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Redray 4K player now shipping, UHDTV not included
4K televisions are all the rage right now, but they're still dogged by a slight problem: where's the content? Red has taken one step to rectify that, as it's finally started shipping it's Redray media player, which can send a native 4K (4,096 × 2,160) or up-converted HDTV signal to your UHDTV. It uses wavelet compression tech to play 4:2:2, 12-bit video over a relatively miniscule 2.5MB/s pipe, allowing up to 60 fps 4K video in 3D from a hard drive, USB key or other source. Red will also offer online 4K content via its Odemax.com network, though there's no word yet on when that'll launch. Meanwhile, those who pre-ordered the player for $1,450 last year (it's now $1,750 at Red's store) should be receiving it soon, along with an iOS app to control it, pending Apple's say-so. As for the Redray laser projector -- also promised earlier this year starting at $10,000 -- there's still no word on when it'll grace our eyes. Update: The original headline said Redray projector, but it's the Redray player that's shipping.
Oppo Find 5 smartphone surfaces in all-too-limited red edition
Oh my. We thought the Oppo Find 5 was already good-looking in its original white, but it just took on some extra appeal now that there's a stylish red edition on the way. The 1080p smartphone hasn't changed on the inside, although that wasn't likely when the phone is just six months old. We're more concerned that we might not get our hands on one -- CNMO understands that the red Find 5 is a limited edition without a specific release date. Whether or not we get to see one in person, we'll at least have the photos at the source link.
AT&T to carry Samsung Galaxy S 4 in Aurora Red on June 14th
Looks like there are more smartphone-loving vampires than we first thought. Following Samsung's plans to offer the Galaxy S 4 in multiple new colors, AT&T has scored a US exclusive for the smartphone in a very distinctive Aurora Red. The crimson-hued Life Companion will be available for pre-order on May 24th, with retail stores getting their supply on June 14th. The lone disappointment is the capacity: AT&T is only offering red for the 16GB, $200 model. Still, we're happy that we won't have to wait for the Galaxy S 4 Active just to get a Samsung flagship in a livelier color.
Pebble gets a golf app now, two-way app support within a month
Pebble and its developer partners have been working at a manic pace in recent days, and they've just released a flood of status updates that prove they're not easing up. Along with confirming that the first red watches have shipped inside of the past week, Pebble is now claiming one of its first notable golf apps through an updated version of Mobile Software Design's Freecaddie. Would-be PGA stars can check the hole distance and par when paired up with an Android phone, with iOS support due soon. At least some owners can look forward to a bright future, too. An SDK update within the next month will allow two-way interaction between apps and watches, albeit only with Android devices in any realistic way -- iOS releases bound for the App Store won't support bi-directional use "at this time." That's certainly an unfortunate discrepancy, although we may be too busy perfecting our swings to notice. [Image credit: Thomas Harbinson, Twitter]
The Daily Roundup for 04.09.2013
You might say the day is never really done in consumer technology news. Your workday, however, hopefully draws to a close at some point. This is the Daily Roundup on Engadget, a quick peek back at the top headlines for the past 24 hours -- all handpicked by the editors here at the site. Click on through the break, and enjoy.
After hours at NAB: A closer look at Red's Dragon upgrade operation (video)
Red's clean room on the NAB show floor is typically no place for camera crews, but after adding a bit of protection, Red President Jarred Land gave us the green light to step inside the company's sacred space for a closer look at operation Dragon upgrade. (The $8,500+ sensor swap gives Epic cams the gift of 6K shooting.) The view from behind the glass wall separating spectators from technicians isn't significantly different, but we were able to get quite a bit more insight into how the process goes down, including stops at each of the workstations. The temporary assembly center that Red built at the Las Vegas Convention Center is a miniature version of the company's primary facility in Irvine, California -- while Dragon upgrades are underway in Las Vegas, a structure that's estimated to be 20 times the size of the one here in Nevada is processing the updates remotely, though admittedly with far less fanfare. Join us past the break for an exclusive look at the process, live from Red's booth at NAB.%Gallery-185072%
Red details Scarlet upgrades and trade-ins: $9,500 for Full Epic-X or Scarlet Dragon
If you're pining for a Dragon Sensor but don't have an Epic-M or Epic-X in your collection, you might be in luck: Red just detailed an upgrade and trade-in path for owners of its entry-level Scarlet camera. By plunking down $9,500 and trading-in your Scarlet, you'll nab a Full Epic-X with its new black body, and have the option upgrade it to a Full Epic Dragon through the standard update process, to boot. If that doesn't strike your fancy, you could send in $9,500 instead and have your grey-bodied cam turned into a Scarlet Dragon, netting you the dynamic range and revamped color of the new sensor, replete with a maximum frame rate of 60 fps at 5k. Ready to move on up to gear that packs a bigger punch? Pre-orders kick off this Thursday, while upgrades are slated to commence in July.
