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A closer look at Fujifilm's GFX 50R and GFX 100 medium format cameras
We knew coming into Photokina 2018 that Fujifilm had some big plans for the event, and the company did not disappoint with its announcements. Aside from introducing the Instax Square SQ20, Fujifilm's had two major reveals at the show: the GFX 50R and GFX 100. These are medium format mirrorless cameras, powered by system Fujifilm likes to call Super Full Frame, that come with large sensors and a hefty price tag. The GFX 50R, for starters, is essentially a successor to the GFX 50S from 2017, which was $6,500 when it launched. Inside, it's nearly identical to the 50S, sporting a 51.4-megapixel sensor, 100-12,800 ISO range a 400-shot battery capacity and a weather-sealed body.
Fujifilm shows off an insane 100-megapixel medium format camera
The GFX 50R isn't the only new camera Fujifilm is unveiling at Photokina 2018. As rumored, the company has also introduced the GFX 100, a ridiculous 100-megapixel medium format mirrorless shooter. Fujifilm says that its GFX 100 will be the world's first medium format and mirrorless camera with a 100-megapixel sensor, and it will have in-body image stabilization and 4K video.
Fujifilm's GFX 50S pairs a huge sensor with a DSLR-like body
Fujifilm is kicking off 2017 with the launch of its first medium-format mirrorless camera, the GFX 50S. As we reported yesterday, the new shooter comes with a giant 51.4-megapixel CMOS sensor (43.8 x 32.9mm), the same image processor as the X-Pro2 and X-T2, as well as a 117-point autofocus system. You won't find any 4K video features here, however; the device is limited to 1080p recording at up to 30fps. Still, people are probably more interested in the GFX 50S' still photography capabilities anyway.
Fujifilm's GFX 50S medium-format mirrorless camera costs $6,500
We've known since last year that Fujifilm was working on the GFX 50S, a mirrorless camera with a medium-format sensor. But, until now, the manufacturer hadn't said how much it would cost or when it would be up for grabs. Thankfully for those of you who are interested, Fujifilm has announced that its GFX 50S is set to hit stores in "late" February for $6,500 (body-only). While that price may seem steep, it's considerably lower than a competitor like Hasselblad's X1D, which sells for roughly $9,000.
Hasselblad's X1D is a medium-format mirrorless camera
Yes, the rumors were true: Hasselblad has been working on a world's first type of mirrorless camera. Today, the Swedish company officially took the wraps off of its X1D, a compact shooter with a massive 50-megapixel, medium-format CMOS sensor. That is the largest sensor we've seen on a mirrorless camera to date, opening up the category to a whole new class of enthusiasts. What's also impressive is how light the X1D is, weighing only 725 grams (roughly 1.5 lbs) without a lens attached.
Crashing this 80-megapixel drone camera is a $60K mistake
Phase One has debuted what it's calling "the world's smallest" 80-megapixel medium format camera. The Phase One iXU 180 weighs just two pounds and its body is barely bigger than the Schneider-Kreuznach lense it's attached to. That means the entire rig is light enough to fit aboard the gyroscopes of most commercially available quadcopters and ultralight UAVs. What's more, the IR-capable iXU 180 can be employed as either a standalone device akin to a GoPro or as part of a multi-camera array.
Leica reveals S-System medium format digital photography lineup
Leica wasn't about to let everyone else hog the spotlight at Photokina this year. The company took the wraps off more products than you could possible cram into one post (or two, or three...). But among the more intriguing is certainly the new S-System -- an update its pro-series medium format line. The sensor and accompanying board have all been refreshed, with the 30 x 44mm sensor cramming 37.5 megapixels into its expansive CCD surface. The 16-bit color depth is complimented by a wide ISO range of 100 to 1600, which should cover you for almost any imaginable application. A dual shutter design gives photographers the choice between the camera's built in shutter or the integrated one on the CS lens line, which allow for flash sync at shutter speeds as high as 1/1,000 of a second. Leica is touting the improved speed of its medium format internals, but with the ability to capture just 1.5 fps in continuous mode, it might not be the ideal action shooter. Still, the ability to capture 32 consecutive RAW images at full resolution, thanks to the 2GB of buffer memory, is quite impressive. The digital viewfinder is a three-inch LCD, capable of displaying 16 million colors representing the full sRGB color space. Of course, the VGA resolution isn't anything to write home about, but it should get the job done. The integrated two axis leveler, displayed on the viewfinder, should help avoid oddly angled portraits, while the integrated GPS receiver will let you keep track of every remote mountaintop you capture in full resolution majesty. Of course, no new camera product line would be complete without some lenses as well. In total four are launching alongside the new body, including the first zoom (30-90 MM F/3.5-5.6) and tilt/shift (120 MM F/5.6) members of the family. Rounding out the lineup is a 24mm superwide angle lens and a close-up accessory that shortens the focal length of one of the existing mounts by about three and a half feet. For more info, check out the source link.
