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FITT360 is a 360-degree camcorder you wear around your neck
Imagine if you could snap 360-degree photos and videos without holding a camera. That's the promise of the FITT360, a 360-degree camcorder you can wear around your neck. It's one of the first products from a Samsung spin-off called LinkFlow and was made as part of Samsung's C-Labs, the company's creative labs program.
Sharp's $77,000 camcorder shows that 8K is coming soon
Sharp has unveiled an 8K camcorder that is undoubtedly aimed at the upcoming 2020 Tokyo Olympics, but will be equally at home on a film set. Looking like an old-school ENG news camera, the 8C-B60A captures 8K, 10-bit 60fps video onto a large, Super 35mm sensor that's around the same size as the one on Red's Helium Weapon 8K. The custom 2TB SSD pack, developed in collaboration with Astrodesign, can hold about 40 minutes of 8K video.
Canon XC10 camcorder shoots 4K and looks damn good doing it
It's hard to get too excited about camcorders these days, what with most of them looking basically the same -- never mind how useful they may be sometimes. Canon's new XC10, on the other hand, is one that instantly caught our attention, thanks to its distinctive, out-of-the-ordinary design. And that's not even the best part. The XC10 can shoot 4K and 1080p video at up to 30 fps and 60 fps, respectively; on the former, there's support for both Ultra HD (3,840 x 2,160) and cinematic 4K (4,096 x 2,160), bringing it on par with the newly announced C300 Mark II. What's more, this Canon 4K camcorder features a 1-inch, 12-megapixel CMOS sensor, alongside a Digic DV 5 processor, 10x wide-angle zoom lens and optical image stabilization -- which should make for rather smooth videos.
Contour's first new action camera in years can survive 30 feet underwater
Contour came back from the dead this spring, but the first action cameras it sold upon its revival were simply old models from 2012 -- that's not much help if you're a loyal fan looking to upgrade. As of today, though, there's finally a brand new Contour cam to buy: meet the ROAM3. It's not a huge break from the ROAM2 at first glance, as it can still record 1080p video at 30fps (720p video at 60fps) with its 270-degree rotating lens. However, it's much more resilient than its ancestor; it can survive 30 feet underwater without using a waterproof case, which could make it a good match for your next surfing movie. It's hard to say if the ROAM3 can lure you away from GoPro's offerings, but its $200 price (which includes an 8GB memory card and two mounts) is low enough that it won't hurt too much to give Contour another try.
Gadget Rewind 2007: Flip Video Ultra
It was the mid-aughts and user-generated video was on the rise: Google had just purchased YouTube and consumers were starting to get their first camera-equipped cellphones. Despite all that, the quality of video captured by phones at the time was poor, and full-fledged camcorders were still too costly for most consumers to consider. Those factors made for a perfect storm and left the market wide open for Pure Digital. In 2007, the company introduced its Flip Video Ultra, a portable device that offered a solution to all that subpar video. The Flip Video Ultra featured a simple camera that captured quality video at an affordable price. And when it was let loose on the market in late 2007, it was unstoppable -- at least for a time.
JVC's first 4K movie cameras include one for flying drones
JVC wants into the digital moviemaking business, and it's kicking things off in style with a quartet of 4K camera prototypes that illustrate its cinematic ambitions. The highlight is the GW-GBLS1 (shown here), a gimbal-mounted Super 35mm camera tailor-made for aerial drones. It can not only shoot overhead 4K footage, but stream the live video to the ground -- handy for both coordinating movie shoots and sparing news broadcasters the trouble of launching a helicopter. There's also the GW-SPLS1, a remote-controlled miniature 4K camera for trickier shots. More conventional cinematographers should be happy, too. The GY-LSX1 puts 4K and super slow-motion 240p video into a shoulder-mounted camera, while the GY-LSX2 stuffs the LSX1's sensor into a camcorder that uses Micro Four Thirds lenses. JVC hasn't said if or when these particular cameras will reach studios, but we wouldn't count on the aerial model reaching the US without legal clarity regarding commercial drone flights. [Image credit: DV Info]
A closer look at the Blackmagic Pocket Cinema Camera
Okay, that's it. You've had enough of highly compressed video codecs that crap out on detailed shots and make decent color grading a pipe dream. Now that Blackmagic's $995 Pocket Cinema Camera (BMPCC) is RAW-ready, isn't it time to make the jump to higher bitrate video? Perhaps. The company's latest pint-sized weapon does produce magnificent images using a downsized version of its first Cinema Camera sensor, yes. But it's not quite as simple as laying down the money and raking in the 12-bit video. There are limitations to the camera itself, plus a steep learning curve and the likely need for further investment that could more than double the price of the camera. As you'll see, whether it's worth that depends completely on your needs and, particularly, your expectations.
