CinemaEos1dC

Latest

  • Canon Cinema EOS-1D C 4K camera hands-on (video)

    by 
    Zach Honig
    Zach Honig
    04.15.2012

    It's been but half a year since Canon first entered the motion picture market, and the company is already back with its second and third professional video rigs. The Cinema EOS-1D C marks the most drastic departure from the C300, which launched last November at an elaborate Hollywood event at Paramount Studios. It was at this spectacle that we were first introduced to the 1D C, which was then but a glass-protected prototype. Now, far sooner than expected, the (relatively) compact camera is making its return to the spotlight, in more polished form. Like the 1D series bodies that bear similar monikers and appearances, including the yet-to-ship EOS- 1D X, the C model is a very capable still shooter, offering the same core functionality of the $6,800 X. It also brings 4K capture to the table, however, prompting Canon to price the camera far above its less-abled counterpart. At $15,000, we don't expect to see red C logos popping up in many a photojournalist's gear bag, but for deep-pocketed professionals with a need to capture 4K clips, this may be a worthwhile acquisition.We took a closer look at the 1D C at Canon's pre-NAB event in Las Vegas. As the pictures and spec sheet imply, it's the 1D X's clone in nearly every way. In fact, beyond the headphone jack and C logo, there's not much distinguishing the pair externally. You'll need to hop into the menu before you'll really notice a difference, in the form of several unique 4K shooting modes, including 8-bit 4:2:2 24fps captures to a CF card or 8-bit 4:2:2 clips in an uncompressed format over HDMI. Otherwise, the C looks and feels just like the X -- a model pro snapper that we've already managed to fondle on three continents under Canon's watchful eye, but still has yet to ship. Both cameras are gorgeous externally, with slight design tweaks yet no drastic overhaul, dating back to the very first EOS-1D. If you haven't had a chance to gawk at either model, you'll at very least be able to check out the 1D C at Canon's booth this week at NAB . We're hoping to see both cameras hit the market sometime in 2012, and who knows -- this Cinema EOS could even be the first next-gen 1D to ship. Take a closer look in the gallery below, and in our hands-on video after the break.

  • Canon unveils EOS-1D C and C500 4K Cinema cameras, two new lenses ahead of NAB (updated)

    by 
    Zach Honig
    Zach Honig
    04.12.2012

    In a departure from its last introduction as dramatic as the C300's Hollywood launch itself, Canon has quietly announced two additional cameras to sit alongside the company's former lone flagship. You may have caught a glimpse of the EOS-1D C at the C300 launch, but what six months ago was a mere mock-up has actually become a reality, likely to ship sometime this year. More out of left field, however, is the C500 -- a higher-end version of the C300 that adds several shooting modes, dual 3G-SDI ports and a larger, permanent grip. Both cameras can capture 4K video, but in substantially different ways. Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB? Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 cinema camera hands-on (video) The $15,000 1D C, which has the same chassis and still shooting features of its less-abled cousin, the EOS-1D X, pipes 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, however, the C swaps a headphone jack for the X's PC socket, that's usually used for hooking up strobes. The higher-end C500 requires a dedicated external recorder, but offers two full-RAW output options: 4096 x 2960, that will be better suited for motion picture capture, and 3840 x 2160 for 4K TV. Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There's also a half-RAW option, at 4096 x 1080 or 3840 x 1080 resolutions, also 10-bit 4:4:4, but at 120 fps. The C500 also includes dual CF slots, but that recording option is only available for 1080p (which can be captured to CF concurrently). Both cameras support Canon Log Gamma, empowering colorists to correct color in post production with more versatility by capturing additional information and a higher dynamic range. Jump past the break to continue...