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Samsung NX20, NX210 and NX1000 sample images and video
We're at Samsung's NX-series launch event at Citi Field in Queens, NY, taking a closer look at the NX20, NX210 and NX1000 mirrorless ILCs that began hitting stores earlier today (the NX1000 will arrive in June). All three cameras are virtually identical when it comes to core components like the 20.3-megapixel Samsung-designed APS-C image sensor, so performance on that front should be consistent to what we saw with our flagship NX20 sample. From a spec perspective, these are fine shooters, but the systems' high pricing and (relatively) limited lens selection aren't likely to contribute to Samsung's mirrorless success. Join us past the break for some New York Mets action through the lens of Samsung's NX20.%Gallery-155655%
Samsung clarifies camera production shift, confirms commitment to point-and-shoot models
We've heard reports that Samsung has shifted focus at some of its camera manufacturing facilities away from point-and-shoot cameras with the objective of ramping up production of its compact mirrorless models. And while this move implies that the company's pocketable compacts could be doomed, that's simply not the case. We spoke with Reid Sullivan, Samsung's Senior Vice President of Mobile Entertainment, who reinforced the company's continuing commitment to developing and manufacturing point-and-shoot models -- in short, pocketable cameras remain a focus for the company, which simply made manufacturing adjustments to accommodate an anticipated increase in demand for recently-launched NX20, NX210 and NX1000. Point-and-shoots, for better or worse, are here to stay, and Sullivan explained that while we're unlikely to see new sub-$100 cameras make their debut, there's plenty in the works on the SMART front, with new launches in store for upcoming events like Photokina and CES. Whether there will continue to be demand for point-and-shoots remains to be seen, and while consumers are clearly turning to smartphones for casual shooting, Samsung appears to be in no hurry to abandon the point-and-shoot form-factor.
Samsung NX210 and NX20 now available, NX1000 to ship in June for $700
We already had a fairly good idea of pricing for Samsung's trio of NX cameras, but until the company's US arm released figures of its own, we withheld hope that the entry-level NX1000 would break the critical $600 barrier. Sadly, that's not the case -- that curvy flavor will retail for $700 in white, black or pink finishes come June, with a 20-50mm kit lens in tow. Timing couldn't be more unfortunate for Samsung's NX line, considering that Sony upped the stakes earlier today with its NEX-F3, the successor to the wildly-popular NEX-C3, which is priced to sell at $600 with an 18-55mm kit lens. That camera's 16.1-megapixel APS-C sensor is the same physical size as what you'll find on the NX1000, NX210 and NX20, but Samsung's version ups the resolution to 20.3MP. Still, seasoned shooters know that megapixel count isn't a critical spec, making that extra 100 bucks a hard swallow for would-be NX1000 owners. Samsung's other mirrorless models, the NX210 and NX20, are available now for $1,100 and $900, respectively, so if you're in the market for an upgrade, those cameras may be worth considering. Full PR is after the break.
Sony NEX-F3 and A37 cameras hands-on and sample shots
Sony's newest NEX and DSLR have already graced these pages -- albeit in decidedly unofficial fashion -- but the time has come for this duo of shooters to be revealed to the world with the blessing of their maker. In case you didn't catch the earlier leaks, the NEX-F3 is the replacement for the much-beloved NEX-C3 as the entry-level ILC from Sony, while the A37 slots in the same place in the company's Alpha DSLR lineup. Sony's also rolling out fresh glass for each this July, in the form of an E-mount 18-200mm, F3.5-6.3 zoom lens for $850, and an 18-135mm F3.5-5.6 A-mount telephoto unit that'll set you back $500. Both the NEX-F3 and A37 will come with kit 18-55mm lenses and cost $600 when they go on sale in June, which makes them quite competitively priced as compared to their competition. An enviable pricing position, to be sure, but can they deliver the imaging goods? Well, we spent time with each on a tour of San Francisco recently, so join us after the break for our impressions and some sample photos.%Gallery-155474%
Does Samsung's point-and-shoot departure mark an industry-wide shift to mobile?
