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Red Epic-X gets disassembled, photographed by FCC
What do you find when you tear open (read: carefully disassemble) a Red Epic-X? Well, a whole lot of red, as it seems. Wireless Goodness has posted a hearty collection of teardown shots that it acquired from the FCC, revealing the camera's Mysterium-X sensor and Red 1242 processor. Sure, the Epic-X has been on the market for quite a few months now, but as you might imagine, those lucky enough to actually get their hands on the somewhat-elusive $34,500 rig probably don't list a warranty-crushing teardown at the top of their to-do lists. Ready to take a peek inside? Hit up the source link for 57 gloriously detailed shots from the other side.
Nikon D4 Ethernet tethered shooting hands-on (video)
After getting our eager mitts on Nikon's long overdue D3 successor, aptly named the D4, we got a second chance to revisit our fat-bodied, photo-taking friend at the company's CES booth. The 16.2MP DSLR features a 3.2-inch LCD screen and is capable of 1080p video capture at 30fps. But that's not why we went back for more and it's not why you're reading this right now. We were keen to put the D4's big, bad networking capabilities to the test -- one of which links an array of up to ten of the cameras together for simultaneous, remote shooting over WiFi. Unfortunately, this feature requires use of the WT-5A wireless dongle, which is still awaiting FCC certification and could not be demonstrated. Neither could the imaging company show off the one-to-one connection that allows an auxiliary camera to be controlled from a primary unit. We did get to briefly interact with the camera's native web server running on a laptop, from which you can snap shots, toggle settings (like ISO and shutter speed), playback and download your recordings. You can catch a peek of the interface and an extra look at this sought after shooter after the break.
Polaroid cameras back from the dead (again) after deal with Vivitar-owner Sakar
Polaroid's heart stopped beating a long time ago, but its brand has marched on in a number of zombified licensing agreements and celebrity hook-ups. The latest of those deals, however, might just have a glimmer of soul in its bugged-out eyes: Sakar International, the long-time owner of Vivitar, has acquired the rights to develop a "line of Polaroid-branded digital still cameras and digital video products" for sale in North America and parts of Latin America. The press release after the break gives no clue as to what might make these new Polaroids different or special, but hopefully someone is about to give that some thought.
Fujifilm confirms X-Pro1 at CES: 16MP APS-C sensor, interchangeable lenses, price TBA
Amazon all but confirmed the camera's existence when it leaked three lens pages yesterday, but Fujifilm just officially unveiled the X-Pro1 at CES, in all its rangefinder-esque goodness. The camera's centerpiece is an APS-C sensor, but unlike the X100 and X10, Fujifilm's new flagship includes an interchangeable lens mount. The camera can capture 16 megapixel stills, and will be compatible with three lenses at launch: an XF 18mm (27mm equivalent) f/2.0, 35mm (53mm equivalent) f/1.4 lens and a larger 60mm (91mm equivalent) f/2.4 macro lens, though the company says it plans to introduce nine more lenses within the next three years. Pricing hasn't been announced for the camera or lenses, though yesterday's Amazon link listed pricing at $500 for the first two lenses, and $600 for the 60mm macro. The camera itself will ship in late February, so you won't need to wait long to get your hands on the first Fujifilm X-series ILC. Jump past the break for the full PR, and keep an eye out for our hands-on later this week.
Canon PowerShot G1 X hands-on (video)
This week, Canon reinforced its commitment to not producing a mirrorless interchangeable lens camera by launching the PowerShot G1 X. The company's latest G-series camera is by far the most powerful, and most expensive model, ringing up at $799.99 -- approaching (and in some cases exceeding) DSLR territory. Its pricing and spec list imply that the G1 X could be a DSLR competitor, but is it? No, not by a long shot. Instead, the company's most powerful compact cam is designed to be a companion to cameras in Canon's DSLR line, acting as a second, third or fourth shooter to professional photographers. The G1 X includes a 1.5-inch (18.7 x 14mm) 14.3 megapixel sensor -- which puts it in almost the same class as APS-C models, but with a fixed 4x, 28-112mm optical zoom lens and a compact camera form factor, it's a completely different beast. So is the G1 X able to justify its nearly $800 price tag? Join us past the break to find out.
