music-production
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Arturia’s V Collection 7 plug-in synth suite is $200 off for Black Friday
Arturia creates some of the best plug-in versions of vintage synthesizers; users get authentic new wave and classic rock sounds without filling an entire room with keyboards. Musicians who want to recreate the sounds of decades past can get at least $200 off the standard price of the company's V Collection, which groups all of the individual soft-synths into one package. The Black Friday sale price of the suite is $299, but if you've bought qualifying Arturia products before, the price drops even lower to $199.
Behringer unveils a Roland TB-303 clone
Like many other synths and drum machines, the Roland TB-303 was a commercial flop, but years later became a staple of electronic music. An authentic 303 will run you over $2,000 these days, but Behringer will soon offer a fully analog clone of the unit at a fraction of the price. According to MusicRadar, the TD-3 will feature very similar sounds while adding features not found in the original 303, like 16-voice polyphony and a distortion circuit based on Roland's own DS-1 guitar effects pedal.
Dubreq’s touch-powered Stylophone Gen R-8 synthesizer is available now
After missing its originally planned February release, Dubreq's latest Stylophone synthesizer is now available for purchase. This upgrade to the pocket-sized classic boasts new features and controls, an all-analog circuit and a hefty metal chassis. Most importantly, it has gritty tones and filters similar to the sounds of full-fledged monosynths.
Relive Yamaha's synth history without leaving the couch
From the '70s onward, synthesizers have been just as integral to pop music as electric guitars. Yamaha (along with a handful of other brands like Roland, Korg and Sequential) has served as an industry innovator, and in turn has helped shape the sonic characteristics of various genres. To celebrate Yamaha's latest flagship synth, MONTAGE White, the brand has created a virtual museum of sorts, which recaps 45 years of iconic designs.
UVI’s Toy Suite virtualizes the musical instruments of your childhood
Software instrument developer UVI are swapping their virtual cellos and pianos for Speak & Spells and music boxes. The company's latest library contains over 70,000 samples of nostalgic musical toys, giving musicians the freedom to create anything from the cutest compositions to discordant nightmare fuel that Trent Reznor would be proud of.
Ableton teaches synthesizer basics from the comfort of a browser
From creating grungy music with drone motors to perfecting DIY digital setups and recreating 60-year-old music machines, there are plenty of cool things you can do with synthesizers. But synths can be hard to understand, and if you're unfamiliar with them, you might feel a little left out. Ableton wants to change that. The company's new Learning Synths interactive website offers step-by-step synthesizer lessons, followed by a "playground," where you can put your new skills to the test.
The DJ-inspired production platform Serato Studio arrives today
If you're a Serato DJ user with an unfulfilled desire to make beats and missed the beta for the company's new production platform, now's your chance. Today is the official launch of Serato Studio 1.0 and it's in good form following a little feedback from the initial test group. As we mentioned back in March, Serato Studio is an easy entry point into music production for DJs and novices alike. The software ties into existing DJ hardware for those already invested in mixing tunes, letting you manage many of the on-screen tools right from your controller. It's also chock full of familiar features including colored waveforms, cue points and direct access to your Serato DJ library. Serato Studio 1.0 is available today as a subscription of $15 per month -- or $10 per month billed annually -- and you can test the waters first with a free trial. Subscribers will get regular software updates, along with access to Serato Sounds which provides new audio packs each month. They'll be loaded with instruments, drum kits, loops and FX spanning a variety of styles from sound designers like Decap, Goldbaby, MSXII Sound Design and more.
Serato Studio helps simplify the path to music production
It's a safe assumption that most DJs have the itch to create some music of their own. Obviously many of them do, but for some, the expense of new gear or the learning curve involved with the software hinders that quest. To help bridge the gap, makers of the popular Serato DJ software are releasing a new product: Serato Studio (macOS/Windows). For those who already use the company's DJ hardware and software, things will be pleasantly familiar, helping ease you into the song-making process. Of course, you don't need to be a DJ; this tool is great for anyone who wants to make music with fewer "technical roadblocks" and more creative flow. Today's soft launch is for the free public Serato Studio Beta version, with limited slots available. If you sign up, you'll be able to kick the tires on this beta release and give Serato your feedback to help them hone the final product. Plus, you'll get updates as new functionality and features are added during that period. The official 1.0 release is expected sometime this summer (for the Northern Hemisphere) and will be a subscription-based model. Although pricing hasn't been announced, we hope it will be an affordable monthly fee similar to the company's other subscription products (usually $10-$15).
Ask Engadget: What's the best laptop for music production?
First tip, avoid 'u' CPUs, as they're typically designed for mobile or low power usage (and can be more aggressive in their throttling, thereby causing dropouts).
