pointandshoot
Latest
Rambus Binary Pixel brings single-shot HDR photos to phone cameras
Most high dynamic range photography 'cheats' by merging multiple exposures into a composite image, which can lead to blurry shots. While HDR camera technology is catching up and will even let us record HDR video on our smartphones, Rambus believes its new Binary Pixel technology can achieve the effect with less waste. Its new imaging chip tries to replicate the human eye's range through setting light thresholds and oversampling the scene in both space and time. The results are more natural shadows and highlights down to the pixel level, with processing processing fast enough for video. The overall image reportedly suffers from less noise as well. Companies will have to talk to Rambus to implement Binary Pixel, although it's a considered a drop-in technology that should talk to existing processors and camera sensors, whether it's for smartphones or point-and-shoot cameras. Rambus may just want to hurry if it hopes to get noticed -- it's joining an increasingly crowded field.
Sony brings Cyber-shot HX300, WX300 and TX30 to the US with fast autofocus
Sony refreshed many of its mainstream Cyber-shot cameras at CES. Now that we're on the cusp of spring, the company is giving equal love to a trio of more specialized shooters arriving in the US. The 20.4-megapixel Cyber-shot HX300 superzoom easily bests its HX200V ancestor in the optics department with a 50X, 24-1,200mm equivalent lens that sports better stabilization, but the real allure is its autofocus speed: it can lock in twice as quickly at telephoto distances, giving us more reason to use all that extra reach. The WX300 compact zoom isn't quite as alluring on paper with its 18.2-megapixel sensor and 20X (25-50mm equivalent) lens, although it carries autofocus about 3.6 times speedier than the old HX30 while stuffing in WiFi for simpler photo sharing. These two are joined by the TX30, an all-around improvement for last year's waterproof TX20 camera. While there isn't quite a revolution on the outside, the TX30 can survive twice the depth at 33 feet, carries a longer-zoomed 5X (26-130mm) lens and bumps the resolution to 18.2 megapixels. Both the TX30 and the HX300 will come first, hitting American shops in March at respective $350 and $500 prices. The WX300 will miss March break with its April release, but it will be the cheapest of the pack at $330.
Pentax Optio LS465 hands-on: a point-and-shoot with customizable skins, compact form-factor
Another point and shoot arrives at CES from Pentax and this one trades a restrained design for one that's all your own. While the 16-megapixel Optio LS465 arrives in black, pink, purple color options, they also come with customizable skins. Essentially the skins just just paper inserts that fit under a removable clear plastic cover. You just twist the ring around the lens and off it comes. It can also capture video at 720p, while ISO levels can be cranked up to 6400. The Optio LS465's f/3.9-6.3 lens is capable of up to 5x optical zoom, while a combined 36x is possible with digital zoom. The camera has a 2.1-second start-up time and there's output ports for USB and AV-out. Check out the galleries below for a bit more. %Gallery-175150% Follow all the latest CES 2013 news at our event hub.
Olympus reveals SZ-15, SZ-16 superzoom cameras with upgraded sensors
It almost wouldn't be a camera introduction without a couple of superzooms, would it? Appropriately, Olympus is updating its lower-cost SZ models at CES with new sensors and a handful of extras to match the long-distance optics. The 24X zoom SZ-16 iHS makes the undeniably larger leap: its 14-megapixel sensor now relies on low light-friendly CMOS (instead of the SZ-12's CCD) and introduces a quicker TruePic VI processor. The added power leads to a multi-shot Hand-Held Starlight mode for would-be astrophotographers as well as 1080p video. Not that the very entry level isn't getting some love, however. The SZ-15 is a meaningful upgrade in its own right, extending to the same 24X zoom as the SZ-16 while replacing the SZ-10's 14-megapixel CCD with a 16-megapixel CMOS imager. Olympus includes a handful of options that the SZ-15's older TruePic III engine can handle, such as a Beauty Mode and SR Zoom (read: digital zoom). Both models ship in March, although the narrow pricing spread between the $200 SZ-15 and $230 SZ-16 leaves us leaning heavily toward the higher-end camera. Follow all the latest CES 2013 news at our event hub.
Olympus SH-50 iHS touts 5-axis video stabilization in a compact, $300 camera (update: hands-on pics)
Olympus helped conquer shakycam videos first in the OM-D, but not everyone has $1,300 to throw at a high-end mirrorless body. It's clearly aware of our plight in launching the SH-50 iHS at CES. Despite the 16-megapixel camera's PEN-like looks, it sits squarely in the point-and-shoot category with a matching $300 price, even while it borrows the OM-D's 5-axis stabilization to fight unwanted jolts while making movies. We'll have to make do with 3-axis work on our still photos, although we won't mind as much when there's full-resolution photo capture in mid-video, 1080i video at 60FPS and 720p slow-motion video at 120FPS. A 24X, 25-600mm equivalent lens certainly doesn't hurt, either. Aspiring video producers will only have to wait until the SH-50's March availability to cut out the jitter. Update: We got a chance to see the SH-50 in person, so check out our hands-on photos in the gallery below. Follow all the latest CES 2013 news at our event hub.