Canon unveils PowerShot G1 X: huge 14.3 megapixel sensor, 12,800 ISO, $800 price tag (updated)
You were expecting Canon to announce a mirrorless interchangeable lens camera, weren't you? Well, we're not getting that today -- if ever. Instead, Canon has introduced a large sensor model to its PowerShot G-series of cameras. The G1 X joins (but doesn't replace) the G12, which previously held the title as the company's largest point-and-shoot. While the camera itself is not any smaller, the G1 X's 1.5-inch 14.3 megapixel CMOS sensor is what really makes it unique, offering a sensor size nearly as large as the APS-C found in larger mirrorless models and many full-size DSLRs. Larger sensors require larger lenses and therefore larger body sizes, but for professional and advanced amateur photographers, the benefits typically outweigh the inconvenience associated with carrying a bulkier model.With a large 1.5-inch (18.7 x 14mm) sensor, the Canon G1 X should theoretically be able to capture higher quality images in low light (with sensitivity boosted to ISO 12,800), and with more shallow depth of field -- the 4x 28mm lens has an aperture range of f/2.8-16, making it ideal for everything from sports action to landscape shoots. The "EOS-like" feature set includes 1080p video, 14-bit RAW and JPEG capture and full compatibility with Speedlite flashes and other accessories. A 3-inch 922k-dot LCD is on the rear with full tilt and swivel, and a mode dial up top provides direct access to shooting modes, including full manual. The G1 X is scheduled to ship in February for $799.99, but check back here next week for the hands-on, live from the show floor at CES. Update: The G1 X has landed in our hands, you can check out the full post here.
Fujifilm X-Pro1 lenses get Amazon product pages, prices
Well, that didn't take long. Just yesterday, Wells Fargo Advisors reportedly outed the Fujifilm X-Pro1, a possible successor to the X100 -- today, Amazon's thrown up a trio of product pages for the shooter's leaked lenses. The product descriptions match the previous rumors to a tee, pricing the 18mm (27mm equivalent) f/2.0 and 35mm (53mm equivalent) f/1.4 lens at $500, and the larger 60mm (90mm equivalent) f/2.4 lens priced at $600. Confirmation? Not exactly, but we'll find out soon enough -- Fuijifilm takes the stage on January 9th.
Nikon D4 hands-on and manufacturer sample images (video)
With the onslaught of CES launches still several days away, the big news today is the D4, Nikon's brand new full-frame digital SLR camera. The 16.2 megapixel DSLR offers 1080/30p video capture, an extended ISO range of 100 to 204,800, a 91,000-pixel 3D color matrix meter and a top high-speed shooting option of 11 frames-per-second. And with the D3 first hitting stores nearly five years ago, this FX-mount successor was long overdue. Earlier today, Nikon held its D4 launch event in Asia, previewing the camera before a group of journalists in Hong Kong. We were on hand for a first look at the massive $6,000 pro body, and were quite pleased with what we saw. Jump past the break for our impressions.
Nikon announces D4 DSLR camera: full-frame 16.2 MP sensor, 204,000 extended ISO, $6,000 price tag
More than two years after the D3S began shipping and roughly a half-decade after we first got a peek at the D3, Nikon has finally announced the full-frame DSLR's long-awaited successor. As expected, the Nikon D4 boosts both megapixel rating (to 16.2) and extended ISO (204,800 at Hi-4), and includes a brand new full-frame FX-format sensor. Video capture also jumped from 720/24p to 1080/30p, but so did the camera's somewhat-out-of-reach price tag -- you'll be dropping $5,999.95 when the D4 hits stores in late February. You're clearly not spending all that hard-earned photo dough for nothing, though. There's also a 91k-pixel RGB 3D Color Matrix Meter III, compared to a 1,005-pixel meter in the D3S, enabling the camera to evaluate the color and brightness of a scene with much greater precision, yielding much more accurate results. And since the D4 reportedly offers phenomenal low-light performance, you'll probably be using it quite often in the dark -- letting you get good use out of the new back-lit controls. Photographers can preview images using the 921k-dot 3.2-inch LCD, which offers a 170-degree viewing angle and ambient light sensor. HD video can be previewed on the display as well, or directly through the HDMI port, which also supports uncompressed 8-bit preview video output with optional overlay. Naturally, the D4 is fast. It can power on and be ready to shoot in approximately 0.012 seconds, and can capture 10 fps stills at full resolution with full auto focus and exposure. Willing to lock both AF and AE? The D4 goes to 11. A new 51-point AF system offers full cross-type focusing that's compatible with all Nikon lenses, even when paired with a teleconverter. The D4 includes two card slots with support for both UDMA-7 CF and the recently-announced XQD format, which brings write speeds of up to 125 MB/s -- enough to capture 105 consecutive RAW images at 10 fps. You'll find full details and specs on the D4 just past the break, along with an overview of Nikon's new AF-S NIKKOR 85mm f/1.8G FX-format lens, which is set to ship in March for $499.95.
