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Nikon's Z FC mirrorless camera recalls the glory days of 35mm film
Nikon is taking a trip back to its glory days of 35mm film photography with its second Z-series APS-C (DX) mirrorless camera, the Z fc.
Fujifilm's mid-range X-E4 has a new design and X-Trans 4 sensor
With the X-E4, Fujifilm is updating one of its fan-favorite cameras with its latest crop sensor, a tilting screen and a more minimalist design.
Fujifilm's X-S10 packs a lot of features into a $1,000 body
Fujifilm has unveiled the X-S10, a surprisingly powerful mid-range mirrorless camera. It has many of the features (and a similar price) to Fujifilm’s X-T30, including the 26.1-megapixel X-Trans sensor, 4K 30p video (10-bit external and 8-bit internal) and shooting speeds. However, it introduces a new body design and control layout, along with in-body stabilization, a flip-out display and more.
Canon makes its EOS Mark II camera more compelling for vloggers
Canon has unveiled the 24-megapixel EOS M50 Mark II with relatively minor updates to the popular original aimed mostly at creators.
Fujifilm X100V review: The best compact street photography camera
Over the last year, Fujifilm has toppled its APS-C rival Sony with some of the best mirrorless cameras out there, including the X-T3 and X-Pro3. Now, it's focusing on its ultra-popular compact street photography series with the launch of the X100V. Fuijfilm is throwing all its latest tech at this model, adding a new higher-resolution 26.1-megapixel sensor and faster X-Processor 4 borrowed from the X-Pro3. It also comes with a new sharper lens, an updated hybrid OLED EVF and a higher-resolution tilting rear display. It even has solid video specs, borrowing many 4K features from the compact mirrorless X-T30. In short, it's a complete technological overhaul. Combined with Fujifilm's street photography savoir faire and a very high price tag, I'm expecting a lot from the X100V. Now, does it deliver?
Sony A6100 review: Incredible autofocus performance for a budget camera
Despite all the talk about full-frame mirrorless cameras lately, APS-C is still extremely important for Sony. The A6000 in particular was a huge hit, thanks to the combination of good performance, features, compact size and price. The 24.2-megapixel A6100 has the difficult job of replacing that classic, which came out way back in 2014. At that time, very few cameras could compete with Sony, but in 2020, the A6100 has some serious rivals, especially APS-C models from Canon and Fujifilm. Sony has gradually refreshed its APS-C lineup, with the A6100 the last model to come, following the A6400 and A6600 -- neither of which I was terribly impressed with. Both have world-class autofocus systems but otherwise failed to keep up with rivals. At prices as low as $600, however, the A6100 has wider market appeal and less competition.
Fujifilm X-Pro3 review: One peculiar camera
Fujifilm has never been afraid to create unusual cameras, with the fixed-lens X-100F compact being a great example. But the X-Pro has always been its most unusual series, and the latest model, the $1,800 X-Pro3, is perhaps the weirdest one so far. It still has a hybrid optical/electronic viewfinder as before. However, Fujifilm has now taken the idea of being "in the moment" to a new extreme with the rear display. Under normal use, you can't even see it to compose or check photos. Instead, it shows either your camera settings or the type of film simulation and ISO, like an old-school film camera. Besides that, it shares the sensor and a lot of other features with the X-T3, so why not just get that camera instead? To find out what makes the X-Pro3 so unique, let's take it out into Paris to see what it can do.
Nikon Z50 review: A great handling camera with a mediocre sensor
Today's camera landscape is ultra-competitive and not terribly lucrative, so it takes a lot of guts to launch a new system. Nikon has done that (again) with the 20.9-megapixel Z50, its first ever APS-C mirrorless camera. Unlike rival Canon, Nikon decided to use the same Z mount lens system for both its full-frame and APS-C mirrorless cameras, a decision that has been surprisingly controversial. Nikon doesn't have the luxury of slowly perfecting its mirrorless lineup like Sony did five or six years ago. The market is mature now and the Z50 is going up against formidable models in its price range, including Sony's A6400, the Canon M6 Mark II and Fujifilm's X-T30. In an early hands-on look, I was impressed by the Z50's ergonomics and its petite size. Now, let's see how it stacks up against the competition in the crucial areas of autofocus, image quality and 4K video features.