Samsung shuns point-and-shoot cameras, switches factory to pricier mirrorless types Samsung Galaxy S III focuses on photography sharing features, not cutting-edge optics Samsung considering Android-based digital camera Samsung's CES camera lineup had a single focus across the range: wireless connectivity. The company's flagship point-and-shoot, the 14-megapixel WB150F, boasts built-in WiFi at the very top of its feature shortlist. In fact, until you make your way to the third (and only) capture-related detail (an 18x optical zoom lens), you'd be hard-pressed to distinguish the dedicated device from some of Samsung's other camera-equipped offerings. With its latest generation of "Smart Cameras," the company moved to further bridge the gap between its gamut of portable devices, by bringing key smartphone features to its digital imaging line. As it turns out, the move was simply a crutch -- an opportunity to refresh models with technologies in which the company has already made significant investments. And it appears to have resulted in only a slight delay of the inevitable. We now know what to expect for Samsung's point-and-shoots -- pocketable models will step aside to make room for NX-series interchangeable lens cameras, and compact fans will continue to turn to Galaxy all-on-ones for their on-the-go shooting needs. Join us past the break for a closer look at how the move could impact the industry, and what the future may hold for the (formerly) beloved point-and-shoot.
Olympus OM-D E-M5 Micro Four Thirds camera review
More Info Olympus OM-D E-M5 Micro Four Thirds camera preview (video) Cameras, Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video) Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April) Stepping across the great DSLR divide into the land of mirrorless cameras always requires some compromise. Focusing speed, image quality, lens compatibility and battery life are frequent casualties, but for everyone except professional shooters, the size and cost benefits of swapping a full-grown beast for a compact ILC surely help soften the blow. The latest Micro Four Thirds model from Olympus, the OM-D E-M5, adds functionality that expand that list of betterments even further, allowing more versatility than larger DSLRs have to offer. These perks include a water-resistant design, for starters, along with a nifty lens that offers macro shooting and both manual- and powered-zoom in one compact package. One area where the 16-megapixel E-M5 does match the footprint of its full-size brethren is in price: you'll drop a cool grand for the body alone, while the 12-50mm f/3.5-6.3 lens kit will bump that tag up another $300. Make no mistake, the E-M5 is a fantastic camera, but $1,300 is mighty steep for any mirrorless model, especially one with a Micro Four Thirds sensor. This, however, is no ordinary MFT camera. As the first model in Olympus's OM-D line -- taking design cues from the company's popular line of OM film cameras -- the E-M5 is in a class of its own, at least as far as Olympus's portfolio is concerned. Besides physical appearance, perhaps, the most notable selling point is its focus speed: press the shutter release, and your subject comes into clarity with rapid-fire precision, whether you're shooting in bright sunlight or a dark restaurant. But though the E-M5 has already received accolades for its powerful focusing, you might be wondering how the whole package performs. Meet us past the break to find out.
Sony's Alpha A37 and NEX-F3 pose for the camera, reveal more angles, details
Well, well, talk about déjà vu! It was just yesterday that a corner of Sony's 16.1 megapixel NEX-F3 leaked onto the interwebs and now more photos have surfaced, along with a previously unannounced shooter, the Alpha A37 SLT. The pictures come courtesy of Yang Canggih, which says it had a chance to demo the two devices yesterday at Sony's Partner's Conference in Jakarta (curiously, the NEX-F3 post isn't live as of this writing, but Sony Alpha Rumors has the images up). Starting with the F3, the mirrorless camera has lost a smidgen of the curves found on its older sibling, the C3, adopting a slight bit of the angular edges that once made the NEX-7 the badass standout in the lineup. You'll notice that the shutter button and grip have an uncanny resemblance to the 7's, not to mention that it's clearly gained a pop-up flash -- a first for the lower-end NEXs. Past that, the rumored -- and self-portrait friendly -- 180 degree tilt-screen is also present, which'll likely give the C3 an edge over its siblings when it comes to composing shots. Also worth note, some of the buttons on back have been slightly repositioned. Moving along, those hoping for a successor to the A35 will apparently have their wish granted with the 16.1 megapixel A37. According to Yang Canggih, it features the articulating display from the last generation of NEX cams, Auto Portrait Framing (first introduced with the A57), four more effect modes than the A35 (up from 11) and an ergonomic grip in the vein of the A77. Sadly, that's about all that's currently known, so hopefully we'll get an official introduction to the cameras soon. Head past the break for a shot of the A37 and then check out the links below for even more of both.
