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Live from the Engadget CES Stage: an interview with Red (update: video embedded)
If you've been to the movies lately, you've seen through Red eyes. This is some of the tastiest cinematic tech around -- some people like them so much, they've even been known to name them. Ted Schilowitz from Red swings by our stage at 5:30PM ET, and we can't wait. Update: Interview video is now embedded.
Red Epic-X gets disassembled, photographed by FCC
What do you find when you tear open (read: carefully disassemble) a Red Epic-X? Well, a whole lot of red, as it seems. Wireless Goodness has posted a hearty collection of teardown shots that it acquired from the FCC, revealing the camera's Mysterium-X sensor and Red 1242 processor. Sure, the Epic-X has been on the market for quite a few months now, but as you might imagine, those lucky enough to actually get their hands on the somewhat-elusive $34,500 rig probably don't list a warranty-crushing teardown at the top of their to-do lists. Ready to take a peek inside? Hit up the source link for 57 gloriously detailed shots from the other side.
JVC's 4K camcorder begins making throat-cutting motions towards the RED Scarlet
We've been lusting after the commercial version of JVC's 4K camcorder for longer than we'd care to admit. It's powered by a Falconbird LSI chip, toting a 10 x optical zoom and a 0.5-inch 8-megapixel CMOS that'll record footage at a resolution of 3840 x 2160. The chip's USP is its ability to process the footage as it's being recorded rather than storing it for post processing later. It'll compress the video down enough, in real time, that you'll be able to store up to two hours of 4K video on sufficiently equipped SDHC card. You can also crop out images on the 3.5-inch LCD touchscreen. It'll set you back $5,000 when it arrives in March and at that price, we'll take two (oh, and there's a PR for you, after the break).
Red's Scarlet-X 4K camera gets video review: you've never needed $11,700 so badly
Native 4K recording? Check. A built-for-war body? You bet. Backordered despite a downright shocking $11,700 price tag? Most certainly. As with Red's prior products, the Scarlet-X seems to be wowing just about every shooter lucky enough to come into contact with one. Luck for you, the folks over at Cinema5D have spent an inordinate of amount of time with this beast in order to deliver the full skinny on whether it's worth the price (and wait). We won't bother spoiling any conclusions for you, but if you've been toying with the idea of blowing your (and your SO's) bonus on one of these in a bid to start your own movie house, there's a vid just after the break that deserves your attention.
Red Digital Cinema sues competitor Arri over e-mail hacking, adds new charges to the list
The behind-the-lens drama between camera makers Red Digital Cinema and Arri has taken yet another step recently, as Red filed suit December 21st against Arri alleging corporate espionage. Former Arri executive Michael Bravin has already plead guilty to criminal charges that he illegally accessed emails at his previous employer, camera distributor Band Pro Film & Digital. At the time Red founder Jim Jannard also revealed his personal account had been compromised, and now The Wrap reports the company is accusing Arri of "unfair competition based on email hacking, invasion of privacy, conversion, misappropriation of trade secrets and unlawful trade practices, among other charges". The extra charges come as a result of information it has indicating other Arri executives were aware of the hacking. Other than listening in on conversations between Red and Band Pro, Arri also stands accused of launching a false advertising campaign ahead of the launch of the Alexa, while Bravin posted with a pseudonym on RedUser.net. Hit the source link for additional details on the sordid affair, we'll find out what can be proven if / when Red gets the jury trial it's seeking.
MIT-created algorithm predicts likelihood of running red lights, places blame where appropriate
The bad news: Math will always judge you. The good news: It'll still be there to judge everyone else. In a recent article published in the IEEE Transactions on Intelligent Transportation Systems, MIT's Professor Jonathan How and three colleagues announced they've created an algorithm that can predict whether an oncoming car is about to run a red light one or two seconds before a possible collision. The algorithm can compute the likelihood of a vehicle running a red light based on its rate of deceleration as it is approaching the intersection with a level of precision down to mere milliseconds. The team, which applied the algorithm to more than 15,000 vehicles during the study, used instruments that monitored vehicle speeds and locations as well as when the lights turned red. When the results were tallied, they found that they were able to correctly predict who would run a red light 85 percent of the time. In other news, MIT is working on a much simpler algorithm capable of predicting when your significant other will break up with you, the formula factoring in at least four behavioral elements from the last season of "Jersey Shore."