Sony A6600 review: A rare misstep for Sony's cameras
As Sony's new flagship APS-C camera, the 24.2-meagpixel A6600 has a lot to live up to. First of all, it had to follow the A6500, launched in 2016 with innovative features like 4K 30 fps video, fast 11 fps shooting speeds, in-body stabilization and face- and eye-tracking. For a couple of years, nothing else on the market could touch it. What's more, the A6600 arrived just after Sony's 61-megapixel A7R IV full-frame mirrorless camera -- possibly the best camera I've ever seen. From a competition standpoint, Sony is also under pressure to top Fujifilm's X-T3, which has a higher-resolution sensor, more 4K video features and much better handling than the A6500. The A6600 has in-body stabilization, a key feature that its rivals lack, and packs other promising features like a bigger grip and battery, along with improvements to its famous AI-powered autofocus system. However, Sony did not upgrade the three-year old sensor. Can it can hold its own against its full-frame stablemates? Can it beat the X-T3?
Canon M6 Mark II review: Incredible performance from a flawed flagship
The newest addition to the Canon lineup is the EOS M6 Mark II APS-C mirrorless camera, proving that the company isn't just about full-frame EOS R cameras. The M6 II is now the flagship in the EOS-M series, replacing both the M5 and M6 models. The most impressive part of the M6 II is the all-new 32.5-megapixel sensor, making it the highest-resolution crop-sensor camera you can buy. It also delivers some of the fastest shooting speeds I've seen on any mirrorless camera. And to keep those shots sharp, you get updated autofocus tech with Canon's impressive Dual Pixel system, along with face- and eye-detection. Unlike the previous M6 model, it delivers full-sensor, rather than cropped, 4K, making it more useful for videoographers and vloggers. It's priced competitively with rival models like Sony's A6400, the Fujifilm X-T30 and Nikon's first-ever APS-C mirrorless model, the Z 50. However, despite the impressive specs, the M6 Mark II is also hobbled by the lack of some key features.
Fujifilm's X-Pro3 can focus in almost complete darkness
Fujifilm has officially unveiled the X-Pro3, the latest in its esoteric X-Pro lineup aimed at street photographers and photojournalists. Teased last month, it has a number of eccentric features, including a 3.5-inch, 1.65-million dot rear display that you can't even see without flipping down. Otherwise, it only shows the shutter speed, aperture and other basic information, or the film simulation if you're using one. The idea is to free the photographer from distractions and help them "stay in the moment," as Fujifilm puts it. "With your mind and your eye always on the scene in front of you rather than the scene you've just shot, you can find a connection not just with your subject, but also with your art," the company wrote in a press release.
Hands-on with the Z 50, Nikon's first mirrorless APS-C camera
Nikon has unveiled its first-ever APS-C DX mirrorless camera, the 20.8-megapixel Z 50. That makes two different camera systems launched a year apart, which is quite a pace for a conservative company like Nikon. The Z 50 is less than half the price of the Z 6, so it should appeal to a broader market, especially folks who already own Nikon DSLR lenses. Nikon now has both full-frame and crop sensor mirrorless systems, just like its rivals Canon and Sony. Just over a year ago, it essentially had zero, not counting the moribund Nikon 1. The company decided to follow Sony's lead by using the same mount for both systems to allow for lens compatibility and because the large diameter allows it to build sharper glass, according to a Nikon spokesperson. Meanwhile, Canon uses two different mirrorless mounts (EOS R and M mount) that aren't compatible with each other.
Canon unveils the EOS M200 with 4K video and eye-detect AF
Canon has unveiled the entry-level EOS M200 mirrorless camera, a successor to the popular EOS M100 with some interesting new features. While it retains the same 24.1-megapixel APS-C sensor as the last model, it has an updated Digic 8 processor. That extra power unlocks two important new features: Dual Pixel eye-detect autofocus and 4K, 24p video (with a big caveat).
Fujifilm's entry-level X-A7 comes with 4K video and face detection
Fujifilm has unveiled the entry-level X-A7 with some key new features that make it a nice upgrade over its predecessor, the X-A5. It packs Fujifilm's latest 24.2-megapixel CMOS sensor and has 8.5 times as many phase-detect pixels as its previous entry-level model, the X-A5, for starters. That gives it much faster autofocus speeds and quick face detection, though burst shooting speeds remain at 6 fps.