Sound Taxi composes music from London city buzz, doesn't even take a fare
What you see above isn't just another shameless car stereo project, but a black cab that turns the hustle and bustle of city noise into music. The Sound Taxi toured London last week collecting ambient sound pollution with a roof-mounted mic, recycling it through production software and then pumping out real-time mixes on its army of speakers and horns. The mobile disco was a collaboration between headphone company AiAiAi and Yuri Suzuki, with Mark McKeague providing the back-end wizardry which turned clamor into samples into tracks. If you'd like to hear the fruits of their labor, then head over to the Make The City Sound Better website (sourced below) for some uploaded examples of London street beats.
Steinberg CMC modular USB controllers, stack 'em how you want 'em (video)
The mere mention of the word modular is usually enough to get any self-respecting music geek hot under the collar, so when Steinberg announced its latest stackable collection of dedicated USB music production controllers, hardware fans will have felt a collective twitch of excitement. Specifically built for its much loved Cubase and Nuendo programs, each of the six units has its own speciality, and has been designed to let you get your tactile funk on, be it mixing melodies or mashing in beats. Plonk up to nine of these sleek, luminous lovelies on your desk for the music control surface of your dreams, but with no mention of price just yet, you might want to keep the plastic wrapped up until they hit the stores in October. Ogle the video after the break for the full company promo.
FL Studio Mobile lands on iOS, more indie rap albums to be produced while commuting
Dream no longer friends, FL Studio Mobile is here for your iOS device of choice. The iPhone and iPod touch version is being offered for $15, while the more expansive HD edition for the iPad is fetching $20 -- but both will see their price climb another $5 after the introductory sale is over. As mentioned you'll be able to pass project files back and forth between the desktop and mobile apps, though the iDevices lack support (and the muscle power) for VST instruments. It also appears the scope of the sequencer had to be scaled back from 128 tracks to 99, but that should be more than enough to keep you tapping out beats like 9th Wonder while riding the train. Hit up the source links to download the portable production suite and check out the gallery below. %Gallery-126831%
Native Instruments Maschine review and 1.6 beta first look
Since it first caught the world's attention at NAMM '09, Native Instruments' Maschine has made quite a stir in the world of electronic music production and performance. A modern re-imagining of Akai's legendary sampling sequencers, it takes the MPC's raison d'être -- recording and editing samples, sequencing samples to create tracks -- and uses it as the basis of a MIDI interface / software package that is both very familiar and quite unique. Maschine can run as a stand-alone application or integrate with your DAW (digital audio workstation) as a plug-in, and the company promises quite a bit as far as sound quality and improved workflow over the Akai's legendary instruments. But does it stack up? We've recently taken a good, hard look at the latest version of the software, 1.6 beta -- and we can't wait to share our thoughts with you. Check it out after the break. %Gallery-115424%
Korg rolls out slimmed down nanoSeries2 USB controllers
Korg's original nanoSeries USB controllers may have garnered some mixed reviews when they were released back in 2008, but the company's now back with some new and improved models that seem to address at least some of those complaints. As before, the lineup includes three different models: the nanoKEY2, nanoPAD2 and nanoKONTROL2, which can either be used on their own or paired up together. In addition to a slimmer design for each, all three are available in your choice of black or white, and it sounds like Korg has moved away from the plasticky, QWERTY keyboard feel that plagued the previous models, with the nanoKEY2 in particular described as having the same "great-feeling 'touch' that Korg has developed for its professional MIDI keyboards." Still no word on pricing or availability, but you can find all the rest of the key details at the link below.
iKlip attaches iPad to mic stand, musicians rejoice
If you're a musically-inclined techie, you probably noticed the introduction of IK Multimedia's iKlip late last year, we certainly did. And since several of you probably received an iPad last month, we thought it was worth a mention today. Especially for the musicians out there. Musicians have embraced the iPad from the beginning, but have struggled to find a practical way to use it to read music while playing an instrument. Thankfully, IK Multimedia has come up with an obvious yet effective solution to this predicament: the iKlip. The light weight, multi-angle iKlip attaches your iPad to just about any microphone stand with ease -- vertically or horizontally, with access to all your iPad's buttons. Built with "...thermoplastic molded components for extreme durability and secure holding abilities under the most demanding situations," you'll have no further difficulty reading a musical score while playing your instrument, tweaking settings for your guitar effects app or even singing the lyrics to your favorite karaoke song. Hey, if you're a public speaker, this is probably worth you checking out, too. The iKlip is available for US$39.99 from IK Multimedia's website here. [Thanks to commenter hankermac for pointing this out.]