Fujifilm prepping X100 successor, the X-Pro1 for CES?
Between the X-S1 and various superzooms and point-and-shoots, Fujifilm unloaded an ungodly number of devices on us last night, ahead of next week's CES gadget blitz, but that doesn't mean that the company doesn't still have a few tricks up its camera-making sleeves. Take this interchangeable lens shooter, the X-Pro1, which is said to be the successor to its awesome X100. According to information offered up by Wells Fargo Advisors, the compact system camera will bring a 16-megapixel APS-CMOS sensor, a hybrid view-finder and will have three interchangeable lenses available to it, an 18mm (27mm equivalent) f/2.0, 35mm (53mm equivalent) f/1.4 and 60mm (90mm equivalent) f/2. An image of the reported device (see above) has also popped up courtesy of a scan from French magazine, Reponses Photo, which claims that the camera will be seeing a March release. It's hard to say how much of this is spot on, but there seems to be a good chance that, at the very least, the company's got some more surprises planned for the big show -- we'll no doubt find out soon enough.
Fujifilm updates F, S and HS lines of superzoom cameras ahead of CES bonanza
We hope you like cameras, cause Fujifilm has more digital shooters than you can possibly keep track of. We'll have to wait to get our hands on the company's latest until next week, but it was kind enough to send over some PR ahead of time. On the superzoom front we're looking at the FinePix HS30EXR and HS25EXR, a pair of 16-megapixel cams with half-inch CMOS sensors and 30x (24mm-720mm) optical zoom lenses. Both also sport three-inch tilting LCDs and can capture full 1080p video at 30 frames a second. If resolution can take a backseat to speed, then you're free to shoot clips at 320fps. Both will be landing in March for $500 (HS30) and $400 (HS25). But we're not done yet -- a sextuplet of other magnification focused devices await after the break.
Samsung NX200 interchangeable lens camera review
There are some cameras that we absolutely love, some we find downright disappointing and others that get the job done, albeit with mediocre results. Samsung's digital imaging devices typically fall within that last category -- they're moderately innovative, generally affordable and often well-designed, but when it comes to image quality and performance, we're left... underwhelmed. So, when we first had a chance to try out the CE giant's new NX200 at IFA in Berlin, we weren't expecting a mind-blowing imaging device. The NX200 is Samsung's latest entrant into the interchangeable lens (ILC) category -- it's a mirrorless model, to be more precise, and a fairly impressive one at that -- at least when you glance at the spec sheet. It's the company's latest ILC to use an APS-C size sensor, which is the largest we've seen in a mirrorless cam. This sensor type implies that the NX200 may have a chance at competing with Sony's NEX-C3, which has been our top pick in the category, and its 20.3 megapixel rating suggests that Samsung wants to be taken seriously here, with a true contender on its hands. But has Samsung delivered a winner? Jump past the break for our take.%Gallery-141618%
Leica rehashes Panasonic's Lumix Fz150 as the V-LUX 3, because 'image' matters
Leave it to Leica to rebrand a recent Panasonic camera, tack on its iconic red dot and then likely charge a premium. Such is the case with its "new" V-Lux 3 digital superzoom, which is essentially its take on the venerable Lumix FZ150 we spent some hands-on time with back in August. To recap, this shooter features a 12.1 megapixel CMOS sensor, Leica's DC Vario-Elmarit 4.5 - 108 mm f/2.8 - 5.2 ASPH lens (that's 25 - 600mm for you full-frame buffs), 1080p AVC HD video recording at up to 60fps with stereo sound and an a77-like 12fps continuous burst mode (albeit using manual focus). On back, you'll find an articulating 3-inch LCD loaded with a 460K pixel resolution and a 0.2-inch EVF, both of which feature nearly 100% frame coverage. While there's no word price, you can surely expect the V-Lux 3 to cost a few Benjamins more than its Lumix counterpart when it hits shelves in January. Hey, at least you can say it's a Leica, right?