Sony announces seven HD Handycam camcorders at CES, priced from $230 to $1,500
Bear with us here; Sony's announcing quite a few new Handycam models at this year's CES. At the pricier end of the spectrum, the HDR-CX900 sports a 1-inch CMOS sensor, 50 Mbps XAVC S recording, and a boatload of other high-end features. In fact, it's identical to the $2,000 AX100, though the CX900 excludes 4K-capture capabilities. That omission will save you 500 bucks, with this model shipping in late February for $1,500. Next up, the projector-equipped PJ810 will run you $1,100, and includes WiFi with NFC, 24.5-megapixel stills capture, a 26.8mm wide-angle G lens with hood, a 3-inch 921k-dot LCD and a 50-lumen projector. Meanwhile, for $700, you can pick up the PJ540, which sports a 5.1-channel mic, a 3-inch 460k-dot LCD, 32GB flash storage, WiFi, NFC, a 25-lumen projector and our favorite feature, Balanced Optical SteadyShot. At the lower end, you can pick up the PJ340, which includes a 26.8mm wide-angle G lens with optical SteadyShot, 16GB flash storage, WiFi, NFC and a 13-lumen projector for $480. Next up is the cheapest projector-equipped model, the PJ275. This $400 shooter features a 29.8mm Zeiss lens, 8GB flash storage, WiFi, NFC and a 13-lumen projector. Meanwhile, videographers on a budget may want to check out the $330 CX330, which ships with WiFi, NFC and a 26.8mm G lens with optical SteadyShot. The $230 CX240, however, does not include WiFi. It does feature a 9.2-megapixel CMOS sensor, a 29.8mm lens with digital stabilization, full HD (60p) capture and a 2.7-inch LCD. All seven models ship next month alongside several new accessories, including a $100 shotgun mic, ECM-W1M and ECM-AW4 $230 wireless microphones and a $30 lens filter for the PJ540.
Sony's compact FDR-AX100 4K Handycam ships in March for $2,000 (hands-on)
Television manufacturers have been peddling 4K TVs for several years now, but just as we experienced during the early years of HD, limited content deters educated early adopters when it comes time to make a purchase. One solution for marketers, while an arguably weak selling point, is that consumers can capture their own 4K footage to play back for family and friends on a compatible high-res set. And while we're not yet ready to hop in line to make a pricey Ultra HD purchase, Sony's counting on at least a few deep-pocketed videographers to pull the trigger. If you're in the market for an affordable 4K camcorder, you probably won't do much better than Sony's FDR-AX100 Handycam. The AX100 is a reasonable alternative to Sony's recently announced AX1. This compact CES model is considerably more portable, with a 74 percent reduction in size and a 66 percent drop in weight. There's a 14.2-megapixel 1-inch Exmor R CMOS sensor and a BIONZ X processor, enabling full-resolution 4K shooting at 24p and 30p with XAVC S encoding. There's an optically stabilized Zeiss Vario-Sonnar T* lens with 12x optical zoom and a seven-bladed aperture, which Sony claims should offer some significant bokeh. A new My Voice Canceling feature reduces vocals from behind the camera, serving to minimize capturing the videographer's own voice. There's a 3.5-inch (921k-dot) LCD and an OLED viewfinder for framing; 1/4, 1/16 and 1/64 ND filters; WiFi with smartphone control; and output to a 4K TV via a single HDMI cable. Sony's Handycam AX100 4K camcorder is set to ship in March for $2,000.
Canon claims significantly improved audio quality with VIXIA Mini X camcorder
Canon's instant-sharing VIXIA Mini camcorder lineup is welcoming a new model to the family. The Mini X, which will be available alongside the existing Mini, adds a handful of enhanced audio-capture features aimed at making the camera more attractive to pros. The X packs microphones that are 250 percent larger than its predecessor and Linear PCM audio encoding, along with a feature that automatically selects ideal audio settings depending on the scene, a mic input jack with manual audio level control, a headphone jack for monitoring, uncompressed HDMI output and embedded timecode, making it easy to merge footage (and audio) with output from other cameras. On the imaging front, there's an f/2.8 fisheye lens, a 12.8-megapixel high-sensitivity CMOS sensor and a DIGIC 4 processor. The lens is fixed, but the camera offers an option to shoot in either a wide-angle or close-up mode -- with the latter, you can also take advantage of electronic image stabilization. You can shoot regular footage, along with slow- or fast-motion and interval captures, with 1080p output in either MP4 or AVCHD. Like Canon's point-and-shoot lineup, the Mini X also includes WiFi, enabling live streaming and remote control when paired with an Android or iOS device. Additionally, there's a 2.7-inch touchscreen with full rotation, letting you make adjustments and handle framing directly in the camera, if that's how you like to roll. The VIXIA Mini X, which is also compatible with Canon's Pan Table accessory, is expected in stores in March with a $400 MSRP.