First image of Sony NEX-F3 leaked, outs 16.1 MP sensor
Leave it to photography buffs to leak product shots that are decidedly unblurry, if poorly framed. Dpreview forum goer Bibogue outed a sneak peek at the Sony NEX-F3, a mirrorless shooter that seems to be poised to replace the NEX-C3. The leaked picture appears to reveal a 16.1 megapixel sensor, a built in flash and a 180-degree tilting screen, and Bibogue says the unit sports a new peaking level feature to help fine-tune manually focused shots. The new unit seems to retain its predecessor's proprietary accessory connector as well, so prospective buyers should choose their peripherals wisely. [Thanks, Sjoer]
Fujifilm X-Pro1 high-ISO shots go under the loupe in mirrorless standoff with OM-D E-5 and NEX-7
We'll soon be putting Fujifilm's new interchange able shooter through our own wringer, but in the meantime we found an apt low-light comparison with two of its non-reflex brethren. Although blogging photog Steve Huff admits the tests are "crazy" and depend on the camera's own auto-exposure choices, the results do give some food for thought. How would the pricier rangefinder-bodied X-Pro1 stack up against the Sony NEX-7 and Olympus OM-D E-M5? If we had to guess -- and we really do, given his methodology -- the noise levels on the Fuji at ISO 3200 and 6400 look to be slightly better than the Sony and smaller-sensored Olympus. If you'd like to take a stab at judging for yourself, follow the link below.
Samsung adds 20.3-megapixel NX20, NX210 and NX1000 to mirrorless cam lineup (update: now with video)
You probably know Samsung best as the mobile tech giant that it's exploded to become. The Korean company has also unleashed a blockbuster television or two in the past few years, along with some of the most gorgeous tablets to come out of the Far East. One area where Samsung has yet to dominate is the digital camera market, however -- the company pumps out some pretty innovative imagers, that for one reason or another haven't caught on like their Japanese counterparts, including those from the likes of Canon, Nikon, Olympus, Panasonic and Sony. Sure, Samsung's point-and-shoots could be labeled as gimmicky under-performers, despite their success in Asia, but its mirrorless cameras have been established as viable competitors in the fast-growing ILC market -- from a performance perspective, at least. What the firm really needs to gain share is a killer model with an incredibly competitive price -- an entry-level cam that comes in at, say, $499 with a decent kit lens. Sadly, there's no sub-$500 ILC in this latest bunch, with the NX20 priced at $1,100 and the NX210 set to retail for $900. The NX1000 has yet to get a price tag, though based on those first two flavors, we wouldn't be surprised to see it hit stores with a $700 sticker. There's more to these cameras than price -- well, there is and there isn't, depending on your needs -- but in a market with offerings as solid as the $600 Sony NEX-C3 and $1,100 Olympus E-M5, what Samsung really needs is a product that drops jaws not because of its high megapixel rating, but rather its very low price tag. The company has built a solid portfolio for 2012 -- all three NX cameras include the same 20.3-megapixel Samsung-manufactured APS-C CMOS sensor with an ISO range up to 12,800, 1080/30p video, an 8fps full-res burst mode, integrated WiFi and a 3-inch display, though body size, user interface and other features will differ. Join us past the break for a closer look at each camera. (Update: Courtesy of our sister site Engadget Chinese, we've added some hands-on videos.)