Hasselblad H5D coming December with new focus system, design, up to 60 megapixels
Medium format camera fans, brace for impact: there's a new Hasselblad coming. The H5D supercedes the ages-old H4D with a True Focus II system that -- we're told -- is both more accurate and immediately confirms its lock. Hasselblad has also reworked the body for a more rough-and-ready feel, giving the H5D bigger controls, an extra-bright viewfinder and better weatherproofing. A new RAW + JPEG capture mode, improved wide-angle-to-macro lens conversion and a fresh 24mm f/4.8 lens have also been added to tempt studio photographers. If all this sounds alluring, H5Ds will be available in 40-, 50- and 60-megapixel versions (plus 50- and 200-megapixel Multi-Shot variants) this December. We likely won't know the effect on our bank accounts until at least a September 18th media event, but we wouldn't assume any kind of populist pricing -- Hasselblad's tendency towards five-digit figures may limit any first-hand exposure to a rental.
Hasselblad cuts H4D prices by up to 23 percent, might let you afford rent
Hasselblad is typically known for everything but price cuts, and sometimes goes in the opposite direction. As such, we're more than a little caught off-guard by a round of price cuts on what's usually considered the definitive medium format camera line. The 'entry' H4D-31 has been cut down by as much as 23 percent; we're not sure we'd call it a steal at $11,995 without a lens, but it's now an option if you think even a Nikon D800's full-frame sensor is puny. Price slashes aren't reserved for the bargain models, either, as even the 200-megapixel, status symbol H4D-200MS shaves enough off the cost (now $35,995) to be a worth look for those sitting on the fence. You can get the full details at the source link, and you won't have to survive on ramen noodles for a year to shoot billboard-sized photos.
Hasselblad's 200 megapixel H4D-200MS camera now shipping, breaks your bank
Hasselblad's H4D-200MS is yet another upgrade to its H4D camera line that we want badly, but wouldn't have a need -- or a budget -- for. This latest piece of kit is nearly identical to the 50 megapixel H4D-50MS externally, but internally adds an astonishing 150 more megapixels to the mix -- yes, that's an astounding 200 megapixels! Don't feel forgotten just yet if you have the older model, though, as Hasselblad can upgrade your sensor for €7,000 (roughly $10,000) -- a great deal considering the full kit costs €32,000 (about $45,000). With that said, we should note that details are null on the medium-format sensor's native resolution -- similar to the multi-shot feature on the 50MS, the new 200MS combines six shots to create ridiculously detailed 200 megapixel still images, and it handles less intensive photos with a four-shot 50 megapixel still mode. Should you dare to venture outside the studio, there's a 50 megapixel single-shot live mode for quick shots as well. Excuse us while we wrap our heads around the sheer number of pixels; you'll find more info after the break in the meantime.
Is this Samsung's first medium format digital camera?
Look closely at that photo above. Those, friends, are digital cameras from Samsung. That's right, even that boxy one that looks quite a bit like an old-school medium format film shooter. This photo was quietly inserted into a blog post from Sammy about lens design, without so much as a caption to clarify what our curious eyes were seeing. Might this be a future model meant to compete in the highest-ends of the digital camera market? Or is it something cooked up in the lab and abandoned for a more practical and mainstream design? There was a rumor kicking around last summer that Samsung was working on a medium format CMOS sensor and this could be a test rig for just such a slice of silicon. Whatever it is, we're intrigued and we'll be keeping an ear out for more info on what the Korean company has brewing.
Pentax gets official with 40 megapixel 645D medium format camera
We had a hunch that Pentax was readying a 645 Digital, and sure enough, the company has come clean with that very camera today. The May-bound 40 megapixel 645D is a medium format beast, but unlike similar options from Hasselblad, this one won't actually destroy your hopes of sending four generations of offspring to college. Boasting a 44mm x 33mm sensor, a 3-inch rear LCD and a virtually indestructible chassis, this monster promises high res images that only pros can appreciate, and there's a pair of SD / SDHC card slots for those who love to surround themselves with options. You'll also get a newly designed 11-point AF sensor, a fresh dust removal system, 77-segment multi-pattern metering system and a battery good for around 800 images when fully charged. 'Course, with a retail price of ¥850,000 ($9,442), you'll also expect amenities like an HDR mode, dynamic range expansion and an HDMI output, all of which just so happen to be included. Oh, and if you're in the market for some new glass, there's also a 55mm F2.8 lens that'll ship alongside of this here body for the princely sum of ¥100,000 ($1,110).