Olympus intros upgraded Stylus Tough TG-2, TG-830 and TG-630 rugged cameras
Olympus knows many of us will be jonesing for a rugged camera once the weather warms up, and it's more than happy to deliver with a trio of refreshed Stylus Tough point-and-shoots. The TG-2 iHS flagship is all about going closer and deeper than before: it preserves the 12-megapixel CMOS sensor, 25-100mm equivalent f/2.0 lens and 1080p video of its predecessor, but introduces a new Microscopic Macro mode that Olympus claims can provide extreme detail from as little as 1cm (0.4 inches) away. The body's waterproofing is also resilient enough to survive at a deeper 50 feet, just in case the TG-1 isn't quite a match for that upcoming reef expedition. The TG-2 will arrive in March, and it should undercut its predecessor's original asking price at $380. Those who aren't quite so committed to rough-and-tumble photography still get a few updates of their own. The TG-830 iHS adds geolocation to the TG-820's formula with both GPS and an electronic compass to show the way; its 16-megapixel CMOS sensor is also new, although we're more interested in a newfound option to shoot stills while recording video. At the entry level, the TG-630 iHS is a close cousin of the recent TG-625, adding a front metal plate to the 12-megapixel model we know. The two will ship alongside their bigger sibling in March with respective prices of $280 for the TG-830 and $200 for the TG-630. Follow all the latest CES 2013 news at our event hub.
Nikon outs Coolpix S6500 with WiFi, new beauty touch-ups (update: hands-on photos)
The budget, compact long-zoom camera field must be a cutthroat one -- Nikon unveiled the Coolpix S6300 early last year, quietly slipped out the S6400 later in 2012, and it's already previewing a S6500 at CES. What's new that justifies such a quick refresh? WiFi, mostly: the S6500 should be one of the less expensive cameras in its class to share its photos directly over a local network. Photographers with self-conscious subjects also get five new Glamor Retouch modes that brighten cheeks, eyes and teeth. Otherwise, those who bought an S6400 will feel like they're in familiar territory between the 16-megapixel backlit CMOS sensor, 12x (25-300mm equivalent) lens and 1080p video capture. The S6500 arrives towards the end of January for $220, which makes it low-hanging fruit for anyone who wants a dash of everything in their next point-and-shoot upgrade. Follow all the latest CES 2013 news at our event hub. Dana Murph contributed to this report.
Panasonic's new Lumix and camcorder lineup arrives at CES
Panasonic may not have dedicated much time to its 2013 Lumix and WiFi camcorder lineup in its CES 2013 press conference, but we're going to break it down for you. The HC-X920, HC-V720 and HC-V520 comes with built-in Wifi, a level shot function and real-time broadcasting, letting you relay the images straight to a smartphone. The HC-V210 and V210M have 72x optical zoom, optical image stabilization and a F/1.8 lens. On the Lumix side, it's announcing the Lumix DMC-TS5, a ruggedized model with a 16.1 megapixel sensor that can dive to depths of 43 feet and is shockproof from a height of 6.6 feet. The LZ30 bridge camera has a 35x optical zoom and a 35mm lens The XS1 has a 14mm thick body and a 14.-4 megapixel sensor. The ZS30 has an 18.1-megapixel sensor, 20x optical Zoom and integrated WiFi and NFC. The company is also shuttling out a GoPro rival in the form of the HX-A100 wearable HD camcorder, which we'll try to get our greasy mitts upon to show you more. Follow all the latest CES 2013 news at our event hub.
Pentax launches brass-bodied MX-1 point-and-shoot: 12MP with 4X zoom (update: now with hands-on photos)
With some classy brass casing, Pentax' new point-and-shoot is a little more refined than what we often get in smaller cameras. Fanciful materials aside, Pentax has paired a 12-megapixel backlit CMOS sensor with a f/1.8-2.5 lens, capable of up to 4x optical zoom. There's a dedicated exposure compensation dial for adjustments on the fly, while the the 3-inch LCD display is articulated to better see what you've captured. Pentax has added its own dual shake-reduction system and shooting modes include macro capture capable of detailed images from just 1cm away. The camera will launch next month priced at $500, in a choice in silver and black finishes. Follow all the latest CES 2013 news at our event hub.
