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Sony Alpha firmware updates bring record button disabling on NEX-7, DSLR lens improvements
Sony's NEX-7 may be fast approaching its first birthday, but that doesn't mean the company's ready to give up on pushing out updates. The camera's first new firmware version, 1.01, should be hitting today, bringing with it the ability to disable the Movie Record button to avoid accidental taps (finally!), boosted image quality with a wide-angle lens, improved audio playback and expanded EV bracketing. An option to disable the EVF eye sensor doesn't appear to be included with this revision, unfortunately. Other updates hitting at the same time include E-mount lens firmware v.01 that'll enable NEX-5R/NEX-6 Hybrid AF functionality with older lenses, A65/A77 firmware v1.06 and A37/A57 firmware v1.03, both of which deliver the ability to enable/disable the movie record button while also adding a variety of lens compensation options for select Alpha optics. All of these updates should now be live -- head over to the source link below for the hook-up.
Slickdeals' best in tech for September 24th: Dell UltraSharp display, 50-inch LG HDTV and a Canon Rebel T3 bundle
Looking to save some coin on your tech purchases? Of course you are! In this round-up, we'll run down a list of the freshest frugal buys, hand-picked with the help of the folks at Slickdeals. You'll want to act fast, though, as many of these offerings won't stick around long. Sometimes your gadget needs are a bit more diverse. For those who are in need of devices that do more than enhance your current computer, this round of links may be just what you're looking for. From living room speakers to a 50-inch plasma HDTV, there's a duo that could make football season more enjoyable. If you're home entertainment setup is already covered, perhaps a new 24-inch display or a digital SLR kit could get some use in your arsenal. Enough with the chatter, though, head on past the break to take a look -- but keep a careful eye on those discount codes and rebates.
Sony reveals the Alpha A99, its first full-frame flagship since 2008's A900 (hands-on)
It's not every day that a digital SLR manufacturer releases a new full-frame camera -- in fact, it's not even every year. Sony's last top-end model, the A900, was first released four years ago, so you better believe its successor offers an overflowing boatload of enhancements. The Alpha A99 is a flagship if ever there was one, crushing every other Sony still camera in terms of capability, both when it comes to stills, and in the HD video realm as well. With this $2,800 behemoth, the company is targeting both professional photographers and leading filmmakers, with plenty of features that will appeal to both. The centerpiece is an all-new 24.3-megapixel Exmor sensor (nope, it's not the rumored 36MP chip you might be expecting), which features an increased photodiode area for boosted low light quality (up to ISO 102,400). The camera also features what Sony's calling the "world's first dual-AF system," which includes two different phase-detect AF systems, including the same 19-point system on the A77, plus an additional 102 points on the imager itself. Video shooters will find 1080/60p and 24p options with AVCHD 2.0, including uncompressed output through HDMI (with simultaneous output to a monitor) and phase-detect focus support in video mode. There's also a 6 frames-per-second burst mode, 14-bit RAW output for stills, the same 921k-dot Xtra Fine twilt-and-swivel LCD included with the A77 with WhiteMagic and TruBlack, and the same OLED viewfinder found on the A77, NEX-6 and NEX-7, that offers slightly boosted functionality thanks to the full-frame sensor, letting photographers snag a realtime depth-of-field preview without dimming the finder. It also offers a 34-degree viewing angle and color tone adjustment control. Because the A99 offers a translucent mirror, Sony was able to eliminate the pentaprism to keep the size and weight at bay, making the DSLR lighter than the Nikon D800 and Canon 5D Mark III. Jump past the break for our hands-on.%Gallery-163051%
Canon EOS-1D X field review
Just before Halloween in 2009, Canon announced its most powerful DSLR to date. The $5,000 professional-grade EOS-1D Mark IV was the company's answer to Nikon's market-leading D3S, which rang in just shy of $5,200. On the basis of price alone, Canon won that round. Then, after two years of silence, the company launched its new flagship, the 1D X. The date was October 18th, 2011 -- roughly 10 (or "X") years after the very first model in the series was announced, way back in 2001. A decade ago, Canon priced that introductory 1D at $5,500 -- a princely sum considering the 4.15-megapixel CCD on board. Now, the 1D X, which is arguably the most powerful sub-five-figure camera available, commands 6,799 of your hard-earned dollars, or $800 more than the D4, Nikon's $6,000 equivalent. All this talk of price may seem to skirt the camera's long list of lust-worthy features, but when the cost of any piece of hardware approaches a year's tuition at a public university, a purchase decision deserves thorough consideration. A camera in this league is absolutely to be used as a professional tool. And while deep-pocketed amateurs may pick one up -- in the way folks with cash to burn may build a collection of overpowered two-seaters -- the vast majority will live in $30,000-plus kits, where they'll reach six-figure shutter counts, and will likely change hands several times before their eventual retirement. Right now, you're probably researching the 1D X as exhaustively as you would a new car -- in fact, you may have even lined up a test drive, through the company's Canon Professional Services group. Many months after it was first announced, we've had an opportunity to take the new eXtreme model for a spin ourselves, and it's every bit as impressive as its price tag suggests. Canon's top model isn't any smaller or lighter than its predecessors, the 1D Mark IV or 1Ds Mark III -- but is all that bulk justified, despite strong contenders like the workhorse 5D? Buckle up and join us in the field (ahem, after the break) to find out.%Gallery-163255%
Olympus confirms new high-end Four Thirds DSLR 'currently under study' following vague Facebook post
Visitors to Olympus' UK Facebook page were met with some "BREAKING NEWS!!" on Friday. According to the post, the camera maker is developing a new DSLR that would theoretically offer focusing performance on par with the OM-D, while providing native compatibility with the company's high-end Zuiko Digital ED lenses, such as the 90-250mm f/2.8. We reached out to Olympus reps in the US, who added the following: "A new camera body is currently under study to complement our line of Zuiko Digital Specific Four Thirds lenses. However, Olympus has NOT issued a press release on this new camera body." With Photokina just a month away, it's unclear whether or not this new mystery DSLR will make its debut there, but it's certainly a possibility. As for looks -- that's anyone's guess, though the company's social media arm opted to include a picture of the E-5, which serves as Olympus' current full-size flagship. You'll find the full Facebook post at the source link below.
Premium Collection hot shoe covers are cufflinks for your cam, let you dazzle up that DSLR
You love the focus speed, image quality is top-notch and even videos turn out just as expected -- still, there's something missing with your latest DSLR, though it's just a tad hard to place. What your camera needs is some bona fide bling. Not using that hot shoe for a flash or EVF? It's time to tuck in a beautiful raised floral cover, elegantly outfitted in a shiny silver finish. It's sure to stand out against the contrast of an all-black body, though it'll feel equally at home on your silver Leica. Designed by Jay Tsujimura in Tokyo, Premium Collection includes matching hot shoe and shutter release covers, letting your camera stay coordinated just like your cuffs. They're priced to fly off store shelves at a mere ¥24,150 (about $300) each -- get an up-close look in our gallery and at the source link below.%Gallery-162718%
Nikon releases D4 firmware 1.02 with minor display, formatting, network stability improvements in tow
Have you managed to get your hands on Nikon's elusive D4 full-frame DSLR? It should be smooth sailing from here, with the occasional firmware update being your only critical acquisition going forward. D4 firmware 1.02 brings a handful of minor fixes, but if you're in need of any of the enhancements listed below, it's surely a must have: Format memory card can now be added to My Menu. Gamut for Adobe RGB images displayed in the camera's monitor has now been changed. This enables more vivid display of images. The stability of network connections when the FTP upload option is selected has been increased. When recording movies using a lens with an aperture ring in [P] or [S] exposure mode, and Aperture ring selected for Custom Setting f10: Customize command dials>Aperture setting, the minimum aperture was applied. This issue has been resolved. When a still image captured during movie recording with 1920 ×1080; 30 fps; crop, 1920 × 1080; 25 fps; crop, or 1920 × 1080; 24 fps; crop selected for Movie settings>Frame size/frame rate and Live frame grab selected for Custom Setting g4: Assign shutter button was displayed in Capture NX 2 or ViewNX 2, the position of the focus point displayed differed from actual recording position. This issue has been resolved. An issue that caused the camera to freeze when attempting to format a memory card (setup menu > Format memory card) while the camera was connected to a network in HTTP server mode has been resolved. OS X and Windows users alike can hit up the source link below to get their download on.
