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Leica unveils G-Star RAW edition of D-Lux 6 compact, co-branded with Dutch denim label (video)
Leica's just taken its vintage branding strategy to a new level with the D-Lux 6 "G-Star RAW" compact model, styled by the Dutch denim maker of that name. Design touches include a textured leather body and gun-metal grey accents, along with an embossed leather case and strap, all firsts for a compact Leica camera. The 10-megapixel model (based on the Panasonic LX7) arguably merits such a treatment, though, packing as it does a 24-90mm (35mm equivalent) f/1.4-2.3 fixed zoom, 1/1.7-inch sensor, manual control dials, full-HD video and of course, RAW still image capture. As with previous Leica designer models, the G-Star RAW version (which will hit dealers soon) bumps the standard D-Lux 6 ticket considerably to around $1,300. While that's arguably a steep price to pay for zero extra functionality, we can't say we blame them for trying -- considering how often its early styling has been appropriated. %Gallery-191879%
Leica's mystery Mini M camera outed as X Vario with 16.2-megapixel APS-C sensor
Leica had teased that June 11th would see the Mini M added to its lineup, and now it's made good on its promise. Now known as the X Vario, the compact cam crams a 16.2-megapixel APS-C CMOS sensor inside an aluminum and magnesium body bound in leather trim. As for glass, the shooter packs a fixed Vario Elmar 18-46mm zoom lens (or 28-70mm in 35mm format), paired with an aperture range of f/3.5-6.4 and ISO of 100-12,500. The camera also packs a 3-inch 920k-dot LCD, and can capture 1080p and 720p video at 30fps. The X Vario is already available at Leica stores and vendors, but those angling to sling one of these on their shoulder will have to extract a princely $2,850 from their bank accounts. If you're happy to window shop, head to the source for a closer look.
Leica Mini M camera pictured ahead of June 11th launch
There's a mysterious new Leica coming next month, and now we know what it looks like. The German camera maker teased its new model, dubbed the Mini M, with an image of a generic black box posted last week. It looks like a French iPad app spilled the beans a bit early, though, and Mirrorless Rumors managed to snag a screen grab. The new cam (in the foreground above) will reportedly sport a 16.1-megapixel APS-C sensor and a fixed 28-70mm f/3.5-6.4 lens -- not the interchangeable mount some fans were expecting. The camera is said to be manufactured from aluminum, and includes support for an optional electronic viewfinder. Specs are fairly light, but there's supposedly HD video recording (that's a safe bet) and a copy of Adobe Photoshop Lightroom that ships in the box. Leica is scheduled to introduce the Mini M on June 11th, at which point all of the above, along with the rumored €2,450 (about $3,150) price tag, will likely be confirmed.
Leica teases Mini M camera, scheduled to debut on June 11th
Leica seldom updates its camera lineup, so we're especially intrigued to discover that it's teasing a completely new model, the Mini M. On the camera maker's website, this TBA model is represented by only a black box, tucked in between the full-frame M and the APS-C-loaded X2 (Micro M). There's no other official info aside from its June 11th unveiling date, but Leica Rumors is poised to bet that this is the company's first mirrorless ILC entry. The site's sources claim this model will thankfully not be a re-badged Panasonic Lumix -- Hasselblad and Sony's Lunar (a leather-adorned NEX-7) already did enough damage on that front.
OS X camera RAW compatibility update adds Sony RX1, Nikon D5200 and more
Apple's 'Digital Camera RAW Compatibility Update 4.04' is out, and although we rarely report on these frequent releases, there are a few notable shooters named in this particular version. Available for Macs running OS X Lion 10.7.5 and above, or Mountain Lion 10.8.2 and above, the update now allows RAW snaps from Sony's compact Cyber-shot RX1 and Nikon's D5200 SLR to play nice with Aperture and iPhoto software. Plenty of other cameras are also on the changelog: Leica's X2, V-Lux 4 and D-Lux 6, as well as Pentax's Q, K-30, K-5 II and IIs. A quick trip to the App Store will get you on the latest version and have you cooking something up in Aperture before you can say "medium-rare." Bon appétit.