Red Motion mount eliminates shutter judder, we go eyes-on (video)
Red announced its new Motion lens mount prior to opening its booth at NAB, and now we've had a chance to see this guy in action. The mount, which is compatible with the company's Epic and Scarlet cameras, is meant to fix the CMOS rolling shutter problem. The Motion includes a liquid crystal shutter that's placed in front of the main sensor and is timed to engage when the sensor is fully open. It also adds up to 8x neutral density, which can be enabled electronically through the camera UI with 1/100-stop precision. In a demo at Red's NAB booth, the camera captured every flash of a strobe -- without the new mount, some flashes would likely slip through the cracks. It's set to ship for $4,500 in the fall (or possibly this summer), and will be available with Canon EF or PL mounts. You can see it in action today in the hands-on demo after the break.%Gallery-185020%
Red performs Dragon sensor upgrades right on the NAB show floor (video)
Well, this is a trade-show first. Red Digital Cinema has made a name for itself by pushing the limits when it comes to motion picture camera technology, but the company's "get it done" approach is even evident in the layout of its trade show booth this year. The team has constructed a full sterile lab here at NAB, where attendees can watch technicians upgrade Epic cameras with the new Dragon 6K sensor, which enables 6K shooting at 6144 x 3160 pixels and up to 100 frames-per-second, offering three additional stops over the Epic M-X. A wall of glass separates fans from the engineers in the clearly visible clean room, who are diligently going about their duties despite the constant gaggle of excited customers just a few feet away. Company spokesman Ted Schilowitz gave us a quick tour of the facility, where the $8,500+ sensor upgrades are now underway. Geek out with us in the video just past the break.%Gallery-185016%
Red unveils the Motion mount for Epic and Scarlet cameras to eliminate CMOS rolling shutter
Red has just announced the Red Motion lens mounting system for Epic and Scarlet motion camera systems that'll eliminate one of their chief snags: the dreaded CMOS rolling shutter. Though details are scant, it seems it'll do that in a similar manner to the Tessive system (see More Coverage), where a second liquid crystal shutter is placed in front of the main sensor and timed to engage only when the camera's CMOS is fully "open." That'll help eliminate artifacts like skew / judder in pans, repeating motion artifacts (think distorted propellers) and flicker from lights or displays, among others. The mount also brings an 8x electronic ND filter adjustable to 1/100th of an f-stop, partially negating the need for a matte-box in bright lighting situations. The Red Motion's drawback is that it'll cost you a stop of speed even when the ND is off, meaning you may have to change to a classic mount in low-light situations. Red's showing it now at its NAB booth-cum-factory and it'll ship out this fall in PL-mount form (with a Canon mount arriving later) for $4,500. Check the source for more discussion.
Red Epic Dragon sensor updates start tomorrow for $8,500
Red has announced that Dragon sensor updates will start tomorrow for Epic-M and Epic-X owners and, interestingly, is letting owners (and the public) see the operation for themselves at its NAB booth. The new sensor will bring 6K resolution, 120 fps at 5K and 15+ stops of dynamic range in a slightly larger format, according to Red. Early adopters will be able to pre-order now for $8,500, while Epic owners who wait until Thursday or later will be able to grab the update for $9,500. Filmmakers hoping for a new Epic-M with the Dragon instead of the Mysterium-X sensor will be able to pre-order tomorrow for $29,000 or so. Meanwhile, there's good news for those with the more budget-minded Scarlet -- they'll be able to upgrade to the Epic directly or get a 6k Dragon sensor and ASICs, with pricing details coming tomorrow and pre-orders launching on Thursday. Red may have a tough row to hoe with recent NAB news from the likes of BlackMagic Design and Vision Systems, but how many companies will actually let you watch your camera get operated on? Check the source for more.