RED Scarlet starts shipping for $9,750, first customer takes one home today
Announced at a curiously-timed event just minutes after Canon's C300 made its on-stage debut, we expected the RED Scarlet to be a hit with cinematographers the world abound. But we're perhaps even more impressed to see one actually make its way to a customer just two weeks after launch, than we were when RED revealed the 4K cam's low $9,750 price tag. Rental service owner Tonaci Tran (pictured front and center above) is the lucky winner, and if you happen to have a Scarlet loan scheduled with him, you could be too. Haven't had enough of the 4096 x 2160-pixel 4K cam? Check out our hands-on from RED's Hollywood launch event.
Peter Jackson reveals the Red Epic secrets behind The Hobbit (video)
Diet and filmmaking legend Peter Jackson's given us another insight into the making of the Hobbit movies, and this time he's talking about his envious collection of tech. Filming with no less than 48 Red Epic cameras at 48fps in full 5k resolution might sound fantastic, but it hasn't all been a bed of cotton candy. Two 3D cameras need to be mounted at the same "interocular" (the inch-or-so distance between your eyes) which is impossible given the size of the Epic and its lenses. The team had to hire specialist firm 3ality to build a rig where one camera shoots the action and the other is pointed vertically at a mirror. Those who would love to shoot with an Epic should also beware that the cameras naturally desaturate the action to such an extent that the makeup, costume and set design teams have to over-color everything to look natural in post production. For more interesting facts, head down past the break to catch the video in full, and try not to imagine how many years bad luck you'd get if you broke one of those mirrors during a key scene.
RED makes the Scarlet official, 5K stills and 4K video for $9,750
It's been quite a day for all you cinephiles out there. First Canon outed its pair of Cinema EOS cameras, and now RED has finally released the Epic's baby sister Scarlet. Scarlet packs a similar punch as her older brother, so she takes 5K (5120 x 2700) resolution stills at 12fps, or can shoot your next cinematic masterpiece in 4K (4096 x 2160) at 25fps. The Scarlet also can use all of the Epic's accessories and comes with a Canon mount so there's plenty of glass to choose from, too. Best of all, Scarlet can be all yours for the low price of $9,750. That's right, for the price of a used Honda Civic, you can shoot video that essentially looks as good as those made by pros like Peter Jackson and John Shwartzman (assuming you've got their moviemaking skills). We're about to get our hands on one, so stay tuned for our first impressions. When she's all by herself, Scarlet cuts a rather petite figure. She weighs the same as an Epic, but trades her elder brother's ebony exterior for one that is, according to RED founder Jim Jannard, "battleship gray." Not the most feminine color, but we must admit we like the two-tone appearance when you start adding on extras like a RED remote or an external view screen. Unfortunately, we didn't get to shoot any video with Scarlet, but we did get to hold her for a bit and found the build quality to be top notch. The camera has a solid feel, and while we wouldn't want to lug it around all day by hand, it's easy enough to maneuver for several minutes at a time. We're hoping we can do some serious shooting with Scarlet with sometime soon for a fuller impression -- RED aims to start shipping them on December first -- but given her low price point and copious cinematic capabilities, we imagine her dance card will be filled for quite some time. %Gallery-138423%
Canon C300 cinema camera hands-on (video)
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot. The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.%Gallery-138415%
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa
Well, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success. Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video) Canon C300 cinema camera hands-on (video)Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.%Gallery-138391%%Gallery-138405%Christopher Trout contributed to this post
The Canon Hollywood event liveblog!
Lights, check! Camera? Well, it soon might be a Canon. We're live from the red carpet at Canon's Hollywood launch event, where we're expecting the company to reveal its first cinema camera. We'll be watching the action live as it hits the silver screen in SoCal, but you can catch it all from home right here! Things get started at 3PM local time, translated into times for your locales below. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th) Photos by Zach Honig.
The Canon Hollywood event is tomorrow -- get your liveblog here at 6PM ET!
Canon has been incredibly tight-lipped about its upcoming announcement, with only a few vague details leaking out since the event was announced in September. What we do know is that the imaging company plans to unveil a product that represents a "commitment to play a larger role in the film and television community," and that Martin Scorsese will be on hand -- and we assume he's not there to announce that Sinatra will be shot exclusively with the 5D Mark II. Curiously, Red has scheduled an event for tomorrow evening as well, just a few blocks away from the Canon venue. We'll be coming to you live from Hollywood tomorrow evening, and if the hype is any indication, legacy cinema camera manufacturers have but a few hours left of industry domination. The curtain comes up at 3PM local time, and we've included a handy list of round-the-world start times below. Bookmark this page right here and find out as it happens. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th)
German video effects company builds camera drone for the Red Epic
Red Epic + Flying drone = The sort of geek math you can't help but wish you'd come up with yourself. German VFX company OMStudios decided to mount Red's super-camera into a custom Octocopter to record footage in resolutions up to 5K. As cool as the setup is, there's a practical purpose: not only is it far cheaper than renting a crane, it can also climb up to 150 meters -- making it just high enough to fly over Hollywood's tallest man, Tom Cruise. Since it's highly unlikely we'll ever get to play with one of these, we'll just have to point you to the video after the break and hope that no catastrophic power failures take place halfway through any real-world shoots. [Thanks, Jeremias]
Red Nikon D3100 now available exclusively at Best Buy
Nikon may be generous with the paint colors for its more compact cameras, but it's been a decidedly different story for its DSLRs (unlike some other camera makers). There is one new non-DIY option available courtesy of Best Buy, however, which is now offering an exclusive red version of the Nikon D3100. Unfortunately, while it has the same $650 list price as the regular D3100 (including an 18-55mm VR kit lens), it doesn't have the same $100 discount that Best Buy's currently offering on the standard black model.