Jony Ive will design limited-edition Leica camera for charity
Apple's own Sir Jony Ive will design a one-off camera for Leica, to be auctioned off for charity. That's right, only one unit will be produced. The announcement was made at a special event that Ive was supposed to attend. In the end, he couldn't make it, but the company went ahead with the announcement anyway. Collectors with a love of fine design, and very deep pockets, will want to keep an eye out for this one.
Apple's Jony Ive tapped to design one-off Leica M for charity auction
In case the newly announced Leica M simply isn't astronomically expensive enough -- or charity-minded enough, as it were -- Apple's senior VP of design Jony Ive is working with the German photography company on a one-off version set to be auctioned for charity. Given the M's baseline price of €6,200 (about $8,100), we're guessing the one-of-a-kind version designed by one of the world's most influential designers is going to fetch a pretty penny at auction. Like, "sell off one of your extra homes" kind of money. Leica head Dr. Andreas Kaufmann announced the collaboration last night during a Leica event at Photokina -- an event that Ive himself was reportedly set to appear at -- where he said that the auction will be done with U2 frontman (and longtime friend of Ive) Bono Vox. The latest Leica M debuts in early 2013, though we won't see the fruits of Ive and Leica's collaboration for some time as the camera's design has yet to begin.
Leica V-Lux 4 superzoom hands-on (video)
Yep, one more Leica camera to tell you about from this year's Photokina show floor. It's the V-Lux 4 -- a big new superzoom addition to the company's line. Though its got a similar name to the V-Lux 40, the camera's body is a good deal larger -- closer in size and shape to a small DSLR, but still reasonably lightweight. As with the smaller model, the V-Lux 4 features an all black design, with a bright red Leica logo on the front -- in this case, just next to the curving textured handle. Also on top is a pop-out flash that you trigger with a devoted button. The V-Lux 4 is capable of continuous f2.8 zoom, accessible via two buttons -- one on top and the other next to the lens. Also on the rear, you get two viewfinders -- optical on top and a swiveling electronic three-inch display. The camera is available now in Europe for a pricey €699. %Gallery-165739%
Leica S-System hands-on (video)
More fun from Leica here at Photokina in Germany -- and this guy is big in every way. It's the S-System, the company's update to its pro-series medium format offering. The successor to the S2 is quite large (even in SLR terms) and is very, very heavy. In fact, you're going to want to work out that upper body before using this thing for any period of time -- that is, once you're done selling your first born child. Aesthetically, the camera looks a good deal like the S2, maintaining its nice looking design with a couple of key differences -- for one thing, there's an extra bump on the top of the camera -- this is where the integrated GPS lives. The 3-inch LCD (which is capable of 16 million colors) is also covered with Gorilla Glass, so you're less likely to crack it if you're rough on the thing (though, again, at these prices, we assume you'll be nicer to it than your own offspring). Look inside the optical viewfinder and you'll get a meter that helps you determine how you're oriented respective to the horizon. The sensor, naturally, has been refreshed as well, now measuring 30 by 44mm, with 37.5 megapixels. And the shutter can do its thing as quickly as 1/1,000 of a second. As for pricing, well -- the Leica rep we spoke with put the camera at (get ready) €19,600. The camera is also launching with four lenses, in case you have a few other kids you're interested in selling.