Toshiba preps 20MP, backside-lit sensor for point-and-shoot cameras
When smartphones are encroaching on compact cameras' turf, how does a company try to stay relevant making sensors for those cameras? By upping the resolution, of course. Toshiba has given a peek at the TCM5115CL, a 1/2.3-inch, backside-illuminated CMOS sensor that hits 20 megapixels -- a big jump from the 16-megapixel sensors in many point-and-shoots and some smartphones. To combat the noise and sensitivity problems that usually come with a denser design, the electronics giant is using pixels that can absorb 15 percent more of a charge, and therefore more light. Toshiba has primed the sensor for high-speed shooting and video as well, with the potential for 1080p video at 60FPS and 30FPS burst shooting at full resolution, provided the processor can keep up. We're not bracing ourselves for an imminent renaissance among dedicated cameras, however. Mass production doesn't start until August, which suggests we're unlikely to have 20-megapixel shooters in our pockets during summer vacation.
Samsung Galaxy Camera with Verizon LTE shows at the FCC
At least a few Americans have been disappointed that the current version of the Samsung Galaxy Camera goes without LTE; when the data connection is intended almost exclusively for uploading massive photos, HSPA+ can only go so far. To our relief, Samsung knows our impatience well enough to have sent a version of its connected point-and-shoot with American 4G through the FCC's approval gauntlet. This time, the camera goes under the EK-GC120 name (the HSPA+ model is the GC100) with LTE access on Verizon's slice of the 700MHz spectrum -- and that's it for cellular access, without even a trace of foreign wireless bands. As such, there's little doubt the GC120 is headed to Big Red and will have to resort to WiFi on any vacation outside of the US. Any uncertainty mostly rests around just when the Galaxy Camera arrives on Verizon's network, and whether or not the extra wireless speed will demand a premium.
Butlers, lunar rovers, snakes and airboats: the best of Carnegie Mellon's Robotics Institute
How was your week? We got to spend a couple of days trekking around the Carnegie Mellon campus in Pittsburgh, PA to check out some of the latest projects from the school's world renowned Robotics Institute -- a trip that culminated with the bi-annual induction ceremony from the CMU-sponsored Robot Hall of Fame. Given all the craziness of the past seven days, you might have missed some of the awesomeness, but fear not, we've got it all for you here in one handy place -- plus a couple of videos from the trip that we haven't shown you yet. Join us after the break to catch up.
Visualized: GigaPan circa 2006
GigaPan sure has come a long way in a few short years. Sure, it's no Epic Pro, but this old device marked S/N 15 is a pretty cool piece of history for those who love really hi-res images. We spotted it on the shelf of an office here at Carnegie Mellon, clutching on to an old PowerShot point-and-shoot. According to its owner, the tangled device dates back to around 2006. We knew it looked familiar....
Canon announces Q3 2012 results: operating profit down 42 percent to $908 million
Canon just released its Q3 2012 earnings reported, and things aren't looking peachy right now for the camera maker: revenue is down 13 percent to $10.3 billion from last Q3 last year, while profit tumbled by 42 percent. The Japanese company directed the blame toward the "negative impact of economic deterioration" in Europe and emerging markets like China, as well as the strong yen (again). DSLR sales fell over last year, with Canon mentioning that its launch of new models like the EOS 5D Mark III didn't help to shore its camera figures up. Other units within the company didn't fare much better, with printer sales falling and business-to-business numbers flatlining. The company doesn't see a bright fourth quarter either, and is projecting that sales will stay in lockstep with the sluggish economy, resulting in a 6 percent decline in operating profit for the year. It may not want to count so much on the new mirrorless offering pulling it out of the mud, though -- it got fairly mixed reviews.
Message from Me offers dispatches from early education, we go eyes-on (video)
What do you get when you attach a point-and-shoot, display, microphone, RFID reader and a bunch of big buttons to a clear plastic box and stick it all in a classroom with a bunch of three- to five-year-olds? Carnegie Mellon's CREATE Lab calls the creation Message from Me. It's a way of engaging early education students with technology, developing language and social skills and helping keep parents abreast of their school day activities. The tool encourages kids to record a thought or take a picture and send it to a parent by pulling a card with their face on it down from the wall and scanning on the RFID reader. Parents can get updates via text message or email from kids who are often unable to pass along such information at the end of the day. According to the lab, the machines have already been installed in nearly a dozen schools in the Pittsburgh area -- and from the looks of the boxes on the floor in the CREATE Lab, plenty more are on the way.%Gallery-169260%
Samsung's Smart EX2F point-and-shoot now on sale for $500
It has taken Samsung a wee bit longer than expected, but the Korean outfit announced earlier that its intelligent, WiFi-equipped EX2F point-and-shoot is finally hitting US store shelves today. And while availability itself comes a few weeks behind schedule, it gave Samsung plenty of time to reconsider the initial $550 MSRP tag it gave when the camera was first unveiled, which means that $500 gets you in the "smart" shooter game with a 3-inch AMOLED display, 12.4-megapixel CMOS sensor and, of course, the lovely f/1.4-2.7 (24-79mm) lens. Still trying to figure out whether this is indeed the one for you? Then be sure to peruse over our own hands-on to help you decide if it's worthy of your hard-earned cash.
