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Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa
Well, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success. Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video) Canon C300 cinema camera hands-on (video)Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.%Gallery-138391%%Gallery-138405%Christopher Trout contributed to this post
The Canon Hollywood event liveblog!
Lights, check! Camera? Well, it soon might be a Canon. We're live from the red carpet at Canon's Hollywood launch event, where we're expecting the company to reveal its first cinema camera. We'll be watching the action live as it hits the silver screen in SoCal, but you can catch it all from home right here! Things get started at 3PM local time, translated into times for your locales below. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th) Photos by Zach Honig.
The Canon Hollywood event is tomorrow -- get your liveblog here at 6PM ET!
Canon has been incredibly tight-lipped about its upcoming announcement, with only a few vague details leaking out since the event was announced in September. What we do know is that the imaging company plans to unveil a product that represents a "commitment to play a larger role in the film and television community," and that Martin Scorsese will be on hand -- and we assume he's not there to announce that Sinatra will be shot exclusively with the 5D Mark II. Curiously, Red has scheduled an event for tomorrow evening as well, just a few blocks away from the Canon venue. We'll be coming to you live from Hollywood tomorrow evening, and if the hype is any indication, legacy cinema camera manufacturers have but a few hours left of industry domination. The curtain comes up at 3PM local time, and we've included a handy list of round-the-world start times below. Bookmark this page right here and find out as it happens. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th)
Pentax Q interchangeable lens camera review
Sony announces NEX-C3 and Alpha A35 cameras, new macro lens Pentax intros Q, world's smallest interchangeable lens digital camera (hands-on video) Nikon 1 J1 review (video) Most of the interchangeable lens cameras we've seen to date seem to follow a standard mold: they have similarly sized bodies, comparable designs and either an APS-C or Micro Four Thirds sensor at the core. But recently, some manufacturers -- namely, Nikon and Pentax -- have begun shrinking camera bodies in an attempt to make them even more appealing to point-and-shoot users. The result: a smaller, lighter, more fashionable ILC -- that also happens to have an itsy bitsy image sensor. Sensor size, not megapixel rating, translates directly to image quality, but also lens and body size, so you can either have an incredibly small body with an incredibly small sensor, or a larger body with a larger sensor. Are you willing to pay a premium for the "world's smallest" interchangeable lens camera, even if it has the same size sensor used in many point-and-shoot cams available for a fraction of the cost? Pentax seems to think that you are -- to the tune of $800. The 12.4 megapixel Pentax Q is tiny -- it's so small, in fact, that you wouldn't be alone in mistaking it for a toy. There is a fully functional camera inside that petite magnesium alloy housing, though it's admittedly not as powerful as you'd expect an $800 camera to be. The pricey kit ships with an 8.5mm f/1.9 lens, and you can grow your collection from Pentax's modest selection of Q-mount lenses, which also happen to have laughably small focal lengths (a 3.2mm fish eye, anyone?), due to the 1/2.3-inch backlit CMOS sensor's massive 5.5x multiplication factor. So how does the Q fare when it comes to performance and image quality? Jump past the break to find out.%Gallery-137376%
Canon EOS-1D X first hands-on (video)
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa Nikon D5100 DSLR surfaces with 16.2 megapixel sensor, 1080p video recording Canon's EOS-1D Mark IV gets unboxed, high ISO modes tested Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X -- the latest in a series that dates back to 2001 with the EOS-1D. As you've probably noticed, the company's new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We've been anxiously awaiting an opportunity to check out Canon's new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company's Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.%Gallery-137442%
Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag
Stick a piece of gaffer tape over the unmistakable X, and Canon's latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon's phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging processors, which also help drive a 61-point high density reticular AF system, a top ISO setting of 204,000 (51,200 native), a 252-zone metering system, a 14 fps JPEG (or 12 fps RAW) burst mode and a built-in wired gigabit LAN connection, for remote shooting and image transfer. The camera's curious single-letter name represents a trio of industry milestones: the X is the 10th generation Canon professional SLR (dating back to the F1 in the 1970s), it's a crossover model, filling in for both the 1D Mark IV and 1Ds Mark III (which has been discontinued), and, well, it sounds to be pretty darn "Xtreme." The 1D X is being marketed to every category of professional photographer, from commercial studio shooters to newspaper photogs. It's familiar, with a similar control layout, yet different, thanks to its completely redesigned system menu -- accessed using the 3.2-inch, 1,040,000-dot LCD. There's also an incredibly sharp intelligent optical viewfinder, with an on-demand grid, AF status indicator, a dual-axis electronic level and a shooting mode readout. Video shooters can choose between 1080p video capture at 24 (23.97), 25 or 30 fps, or 720p at 50 or 60 fps. Canon has also eliminated the 4GB clip limit, though individual clips are limited to 29:59, in order to avoid European tax rates affecting HD cameras that can capture single HD video clips longer than 30 minutes. We're anxiously awaiting a chance to go hands-on with the EOS-1D X, and you'll have to wait until March before adding this $6,800 beauty to your gear collection, but jump past the break for the meaty rundown from Canon, and click through the rather thin product gallery below.%Gallery-136722%
BlueSLR dongle arrives for BlackBerry and (some) Android phones
Offering to play matchmaker between your high-end camera and smartphone, XEquals has extended support for its BlueSLR remote control beyond iOS. Yes, Blackberry and Android users can now download their respective app and pair this Bluetooth dongle to their (still Nikon-only) DSLR. The compatible dongle and free app will land later this month, but before you lay down the requisite $149, it's worth checking that both your camera and phone models are supported. As it stands, compatible Android phones are limited to some HTC or Samsung models. While Android support is likely to expand in the future, there's no word on a Pre 3 version.