Leica D-Lux 6 and V-Lux 40 hands-on (video)
The Leica deluge continues here at Photokina in Cologne. We played around with two new point-and-shoots from the company, starting with the D-Lux 6, the larger and pricier of the pair. The camera features an all black body, with a red Leica logo on the front. It's got a 1.7-inch CMOS image sensor, a processor capable of ISO 80 to 12800 and adjustable aperture on the lens that can be changed with a twist. It's also got a large three-inch display on the rear and is capable of full HD video. The cheaper V-Lux 40 features a similar all-black build with red logo in a smaller form, with a 1/2.33-inch CMOS sensor. On the rear of the camera, you'll find a three-inch touch display with the same bright resolution as the D-Lux 6. The camera, which bears a striking resemblance to the Panasonic Lumix DMC-ZS20, can also do 1080p video. The V-Lux is available now here in Europe for €590 and the D-Lux is coming soon, priced at €699. %Gallery-165714%
Leica M-E is a $5,450 M9 with new color scheme, minor feature exclusions (hands-on video)
Don't have the $6,500 to spare to pick up a Leica M9? You might consider the freshly announced M-E, which carries a similar feature set and a slightly more palatable $5,450 price tag. The camera includes the same 18-megapixel sensor as the M9, but drops relatively minor features like a built-in USB port (you'll need to pop out your SD card to download pics). It's nearly identical to the pricier model, with a low-res (230k-dot) 2.5-inch LCD and an ISO range of 160-2500. Unlike the "new M," announced alongside the M-E, the latter model does not offer live-view functionality, so you'll only be using the LCD to make settings adjustments and for reviewing images, anyway. Shot framing will be handled with the 0.68x viewfinder, positioned at the top left of the camera. Aesthetically, you might find the M-E to be a bit more pleasing, with a muted gray/black color scheme -- we found it to be quite nice during out hands-on at Photokina. The camera itself looks like an M9 with a hint of Michael Graves-esque simplicity -- there's a silver shutter speed dial up top, with soft numbering and positions that range from bulb to 1/4000 second. There's also a matching power toggle/shutter release, along with the standard suite of playback and ISO controls on the rear. As we mentioned, the 2.5-inch display offers a bit lower resolution than what we'd like to see, making it less than ideal for verifying image sharpness, for example, so if the LCD marks high on your list of priorities, you'll probably do best to wait for the "new M" (M10) to hit early next year. Otherwise, the M-E appears to be a capable camera, but M9 owners should hang tight -- there's not much to see here. The M-E is available for purchase now, for about $5,450 (or €4,800 in Europe), and you can sneak a peek in our gallery below, and the hands-on video after the break.%Gallery-165706%
New Leica M camera has live-view and 1080p video capture, we go hands-on (video)
Yesterday, Canon stole the show, but today's darling of Photokina appears to be the just-announced Leica M camera. Show attendees flocked to the "new M" demo counter this morning, nudging through the crowd for a chance to check out Leica's first live-view equipped M. This new feature is powered by a new 24-megapixel CMOS sensor, and also enables 1080p video capture at 24 and 25 frames-per-second -- another first for Leica. Live-view and HD video shooting may not seem like banner features for a €6,200 (about $8,100) camera, but considering they've never been offered before, these additions seem to be highlights for hopeful M10 owners. The camera itself is quite beastly, in typical M fashion, and appears to have just as much heft as the M9. There's a new Gorilla Glass-equipped 3-inch, 920k-dot display, that's plenty sharp and quite responsive in live-view mode. Adjacent to the display, you'll find a new LV button, which, as you may have guessed, launches the new realtime display mode. There's also a playback button, along with direct access to ISO, image deletion and menu settings. Up top, there's the Leica trademark shutter speed dial (aperture control is on the lens), letting you select from bulb all the way through 1/4000 second. There's a full-size hot shoe up top with an accessory connector for the EVF 2 attachment, and a second proprietary connector on the bottom to interface with the accessory grip, which adds USB connectivity and built-in GPS. We can't comment on image quality just yet, but there's no question that the "new M" marks Leica's commitment to finally bring otherwise commonplace features to its popular (and pricey) rangefinder line. Look for this latest model to hit stores in early 2013, but you can take a closer look today in our hands-on gallery below and video demo after the break. Update: This post originally stated that the new Leica M had yet to be named, however the company has confirmed that the new camera will simply be named, "The Leica M," without numbers. "The Leica M also marks the beginning of a new era in the Leica product naming policy. In [the] future, Leica M and S model names will omit the number suffix to emphasize the enduring and long-term significance of the respective systems."
Leica X2 gets à la carte, Paul Smith editions to help you stand out from plebeian photographers (update: hands-on)
Let's say you've been considering a Leica X2 for the mix of a big APS-C sensor and retro styling, but a $1,995, fixed-range compact camera just isn't exclusive enough. Leica has you covered with two extra-rare editions that rise above the pack. Provided you don't mind someone else designing for you, the Edition Paul Smith spices things up with a mix of black, green and orange that reflects the UK fashion designer's love of stripes and wilder colors. Is the small 1,500-unit batch of Paul Smith cameras still too common? There's now an à la carte X2 option to limit the production run to exactly one. After picking from black, silver or new titanium colors for the main body, you can choose from a set of leather trim colors and get custom engraving to hedge against the unlikely event that anyone confuses your X2 with someone else's. Prices aren't immediately available for the October launches of both cameras. Not that it matters much -- if you're willing to even consider a special edition Leica, you already know that it's within your price range. %Gallery-165713% Zach Honig contributed to this report.