Canon's targeting new parents with VIXIA R52, R50, R500 camcorders
Your smartphone can shoot video; your tablet can shoot video; and, if you even still own one, your point-and-shoot can shoot video too. So why, then, might you pick up a mid-range camcorder? Fortunately for manufacturers, there are still a few perks to owning a dedicated video camera. If top-notch image stabilization is what you're after, you'll probably turn to Sony, but if you're a new parent looking to document your young child's early years, Canon wants your business. The company's latest VIXIA camcorders sport a variety of family-friendly features, from livestreaming to your smartphone with the R52 and R50 (think expensive baby monitor), to an "Advanced Baby Mode," which can register up to three babies and track their height, weight and age over months and years of shooting. Internally, all three cams are quite similar. They include 3.3-megapixel CMOS sensors, 32x optical zoom lenses with optical stabilization and 1080/60p video capture. The $450 R52 and $400 R50 also include internal storage -- 32GB on the pricier model and 16GB on the other -- letting you capture footage simultaneously to the embedded storage and a standard SD card, with archival-quality AVCHD recorded on one and upload-ready MP4 on the other, if you'd like. The $300 R500 excludes built-in storage, so you'll need to add an SD card to store captures there. The pricer pair also packs WiFi, with support for livestreaming and recording directly on a connected smartphone or tablet. Finally, you can also use the R52 and R50 with Canon's new Pan Table accessory, adding to their practicality as a home-security appliance. Expect all three VIXIA camcorders in stores this March.
Sony offers pro 4K camcorder for $6,500: the PXW-Z100 with 10-bit, 600Mbps video
Other than a smallish 1/2.3-inch sensor, Sony's new PXW-Z100 4K camcorder should push all the right buttons for pro shooters. Though it shares a sensor (and body) with the newly launched FDR-AX1 prosumer model, everything is upmarket from there. It'll record 4:2:2 10-bit (billions of colors) 4K video at up to 500/600Mbps at 50p/60p using its new XAVC format and high-speed XQD memory cards. By contrast, the FDR-AX1 uses XAVC-S, capturing 60fps 4K at 150Mbps in 4:2:0 8-bit color. HD is also recorded at 10-bit at a healthy 233Mbps for 50 or 60 fps video, compared to 50Mbps for its prosumer cousin. You'll be able to output 4K video at up to 60fps via HDMI to a compatible BRAVIA monitor, and a remote control WiFi adaptor is included. All that's missing is the shallow depth of field you'd get with a larger sensor -- but a lot of shooters are so over that.
Sony's HDR-MV1 Music Video Recorder helps your band break out of the garage, into YouTube
Here at IFA, Sony thinks it has just the thing to help struggling musical artists become breakout successes. Say hello to the $300 HDR-MV1 Music Video Recorder. Set to take on the likes of the Zoom Q2 HD, this stereo field recorder / HD camcorder might just be the best ticket to getting high quality music videos on the web painlessly. The POV-style shooter features 120-degree stereo microphones that record in AAC or uncompressed linear PCM (CD quality), and there's also an input for external mics. Better yet, you can manually set levels and check them using the onboard 2.7-inch screen and speaker -- a four-way toggle switch lets you change settings. The back houses a replaceable battery and a Micro SD card slot, and the rear gives you access to HDMI, line in, headphone and USB ports. Video gets captured at 1080/30p by a wide 120-degree Carl Zeiss lens and a back-illuminated Exmor R CMOS sensor that's ready to handle low light situations. Recording is simply enabled by hitting a red record buttons at the top of the unit. To keep things extra worry-free, the recorder also features automatic Audio Lip Syncing. Lastly, on-board WiFi lets you share your clips with Sony's PlayMemories Mobile app, while NFC allows for tap-to-pair with Android devices. Aspiring video rock stars can get their hands on the Music Video Recorder this December. For now, get a closer look in the embedded galleries.
