OpticSwap

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  • Lensbaby Edge 80 Optic brings a slice of tilt-shift to your life (sample photos)

    by 
    Darren Murph
    Darren Murph
    02.14.2012

    C'mon, admit it -- if you won one of many lotteries, you'd be purchasing a legitimate tilt-shift lens right after picking up a new Ferrari and buying a chocolate factory. Given that said scenario is highly unlikely to pan out, Lensbaby is stepping in to make the letdown a bit easier to stomach. The Edge 80 Optic is the latest in the outfit's growing Optic Swap system, which is compatible with the Composer Pro, Composer, Muse, Scout and Control Freak, and it's capable of transforming those bodies into "a tilt lens that delivers a slice of sharp focus through an image that falls off to a soft blur." There's a 12-blade adjustable aperture (f/2.8 through f/22), and when not shifted, it's fully capable of taking flat (read: standard) photographs. As the name implies, there's an 80mm focal length, but macro lovers should be aware that you'll need at least 17-inches to focus on your subject(s).We've been toying with one on our D3S over the past few days, and it certainly does what it says; moreover, it's far easier to justify at just $300. (For those unaware, dedicated T-S lenses can easily top $1,500.) And if you're already invested in the Optic Swap system, it makes even more sense. Granted, it takes some work to compose a shot. You'll need to rely on manual mode, and you'll need to tweak your ISO to match your desired aperture and available light. Leaving the ISO too high while using f/2.8 in broad daylight will result in white captures, while not boosting the ISO enough after dark will leave your shot murdered out. Once you've got your settings right, though, the lens couldn't be easier to operate, and the shift + lock mechanism is as smooth as butter. We threw together a gallery of our favorites taken recently in Hawaii and French Polynesia, so dive in below to see if this piece of kit is deserving of your attention.

  • Lensbaby tempts the serious crowd with Composer Pro lens peripheral

    by 
    Darren Murph
    Darren Murph
    04.04.2011

    We've been big fans of Lensbaby for quite some time, but up until now, its wares weren't exactly ideal for the professional crowd. It seems that the company's angling to change that with its latest release, the duly-named Composer Pro. For all intents and purposes, this is a fresh take on the existing Composer, with an upgraded swivel ball / focus mechanism that delivers smoother focus and tilt control to those who need it to make ends meet. In case you're wondering, the Pro is compatible with the Lensbaby Optic Swap System, and it'll ship with either the Double Glass Optic ($300 for the bundle) or the new Sweet 35 Optic ($400) installed. Head on past the break for the full breakdown of specifications, and look for this one to ship momentarily from your fav-o-rite e-tailer.

  • Lensbaby goes practical with aperture-adjustable Sweet 35 Optic

    by 
    Darren Murph
    Darren Murph
    03.05.2011

    We love a Lensbaby lens as much as the next hipster, but if there's one thing the Optic Swap system isn't, it's fast. Switching out aperture plates is a royal pain, and for those looking to simply capture moments as they happen, it's a system that simply doesn't work. The company's apparently aiming to fix that with the introduction of its first 35mm optic with a 12-blade adjustable aperture. The Sweet 35 select focus optic requires but a twist to change the aperture, and in turn, the "sweet spot." 'Course, you'll still need to find yourself adequate light (or boost your ISO / slow your shutter) before stepping that aperture value up too high, but at least now it's easier than using a magnetic tool to fish one plate out and drop another in. The lens has a maximum aperture of f/2.5 and steps all the way down to f/22, and it'll focus down to 7.5 inches from the front of the lens. The downside is that this particular optic isn't compatible with current 37mm Lensbaby accessories, nor will it function with the Composer with Tilt Transformer for Micro Four Thirds and Sony NEX cameras. Still, for $180 it's easily the most practical thing the company has ever delivered, and we definitely hope this is just the beginning of a trend it intends to push.