RED CEO teases 4K 3D laser projector, bound for theaters and (millionaires') homes
We all love RED -- the company puts out some of the best pro-quality digital video cameras on the market. But, what about the other side of that equation? All of that 4K footage is worthless without something to watch it on. CEO Jim Jannard, notorious for his ability to build hype and mystery, took to the REDUser Forums to tease some details about an upcoming 4K, 3D laser projection system that will be targeted at both homes (presumably well off ones) and theaters. Details about the projector are still scarce, but we do know it won't be using TI's 4K DLP chip, and that it will rely on passive 3D tech rather than active, which Jannard said "landed in the La Brea Tar Pits." The image is apparently so bright and clear that it left Stephen Pizzo, co-founder Element Technica, "speechless." We just have one question: when can we expect our review unit?
Microbial fuel cell produces hydrogen from wastewater without wasting energy
Back in 2005, Bruce Logan and his team of Penn State researchers developed a microbial fuel cell capable of converting poop into power. Now, Logan has refined his system to the point where it can produce hydrogen from wastewater or biodegradable organic materials without using a drop of grid electricity, and without emitting even a hint of carbon dioxide. His approach, outlined in the September 19th issue of the Proceedings of the National Academy of Sciences, involves something known as reverse-electrodialysis (RED) -- a process that harvests energy from the ionic discrepancy between fresh and salt water. Logan's bacterial hydrolysis cell (pictured left) features a so-called RED stack that's comprised of alternating positive and negative ion exchange membranes, which it uses to split water molecules into hydrogen and oxygen. Normally, this process would involve about 25 pairs of membranes, but by using RED technology in conjunction with electricity-producing exoelectrogenic bacteria, Penn State's team was able to extract hydrogen with just five membrane pairs. All told, Logan's cells proved to be about 58 to 64 percent energy efficient, while producing between 0.8 to 1.6 cubic meters of hydrogen for every cubic meter of liquid that passed through the system. The researchers' results show that only one percent of that energy was used to pump water through the cells, which are completely carbon neutral, as well. According to Logan, this breakthrough demonstrates that "pure hydrogen gas can efficiently be produced from virtually limitless supplies of seawater and river water and biodegradable organic matter." Somewhere, the US Navy is taking scrupulous notes. Full PR after the break. [Image courtesy of Penn State / Bruce Logan]
New RED Scarlet to be announced November 3rd
Well, it looks like Canon won't be the only company making a big camera announcement on November 3rd. RED CEO Jim Jannard has now confirmed that it will also be officially announcing its "new" RED Scarlet camera on the very same day (no coincidence, it seems), at which point it will detail "all the changes" the company has made to it. Unfortunately, that's about all the company is saying right now, although Jannard promises that "when we announce the changes, we will be ready to ship." [Thanks, Lucario]
Virgin America and Lufthansa Systems unveil new in-flight entertainment system coming in 2012
Alright, so in-flight entertainment systems aren't exactly the sort of thing that people camp out for days to get first crack at. But, for those who spend a lot of time defying the laws of gravity, an upgraded seat-back system could be the difference between a pleasant trip and urinating on the cabin floor in disgust. In late 2012 Virgin America will start rolling out a new system, developed with help from Lufthansa, called BoardConnect. We don't have all the details about the next generation of Red at the moment, but we can tell you it will include an HD monitor in every headrest, improved WiFi connectivity, and the ability to interact with your personal electronics (though, how and to what end is still somewhat unclear). Each seat will have a QWERTY-equipped remote for navigation and playing games, as well as chatting with other passengers via in-flight IM. In addition to live TV, music, games, flight tracking and on-demand movies, passengers can also order in-flight meals and peruse what we presume will be an electronic version of SkyMall -- for the shopaholics on board. Check out the PR after the break for a few more details.