Sony slims down its Action Cam, intros wearable Live-View Remote (eyes-on)
Sony has released camcorders and cameras for a variety niches here at IFA, including a new HD action cam, the HDR-AS30V. It's immediately noticeable that the second-gen model is 25 percent smaller and 35 percent lighter than the original, making it even less cumbersome when clipped onto a helmet -- especially compared to a GoPro. As far as the layout goes, not much has changed; you'll find USB, line-in and HDMI ports at the bottom, with the power and record buttons still on back. The rear panel also opens up to give you access to a microSD card slot and the battery compartment. The side features the same basic info LCD with two selection buttons, so you'll still make need to make use of its onboard WiFi and a smartphone -- or the new Live-View Remote (details in a bit) if you need a viewfinder. You'll find stereo mics and a fixed Carl Zeiss lens at the front with a 170-degree viewing angle, though you'll only get a 120-degree field of view with SteadyShot enabled. Lastly, there's the obligatory tripod mount at its underside. The new bits are essentially a backlit Exmor R CMOS censor, GPS and NFC. Full HD videos can now be captured at 1080/60p (last year's model topped out at 30p), while 720/120p and 720/60p settings are available for slow-mo videos. As a bonus, it can also take 11.9MP images and shoot at interval timing. Using Sony's PlayMemories Home app, you'll be able to sync up video from two of the new Action Cams, rotate the orientation of your clips, and add overlays based on GPS data.
Sony's $4,500 FDR-AX1 Handycam puts 4K recording in the grasp of prosumers (eyes-on)
We assure you, the camera above is not Sony's HDR-AX200. While it shares a similar body, this is the new FDR-AX1 that leaked this morning -- a fixed lens 4K videocamera for prosumers, priced at a cool $4,500. Although JVC beat Sony to the market with its $5,000 kit, Sony's vying to have the upper hand with the tech inside its take, namely by using its XAVC S format. It works by capturing video in MPEG-4 AVC/H.264 Long GOP and audio in linear PCM, which all gets saved in an "MP4 wrapper." To handle the massive amount of data throughput from its 4k/60p stream, the camcorder records to QXD cards (two slots are onboard) which, until now, haven't had much use outside of Nikon's D4. A 64GB card will net you two hours of 4K video, while downscaling to 1080/60p adds an extra hour on top of that. Video gets captured by a 1/2.3-type Exmor R CMOS sensor and a 20x optical zoom (31.5-630mm) G lens, which comes equipped with a trio of ND filters and Optical SteadyShot. As you'd expect, there are a plethora of manual controls, powered stereo XLR inputs, a 3.2-inch display and a viewfinder on back. It's worth noting that while the AX1 won't be HDMI 2.0 compliant at first, Sony's planning a firmware update down the line to enable it. Until that occurs, it'll only be able to transfer HDMI video over to Sony's existing 4K TVs. We're also told that the camcorder will work with SD cards for shooting in HD. If you don't care for the flexibility of interchangeable lenses or need something more affordable than the likes of a RED Scarlet, the FDR-AX1 can be yours this October. Sweetening the deal just a little more, Sony will also throw in a 32GB XQD card and a full copy of Vegas Pro 12 to ensure you can get started out of the box. Check out our eyes-on gallery with the prototype seen above in the meantime.
B&H Photo outs Sony's consumer-friendly 4K camcorder, action and 'music' cams
Sure, Sony's set to unveil a whole host of new gadgets at its IFA press conference in a few hours, but it looks like B&H Photo has jumped the gun by revealing a trio of camcorders from the Japanese giant. The headliner of the pack is the FDR-AX1, which records 4K video (3,840 x 2,160) at 60 fps. A back-illuminated 8.3-megapixel Exmor R CMOS sensor is responsible for the cam's imaging prowess, and independent zoom, focus and iris rings make this consumer-level kit feel more like a pro device. When it comes to audio, the FDR-AX1 leans on its built-in microphone that captures 2-channel Linear PCM, but it also totes a pair of XLR audio inputs for external mics. Sony's HDR-AS30V ruggedized action camera was also outed, and it records 1080p footage at 60 fps, with a 720p slow-motion mode at 120 fps. For folks who place a heavy-emphasis on sound, the outfit's HDR-MV1 "music camcorder" packs a 120-degree X/Y microphone array, an external microphone input, headphone jack and records audio in 44.1kHz/16-bit LPCM or 48kHz/128kbps AAC. As for video, however, the shooter makes a slight compromise by taking 1080p footage at 30fps. Although the retailer mentions that the three shooters are now available, they've yet to show up on their storefront and don't have price tags attached to them. For the impending release of more details (and our inevitable hands-on with the hardware), keep hitting F5 on our IFA 2013 hub.