CanvasPop: iPhone 4S has 'highest quality on board cameras on any smart phone'
The folks at CanvasPop do a lot of photo printing, so they wanted to see how well the camera on the new iPhone 4S worked with their large-format canvas printing service. The results were great! One of their in-house printing experts grabbed a sample image from the gallery that Apple posted last week, then wrote a review of the 8-megapixel camera based on the quality of a print that was made. How did he like the quality? Lo and behold, the printed image came out stellar. Even enlarged to a final size of 18″ x 24″, it retained all of its detail with not even a hint of a pixel showing in the finished print. The reviewer chalks up the quality of the original and printed images to the new optics, stating: The 4S includes a better sensor along with a wider aperture. A wider aperture means the camera is more capable of receiving light. More light means - once again - more detail. The bottom line? "It's entirely possible that the iPhone 4S comes loaded with one of the highest quality onboard cameras in any smartphone to date. Imagine the endless possibilities."
Fujifilm's X10 offers up vintage-style snapping for $599.99 in early November
We've already sorted through the specs, and laid our hands on its rather sexy frame, now Fujifilm's offering up a more palatable price tag than we expected for its throwback X10 shooter. Starting sometime in early October, the X100's more affordable little brother will set nostalgic point-and-shooters back $599.99 -- about $100 bones less than the estimated $715 to $860 ballpark we threw out back in September. If you'll recall, the X10 packs a 12 megapixel EXR CMOS sensor, f/2-2.8, 28-112mm manual zoom lens, up to 12,800 ISO sensitivity, 1080p video, an optical viewfinder, and pop-up flash. No word yet on a final release date. Full PR after the break.
Sony DEV-5 Digital Recording Binoculars sample photos and video
We can't say that we were too keen on Sony's DEV-5 Digital Recording Binoculars at first look -- it really is hard to get past that $2,000 price tag. But after Sony finally allowed us to shoot photos and video (albeit for a mere three minutes) at the company's CEATEC booth, we were pleasantly surprised at the image quality, at least some of the time. The images we shot were in 16:9 format, and were roughly 5.3 megapixels in size (the camera's maximum resolution is 7.1 megapixels). With only a few minutes to play around, we didn't have time to switch the menu from Japanese to English (CEATEC is held just outside Tokyo), so we had no choice but to use the default settings. Still, images shot at f/1.8 appeared crisp, even with moderate shake (it's difficult to keep a heavy pair of binoculars steady when holding them at eye level), with accurate exposure and white balance. When zooming to 10x, however, still photos appeared very noisy, as you'll see in the gallery below. So are they worth the sky-high price tag? Well, it's safe to say that we're not ready to whip out the credit card, though they did perform better than we expected, based only on what we had initially seen through those dual high-res viewfinders. Jump past the break for an HD sample clip, or click the more coverage link below for the untouched samples.%Gallery-135896%
Camera or camcorder? JVC's hybrid GC-PX10 wants to be both
This curiously shaped fellow, with its long-barreled lens attached to a svelte body, might look familiar. It's JVC's GC-PX10, the camcorder that's also a camera. Or the camera that's also a camcorder. We're not quite sure, but here's what we do know: it'll shoot 1080p video at 60 fps, writing to SDXC or 32GB of internal memory. And it can also capture 8.3-megapixel stills at 60 fps without dropping out of video mode. If you've got the time and the inclination, you can switch into still-shooting mode, giving you full 12-megapixel pictures at 30 fps for two seconds. Exhausted by the possibilities yet? But wait, there's more. If slow motion's your game, you can fire away in 640 x 360 resolution -- at 300 fps -- for up to 2 hours. Now how much would you pay for such a plethora of pictorial options? Well, JVC's asking $900 when this ships later in October, so you've got some time to think about it.