Pentax K-30 weather-sealed DSLR hands-on with sample photos and video
We can count on one hand the number of times a waterproof camera was the only suitable option for any given photo shoot, but drizzle and even flash monsoons can strike at any moment, especially in some locales. Most clothing and other analog gear can survive such attacks of mother nature nearly unscathed, but smartphones and cameras are another story altogether -- unless they're coated in head-to-toe weather sealing, of course. Pentax may not be a top player in any digital imaging category, but the company does have a few serious DSLR contenders, and should be taken seriously for anyone in the market for a new ILC. The manufacturer's latest swappable-lens model, the K-30, is quite a respectable beast, and a fairly solid value at $900 with an 18-55mm kit lens. Beneath that steel and polycarbonate black housing there's a 16.3-megapixel APS-C sensor with shift-based stabilization, a 100-percent FOV optical viewfinder, a color-adjustable 921k-dot 3-inch LCD and a bevy of manual control options, for stills and video alike.%Gallery-158809% We put the K-30 through its paces during a half-day shoot around NYC. There was no rain, sand or snow in sight, but the brutal heat and humidity didn't take any toll, with the camera offering consistent performance and excellent battery life for hours on end (we captured nearly 700 stills with live view and a few minutes of video with plenty to spare, and you can also swap in four AA lithiums for up to 1600 shots). We spend much of our time shooting with mirrorless cameras these days, but when absolute portability is less critical, there are obvious benefits to lugging around a full-size DSLR like the K-30. The camera was able to shoot with perfect exposure and white balance in almost every situation and images captured with the 18-135mm f/3.5-5.6 kit lens were sharp and vibrant. Video performance was sufficient as well -- most of our clips were captured at 720/30p, but 720/60p and 1080/30p are also on offer. Focus wasn't the fastest we've seen (the Olympus E-M5 still holds the title), but the lens adjusted accurately even in low light, especially when aided by the green illuminator. High-ISO performance didn't blow us away with noise reduction deactivated -- noise was visible at a 25-percent view at ISO 12,800 and a 12.5-percent view at the ISO 25,600 extended setting, but the sensor-shift stabilization mode enabled us to capture sharp handheld shots at 1/40 second, so it's not terribly difficult to avoid venturing into that high-sensitivity zone. Pentax also added a unique Astrotracer mode, which moves the sensor precisely for long night-sky exposures, using an optional GPS module to provide location and direction information (there was no way to test this feature in NYC, where the city lights never sleep). We did have a chance to test out that weather sealing, however -- the camera functioned just as well while under a running water fountain as it did on dry land. Overall, we were quite impressed with the K-30 -- it's one of the best sub-$1,000 DSLRs we've used to date, and if you've made an investment in Pentax KAF2 glass (or you're ready to load up now), you can expect to be pleased. Click past the break for a sample gallery and video.
Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on)
There wasn't much reason to upgrade with last year's T3i, but that's certainly not the case with the Canon EOS Rebel T4i. This new entry-level DSLR packs a redesigned 18-megapixel APS-C CMOS sensor with brand-new focus capabilities, enabling the camera to use both phase- and contrast-detection autofocus when paired with one of two new STM lenses. The center portion of the sensor uses traditional phase-detection technology, while points nearer to the perimeter aid by recognizing contrast in a scene, enabling a more accurate autofocus technique for both stills and video shooting. On the video front, the new lenses -- an EF-S 18-135mm f/3.5-5.6 IS STM for $550 or the EF 40mm f/2.8 STM "pancake" for $200 -- allow for much more silent zoom and focusing during video capture, so you don't need to worry about those sensitive stereo mics picking up mechanical noise. The camera still did a bit of focus hunting while recording video during our hands-on, but autofocus performance was quite impressive while capturing stills, even in low light. On the spec front, there's an articulating 3-inch Clear View smudge-resistant glass LCD, with a 1.04-megapixel resolution and new capacitive multitouch functionality, letting you pinch and zoom pictures and tap your way through menus just the same -- you'll still have the full array of physical controls if you'd prefer to go that route. There's the same bounty of video modes available with the T3i and T2i, including 1080 at 30p, 25p and 24p, 1080/60i and 50i, and VGA at 30 and 25 frames-per-second -- there's also a stereo mic on board, along with a dedicated microphone input jack on the side. In burst mode, the T4i can snap up to 5 consecutive frames per second. The camera also includes the same LP-E8 battery pack as previous Rebels, with a 1120mAh capacity. The Rebel T4i will be available in a body-only configuration for $850, $950 with the 18-55mm kit lens or $1200 with the new 18-135mm STM optic, all of which are set to ship later this month. If you feel that the new features don't justify the price, you'll rest easy knowing that Canon has no plans to pull the T3i from store shelves -- that T2i, however, is destined for retirement.%Gallery-156563%
Nikon pushes out D4, D800 firmware update, fixes lock-up issues and other bugs
It wasn't long ago that we heard about the "lock-up" woes D4 and D800 owners were experiencing on their shiny new shooters, but luckily for them, Nikon just outed a fix to take care of those issues. Aside from solving the aforementioned annoyance, the firmware update (B:1.01) also mends a problem allowing RAW files to be network-transferred while in JPEG-only mode, as well as a bug causing bits like aperture and exposure compensation to change unexpectedly when using certain custom settings. You can grab the updates now via the source links below, and be sure to let us know how it all turned out in the end.
