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Red Digital Cinema sues competitor Arri over e-mail hacking, adds new charges to the list
The behind-the-lens drama between camera makers Red Digital Cinema and Arri has taken yet another step recently, as Red filed suit December 21st against Arri alleging corporate espionage. Former Arri executive Michael Bravin has already plead guilty to criminal charges that he illegally accessed emails at his previous employer, camera distributor Band Pro Film & Digital. At the time Red founder Jim Jannard also revealed his personal account had been compromised, and now The Wrap reports the company is accusing Arri of "unfair competition based on email hacking, invasion of privacy, conversion, misappropriation of trade secrets and unlawful trade practices, among other charges". The extra charges come as a result of information it has indicating other Arri executives were aware of the hacking. Other than listening in on conversations between Red and Band Pro, Arri also stands accused of launching a false advertising campaign ahead of the launch of the Alexa, while Bravin posted with a pseudonym on RedUser.net. Hit the source link for additional details on the sordid affair, we'll find out what can be proven if / when Red gets the jury trial it's seeking.
RED Scarlet captures Hollywood-style street scene at 120fps (video)
The bad news is that the RED Scarlet is a still a prototype two and a half years after it was announced. The good news is that the folks at RED have shot some stunning test footage with the 8x fixed lens version to show off the Scarlet's prowess at 120 frames per second. Remember, every one of those frames is a 3072 x 1620 RAW masterpiece -- and while the video after the break obviously can't deliver that resolution, it can nevertheless give you a feel for the slow-mo power of this thing. Prepare yourselves. [Thanks, Jarred]
Red One faces Arri Alexa in high-res, Choose Your Own Adventure-style face-off
Most of the time when one product takes on another in a no-holds-barred face-off somebody walks away with a championship belt. Not this time. Here it's Gunleik Groven, Norwegian filmmaker and photographer, comparing the RED One Mysterium X and the Arri Alexa, two pro-quality shooters that come in at a price semi-pro producers can afford -- the RED clocking in at $42,485 the way Gunleik configured it, the Arri at $70,000. There are some obvious differences, like the RED shooting at 4K and the Arri at 1080p, but the vast majority of the comparisons here are far, far more subtle than that, meaning you're just going to have to pore over the comparison on the other end of the source link yourself and download the gigabytes of sample footage that's been thoughtfully provided. If you do need something of a conclusion, though, it's this: "These are both excellent cameras we could only dream of 5 years back... you cannot really complain on the equipment if you don't get your shot with either of these."
RED EPIC-M stars in gorgeous vid, RED ONE jealously shoots the footage (video)
By now you're probably familiar with the $58,000 RED EPIC-M and what it can do, but it's hard to properly admire its hand-machined beauty from a distance. We can't ship you a unit, of course, but we've got the next best thing: close-up footage of the compact 5K beast shot with another RED camera -- the original 4K RED ONE M-X. Lousiana post-production company Digital FX lovingly fondled EPIC-M #98 on camera, not to mention goodies like the Bomb EVF and 5-inch touchscreen LCD, and you can watch, drool and share your oh-so-envious thoughts with us right after the break.
Working RED Scarlet appears at our trailer, we go hands-on! (video)
Last year at CES, we had a surprise visit from RED's Ted Schilowitz showing off their non-functioning RED Scarlet prototype. Ted just stopped by our trailer again, this time with a working version and it's a seriously impressive piece of hardware. We grabbed a camera and sat down with Ted for an in-depth hands-on, so head on past the break for the exclusive video and some details! %Gallery-113292%
Engadget's Holiday Gift Guide: Video Cameras
Welcome to the Engadget Holiday Gift Guide! The team here is well aware of the heartbreaking difficulties of the seasonal shopping experience, and we want to help you sort through the trash and come up with the treasures this year. Below is today's bevy of hand curated picks, and you can head back to the Gift Guide hub to see the rest of the product guides as they're added throughout the holiday season. Photos make great mementos for important moments, but a picture of your kid taking her first step or writing his first blog post isn't quite as meaningful as a full-motion video of the event in question. That's why a video recorder of some sort is a must-have, and while your average compact camera is capturing better footage than ever, sometimes you need something a little more dedicated. That's when you need a camcorder, and this year we even have a bunch of 3D models to choose from. Which ones are right for you and for your budget? Click on through to find out.
RED One Mysterium X cameras now available for all
Got a spare $25,000 burning a hole in your pocket and a passion for 4K resolution? Then you'll be pleased to know RED's next generation Mysterium X camera is now available to all potential buyers, after initially being released exclusively as an upgrade for RED One owners seven months ago. Just because the better low-light capturing goodness is more accessible though doesn't mean this bad boy will be gathering dust on the shelf. Instead, thanks to high demand, budding Neill Blomkamps will have to put down a 10 percent deposit to reserve one and should expect waits of roughly a week for it to arrive. If for some reason you were still hoping to snag the original Mysterium sensor that window is also now closed -- unless you're one of the few still waiting on a reserved model. As excited as we are though to see the new RED gear in action, we still wouldn't watch a sequel to Knowing filmed on it.