Mamiya's DM22 is a medium format digital camera for the Walmart type at sub-$10k pricepoint
It can't be easy being the cost-cutter in a game as insanely expensive as digital medium format cameras, but after teaming up with Phase One for a $5990 medium format shooter (without lens), Mamiya is taking its own crack at the market with the $9,995 DM22. It comes with a Mamiya 80mm f/2.8 D Series lens, has a 22 megapixel sensor and can pump images straight out over FireWire if you think your RAW files are too good for a lowly CompactFlash card. It's also being introduced with a $14,990 sibling, the DM28, which has a 28 megapixel sensor and handles higher ISO shots. [Via Gear Diary]
Phase One 645DF medium format unveiled, its invasion set for Q4 2009
To think, it's been the better part of five months since Phase One teased us with some professional-grade photography equipment, and here to satiate our cravings yet again is the new 645DF medium format camera. Along with perennial partner Mamiya Digital, the pair created what they're claiming is flash sync speeds of up to 1/1600th of a second, as well as the option to dial between predefined modes. Additionally, three new leaf shutter lenses will be released alongside, available in 55mm, 80mm, and 110mm varieties and all f/2.8. Both are available for order now but not shipping until Q4 2009, with the camera body starting at $5990 and the lenses at $2490 each -- the perfect stocking stuffer for you and your very, very much loved ones [warning: read link is a PDF]. Show full PR text Announcing the PHASE ONE 645DF Medium Format CAMERA The Perfect Body for your Perfect Back COPENHAGEN, September 28, 2009 – Phase One, the world's leader in open-platform medium format camera systems and solutions, today announced the Phase One 645DF camera. Engineered in partnership with Mamiya Digital Imaging for superior quality image capture and ease of handling, it sets a new standard for high flash sync speeds – up to 1/1600 of a second. Also today, Phase One announced the availability of three new high performance leaf shutter lenses, 55mm, 80mm and 110mm, all f/2.8 and all designed with the Phase One 645DF camera in mind. The lenses are a result of close collaboration with Mamiya Digital Imaging and Schneider Kreuznach (see today's related announcement). "Our patent-pending flash sync breakthrough eases working with wide open apertures and fill-in flash on location," said Jan H. Christiansen, Phase One marketing director. "We already offer the most flexible exposure times ranging from 1/4000 of a second to one full hour. Setting new performance standards is all about expanding creative options for photographers." The 645DF camera is the only 645 medium format camera which supports both focal plane and leaf shutters, expanding photographers' innovative possibilities by leveraging the two shutter technologies seamlessly for world class photography, whether this involves ultra-fast flash sync speeds or extremely flexible exposure times. The new camera introduces many performance improvements over its predecessor. Capture responsiveness and autofocus speed is highly improved giving photographers up to 5 times faster performance in a typical fashion set up. The 645DF also offers a breakthrough workflow improvement -- custom-shooting modes. For the first time in a medium-format camera, photographers can "dial up" a pre-defined mode, where the camera is instantly set up for a given shooting scenario, e.g. product, portrait or landscape photography. Other workflow enhancements include new tactile buttons, a fully sealed eye-cup eliminating ambient light, improved viewfinder masks, and customizable audio feedback e.g. on focus lock. Several custom functions have been enhanced, without compromising simple navigation. Freedom to choose the best back for you Phase One builds flexible, open photographic systems to support a professional's style, needs and working preference. The Phase One 645DF camera supports the world's finest digital backs, ensuring freedom of choice and investment protection for years to come. It is compatible with digital backs designed for the Phase One / Mamiya AFD mount, including backs from Phase One, Leaf, Mamiya and others. Pricing and Availability The Phase One 645DF camera body starts at $5990/€4290 and is expected to ship Q4, 2009. The new leaf shutter lenses start at $2490/€1790 and are expected to start shipping Q4, 2009. All equipment can be ordered now from Phase One and Leaf dealers (for the dealer near you, please see: http://www.phaseone.com/partners and http://www.leaf-photography.com/dealers.asp). About Phase One Phase One is the world's leader in open-platform based medium format camera systems and solutions. Phase One medium format cameras, digital backs and lenses are designed to deliver superior quality image capture and investment value. Phase One's Capture One software helps streamline capture and post-production processes for both medium format and DSLR cameras. Phase One products are known for their quality, flexibility and speed enabling pro photographers shooting in a wide range of formats to achieve their creative visions without compromise. Phase One is an employee-owned company based in Copenhagen with offices in New York, London, Tokyo, Cologne and Shanghai. For more information about the products, visit the Phase One web site on www.phaseone.com. Phase One is a registered trademark of Phase One A/S. All other brand or product names are trademarks or registered trademarks of their respective holders. [Via Photography Blog]
Microsoft's Vexcel Imaging announces 92-megapixel UltraCamLp
Microsoft's Vexcel Imaging division hasn't exactly caused a whole lot of fanfare during its short time in existence, but it has managed to carved out a nice little niche for itself in the field of aerial cameras, and it's just kicked out its latest model in the form of the 92-megapixel UltraCamLp. Apart from that boost in megapixels, this one looks to be mostly identical to the medium-format UltraCamL that it's based on (pictured above), although it does make use of a smaller 6 μm CCD array that makes that increase in image format possible. Otherwise, you can expect a 1:2.2 pan sharpen ratio, and the ability to collect RGB and NIR in parallel with forward motion compensation by TDI, which will let you use the camera in a whole host of applications ranging from orthophoto production to corridor mapping to lidar integration. No word on price just yet, but it looks like existing UltraCamL users will be eligible for a free upgrade when the UltraCamLp rolls out in November.[Via GIM International, thanks Thijs]