A first look at Sony’s A6600 flagship APS-C mirrorless camera
Canon isn't the only one introducing new cameras today. At an event in New York City, Sony has revealed its A6600 and A6100 shooters, the latest additions to its APS-C mirrorless lineup. Of the two, the flagship model is the A6600, which features a 24.2-megapixel APS-C sensor, an AI-powered Z-Bionz image processor, 425 phase-detection autofocus points and a ridiculously fast 0.02-second AF speed -- which Sony calls the "world's fastest." The A6100, meanwhile, comes with the same autofocus speed, 11-frames-per-second continuous shooting mode and 24.2-megapixel sensor as as the A6500, with the main differences being that it has a smaller battery and lacks a headphone port.
Sony's A6600 APS-C flagship is a shooting speed demon
Sony has finally revealed the much-anticipated 24.2-megapixel Alpha A6600, its new flagship APS-C mirrorless camera and follow up to the popular A6500. The new model is all about speed and video performance, powered by Sony's latest sensor and AI-powered Z-Bionz image processing tech. It can grab focus in just .02 seconds, allowing shooting speeds of 11 fps with continuous autofocus turned on, beating any other APS-C mirrorless camera.
Canon leaks its EOS 90D DSLR and mirrorless EOS M6 Mark II cameras
Canon's Australian website appears to have accidentally leaked a pair of important new cameras, the EOS M6 Mark II mirrorless and EOS 90D DSLR. Promo videos for the cameras spotted by Canon Rumors (and quickly pulled by Canon) show impressive specs for the two mid-range models. Both feature all-new 32.5-megapixel APS-C sensors, 4K video at up to 30 fps with 120 fps full HD, and Dual Pixel autofocus with eye detection.
Fujifilm X-T30 review: A street photography and 4K-video champ
Amid all the drama in the full-frame mirrorless camera world, Fujifilm quietly unveiled the world-beating APS-C sensor X-T3, last fall. With an all-new 26.1-megapixel X-Trans 4 backside-illuminated (BSI) sensor, it was a major improvement on the X-T2 in speed, autofocus capability, ergonomics and, especially, video. Then, to further press its advantage on Sony, Fujifilm subsequently launched the X-T30 with the same sensor and image quality as the X-T3, for $600 less. Despite that price gap, the X-T30 is packed with features. It has full APS-C 4K video, shooting speeds up to 30 fps and AI-powered face- and eye-detection autofocus. All of that is squeezed into a lightweight, well-designed body that's ideal for travel and street photography. You can't have everything, though, so the X-T30 is missing some features found on its higher-end sibling. To find out how it would fare against rivals, like Sony's A6400, I took it for a spin on the streets of Paris.
A brief history of mirrorless cameras
Mirrorless cameras are here to stay. The argument to own one isn't only about them being small and lightweight anymore, because nowadays many mirrorless shooters rival DSLRs in image quality -- something that would've been unimaginable a decade or so ago. Today, the likes of the Sony A7 III, Nikon Z7, Canon EOS R and Panasonic S1R are some of the best cameras, period. But none of these flagships would exist today if it weren't for the hundreds of Micro Four Thirds and APS-C models that came before them, some of which are still popular and have paved the way for manufacturers to turn photographers and videographers alike into mirrorless fans.
How to buy a mirrorless camera in 2019
You can mark down 2019 as the year that mirrorless cameras vaulted to the top of photographers' wish lists. They sold nearly as well as DSLRs in 2018, thanks largely to Sony, and may outsell them for the first time in 2019. That's because the number available exploded at the end of 2018 and most of the important new cameras are mirrorless models. All of them have improved autofocus tech, better electronic viewfinders and excellent 4K video features. Nikon, Canon and Fujifilm are determined to cut into Sony's market share, so they all released new models -- to various degrees of critical acclaim. And it's working: Where Sony once had 99.5 percent of the full-frame mirrorless market in Japan, for instance, its share has dropped to 60 percent. More choice is terrific, but it does make your buying decision more difficult, which is why we're here. Our deep and detailed camera guide, dedicated to mirrorless models, will help you sort out which one that suits you best, depending on your needs and budget.