Sony responds to Red lawsuit with its own patent claims, seeks damages, injunction
If we've learned anything from the patent wars it's that lawsuits beget lawsuits, and Red and Sony's budding spat is no exception. In response to allegations that Sony's F5, F55 and F65 cameras violate a pair of Red camera patents, the Japanese manufacturer is filing a suit of its own. The company says that the Red One, Epic and Scarlet cameras infringe on seven Sony patents, and is seeking damages and a sales injunction on the offending products. Accessories like the REDMOTE are headed to the courtroom, too. Sony's demands aren't as specific as Red's, which originally sought to have its competitor's camera's destroyed -- but we're sure things will heat up when litigation starts. Take a peek at Sony's brief statement after the break.
Red Digital Cinema settles with Arri over email hacking, terms undisclosed
One of the strangest corporate espionage stories in recent memory has come to a conclusion with a confidential settlement between cinema cam makers Red and Arri. It started when a former Arri honcho, Michael Bravin, pleaded guilty to hacking into email accounts at his ex-employer, camera distributor Band Pro Film & Digital. Red founder Jim Jannard claimed his personal account was also compromised during the attack and that other Arri executives were aware of it. As a result, Red sued its competitor for "unfair competition based on email hacking, invasion of privacy, conversion, misappropriation of trade secrets and unlawful trade practices, among other charges." In a post on Red's user forum, Jannard said "we are very happy with the terms of the settlement with Arri and glad to have this behind us." He added that a separate suit filed by Band Pro against Arri has yet to be concluded, saying "hopefully they will settle in a way that Band Pro is as happy as we are." Whether Red will be equally gleeful at the conclusion of its recent clash with Sony remains to be seen.
Red sues Sony over patents, wants disputed F-series cameras 'destroyed' (updated)
We reported that Sony was going "Red hunting" with it's new F-series pro camcorders, but it looks like Red has flipped that scenario. It's suing Sony for allegedly violating two of its patents -- asking for an injunction to stop sales plus an award for damages, and even that that the F5, F55 and F65 models in question be "delivered up and destroyed." The Hobbit camera-maker claims the video cams have "resulted in lost sales, reduced the business and profit of Red, and greatly injured the general reputation of Red." The patents involve Red's implementation of RAW video, but no details were given as to how it thinks those processes were infringed. Anyway, you can now add high-end video cameras to the growing playbill of patent follies. Update: Red leader Jim Jannard has issued a statement on Reduser as to why the company felt it needed to sue Sony. We have taken a bit of flak for filing a lawsuit against Sony Electronics. #1. Sony stepped up and finally supported 4K from cameras to displays. That is helping to cement 4K as the real cinema standard. Good. We actually have a Sony 4K 84" display and Sony 4K projector at RSH for reference. But... #2. We are heavily invested in concepts, inventions, designs, development and manufacturing of RED cameras, REDRAY and the RED Projector. Each is unique and has motivated the industry to get better, for the benefit of all. We don't mind others joining the 4K revolution... quite the contrary, we embrace it. What we don't accept is others just borrowing our technology, intentionally or unintentionally. We admire invention and happily pay for and license great technology from other companies when it is useful to our program. #3. We have created many jobs in the US leveraging our vision and technology and we will aggressively protect our employees. Every single job matters. It is a magic trick to build a camera in the US, especially at the highest level. This cannot be done if others are allowed to just take what we have done and use our work as their own. #4. Our customers have invested in our technology. They need to be protected and their investment needs to be protected. We have an obligation to our customers so they will not have their investment diluted by a proliferation of the proprietary technology they invested in. We don't mean to be heavy handed. We saw 4K as the future standard in 2005. We have endured comments that "RED was a scam". "1080P was good enough." "What does a sunglass guy know about cameras?"... as well as others I would never publish. Patents are here for a reason. They protect IP. Receiving a patent now means that you have an obligation to protect it... or they have absolutely no value whatsoever. We are anxious to resolve this and have everyone move along. But in the end... our ideas, employees and customers matter. We will tenaciously protect all of them. [Thanks, Andrea!]