Panasonic Lumix GF5 looks identical to its predecessor, offers similar specs for $100 more (hands-on)
It's been a bumpy ride for Panasonic's GF line of Micro Four Thirds cameras. The GF1, an excellent mirrorless camera for its time, was soon replaced with a less-capable entry level model, the GF2. Then another, the GF3. And now, it's time to say hello (again) to the GF5. For better or worse, the GF3 won't be going away -- it'll sit tight at its new $500 price point (with a 14-42mm kit lens), ready to confuse consumers looking to purchase its nearly identical, yet $100 pricier, pseudo-replacement. Both cameras come equipped with 12.1-megapixel Live MOS sensors, though the newer model adds a "High Picture Quality" distinction -- it's been dubbed a 12.1-megapixel "High Picture Quality" Live MOS sensor. So, naturally, we're going to expect some pretty incredible images. Panasonic has also added an ISO 12,800 "extended" mode (the GF3 topped out at a native ISO 6400). There has been a jump in the video department, with 1080/30p MP4 recording joining the 720p mix. Burst mode capabilities have seen an increase as well, from 3.8 frames-per-second to... 4. Finally, it's slightly larger, due to a more substantial (and more comfortable) grip, though battery life has dropped from 340 shots to 320, likely due to a new processing technique aimed at further reducing noise in low-light captures. The GF3 and GF5 look so similar that we mistakenly photographed the former for a minute or two, only realizing the error when we flipped on the LCD. The 5 has a much-improved touchscreen, with a 920k-dot resolution (460k dots on the GF3). It looks gorgeous by comparison, but amateurs making the switch from a point-and-shoot may not take notice. The features they'll appreciate most relate entirely to the GUI, and include a highlight window for selection options, 14 filters with a realtime preview option, a background image that appears on the main menu and a filter recommendation while in Intelligent Auto. This feature works by suggesting that you apply the Expressive or Toy Effect if you're taking a macro shot, for example. Other additions include a stereo microphone for video capture, though the left and right mics are positioned oddly near each other -- on either side of the word "MIC" on the top of the camera, with the right mic angled towards the left -- so we can't image that you'll be getting a true stereo effect. Like its predecessor, the GF5 is clearly designed with beginners in mind -- more advanced photogs should consider the GX1 -- but with a $599 sticker price (with 14-42mm lens), it's sure to be a hit.
Lensbaby Composer Pro gets Samsung, Sony, Micro Four Thirds mirrorless mounts
Lensbaby faithfuls awaiting a mirrorless-compatible Composer Pro lens need not hold out any longer. The company's high-end creative optic is now shipping for mirrorless mounts of the Samsung NX, Sony NEX and Micro Four Thirds variety -- including the Panasonic Lumix G and Olympus PEN. These latest additions join Canon, Nikon, Sony Alpha, Pentax K and Four Thirds versions, which are all available for 300 bucks at the source link below.
Samsung NX20 WiFi gets unofficial reveal
Dutch site Focus Media got its hand on Samsung's new mirrorless camera. While it's labeled up as pre-production model, that didn't stop it getting the once-over. A larger frame than the existing NX11 apparently makes space for a new 20.3-megapixel APS-C sensor now capable of 1080p video. Other specification bump-ups include a new max ISO of 12800, a minimum shutter speed now reaching 1/6000 of a second and WiFi connectivity to boot. Pricing and release information remain non-existent, but once it gets acknowledgment from Samsung's higher powers, we'll get you the full technical rundown. Until then, a full gallery is waiting at the source.
Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April)
If a ship date pops up on Amazon for a date in the not-so-distant future, we're typically inclined to listen up -- after all, the world's largest e-tailer probably has a fairly good idea of when its products will first leave the warehouse. This time, it's the Olympus OM-D E-M5, which just appeared on the distributor's Japanese site with an estimated release date of March 31st. There's no mention of a date on the company's U.S. site, however, so it's still unclear whether or not the Micro Four Thirds cam will hit North American shores on the 31st as well. Still, unless a trip to Japan is in the cards for the end of Q1, your best bet for getting early access to the highly-anticipated mirrorless cam would probably be to get your pre-order on at our coverage link below.Update: We're now seeing US retailers listing the device with an April 10th release date. Check the More Coverage links below.
Canon lens patent suggests mirrorless camera plans, can't let Nikon have all the fun
It looks like Canon's finally decided to get involved in that nebulous area we call mirrorless cameras. A patent application spotted on Japanese site Egami outlines the type of lens we may see on Canon's first effort. Admittedly, the leaked details aren't particularly thrilling; it looks like a typical kit lens, with an 18-45mm focal length and aperture settings from f/3.5 to f/5.6, but if Canon is getting into the game, the world of ILC is about to get a little more interesting.