Apple introduces MIDI to iOS 4.2, iPads the world o'er get ready to rave
Although musicians were quick to pick up on the iPad's possibilities as a control surface, the audio production corner of the App Store is still overwhelmingly devoted to things like guitar amp models and soft synths -- that's because until recently there was no way to send MIDI commands from iOS (not that some folks didn't figure out workarounds). That's why we were excited to hear about the appearance of MIDI APIs in iOS 4.2. What does this mean for all of you would-be Brian Enos? The gang over at Create Digital Music have put together a handy guide to what we might expect from a world where all out iOS devices can communicate via MIDI, whether through the USB cable or over WiFi -- and it is a brave new world, indeed. Intrigued? We were too! And we were pleased to find out that yes, the M-Audio Uno works with the iPad, and that the accelerometer can indeed be used to pitch bend. Unfortunately, we also learned that the Line 6 MIDI Mobilizer is a lot less exciting than we thought it might be (that is, until third party devs go to town on the thing). Hit the source link for all that stuff and more. Or just peep the video after the break, if you wonder what the next version of Pianist Pro holds.
Count The Beats: Moog Filtatron - a closer look
Last week, Moog Music released Filtatron, an iPhone app modeled after Moog's own analogue hardware. If you're not familiar, and you're wondering what the heck a Moog is anyway, you may be surprised to find you've probably heard one dozens of times before, performed on countless albums. Moog Music, founded by Dr. Robert Moog, is the maker of digital and analogue synthesizers like the Minimoog and the Moog Theremin (although the original Theremin was invented by Léon Theremin). A good example of a Moog synthesizer can be heard by the band Air, on their track Kelly Watch The Stars, off their album Moon Safari (Listen in at about 2:10 for what sounds like a Moog Theremin to me). Typically, Moog Synthesizers are rather expensive, being that they are hand made for a rather substantial, albeit niche market. Therefore, I can't say I've spent any time with a real Moog. As much as I'd like to say I have a couple kicking around in the spare room of my house, I don't. So, unfortunately, I don't know a great deal about the sounds of Moog hardware other than what I've heard off recordings. And, I suspect, that's how most other users will approach Filtatron, too. Thankfully, Filtatron goes a long way to helping users understand what it does and how it does it by including a built-in user guide and glossary. After you've had an initial play, I highly recommend you have a good read over these to get the most out of the app. It certainly helped me out. There's also a whole bunch of presets to show you exactly what Filtatron can do, and how to get there. At this point, you may be wondering what Filtatron actually does. In a nutshell, let me try to explain. Using its filter ladder -- a four-pole resonant ladder filter modeled after the filter found on analogue Moog hardware -- Filtatron shapes sound, giving it characteristics akin to a real Moog filter. In Filtatron, there are two different ways of using this filter. You can either shape the sound using the knobs and dials found on the main tab of the app or by using the two "hands-on" pads provided -- allowing you to swipe and move your fingers around the pads to adjust and control most of the parameters found in Filtatron. To provide further character to the sound, there's a FX module, with fully featured delay, and an amp with distortion and controlled feedback, too.
Korg nanoSERIES USB controllers unboxed, previewed
The Korg nanoSERIES line of miniature USB controllers we had a look at a few months back has finally seen the light of day, and much to our chagrin, reviews are mixed. MusicRadar singles the nanoPAD out for praise, saying the twelve drum pads feel good and the X/Y pad is a useful addition, but they seem less impressed with the nanoKONTROL and nanoKEY. The site says the faders on the former feel "short and decidedly plasticky," while they compare the keys on the latter to those of a QWERTY keyboard. If you're still interested, the nanoKey will run you £49 ($90), and the nanoKontrol and nanoPad will be £59 ($109) each. Look for these guys starting in October, and hit the read link for more details and pics.
Korg's nanoSeries shrinks your music studio
Korg really wants you to downsize your studio with its new lineup of miniature controllers, dubbed the nanoSeries. The diminutive set includes the nanoKEY (a 25-note, velocity sensitive keyboard), the nanoPAD (12 trigger pads and a touch-sensitive X/Y touchpad), and the nanoKONTROL (a mini-mixer with nine faders, nine knobs, 18 switches, and playback controls). The modular, lilliputian gear connects via USB and are all bus-powered, though we're hoping they've got other power options so the devices can be daisy-chained. No word on pricing or availability, but you'll know when we do.[Thanks, Tom] Update: Looks like the Nano Pad, Nano Key, and Nano Kontrol should be available by this October, starting at somewhere around $100-120 US. Thanks, Tosse.
Alesis iMultiMix 8 USB mixer records directly to iPod
We've seen a number of mixers incorporating iPods around here -- from the four-track Belkin TuneStudio to DJ models from Numark and iTRAX to gimmicky toys from MusicJam and others -- but none quite as polished as the upcoming eight-track iMultiMix 8 USB from Alesis, which combines 48-volt phantom power, 100 28-bit digital effects, and four high-gain preamps into a pretty snazzy-looking mini studio. Once your get your creations down pat, they can be easily transferred to your PC through iTunes, where they'll be converted into 16-bit / 44.1kHz or 48kHz recordings. Wired's Gadget Lab tells us to expect this sometime in the fall for around $500, so aspiring super producers take note.[Via Gadget Lab]