Leica unveils V-Lux 4 superzoom, D-Lux 6 compact to mirror their Panasonic counterparts
Leica has its more unique creations, but some of its more affordable cameras are usually upscale parallels to Panasonic models -- and that's undoubtedly true for the newly official (and previously leaked) V-Lux 4 and D-Lux 6, which respectively echo Panasonic's FZ200 and LX7 shooters. We can't object too much. That similarity gives the 12-megapixel V-Lux 4 superzoom (seen up top) a 25-600mm equivalent lens with a constant, wide f/2.8 aperture to snap bright images at long distances. The D-Lux 6, meanwhile, combines its large 1.7-inch, also 12-megapixel sensor with a 24-90mm, f/1.4-2.3 lens and that distinctive aperture control ring. What you're really getting over the Panasonic equivalents is a subtler, all-black Leica color scheme and a copy of Adobe Lightroom 4 to manage the imminent flood of photos. Photographers who don't mind knowing their luxury cameras' true roots can swing by Leica dealers in November to buy either design; we don't yet know prices, but it's safe to assume that the V-Lux 4 and D-Lux 6 will carry premiums over their more pedestrian equivalents.
Leica reveals S-System medium format digital photography lineup
Leica wasn't about to let everyone else hog the spotlight at Photokina this year. The company took the wraps off more products than you could possible cram into one post (or two, or three...). But among the more intriguing is certainly the new S-System -- an update its pro-series medium format line. The sensor and accompanying board have all been refreshed, with the 30 x 44mm sensor cramming 37.5 megapixels into its expansive CCD surface. The 16-bit color depth is complimented by a wide ISO range of 100 to 1600, which should cover you for almost any imaginable application. A dual shutter design gives photographers the choice between the camera's built in shutter or the integrated one on the CS lens line, which allow for flash sync at shutter speeds as high as 1/1,000 of a second. Leica is touting the improved speed of its medium format internals, but with the ability to capture just 1.5 fps in continuous mode, it might not be the ideal action shooter. Still, the ability to capture 32 consecutive RAW images at full resolution, thanks to the 2GB of buffer memory, is quite impressive. The digital viewfinder is a three-inch LCD, capable of displaying 16 million colors representing the full sRGB color space. Of course, the VGA resolution isn't anything to write home about, but it should get the job done. The integrated two axis leveler, displayed on the viewfinder, should help avoid oddly angled portraits, while the integrated GPS receiver will let you keep track of every remote mountaintop you capture in full resolution majesty. Of course, no new camera product line would be complete without some lenses as well. In total four are launching alongside the new body, including the first zoom (30-90 MM F/3.5-5.6) and tilt/shift (120 MM F/5.6) members of the family. Rounding out the lineup is a 24mm superwide angle lens and a close-up accessory that shortens the focal length of one of the existing mounts by about three and a half feet. For more info, check out the source link.