Pentax makes K-30 official with weatherproofing and 1080p video
Pentax didn't wait long after a rather conspicuous leak to make the details official: welcome the K-30, the company's spiritual successor to the long-serving K-r. The camera makes its biggest numerical jump in sensor size, from 12.4 megapixels to 16, but you're primarily shelling out for a much tougher body that's both resistant to rain as well as to dust and temperature extremes; one of the cheapest cameras to do so, if you go by Pentax's word. We're slightly down on the light sensitivity being unchanged from three years ago at ISO 100 to 25,600, though you can now shoot video at a much higher 1080p at 30 frames per second -- and that French catalog was wrong about a drop in burst speeds, which still top out at a healthy 6 fps. Should you be committed to the K-mount ways, stores will have the K-30 in July at $850 body-only and $900 for an 18-55mm kit. While you're in the shop, there will also be a new 50mm f/1.8 prime lens to pick up for $250. %Gallery-155874%
Pentax K-30 leaks out in French catalog, teases us with weather resistance and 1080p video
It's been more than a year and a half since Pentax first put out the K-r as its entry DSLR, so it's about time that a sequel roll along to keep the company in the game. If we believe a French catalog, the K-30 should soon one-up its 2010-era brother with a new 16-megapixel sensor and an upgrade to "full HD" (read: likely 1080p) video from the 720p of today. Most of the real change, though, appears to be on the outside: the body would be "tropicalized," which we're sure means weather resistance and not a trip to Tahiti. We'll be a bit disappointed if there aren't subtler under-the-hood changes, though, as the ISO 25,600 sensitivity wouldn't be any different than with the K-r, and the four frames per second continuous shooting would be a decided step back from the six of the K-30's ancestor. The €799 ($1,014) with-tax price for an 18-55mm kit version likewise seems a bit steep for an entry DSLR, although we'll bite given that this is the "maximum." Let's just hope there's some wild color options in the pipeline whenever the K-30 arrives.
Panasonic Lumix GF5 looks identical to its predecessor, offers similar specs for $100 more (hands-on)
It's been a bumpy ride for Panasonic's GF line of Micro Four Thirds cameras. The GF1, an excellent mirrorless camera for its time, was soon replaced with a less-capable entry level model, the GF2. Then another, the GF3. And now, it's time to say hello (again) to the GF5. For better or worse, the GF3 won't be going away -- it'll sit tight at its new $500 price point (with a 14-42mm kit lens), ready to confuse consumers looking to purchase its nearly identical, yet $100 pricier, pseudo-replacement. Both cameras come equipped with 12.1-megapixel Live MOS sensors, though the newer model adds a "High Picture Quality" distinction -- it's been dubbed a 12.1-megapixel "High Picture Quality" Live MOS sensor. So, naturally, we're going to expect some pretty incredible images. Panasonic has also added an ISO 12,800 "extended" mode (the GF3 topped out at a native ISO 6400). There has been a jump in the video department, with 1080/30p MP4 recording joining the 720p mix. Burst mode capabilities have seen an increase as well, from 3.8 frames-per-second to... 4. Finally, it's slightly larger, due to a more substantial (and more comfortable) grip, though battery life has dropped from 340 shots to 320, likely due to a new processing technique aimed at further reducing noise in low-light captures. The GF3 and GF5 look so similar that we mistakenly photographed the former for a minute or two, only realizing the error when we flipped on the LCD. The 5 has a much-improved touchscreen, with a 920k-dot resolution (460k dots on the GF3). It looks gorgeous by comparison, but amateurs making the switch from a point-and-shoot may not take notice. The features they'll appreciate most relate entirely to the GUI, and include a highlight window for selection options, 14 filters with a realtime preview option, a background image that appears on the main menu and a filter recommendation while in Intelligent Auto. This feature works by suggesting that you apply the Expressive or Toy Effect if you're taking a macro shot, for example. Other additions include a stereo microphone for video capture, though the left and right mics are positioned oddly near each other -- on either side of the word "MIC" on the top of the camera, with the right mic angled towards the left -- so we can't image that you'll be getting a true stereo effect. Like its predecessor, the GF5 is clearly designed with beginners in mind -- more advanced photogs should consider the GX1 -- but with a $599 sticker price (with 14-42mm lens), it's sure to be a hit.
