We've always wondered what happens to a package when we drop it off at the post office -- and having received our share of oddly damaged parcels has only heightened the mystery. British artist Tim Knowles was similarly curious, and his latest piece, "Spy Box," is a clever attempt to document the journey the box took from his studio to a nearby gallery. Knowles rigged a camera inside the box to take a photo out of a small hole every ten seconds, and stitched the resulting 6,994 photos together to make a short movie of the box's 19-hour journey. The end result isn't too thrilling -- the box is in a room! The box is in the dark! The box is in another room! -- but it's still pretty interesting. Peep a short clip at the read link.

[Via Switched]

We're pleased to introduce a new column today, Adgadget, a periodic editorial by Ariel Waldman about the advertising behind consumer technology:

Functioning to flatter, Apple's marketing department continues to imitate their inspiration. While a bit lack-luster, Apple's recent commercial for the up and coming iPhone is a far cry from the originality of the product itself. As some may have seen, it was soon found that the iPhone commercial that had originally aired during the Oscars was a cut and dry ripoff of a film that had come out more than a decade earlier. While seemingly scandalous, this incident was no coincidence. Apple had approached the filmmaker earlier for permission to use the concept; no stranger to being turned down -- and similarly to the battle with Cisco over the very name of the product -- Apple went ahead and used it anyway.

This time the muse happens to be experimental artist / musician Christian Marclay, who in 1995 produced Telephones, an abstract film of absurd and fragmented conversations cut up from phone scenes in movies. The film focused to comment on the relationship between sound and image by way of video; intrigued by the phone-movie mashup, Apple approached Marclay to use his work. Marclay, of course, refused Apple's advances, but Apple took advantage anyway. Since asking the source had short-circuited, Apple instead took to using extremely similar footage, making the iPhone commercial nothing short of a complete color copy of Telephones.

Reminiscent of the earlier Intel chip commercial outcry that clearly ripped out scenes from Postal Service's "Such Great Heights" music video, content confiscation is nothing new to Apple. There was also the iPod incident in 2005, where blogs everywhere threw up screen grabs and expressed shock over the extreme similarity between the then recent Eminem iPod commercial and a Lugz commercial from 4 years before. But it wasn't always this way.