Olympus black E-M5 Micro Four Thirds camera and internals eyes-on
By now we're quite familiar with the Olympus E-M5's attractive external appearance, but what does it look like on the inside? The company carefully disassembled its new flagship model, and displayed the components in ten layers for us to examine at CP+ in Yokohama, Japan. The image sensor module is perhaps the most impressive component, due in part to its five-axis sensor-shift image stabilization. We can also spot the magnesium alloy shell, main system board and top plate. Another display encased a compete E-M5 kit, with a lens, split right down the middle. You'll find a variety of views in the gallery below, along with a special treat: the all-black version of the E-M5, in all its smooth metal glory.
Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video)
Olympus's inaugural OM-D mirrorless interchangeable lens camera, the E-M5, boasts the world's fastest autofocus and a pretty fantastic design, but it's also the first camera to implement a new five-axis sensor-shift image stabilization technology, that allows the lens to compensate for camera shake. The company was on hand at CP+ 2012 to demo the new sensor, which really does shift every which way to keep your photos and video still. We'll of course need to spend some time shooting photos and video with the E-M5 before labeling the five-axis sensor a success, but from the demo we saw today, it looks pretty darn promising. Jump past the break for a video hands-on, and scroll through the photos below for an up-close view of Olympus's latest Micro Four Thirds masterpiece.
Olympus OM-D E-M5 Micro Four Thirds camera preview (video)
Olympus has embraced the camera designs of yesteryear for several generations, from its first Micro Four Thirds models to last year's E-P3. But now the Japanese camera maker is stepping up its retro game, announcing a brand new line of Micro Four Thirds cams. Meet the OM-D. A dramatic departure from the more modern-looking PEN cameras, this new line of mirrorless models, specifically the E-M5, in many ways duplicates the design elements of the 1970s-era OM System. The first consumer camera in that SLR lineup, the OM-10, served as clear inspiration for the slightly boxy, black or silver and black magnesium alloy digital model we have today. We were able to spend some time with the Olympus E-M5 before tonight's announcement, and were very impressed with what we saw. Jump past the break for our impressions and an Olympus-guided video walkthrough, and thumb through the gallery below for a detailed look at the company's answer to the Fujifilm X-Pro1.
Sony Alpha NEX-7 mirrorless camera review
Remember the NEX-7? Ever since a days-long shooting session back in September, Sony's prized mirrorless cam has eluded us -- and the rest of the world. As you may recall, the flagship Alpha ILC was hit by the Thailand floods, resulting in delay after delay, eventually missing the holiday shopping season entirely before resurfacing late last month. Another week later and our beloved Sony Alpha NEX-7 has finally arrived, ready to take on the streets of New York City. So what exactly is the NEX-7, and why does it cost as much as a mid-range DSLR? First off, the 24.3-megapixel APS-C ILC captures, well, 24.3-megapixel images, offering the highest resolution of any mirrorless model on the market. Its APS-C sensor is identical to the one found in Sony's A77 DSLR, measuring larger than Micro Four Thirds and on par with most full-size digital SLRs.If having the ability to capture mural-size images ranks fairly low on your digicam wish list, you may take comfort in some of the NEX-7's other features, such as its gorgeous and durable magnesium alloy body, built-in XGA OLED electronic viewfinder, 3-inch, 921k-dot articulating LCD and unique tri-navi control interface that enables direct access to key settings adjustments, including both aperture and shutter speed in manual mode. There's also 1080/60p HD movie capture with full manual control and microphone input support, a 10 frames-per-second continuous shooting mode (with exposure and focus locked) and a BIONZ image processor that's capable of delivering low-noise images all the way through ISO 16,000. These features combine to make the NEX-7 one of the most powerful mirrorless cameras to date, but are they enough to justify the $1,200 body-only price tag? Join us past the break to find out.
Nikon 1 future plans revealed: 4K video, brighter lenses, picture effects
Tetsuya Yamamoto, Nikon's head of development was at CES talking up the future plans of the company's 1 system cameras after strong holiday sales. The 10.1 megapixel sensor inside the 1 body is sufficiently capable of shooting 2 and 4K video and bringing that functionality into the unit is planned for a future edition. There's a need for a set of brighter lenses with faster auto-focusing, although we're not sure how much bigger you can get on that petite body. It's also kicking around the option of letting V1 (i.e. more professional) users get at manual AF control and in-camera RAW editing -- while J1 users can expect plenty of features they won't use much, like in-camera effects. It's exciting stuff, but let's hope these new features don't cause the price to climb any higher, eh?