Leica launching new Leica M in early 2013, stripped-down M-E available this month
Do you need a stylish, undoubtedly expensive German camera early in 2013? Perhaps right now? Leica's got you covered on both fronts, announcing today that its Leica M line is finally getting an official followup to the venerable M9 rangefinder in "early 2013." The new M is outfitted with the company's first 24-megapixel (full-frame, naturally) Leica Max CMOS image sensor (à la the A99 and D600) -- what Leica calls "a completely new development in sensor technology." That sensor will snag you a sensitivity range of IS0 200 to 6,400 (expandable to 100). Even more exciting, this latest M can mount Leica's legacy R glass (!) with a new adapter (available separately) and it can also shoot video in 1080p HD with 24 / 25p frame rate. While it retains the classic M-series styling, rear now features a 3-inch 920k-dot display, protected behind a layer of Gorilla glass. Leica's also making special note to highlight that the new M features live view functionality on the embedded screen and with an optional EVF. The M-E model (which appears to be a refresh of sorts on the M9) comes paired with a slightly less-potent 18-megapixel full-frame CCD sensor. Beyond that, it doesn't appear to pack any video functionality and features a much smaller 2.5-inch 230k-dot display. Neither model comes with any additional numbers in their titles title, however -- that's a conscious decision on Leica's part to rework its naming policy. "In [the] future, Leica M and S model names will omit the number suffix to emphasize the enduring and long-term significance of the respective systems," the announcement says. We're calling it "The iPad 3 approach." The cameras were revealed along with a slew of new products that Leica's showing during Germany's Photokina convention, including a range of new accessories (the Leica R-Adapter M, the Leica EVF2 electronic viewfinder, the multifunctional handgrip-M with optional finger loops, and the Leica Microphone adapter set). Although there's no word on pricing for the new M, we'd expect it to sell for somewhere between a cool 7 to 10K given the $5,450 price of the M-E and the approximately $7,000 sticker tag on the M9 -- hey, at least both snag you the prestige of the red dot and a pro-bono copy of Adobe Lightroom. The M-E will be be available from Leica dealers before the month's out, while the M will ship out early next year -- both in your choice of black or black / silver. In the meantime, hit up the source link below for the full tech specs on both shooters. Joe Pollicino contributed to this post.
Pair of unannounced Leica cameras get leaked ahead of next week's Photokina
As you may or may not know, Photokina's taking place in Cologne, Germany in a few days, which has caused a plethora of cameras to make an appearance before they're even made official. The latest round of unannounced, leaked shooters brings us a couple of Leicas, including the high-end, LX7-esque compact pictured above and a superzoom that takes a design cue from its smaller sibling. Unfortunately, details like pricing and availability are still at large, but with Photokina right around the corner, it won't be long before we know more about this sleek pair. For now, head past the break to check out an extra pic, where you'll find the larger member of the two posing for the camera -- ironic, huh?
Leica Monochrom test turns up the ISO, doesn't bring the noise
In the case of "why would you pay $8k for a black and white camera," exhibit 'A' would surely be the lack of a color filter array corrupting the image. Without one, the Leica Monochrom -- with a similar CCD to its M9 stablemate -- should have less noise. Tests comparing the two cameras on Red Dot Forum confirm it, with the Monochrom cleaner in glorious black & white at all ISO's up to the M9's maximum of 2500. Past that, a touch of NR gave the Monochrom a pleasing film-grain look to our eyes at ISO 5000, but at ISO 10,000 images started to sparkle and approach the "barely usable" range. Still, combined with the increased sharpness and resolution, very well-heeled purists might be tempted.
Fujifilm M-Mount Adapter brings Leica lenses to the X-Pro1
It's not the cheapest, and it's not the first, but if you've been holding out on picking up an M-Mount adapter for your X-Pro1 with the hope that Fujifilm with launch a Leica-friendly accessory of its own, your patience does appear to have paid off. The camera maker just announced its very own M-Mount Adapter, featuring a 27.8mm distance between the lens mount and the sensor, an aluminum and stainless steel construction, and three levels of distortion correction. After you upgrade your camera firmware to version 1.10 (or later), you'll have access to an advanced M-Mount Adapter Settings menu, which utilizes pre-registered lens profiles and corrections. The software includes presets for 21mm, 24mm, 28mm and 35mm Leica lenses, leaving two additional slots for adding your own settings. You'll need to hang in there for a few more weeks -- the M-Mount Adapter is expected to ship for $200 in June. There's full specs in the PR after the break.
You think your Leica's expensive? This one cost $2.8 million (video)
If you've ever baulked at the price of Leica's rebadged Panasonic cameras, then spare a thought (or some change) for the anonymous buyer of this 1923 0-Series snapper. Vienna's WestLicht Photographica auctions flogged the prototype for €2.16 million ($2.77 million) and is now the most expensive camera ever sold -- beating this $1.9 million 0-Series from last year. If you'd like to see the surprisingly relaxed way the auctioneer handles the recession-baiting sale, head on past the break for the footage. [Thanks, Rakesh]