Samsung Galaxy Note 10.1 with LTE gets gussied up in Garnet Red
Samsung's just pulled back the curtains on yet another device clad in a shade of Garnet Red: the Galaxy Note 10.1 with LTE. According to the electronics giant, it's positioning the dark cardinal-colored tablet as perfect material for Valentine's Day, and thinks the device will particularly strike the fancy of the fairer sex. Come February 14th, the freshly minted tablets will be available for three carriers in South Korea, while a rolling release is penciled in for other markets across the globe.
Limited Edition BlackBerry Z10 coming for developers in hot-rod red
Blackberry just announced at its Blackberry Jam event in Amsterdam that it'll have a Limited Edition Z10 smartphone sporting a flaming red exterior for developers only. It'll release just 12,000 of the devices, but extended the previous deadline application for qualified coders to February 28th. Now, if we could just think of an app to get started on... see the MC link below for the detailed application process.
Live from the Engadget CES Stage: an interview with Red Digital Cinema's Ted Schilowitz (update: video embedded)
This time last year, the folks from Red Digital Cinema dropped a few exciting goodies off at our trailer, so we're more than happy to welcome the company's co-founder (aka "Leader of the Rebellion") Ted Schilowitz to our stage, to check out the latest in high-end cinematic hardware. January 8, 2013 4:00 PM EST Check out our full CES 2013 stage schedule here! Update: video embedded
Samsung Galaxy Note II purportedly reaching South Korea in brown and red
Yes, the black Galaxy Note II may have been more wishful thinking than reality, but that doesn't mean Samsung is sticking to a narrow palette for its extra-large flagship. A supposed magazine page in South Korea shows both a brown Note II (already available in Japan) and a previously unseen red model headed to the country at an unspecified point in the future. The claim sounds promising for those who've wanted more options than gray and white. All the same, we'll remain skeptical unless the new colors are made official -- Samsung hasn't commented on the authenticity of the page, and the original Korean forum post has disappeared without a trace. We can't help but hope it's real, though, if just for the chance of another smartphone designed for vampires.
Redray 4K Cinema Player is ready to pre-order: $1,450 for high-res, high framerate home viewing
We got a peek at Red's Redray 4K Cinema Player and Projector back in April at NAB, but now you can bring the player portion of it to your own home very soon. You'll need to bring your own 4K Ultra HD display but for $1,450 you can pre-order a unit capable of native 4,096 × 2,160 or 3,840 x 2,160 video playback (in .RED file format) and upscaling. It connects to 4K displays via one HDMI 1.4 port or 4 HDMI 1.3 ports, with an additional HDMI jack needed to push 7.1 audio. It's even ready for the new high framerate 3D video that we'll see debut at theaters with The Hobbit. There's no mention of the Red Laser Projector yet, so you'll have to BYO 4K display, which right now would probably mean something by LG or Sony. To get content home Red is also launching its nationwide fiber-based Odemax.com over-the-top distribution network. Red co-owner Jarred Land calls it the "only comprehensive distribution solution for 4K," with built-in DRM, sales and analytics tools. He goes on to say that the Redray player will begin shipping at the end of December, with volume shipping promised in Q1 2013. A new RRencoder plugin for the Redcine-X viewer will launch in mid-December for converting external footage to the .RED format, and finally Odemax is scheduled to come online in January in time for the Sundance film festival. Check for more details after the break, plus a few more pics and a press release with all the specs.
Red gets Epic price cut, drops M, X and Scarlet brains by up to 45 percent
Competition is heating up in the high-end digital cinema market, and Red is responding with a slew of massive price cuts. According to CEO Jim Jannard, this "attitude adjustment" is simply a benefit of scaling up production, yielding a decrease in component and assembly costs, and an enormous reduction in assembly time -- the first Epic took 12 hours to build, while current models require just 13 minutes. As a result, the Epic-M has dropped to $24,000 (from $39,500), the Epic-X is now $19,000 (formerly $34,500), the Scarlet is $7,950 (from $9,700) and the EOL'd One MX is priced at $4,000 (once $25,000). The Dragon sensor upgrade will not be included with any new Epic models, and will remain priced at $6,000. Red customers who took the plunge on cameras with former pricing within the last month (on or after October 1st) will receive a discount off future accessory purchases of $4,000 for Epic and $1,000 for Scarlet. With this latest round of discounts, Red cameras are by no means inexpensive, but they're certainly more affordable. If you were already planning to pick one up, Christmas just came a couple months early. [Thanks, Mike]