Canon 5D Mark III hits US retailers, available in stores today
Well, that didn't take long at all. Hours after our Canon 5D Mark III review went live, we've received word that the camera is already available for purchase, and if you happen to live in New York City and can make it to B&H before 7PM, you could even take one home today! A call to the retailer confirmed that there are just three kits available, each with a 24-105mm f/4 L IS USM lens in the box for $4,299. If you're looking for a body-only version, you'll need to hang tight, but if you don't mind splurging on the pricey duo, now would be the time to cancel those Thursday night dinner plans in favor of some low-light NYC shooting.
Canon EOS 5D Mark III field review
Shoot in the dark. That's essentially what you can do with the Canon 5D Mark III -- with a top sensitivity of ISO 102,400, what was once unfathomable could soon become an acceptable standard. While point-and-shoot manufacturers are adding WiFi and GPS, and tweaking algorithms in an effort to boost sensitivity beyond the 6400 mark, Canon and Nikon are making clear cases for a DSLR upgrade, by drastically improving image quality. The 5D Mark II had an excellent three-year run, but with its 22.3-megapixel sensor, 1.04M-dot 3.2-inch LCD, improved autofocus and high-performance video capabilities, Canon's latest full-frame DSLR is an entirely different beast, and a very compelling successor. We spent two glorious weeks with a pre-production 5D Mark III before reluctantly shipping it back to Canon. The biggest benefit (for us, at least) has been high-ISO shooting. While the former 5D could theoretically handle ISO 25,600 captures as well, its native range topped out at 6400 -- venturing beyond that territory meant taking a hit on image quality, making it a seldom-used feature that benefited the camera's spec sheet far more than our low-light snap collection. With this latest iteration, we were able to capture sharp images in environments where there was far too little light to make out details with the naked eye, just as we have with the larger (and pricier) Nikon D3S. Our resulting scenes look like they were lit with sophisticated rigs, or in an environment that allotted far more natural light than was actually available. Low-light shooting is but one benefit of the Mark III, however, so join us past the break for a closer look in our field review.
Nikon D800 studio samples posted at DPReview (update: 5D Mark III studio sample added)
Nikon faced some backlash following the announcement of its D800 DSLR, due both to the camera's potentially excessive 36.3-megapixel resolution and its relatively limited top sensitivity of ISO 25,600. Then, less than one month later, Canon revealed its own mid-range full-frame cam -- the 5D Mark III -- with a 22.3-megapixel sensor, and an option to shoot at ISO 102,400. Both models appeal to the same market of professional photographers, but with vastly different specs, which is the better pick? Low-light shooters will likely base part of that decision on high-ISO capabilities, and after reviewing samples from both cameras, there appears to be a winner.DPReview spent some time with the D800, and we took the Canon for a spin last week. We scaled the D800 sample down to 22.3 megapixels to match the 5D, then pasted a 300-by-400 1:1 pixel section from each camera side-by-side in the image above. The D800 JPEG (on the left) appears to be the noisier of the two, which seems logical, considering that Nikon opted to boost the camera's resolution instead of its sensitivity. Still, the cam's top-ISO is quite usable, and if you plan to shoot in a studio setting or can live without a six-digit sensitivity, the D800 will likely suit you just fine. Hit up our source link for samples shot at the full ISO range, including full-res downloads, to make that call for yourself.Update: We've replaced the Canon sample with a studio shot from DPReview, which provides a more accurate comparison. You can find images from both cameras at our source links below.
