5DMarkIII
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Huawei confirms that smartphone cameras still aren't DSLRs
It's not the camera, it's the photographer, right? Actually, sometimes it's both, as Huawei just proved. It recently posted a lovely image, complete with a lens flare, implying that it was taken with its photo-centric P9 smartphone. "The #HuaweiP9's dual Leica cameras makes taking photos in low light conditions like this a pleasure," says the Google+ post caption. The only problem? It was actually taken with a Canon EOS 5D Mark III equipped with a very pricey 70-200mm F/2.8 lens worth $4,500 total, as the EXIF data clearly proves.
Canon 5D Mark III now captures 24 fps RAW video thanks to Magic Lantern firmware add-on (update: Mark II also)
It's no secret that Canon's 5D Mark III is the go-to DSLR for videographers the world over, but things are about to become a whole lot more interesting. The people behind Magic Lantern have successfully coaxed the 5D Mark III into shooting 24 fps RAW video at resolutions up to 1,920 x 820 pixels using 1000x speed cards. If you're not familiar with Magic Lantern, it's an open source firmware add-on that brings additional functionality to Canon EOS cameras. The ability to capture RAW video at 24 fps improves dynamic range and resolution -- it also provides extra flexibility during post-production. According to the team at Magic Lantern, more work is required before the feature is ready to be deployed. So until then, you're invited to follow the via link below and watch the RAW vs. H.264 videos after the break, or if you're feeling brave, check the source for download locations. Update: We just received news from Magic Lantern that Canon's Mark II is now also a go for 24 fps with the new firmware. Nic from the development team said "After some further testing it is clear the older, cheaper Mark II should be able to record at least resolutions of 1880x840 in full-frame mode (with line skipping)."
Canon 5D Mark III firmware update enables improved AF, uncompressed HDMI output
If your camera arsenal includes a 5D Mark III, prepare to get your download on. Earlier today, Canon released a major firmware update for the hit DSLR -- version 1.2.1 enables clean, uncompressed HDMI output with simultaneous LCD display and recording to CF or SD cards, along with cross-type autofocus for apertures as small as f/8, bringing that aspect of AF capability in line with the EOS-1D X. You'll be able to take advantage of improved autofocus performance even when using an f/5.6 lens with a 1.4x extender, or an f/4 lens with a 2x extender. On the video front, version 1.2.1 will let you boot an uncompressed YCbCr 4:2:2 feed to an external recorder, enabling your pick of codecs and frame rates, while also eliminating arbitrary limits on record time. The free download, available for recent versions of Mac OS and Windows, is yours for the taking at the source link below.
Canon's upcoming 5D Mark III firmware update brings uncompressed HDMI output support, enhanced AF functionality
Proud owners of that sleek and relatively powerful Mark III will be happy to know Canon has just announced a firmware update for its flagship 5D model. The Japanese camera maker is touting this upcoming release as one that will bring clean HDMI-out support to the EOS shooter, which should be great for folks who would like to monitor their recordings in real time. Additionally, Canon's improved the Mark III's AF functionalities yet again; this time out by enabling the unit's auto focus system to adequately adjust to the type of lens that it is paired with. Unfortunately, it looks like users will have to wait a little while to install the new firmware, as the company won't be making it available until April of next year -- at which point it can be grabbed from the soon-to-be bookmarked source link below.
Canon updates 5D Mark III firmware, concedes it won't get continuous autofocus for video
Canon has released an updated firmware for the 5D Mark III that adds support for the forthcoming 40mm f/2.8 lens and fixes a variety of small power and auto-exposure issues. What was absent was the long-promised support for continuously autofocusing video, which the company confirmed to The Verge has now been ditched from the camera's spec sheet. It looks like if you were hoping to helm your own tense medical drama with one of these, you'd better start looking for the receipt.
Canon 'examining countermeasures' for 5D Mark IIIs experiencing top LCD light leak problem
Looks like the honeymoon period with Canon's beastly 5D Mark III is officially over. Over the past few weeks some users have noticed that light leaking from its top-mounted LCD can affect exposure readouts, and now the company has confirmed that it's indeed an issue. Essentially, the camera's meter can experience a shift in the readout whenever the LCD's backlight turns on in a dark situation -- ensuring frustration when composing shots. There's no word on how wide-spread the problem currently is, but Canon notes that it's "examining the countermeasures" and plans to circle back once it has a solution. Interestingly, PetaPixel also reports that some folks have experienced the phenomenon when ambient light beams down on the panel as well. This isn't the first time Canon's had an issue with a shooter after its release, but hopefully a fix will be in soon. You'll find more details at the links below, but while you're here, let us know if you've got a Mark III showcasing the symptoms in the comments.
Canon 5D Mark III hits US retailers, available in stores today
Well, that didn't take long at all. Hours after our Canon 5D Mark III review went live, we've received word that the camera is already available for purchase, and if you happen to live in New York City and can make it to B&H before 7PM, you could even take one home today! A call to the retailer confirmed that there are just three kits available, each with a 24-105mm f/4 L IS USM lens in the box for $4,299. If you're looking for a body-only version, you'll need to hang tight, but if you don't mind splurging on the pricey duo, now would be the time to cancel those Thursday night dinner plans in favor of some low-light NYC shooting.