Samsung's MultiView MV900F begins shipping with 180-degree AMOLED display for $350
Shipping targets aren't set in stone, so we weren't terribly surprised to see Samsung miss its late-August goal for the new MultiView MV900F. Today, the Korean CE giant announced that its MV900F is now available for purchase at US retailers, still priced at $350. Those three and a half bills will net you a 16.3-megapixel shooter with the series' trademark 180-degree touchscreen -- this iteration packs many more pixels than its predecessor, with a WVGA AMOLED panel. The MultiView snapper lets you frame shots from in front of the camera, with a display that flips to face forward, while gesture controls enable you to fire a frame and zoom the lens with a wave. There's also 1080p video shooting, an f/2.5-6.3, 25mm 5x optical zoom lens and built-in WiFi, for direct image uploads. You can grab your MV900F at big box retailers and camera stores, along with US-based e-tailers beginning today.
Casio's Exilim EX-H50 superzooms its way to Photokina, we go hands-on (video)
Looking for a superzoom camera without the bulk of a DSLR? Casio's Exilim EX-H50 is a pretty slick proposition. The camera's got a reasonably slim profile that's a bit more like an oversized point-and-shoot, slight bulk that's presently largely because of the extended soft grip and big three-inch TFT display on the rear -- and then, of course, there's that 25 mm wide-angle lens with 24x optical zoom that certainly adds a good deal to the camera's footprint when extended. The flash adds a bit too, but that'll lay dormant until you pop it out via the devoted switch just to the left of the bump, on top of the camera. The zoom is quite smooth -- it certainly did the trick snapping photos of strangers socializing in the halls of the Cologne Convention Center. That three-inch screen is big, if not particularly bright, but does the trick for the camera's fairly simple menu system, which also includes a number of filters like Fisheye, Sepia (move over Instagram) and Monochrome -- the processing on each occurs after the photos are snapped. Inside, you've got a 16.1-megapixel sensor. The superzoom will run €250 when it hits Europe next month.
Fujifilm's XF1 makes a fashion statement at Photokina, we go hands-on (video)
Point-and-shoot or fashion accessory? This is the conundrum posed by the XF1, a new retro-styled point-and-shoot from Fujifilm. It's a nice looking camera with a solid and fairly light build, certainly, and while the faux leather (in black, red or tan) might not be for everyone, the company was quick to point out that it'll go nicely with your new designer handbag, for whatever that's worth. The textured design is complimented nicely by a metal border on the top and bottom. There's a bit of a learning curve here, when it comes to just turning the thing on -- give it a twist and a pull, not unlike a childproof pill cap to put it in standby and another pull to get things started. There's a big, bright three-inch LCD on the rear of the device. Click the E-Fn button on the bottom right, and you can actually reassign the button mapping on the back to your liking on the display. Of course, such style and functionality comes at a price -- this guy will run you $500 when it goes on sale next month.
Leica unveils V-Lux 4 superzoom, D-Lux 6 compact to mirror their Panasonic counterparts
Leica has its more unique creations, but some of its more affordable cameras are usually upscale parallels to Panasonic models -- and that's undoubtedly true for the newly official (and previously leaked) V-Lux 4 and D-Lux 6, which respectively echo Panasonic's FZ200 and LX7 shooters. We can't object too much. That similarity gives the 12-megapixel V-Lux 4 superzoom (seen up top) a 25-600mm equivalent lens with a constant, wide f/2.8 aperture to snap bright images at long distances. The D-Lux 6, meanwhile, combines its large 1.7-inch, also 12-megapixel sensor with a 24-90mm, f/1.4-2.3 lens and that distinctive aperture control ring. What you're really getting over the Panasonic equivalents is a subtler, all-black Leica color scheme and a copy of Adobe Lightroom 4 to manage the imminent flood of photos. Photographers who don't mind knowing their luxury cameras' true roots can swing by Leica dealers in November to buy either design; we don't yet know prices, but it's safe to assume that the V-Lux 4 and D-Lux 6 will carry premiums over their more pedestrian equivalents.