Blackmagic drops Cinema Camera price to $1,995
Do you like the prospect of shooting 2.5K video with Blackmagic's Cinema Camera, but turn pale at spending $2,995 for the privilege? We have good news: Blackmagic just dropped the pro video camera's price to $1,995. While that isn't exactly impulse purchase territory, it's low enough to put the greater-than-HD shooter in the same price bracket as semi-pro DSLRs. Think of the discount as consolation for delays in launching the Production Camera 4K.
JVC unveils $18,000 4K interchangeable lens camcorder with Nikon F-mount
Lovers of 4K and Nikon glass, rejoice: JVC has just launched a 4K large-sensor camcorder that will use Nikon F-mount lenses. The JY-HMQ30 camera will operate in manual focus mode only -- even with AF glass -- though f-stop settings will be controllable in-camera for modern lenses with no aperture ring. As with the company's fixed lens GY-HMQ10, the interchangeable model will record AVC/H.264 4K video at up to 60 fps onto four separate SDHC cards, each capturing an HD-sized quadrant with a total maximum data rate of 144Mbps -- and also capture 1080/60p video at 28Mbps onto a single card. Other features include a JVC 4K clip manager that'll convert files to Apple's ProRes422 codec, live 4K, 60 fps output to a monitor or portable recorder, 4K time-lapse recording, a focus assist function and stereo XLR microphone inputs. Though the company's taking orders for the 1.7 million yen ($18,000) camera starting today in Japan, there's no word yet on availability or pricing stateside -- but you can probably start polishing up those Nikon lenses soon.
Phantom's latest camera blasts through 1000 fps at 4K (video)
Vision Research just upped the 4k speed barrier by a near order of magnitude with the launch of its Phantom Flex4K cinema camera at NAB. Starting at $110K, it builds on its Phantom Flex predecessor with up to 1,000 fps in 5-second bursts at 4K, 2,000 fps in 2K and 3,000 fps at 720p resolution -- speeds that'll net you almost three minutes of 4K video when played back at 24 fps. The full 16:9 Super 35 sensor-equipped model can be had with PL, PV Canon EOS or Nikon F/G mounts and will capture RAW or compressed footage in an "industry-standard," but as-yet-unspecified format. The Flex4K will also be available with a Phantom Cinemag IV, which will hold up to 2TB of data, or nearly 2 hours of RAW 4K footage at normal recording speeds. Other features include a Bluetooth transmitter and handheld Phantom RCU for remote operation, 12+ stops of dynamic range, HD-SDI video output and a camera control interface and form factor that hews to industry norms, according to Vision Research. If you're still reading after seeing the six-figure price tag, check the videos or More Coverage link after the jump for more.
Canon outs VIXIA HF G30 camcorder with premium optics, XA20 and XA25 for pros (updated)
While the image of the amateur camcorder user still revolves around a parent recording baby's first steps, Canon knows that at least some of us want high-quality footage without venturing too far into pro camera territory. Witness its new VIXIA HF G30, which rolls in image quality and control that are still rare outside of big shoulder-mounted cams. It includes a larger CMOS sensor than its ancestors, a new DIGIC DV 4 processor and an equally fresh 20X (26.8-536mm equivalent), f/1.8 lens; together, they should cut back on visual artifacts, improve stabilization and produce a gentler depth of field effect. Canon is also expanding its WiFi support to include DSLR-like remote control of the camcorder through the web browsers of most modern devices. The upgrade rounds out with a handful of firsts specific to the G series, such as dual recording in AVCHD and MP4 as well as a 3.5-inch, OLED touchscreen. Be prepared to sacrifice some time and money for the upgrade in home video quality, though -- Canon doesn't ship the HF G30 until June, when it will cost a not-quite-pro-level $1,700. If you really do make a living from moving pictures, Canon also has a pair of compact pro models that share the same underlying technology. Both the XA20 and XA25 (pictured after the break) carry the same 20X lens, DIGIC DV 4 processing, WiFi and OLED display as their home-oriented cousin, but throw in pro-level expansion such as XLR microphone inputs and holders, independent audio level adjustment and (on the XA25) SDI connectors. The two will ship later in June and should carry premiums that lift their official prices up to $2,699 and $3,199, although we're seeing them on Canon's site for $500 less -- we've reached out and will let you know how much they cost in practice. Update: Canon tells us that the real pricing sits in between. The XA20 will cost $2,499, while it will take $2,999 to call an XA25 your own.