Canon EOS 5D Mark III high-ISO sample images (hands-on)
Canon unveiled its highly-anticipated EOS 5D Mark III just 10 days ago, but we already have a pre-production sample in-hand, and will be putting it through its paces over the next week. Today's installment focuses on high-sensitivity still image shooting, which we conducted at Gyeongbokgung Palace in Seoul, South Korea. We chose a dimly lit temple as our test subject, shooting a handful of images at ISO settings ranging from 800 to the camera's top native sensitivity of 25,600, and extended modes of ISO 51,200 and ISO 102,400. All images were captured at f/8 with a 24-105mm L lens.As expected, the camera offered excellent performance at all of the native settings -- as you can see from the image above, there's some noise noticeable when viewing an image at full size, though considering the camera's top resolution of 22.3 megapixels, we hardly see ISO 25,600 being an issue. Jumping beyond the top native range did yield significant noise, but assuming you're shooting for the web, even these settings are usable. Chances are, you won't often be examining images at a 1:1 pixel view, so jump past the break to see how each of the four frames represented above will look when scaled to a web-friendly 600-pixels-wide resolution, then hit up our source link to grab full-res JPEGs of each image captured during the shoot.
Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB?
With both its 1D and 5D-series models already confirmed for 2012, today's Canon teaser hints at something slightly different -- and, according to our sources, a major announcement. The event is set for April 15th -- during the National Association of Broadcasters (NAB) show in Las Vegas -- further confirming that whatever imaging device we'll see will likely be geared towards the motion picture and television communities. So, what could it be? A new Cinema EOS cam with a 1D form-factor? A lower-priced model poised to compete with the RED Scarlet? We have but a month to wait for confirmation, so if you haven't already placed your C300 order, it might not be a bad idea to hang tight until after Canon's Tax Day reveal.
Nikon D4 hands-on with sample images, video
Remember when we were in a tizzy about the Nikon D4, way back in January? We got to play with this tank of a DSLR a bit, but sadly weren't permitted to actually publish any of the photos or video that we shot with the thing. Sure, we've seen some samples of it in action, but it's not quite the same. Thankfully, the company made our late-February that much better, allowing us to take the D4 on a jaunt around the city, a couple of weeks ahead of its mid-March launch. We strolled around Washington Square Park and 6th avenue, with the beast of a camera in-hand, shooting tourists and scenery, before popping by a subway station to have a go with the camera's purported excellent low-light capabilities that we've been hearing so much about. Click on through to take a look at some sample video.%Gallery-149058% %Gallery-149055%
Canon EOS-1D X and Nikon D4 ISO 204,800 shooting hands-on (video)
With mirrorless cameras offering high-resolution APS-C sensors and consecutive shooting speeds of up to 10 frames-per-second, what's left to make a $6,000 full-frame DSLR a compelling purchase, especially for amateur photographers? Low-light performance, for one -- the Canon EOS-1D X and Nikon D4 are both capable of capturing images at up to ISO 204,800, letting you snap sharp photos in even the dimmest of lighting conditions. The benefits of a top sensitivity of ISO 204,800 are significant -- jumping from one ISO to the next doubles your shutter speed. So an exposure of f/2.8 at 1/2 second at ISO 400 becomes 1/4th at ISO 800, 1/15th at ISO 3200, 1/60th at ISO 12,800, 1/250th at ISO 51,200 and a whopping 1/1000th at ISO 204,800 -- fast enough to freeze a speeding car.Both Canon and Nikon have yet to allow us to take away samples shot with the 1D X or D4 -- the companies even taped CF card slots shut to prevent show attendees from slipping their own card in -- but we were still able to get a fairly good idea of high-ISO performance from reviewing images on the built-in LCDs. At the cameras' top sensitivity of ISO 204,800, noise was visible even during a full image preview. Zooming into the image revealed significant noise, as expected. However, within each camera's native range of ISO 100 to 25,600, noise was barely an issue at all. Both cameras are still pre-production samples at this point, so we'll need to wait for production models to make their way out before we can capture our own samples, but based on what we saw when reviewing ISO 204,800 images on the built-in LCDs, that incredible top-ISO setting may actually be usable. Scroll on through the gallery below to preview some top sensitivity shots on the Canon EOS-1D X (camera poster) and the Nikon D4 (Japanese model), and join us past the break for an even closer look in our video hands-on.