Sony A77 reviewed: A 24.3 megapixel game-changer?
It's been a long time coming, but the patience has paid off with Sony's A77 finally getting its first pro review. Sure, the $1,400 cost of entry (body only) will weigh heavily on even the most enthusiastic cameraman conscious. But, what's a few hundred dollars when it comes to a camera that Popular Photography says has "radically changed the world of DSLRs"? It seems only the rival Canon 7D holds a candle to this would-be king, besting Sony's latest when it comes to noise and performance at higher ISOs. However, the A77 wins on its all-around charm, with a 24.3 megapixel Exmor APS-C sensor, articulated LCD screen, world-first OLED EVF and impressive video-shooting chops. Video-wise, that top dollar gets you a high-end performance of 60fps at 1920 x 1080 with the fast phase-detection auto-focus we've also seen on its predecessors, the Sony A55 and A33. Popular Photography does add a single caveat to the largely very positive conclusion: video enthusiasts should probably hold tight to see what Canon and Nikon counter with. Especially if you're in possession of multiple lenses. Aside from that, what's stopping you? Dig in to all the nitty-gritty details below, and we'd advise cutting down on those impulse eBay purchases -- this magnesium-alloyed beauty will certainly make a financial dent when it lands, if not a physical one.
Nikon 1 J1 review (video)
Pentax Q interchangeable lens camera review Samsung's NX200 camera: 20.3 megapixels, interchangeable lenses, full HD video Two megapixel mini-camera measures in at under a cubic inch, weighs under an ounce So, Nikon finally has a mirrorless camera, after what was quite possibly the most dramatic launch event the company has ever conducted. Sure, competing models from Panasonic, Olympus and Sony have already reached the second, or even third generation before Nikon lifted the veil on its J1, but did last month's long-awaited announcement bring us the ILC to rule all ILCs? Well, no, not at all. Nikon isn't targeting pros or even advanced amateur shooters with its latest addition to the interchangeable lens camera family. Instead, the company is marketing its J1 to soccer moms (and dads), fashion-conscious young folk, and casual shooters who want some of the versatility of a DSLR, but are willing to sacrifice excellent image quality for a more compact design. But what about the rest of us? Will Nikon one day reward our patience with a true class competitor? Perhaps, but that's definitely not what we have here. Nikon built the $650 J1 "from the ground up" -- a reference to its 10.1 megapixel, CX-size sensor with a 2.7x crop factor, along with a handful of quirky features that we probably won't use, but that some of you (or perhaps your family members) may love. Jump past the break to see what we really liked about the camera, and what left us rather unimpressed. And it you're dying to judge its performance for yourself, you can check out a handful of untouched images at the coverage link below the conclusion, along with a variety of sample videos spattered throughout.%Gallery-135514%
Sony offers 'adjustment' for NEX-5N camera to reduce clicking sound while recording video
Looks like we weren't the only one afflicted by the Sony NEX-5N camera's annoying click problem. In case you missed it, the camera displayed the disruptive tendency of producing an audible click loud enough to ruin any 1080/60p video if it was moved suddenly while shooting. Tonight Sony updated its support site to promise a "performance improvement" available to all owners under the camera's warranty that it claims reduces the sound. At the moment we don't have any more information on what's causing the sound or what the improvement entails, but owners can dial 888-868-7392 to get their units upgraded.
Two megapixel mini-camera measures in at under a cubic inch, weighs under an ounce
Remember that one-inch Chobi Cam One spotted in Japan earlier this year? Well, its tiny self has now reappeared on US shores, ready to be lost in a sofa or coat pocket near you. Unimaginatively titled "The World's Smallest Camera," it's priced at $99.95 and packs a petite, two megapixel autofocus sensor capable of recording VGA video. Resembling a Lego Man's DSLR, storage is done on a microSD card, though you're more likely to run out of battery juice than space -- the battery will give a maximum of 30 minutes use from one hour's charge. "The world's smallest" are words we hear a lot at Engadget, and we're inclined to agree with CNET that JTT's previous camera, the Chobi Cam, is actually smaller by volume. The Chobi Cam One arrived with extra detachable lenses, but there's no word yet on whether these add-ons will appear in Hammacher Schlemmer's online store -- not that we really want to be lugging around a whole bunch of tiny lenses with us.