Canon EOS 5D Mark III field review
Shoot in the dark. That's essentially what you can do with the Canon 5D Mark III -- with a top sensitivity of ISO 102,400, what was once unfathomable could soon become an acceptable standard. While point-and-shoot manufacturers are adding WiFi and GPS, and tweaking algorithms in an effort to boost sensitivity beyond the 6400 mark, Canon and Nikon are making clear cases for a DSLR upgrade, by drastically improving image quality. The 5D Mark II had an excellent three-year run, but with its 22.3-megapixel sensor, 1.04M-dot 3.2-inch LCD, improved autofocus and high-performance video capabilities, Canon's latest full-frame DSLR is an entirely different beast, and a very compelling successor. We spent two glorious weeks with a pre-production 5D Mark III before reluctantly shipping it back to Canon. The biggest benefit (for us, at least) has been high-ISO shooting. While the former 5D could theoretically handle ISO 25,600 captures as well, its native range topped out at 6400 -- venturing beyond that territory meant taking a hit on image quality, making it a seldom-used feature that benefited the camera's spec sheet far more than our low-light snap collection. With this latest iteration, we were able to capture sharp images in environments where there was far too little light to make out details with the naked eye, just as we have with the larger (and pricier) Nikon D3S. Our resulting scenes look like they were lit with sophisticated rigs, or in an environment that allotted far more natural light than was actually available. Low-light shooting is but one benefit of the Mark III, however, so join us past the break for a closer look in our field review.
Nikon D800 studio samples posted at DPReview (update: 5D Mark III studio sample added)
Nikon faced some backlash following the announcement of its D800 DSLR, due both to the camera's potentially excessive 36.3-megapixel resolution and its relatively limited top sensitivity of ISO 25,600. Then, less than one month later, Canon revealed its own mid-range full-frame cam -- the 5D Mark III -- with a 22.3-megapixel sensor, and an option to shoot at ISO 102,400. Both models appeal to the same market of professional photographers, but with vastly different specs, which is the better pick? Low-light shooters will likely base part of that decision on high-ISO capabilities, and after reviewing samples from both cameras, there appears to be a winner.DPReview spent some time with the D800, and we took the Canon for a spin last week. We scaled the D800 sample down to 22.3 megapixels to match the 5D, then pasted a 300-by-400 1:1 pixel section from each camera side-by-side in the image above. The D800 JPEG (on the left) appears to be the noisier of the two, which seems logical, considering that Nikon opted to boost the camera's resolution instead of its sensitivity. Still, the cam's top-ISO is quite usable, and if you plan to shoot in a studio setting or can live without a six-digit sensitivity, the D800 will likely suit you just fine. Hit up our source link for samples shot at the full ISO range, including full-res downloads, to make that call for yourself.Update: We've replaced the Canon sample with a studio shot from DPReview, which provides a more accurate comparison. You can find images from both cameras at our source links below.
Canon EOS 5D Mark III high-ISO sample images (hands-on)
Canon unveiled its highly-anticipated EOS 5D Mark III just 10 days ago, but we already have a pre-production sample in-hand, and will be putting it through its paces over the next week. Today's installment focuses on high-sensitivity still image shooting, which we conducted at Gyeongbokgung Palace in Seoul, South Korea. We chose a dimly lit temple as our test subject, shooting a handful of images at ISO settings ranging from 800 to the camera's top native sensitivity of 25,600, and extended modes of ISO 51,200 and ISO 102,400. All images were captured at f/8 with a 24-105mm L lens.As expected, the camera offered excellent performance at all of the native settings -- as you can see from the image above, there's some noise noticeable when viewing an image at full size, though considering the camera's top resolution of 22.3 megapixels, we hardly see ISO 25,600 being an issue. Jumping beyond the top native range did yield significant noise, but assuming you're shooting for the web, even these settings are usable. Chances are, you won't often be examining images at a 1:1 pixel view, so jump past the break to see how each of the four frames represented above will look when scaled to a web-friendly 600-pixels-wide resolution, then hit up our source link to grab full-res JPEGs of each image captured during the shoot.
Canon announces EOS 5D Mark III: 22.3 MP full-frame sensor, 6 fps, 102,400 max ISO, 1080/30p HD, yours for $3,500 (video)
Suffice it to say, March 2012 is a notable month for Canon. Not only does it mark the 25th anniversary of the first EOS SLR, but it's also ushering in Canon's latest addition to its full-frame DSLR lineup. That gorgeous beast your eyes are feasting upon is the company's new EOS 5D Mark III. That's right folks, this isn't a replacement for the Mark II, but rather an updated variant meant to sit between the workhorse of four years and the company's soon to arrive EOS-1D X. At a glance, the shooter is nearly indistinguishable from its older sibling, although a closer inspection reveals a new name badge, improved weather- and dust-resistance and some slight tweaks to its top-mounted info display and buttons on the back. Don't be fooled, however, as there are obviously major changes here worthy of the new moniker. Key specs include a larger 1,040,000-dot 3.2-inch rear LCD, Digic 5+ processor, 22.3-megapixel CMOS sensor, 61-Point High Density Reticular autofocus with 41 cross-types (all of which are borrowed from the 1D X), dual memory card slots (SD and CompactFlash) an extended ISO range of 50 to 102,400 (100 to 25,600, natively), OVF with 100 percent coverage (versus 98 previously), and a maximum 6 FPS burst speed. Naturally, the 5D Mark III is no slouch in the video department: it can capture h.264 footage at HD resolutions up to 1080 at 24/25/30p or 720 at 50/60p, with an effective ISO range of 100-128,000 -- and of course there's a stereo mic input for the microphone of your choice. Better yet, not only does it allow for real-time control of your audio levels during filming, but also monitoring, being the first EOS-series DSLR to come equipped with a headphone jack (!) -- something that's been sorely missing in the world of ILC cameras. We've only skimmed the surface, however, so join us past the break for further details and a quick video overview. %Gallery-149132%
