R4 portable 4K recorder. Looks like Sony's finally found a candidate that'll put a lid on film stock, but then again, at the end of the day it'll depend on the price tag when it comes out in Q3 this year. Of course, Sony isn't going to just ignore the 3D scene here. Also announced at NAB is the PMW-TD300, which will be the first professional 3D camcorder sporting a shoulder mount. Featuring a pair of Exmor 3CMOS sensors, hardcore cameramen will finally be able to go mobile with this new toy while filming 3D in 1080p. Not sure how the videos will turn out, though -- we're not keen on the idea of watching shaky and potentially nauseating 3D captured by someone running along the sideline. Anyhow, this camera will be up for grabs in Autumn this year. [Thanks, Blackjack]
Panasonic's AG-3DA1 camera will shoot 3D video, Robonaut vlogs on the International Space Station
NASA's Robonaut 2 is something of a celebrity around these parts, owing to his dashing good looks and insatiable appetite for publicity, which can now be put to good use with a new toy the landlubbers are sending his way: a professional 3D camera. The human-aiding robot that presently calls the International Space Station home will soon be joined by Panasonic's AG-3DA1, a full 1080p 3D video recorder with twin lenses and dual 2 megapixel 3MOS sensors. Panasonic is also loading up the next Space Shuttle Atlantis flight to the ISS (scheduled for June 28th) with 25.5-inch 3D LCD monitors and rugged Toughbook laptops to help with documenting proceedings aboard the research vessel. The new shooter costs a whopping $21,000, and though it's not clear whether NASA paid for it or Panasonic just decided to be charitable, the space agency should have the cash to splash after deciding to shelve the James Cameron-approved project to slap a zoom-equipped 3D imager on its next Mars rover. We're just wondering if the human world is quite ready for 3D video blogs from its favorite robotic astronaut.
LG adds 'Tweet-TV' enabled Android phone to its list of Mobile DTV prototypes
Whenever mobile digital television broadcasts finally take off LG will be ready and its latest concept design -- following the autostereoscopic 3D screen shown at CES -- is the Tweet-TV pictured above. At the National Association of Broadcasters show this week it's demonstrating the prototype Android phone with a Harris MDTV antenna that also pulls in relevant tweets and displays them over the broadcast being watched. Whether or not a dose of social networking will help MDTV succeed where others have failed remains to be seen but first we'll see if it manages to reach 40% of the US population later this year. The press release and a bigger picture follow after the break.
What do you want to see in the next Final Cut Studio?
It's no secret that many post-production professionals feel Final Cut Studio has been falling behind over the last two years. While Apple has taken its time developing a new version of its video suite, competitors like Adobe have jumped ahead with significant updates; some have even questioned Apple's commitment to its Pro apps and hoped that Final Cut Studio doesn't go the way of Shake. As we reported yesterday, that is hopefully going change with Apple's announcement at the Final Cut Pro User Group SuperMeet on April 12, coinciding with the National Association of Broadcasters convention.