Nikon unveils V1 and J1 mirrorless cameras: 10.1MP CMOS, 1080p video, ships in October for $650+ (video)
Rumors of a Nikon mirrorless camera have been floating around the web since the middle of last year, and recent leaks have made us wonder not if the company would release a compact ILC -- only when such an announcement would be made. Well, we finally have our answer. We journeyed to a secret location in midtown Manhattan tonight, with nary a peep from Nikon about what to expect until just before the clock struck midnight -- and only after more than two hours of laptop-free house arrest and live Counting Crows. Only the rumored mirrorless cam seemed worthy of such unusual precautions, so we were relieved to discover that Nikon had managed to justify this late night adventure. The company has finally announced not one, but a pair of compact "1 System" mirrorless cameras, and it seems totally fine with putting the focus speed up against the self-proclaimed champ. Head on past the break for more details! %Gallery-134465%
Canon S100 gets early October estimate from Amazon, likely to ship ahead of November release
Canon's high-end PowerShot S-series is a mighty special breed, so we've been rather excited about the company's new S100, which we were told to expect in November with a $430 sticker price. Now it looks like the S95 successor may slip out of the warehouse a month earlier than promised, with Amazon estimating ship dates as early as October 3rd. In an industry where delays are much more prevalent than quiet early releases, this is certainly welcome news for the highly anticipated pocket cam, which packs a 12.1 megapixel CMOS sensor and f/2.0 (variable) zoom lens. Shipping estimates are always subject to change, so don't count on any miracles until that FedEx tracking number hits your inbox. [Thanks, Don]
Sony Alpha NEX-5N makes clicking sound when moved, renders captured audio useless (video)
We've spent a few click days shooting click with click Sony's new click NEX-5N click click click and were very click impressed with its click still image performance click click but click noticed some... Oh man, we've gotta hit Stop. As you can see, the camera suffers from a rather significant yet-to-be-diagnosed condition that outputs a mysterious clicking sound whenever you move it about. Since it's quite faint, this is little more than a minor nuisance when shooting stills, but when you go to playback video click it's impossible to ignore, rendering the audio component of your video virtually useless. We've been able to isolate the sound to the camera body itself, so it's completely independent of the lens and other accessories. We also happen to be testing a variety of new Sony products this week in San Diego, and had Sony reps on hand to acknowledge and confirm the issue, which seems to plague every NEX-5N that we've tried. This is still very fresh, so Sony doesn't have a fix or even a statement to issue, but because 1080/60p video is one of this camera's headline features, we're going to recommend holding off on your purchase until the company can confirm what's causing the issue. Jump past the break to hear it for yourself in our demo video. Update: To clarify our experience, we've only tested four cameras, all of which were likely manufactured at the same time. All four cameras presented the same clicking sound, but Sony is still investigating the issue, and has by no means implied yet that all NEX-5Ns are affected. We will of course share any updates as we receive them from Sony. [Thanks to everyone who sent this in]
Sony DEV-5 Digital Recording Binoculars hands-on (video)
Sony Digital Recording Binoculars look like military night vision goggles, cost almost as much ARRI's ALEXA busts out native ProRes recording, plans for RED smiting New Sony Bloggie Mobile HD Snap camera gets bowed design, FCC inspection Sony's imaging wing has been on a roll lately, with the brilliant NEX-7 and equally impressive Alpha A77 DSLR simply blowing us away with brand new features and excellent image quality. But these $2,000 digital binoculars? Yeah, we're not so sure. We went hands-on with a pre-production sample of the 3D binocs, which replace the traditional optical finders with a pair of high-res LCD EVFs. But when you consider that high-end binoculars are a joy to use because of their excellent optical viewfinders, swapping in an electronic version puts the DEV-3 ($1,400) and DEV-5 ($2,000) in a completely new category -- if an excellent (and traditional) viewing experience is what you're after, these "cost-competitive" optics really won't hit the spot. Jump past the break for our impressions.%Gallery-133999%
Canon plans Hollywood event, ready to roll out the red carpet on November 3rd
Oh, what's this, Canon? You want your turn in the spotlight as well? Well, we suppose a hint of an announcement is better than a non-announcement, so bring it on! The imaging company just sent us word of a presumably star-studded SoCal event on November 3rd, giving its cameras a chance to walk the red carpet in a rather surprising Hollywood role reversal. We're not sure exactly what Canon plans to unveil that night -- a new mirrorless camera, or perhaps some fancy pants camcorder, destined for Hollywood's elite? But assuming the company isn't crying wolf, we'll be there with a live report from the red carpet.