Winscape virtual window features Wiimote headtracking, absolutely made of win
We have not modified the above picture in any way -- Scout's Honor. That's a real baby, wearing a real IR necklace that interacts with a real Wiimote. What's not real, of course, is the view of San Francisco's Golden Gate Bridge. That is generated by Ryan Hoagland's DIY virtual window, a brilliant pastiche of interior design, RED ONE footage and Johnny Chung Lee-style headtracking, all directed to your eyes by a Mac Pro feeding a pair of plasma screens. As the viewer moves around, dual 1080p images move the opposite direction, providing the convincing illusion of looking out a real pane of glass at the incredibly detailed scenery beyond. Exciting? Then you'll be giggling like Jr. when you hear it's for sale. After spending a year figuring out how to mount, drive and cool the whole shebang, Hoagland would like you to have one too; he plans to have basic kits ready by July for under $3000. Watch baby-powered plasma in motion after the break, as well as a sweet time-lapse video of the build process. [Thanks, Andy, ArjanD]
ARRI Alexa joins RED to kill celluloid in 2010
Got 50k to spend big daddy? Good, then meet Alexa from ARRI, a German company founded in 1917 that just happens to be the world's largest motion picture equipment manufacturer. Alexa is ARRI's answer to the RED ONE digital, so don't be held captive by your consumer-based experience of what a camera is or what it should look like. ARRI has a trio of cams slated for release in 2010 offering a 3.5k pixel count, 800+ El equivalent sensitivity, 1 to 60fps frame rate, electronic viewfinder and on-board HD recording. The A-EV Plus model adds uncompressed on-board recording and wireless remote control to the 16:9 aspect ratio shooting A-EV. The A-OV Plus switches things up to a 4:3 aspect and adds an optical viewfinder to the mix. The rest of the details will arrive during an April 6th launch event where ARRI will reveal the complete media, format, and what's promised to be a "super fast workflow." Until then, check a side-by-side test done by the cats over at Animation World Network pitting a prototype Alexa against a RED One equipped with a new MysteriumX sensor and software. AWN was so enthusiastic by the results of the two cams that it proclaimed, "2010 is the year that celluloid died." Jim Jannard, RED CEO, graciously responded to the test by saying, "We had expected the images to be very similar and it appears that this test confirms that." He then added the following: "We have believed, since IBC last year, that these two platforms would be the ones standing for the future. We are very proud to be in such good company. But for the moment, we tip our hats to Arri." Now hit the source links for the full read because the future of film looks set to become historic.
RED ONE getting Mysterium-X sensor upgrade next week
RED may be busy talking up and showing off its new EPIC-X and Scarlet cameras these days, but it's not about to leave its loyal RED ONE users behind, with it now announcing that they'll be able to upgrade their camera to the new Mysterium-X sensor starting January 22nd.. That's the same sensor that will come standard on the EPIC-X, and promises a range of improvements for the $5,750 it'll cost you -- not the least of which is improved low-light performance (one of the few knocks against the original sensor). Along with it, you'll also get a new version of REDCINE-X to handle the improved video, and those interested in stepping up to the EPIC-X beta program can expect to get a $1,250 credit if they qualify and join at the first or second stage.
RED ONE mounted to UAV, flown around San Juan Island (Update: false alarm, it's a Panasonic)
Never one to miss a chance to feature action-packed UAV footage on this space, here we have a behind-the-scenes look at the new Mt. St. Helens Vietnam Band video for you. While it ain't exactly Hearts of Darkness or Burden of Dreams, sometimes there are more important things than pathos, obsession, and heartbeak -- in this case, up close and personal shots of AerialPan Imaging's custom-built remote control camera rig, complete with mounted RED ONE HD video camera. Not too many technical details for you, but there is enough remote controlled helicopter excitement to make you wish you were on location at San Juan Island with one of these bad boys. Check it out for yourself after the break. Update: As one of our colleagues (and a couple eagle-eyed readers) so graciously pointed out, the camera mounted to the helicopter has the tell-tale markings (peep the on-board mic) of a Panasonic HVX200. Thanks, kids! [Via CNET]
Lights Off returns to the iPhone
Hey, remember Lights Off? We first posted about it in the relative Stone Age of iPhone development, when the only SDK we had was writing web pages and when you had to actually jailbreak your iPhone to do anything cool with it. Nowadays, of course, we live in storied times, and so Lights Off has returned, this time on the App Store as a $1.99 app. It does look a little different, but the new version has been redone from scratch, and has added in some sound effects (even though you can't hear them in the video above). If you liked the game then, you'll probably like it now, too.And yes, we have now come full circle -- developers have recreated, with Apple's official SDK, a program that was originally created without an official SDK, so people who jailbroke their iPhone back then to play the game can now do so without jailbreaking their iPhone. Got all that? We know -- it hurts our head, too.