Triggertrap automatic shutter release hits production, links your camera to most things
Want your camera to take a shot whenever the phone rings or someone loads your blog page? Triggertrap can arrange that for you. This Arduino-powered box has managed to cross the funding finish-line and will be bringing its multi-source automatic release to camera creatives early next year. The former Insert Coin project can communicate with cameras through either a wired connection or its own IR transmitter. It can initiate shutter release from a multitude of sensors, with the built-in light, laser and sound sensors backed up by an auxiliary port, meaning it can be hooked up to anything capable of generating an electronic signal. With prototype testing complete, the Triggertrap looks set to ship in early February next year, with a special build-your-own version appearing soon after that. The ready-made options will set you back $125, while the customizable 'shield' version is pegged at $75. Interested? Well, hold on after the break for a full video tour of the cherry red hardware.
Canon EOS 1000D washes ashore in BC, Canada, SD card reveals it was lost at sea for over a year (update)
What you're looking at was once a fully functional Canon EOS 1000D, now merely a relic of the sea (the Pacific Ocean, to be exact), which was recently posted on Google+. User Marcus Thompson, found the DSLR washed up near a wharf while on a diving job in Deep Bay British Columbia, Canada and decided to take it home to find out what could be salvaged. After removing and cleaning the SanDisk Extreme III SD card inside of it, he was successfully able to recover about 50 photos with EXIF data from August 2010, showcasing what's described to be a firefighter and his family on vacation. While he hasn't located the owner of the shooter turned coffee table decoration just yet, Marcus is currently asking the "Google+ hive mind" to help get the two reunited. If you're from BC area and want to help out -- or just curious to see this DSLR from more angles -- you'll find some pictures from the SD card and more information about the camera at the source link below. Update (5:00PM): The original Google+ post was updated within the last hour, noting that the owner of the camera has indeed been identified!
Broadcom's got a WICED game it plays, to make smart devices feel this way
Broadcom wants you to fall in love with its BCM 4319 WICED (Wireless Internet Connectivity for Embedded Devices) platform -- a weeny 802.11 a/b/g /n WiFI module that can be added to any device that uses a microcontroller. Jimmy one into your fridge, digital camera or aircon and it'll find its own way to the cloud. With instant networking for kit like this, doctors could monitor patients vital signs, your holiday snaps could find their own way online and, most importantly of all, you can make sure the kids aren't fiddling with the darn thermostat again.
Apple releases new Digital Camera RAW update
Apple has released yet another compatibility update for the RAW format in digital cameras for use with iPhoto and Aperture, and it makes the following (mostly new) cameras compatible: Canon PowerShot S100 Nikon 1 J1 Nikon 1 V1 Nikon COOLPIX P7100 Olympus PEN E-PL1s Olympus PEN E-PL3 Olympus PEN E-PM1 Panasonic LUMIX DMC-FZ150 Sony Alpha NEX-5N Sony Alpha SLT-A65 Sony Alpha SLT-A77 Spiffy! I'm interested to see the new PowerShot in there -- it's relatively inexpensive for cameras that can take pictures in the RAW format, and the PowerShot line is generally good for beginner to mid-level users. Of course, you should always do your own research before embarking on a camera purchase, but if you want a cheap(er) way to play with the RAW format, that might be a good option. As always, the update is available through Software Update.
Canon C300 cinema camera hands-on (video)
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot. The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.%Gallery-138415%
Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor
Canon has more on the way from its newly launched EOS Movies lineup than just the C300, as shown by this new prototype DSLR. Promised to be "ideally suited for cinematographic and other digital high-resolution production applications" this camera packs a 35mm full frame image sensor capable of shooting Motion-JPEG encoded 4K video at 24fps. The press pics show it fitted with both EF 50 and new Cine 24 lenses, as Canon looks to blend the success of the 5D MK II with RED-rivaling video capabilities. The director of House shot an episode on that camera already and called it the future, which appears to be arriving sooner rather than later. Check out the press release after the break for the spec breakdown, just don't expect to hear anything about a name, price, or release date. %Gallery-138404%
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