Digital Playground to shoot with RED ONE 4k cameras
Just last week, we heard that Digital Playground was going true blue. Now it's going RED? Yes indeed, the adult film powerhouse has committed to using the 4k RED ONE camera to shoot its future films. Reportedly, the high-resolution camcorder has already been used to capture ten films in the past two months (staying busy, aren't we?), and apparently the results have been so, um, crystal clear, that the outfit is planning to continue using them. Talk about staying one step ahead of the curves.
RED shows off 5K EPIC camera
RED is really going all out at NAB this year. In addition to that Scarlet 3K "pocket" camera, the RED ONE is getting seriously one-upped by the new top-of-the-line RED EPIC. This 5K camera has a full-frame S35mm Mysterium X sensor, and pretty much matches 35mm film resolution -- RED ONE topped out at 4K. FPS is limited to 100, which is to be expected with all those pixels to handle, but other features match that of other RED cams. Of course, the promise of the RED ONE "rendering obsolescence obsolete" has been slightly trampled by EPIC, but the good news is that RED will allow ONE customers to trade in their cameras for a full $17,500 credit towards the EPIC when it ships in 2009. Price? About $30,000.
RED ONE camera gets wrangled into Super 8 telecine system
As if the much-hyped RED ONE camera didn't have enough going for it already, it looks like it could soon be put to use for a slightly unexpected but most welcome task: capturing Super 8 film. That's apparently possible thanks to what's described as a "pre-prototype" rig that employs a RED ONE camera and a Moviestuff Workprinter XP system which, thanks to a direct interface to the RED's GPI input, should allow you to do up 30 single frame captures per second in the RED's 4K mode. As the On Super 8 blog points out, however, there's still some "optical wizardry" needed to sit between the RED and the workprinter, but we're guessing those Super 8 die-hards should be able to take care of that little detail before too long.
RED ONE camcorder gets unboxed on video
While we're sure you've just now gotten over your bout with jealously after seeing the first 25 punks lucky souls head to California and pick up their RED ONEs, how's about a relapse? If you're up for it, you can head on down to the read link and take a peek at a 76-second unboxing clip filled with boisterous music, entirely too many smiles and so much exuberance it's likely to ooze out of your monitor. Go on, you know you can't resist.
First 25 RED ONE cameras ship
Alright HD enthusiasts and doubters, it seems the time has come: RED's finally shipping its first batch of RED ONE cameras (and lenses, and accessories, etc.). Ok, shipping isn't really the right term. The first group of RED ONE users all flew out to RED HQ in southern California to pick up their 4K cameras, and we can't say we're not jealous. We'll leave the rest to you to discover for yourself, once they start talking timecode and whatnot we tend to zone out.[Thanks, Jacob]
RED ONE HD camcorder finally gets a street date
So we know a lot of you have been on the edge of your seat concerning the RED ONE modular, high-end, HD HD-clobbering camcorder system. The camera -- announced at NAB way back in the wild, sun-soaked days of 2006 -- rocks 11.4-megapixel, 60fps video, and is designed as a multi-part system, featuring a base unit that can be modded with a variety of add-ons -- allowing for all kinds of crazy configurations (just what the low-budget auteur is after). Now, according to the Reduser forums (and more specifically, Jim Jannard, Oakley founder and Red Digital Cinema company head), the RED ONE shipments will begin on August 31st, with a second batch to follow on September 7th. Sure, the $17,500 base system price-tag may seem prohibitive to some, but as we all know, fear is the mind-killer, and if you're really serious about that film you're making, you're going to need something like this. Time to break open the piggy-bank.[Thanks, Blayne G]
Sony targets enterprise with Cell-based computer board
After investing some serious dough in the famed Cell processor powering its PlayStation 3, it's little surprise that Sony actually wants to make a profit off the platform -- and since the console wars haven't been all that favorable to Kutaragi's baby, the company is looking to enterprise as another potential source of ROI. The first fruits of this effort will be borne at next week's SIGGRAPH conference, where Sony will unveil a prototype computer board based around the multi-core CPU and sporting an RSX graphics processor. This so-called Cell Computing Board is targeted at 19-inch rack mount systems, and it promises to put on quite a show at SIGGRAPH by performing real-time processing of the type of 4K footage captured by Red Digital Cinema's RED ONE. And with Toshiba already promising to ride the Cell's coat tails to victory over its fellow co-developer in the living room, -- along with pushing its own graphics workstations -- this is one rollout that Sony can't afford to screw up.
RED ONE hands-on, RED NAB booth tour
No way some amateurs like us are ever going to be worthy enough for a RED ONE -- which, as you may recall, was originally announced at NAB last year. But there it was, plain as day in their booth, ready to manhandle for anyone willing to wait in the 45 minute line to get in. The ONE isn't so large on its own, but kit it out with any of the copious amount of accessories RED is launching with it, and you'll get a good idea of how serious a rig it can become. We also caught a glimpse of their REDCINE software, which pre-processes all the raw output video you shot. Check it out; prepare to wish you too possessed the talent to bankroll a movie with one of these bad boys.%Gallery-2605%
