If synth rock was meant to go hand-in-hand with fantastic steampunk universes (and we really can't see why it wasn't), instruments would look something like the thing you see here. This is the Parker Steam Synthesizer, a steam-powered music synth that runs on water and some coal. Designer Lorin Edwin Parker controls steam pressure with a ball valve which activates a dynamo. The dynamo is a magnet motor attached to a flywheel that creates an alternating magnetic field which is then turned into electricity by an inductive pickup. That pickup is finally plugged into an amp and you have some trippy electro from a device that could have been around years ago. He says it will run for about 20 minutes on one tank of water, which, in our estimation, is just long enough for Bjork to hear it and add to her band's already-insane inventory. By the way, the Read link includes a .mov file so you can see this thing in action.

[Via MusicRadar]

The Commodore 64 did a lot of things right: the right price, the right graphics, the right games, and the right 8-bit audio chipset that allowed 12 year-old programmers to POKE and PEEK their way into analog music bliss. Modder and musician "TK" saw an opportunity in all of this for an analog synthesizer, and he went for it. Fitting it with potentiometers, LEDs, and an additional 8 SID sound chips (for a total of 8), he is able to get 4 stereo pairs of sound and 4 voices out of what he calls the Midibox SID. If you hadn't figured from the name, he did add MIDI control to the little beast. And, no, you cannot play Doom on it. Video after the break.

Admit it: having a synthesizer in your pocket just isn't enough. No, you need one on your person in order to truly feel whole. If we just rang your bell, you should take a long, insightful look at the Square Band. The latest revision of the wearable synthesizer includes a volume control and a couple of flexible solar panels, the latter of which were added partly for aesthetics. Apparently wearers can simply trigger buttons tucked under their wrist with their fingertips, upon which a superabundance of cacophonic sounds will emerge and completely freak out any nearby bystanders. You have to have one now, don't you?

[Via MAKE]

There's already been quite a few musicians (and would-be ones) brought into the Nintendo DS fold thanks to apps like Jam Sessions, but it looks like there could soon be another wave flocking to the popular handheld, with the official, Korg-approved DS-10 synthesizer from AQ Interactive now headed for the DS in Japan. As you can see for yourself in the video after the break, like Jam Sessions, the synthesizer is anything but a game, with it boasting two patchable virtual synths with two oscillators each, a drum machine, a sequencer, and a full range of effects, to name but a few features. You'll also apparently be able to wirelessly link up several systems to play together or simply exchange sounds and songs, although you'll apparently have to make do without MIDI support. Needless to say, we'll keep you posted on any word of a release 'round these parts, but in the meantime, you can look forward to this one hitting Japan in July for ¥4,800, or just under $50.

[Via Create Digital Music, thanks to everyone who sent this in]

While certainly not the most bizarre (nor elaborate) musical apparatus we've seen, Future Retro's intriguingly designed Revolution synthesizer still manages to stand out. Apparently, its creators firmly believe that "music is cyclic," and it's definitely practicing what it preaches on said device. The analog monophonic synthesizer is contained in a rugged aluminum chassis and is laid out in a way that makes "dividing a measure of music into equal parts" much easier -- visually, at least. 'Course, this bugger will put a $750 dent in your wallet, but it is shipping now for those simply enamored with the design.

[Via BornRich]

As if the Cushion Control pillows weren't cute enough, here we find a USB-powered, felt-covered calculator synth to ooh and aww over. Artists Kelli Cain and Brian Crabtree were able to conjure up this nifty device at a Felt Circuits workshop held in Los Angeles, and while details are relatively scarce, the creation is essentially a homemade eight- x six-inch calculator constructed from dyed wool that was hand-rubbed into felt. The two also "designed, etched, and populated noise-making circuit boards" which were then put into the contraption, and when connected to a USB port, touching the metal contacts that are sewn on "makes a bunch of noise," which we can causally refer to as abstract music. Unfortunately, there's no sign of these things going on sale, but if you beg the duo hard enough, you might find out if another workshop is in the pipeline.

Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:

About a year ago, I wrote about boutique synthesizers -- fantastically obscure boxes hand-made by freaks (normally Scandinavian). Compared with synths, effects pedals are relatively simple -- sometimes just a handful of components, a switch and a couple of knobs in a steel box -- so there are loads of people experimenting and making great-looking but expensive pedals for guitarists. Most of the pedals mentioned here are in the $350-$500 range. Sure, that would buy you a dozen Chinese-made Behringer pedals, but would that make you happy?

Zvex Ringtone
Disappointingly, Zachary Vex's new Ringtone pedal won't make your vintage strat sound like the Crazy Frog. Instead, it's a 8-step sequencer driving a ring modulator -- the early sound effect used to make the voice of the Daleks, and built into the Commodore 64's SID sound effects chip. It's pretty hard to understand what the Ringtone does, or why it's cool, without watching Zachary's wonderful demo video. Like all boutique pedals, the Ringtone is crazy expensive at $349, but that gets you a hand-made, hand-painted pedal.

After the break: Kitsch Brazilian pedals, butch American pedals, clever English pedals, and a fuzzbox with a joystick...

Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:

Wait! Come back! Stop scrolling! Why should you read about a boring-looking grey synthesizer? I'll tell you why. This week, music geeks have been talking about two things. The first is the Bleep Labs Thingamagoop, the tiny, cute, handmade-in-America noise box with a strobing LED tentacle and surprisingly reasonable $100 price tag. The Thingamagoop represents one end of what's interesting in music gear at the moment -- fun, handmade, not necessarily very practical analog gear put together in garages by Make magazine readers.

Then there's this grey plastic synth. It's Novation's new Xio, which represents the other big thing happening in music gear: astonishing value for money. This thing is a USB audio interface, with phantom power and a pre-amp, so you can record using real professional microphones. It's a MIDI controller for racks and soft-synths, with a cool touchpad and joystick and lots of knobs. It's a nice-feeling (if short) semi-weighted keyboard (there's also a 49-key version). And, it's a real stand-alone analog-modelling synth, which you can tweak in your deckchair while it runs off 6 AA batteries. The Xio costs £229 (Maybe $350-$399 retail), significantly cheaper than it's nearest rival, the 3 year-old MicroKorg, which has mini keys and no controller or USB audio features. It's amazing.

Chinese manufacturing and cheap DSP chips have revolutionised the music gear business. Sure, this stuff doesn't have much soul, and it probably won't be collectable in 20 years, but it's making the average dorm-room studio a far more exciting place to be. Anyway, you can always invest the change in a small family of Thingamagoops.

Meet Thingamagoop. Like regular analog synthesizers, this Bleep Labs creation emits all sorts of wild, far-out sounds, but unlike most other synths, its main oscillator is controlled by a photocell instead of the usual keyboard -- frequency is adjusted by turning the main knob, and the type of modulation is selected by toggling the device's, um, nipples. Okay, we're cool with non-traditional input methods, but why endow this $100 handmade model with such a creepy-looking face? "Because there are not nearly enough beeping, zapping, bixxerfouping, anthropomorphic synthesizer monsters in the world," according to the creators. How very true.

[Via Music Thing]

Each week Tom Whitwell of Music Thing highlights the best of the new music gear that's coming out, as well as noteworthy vintage equipment:

A year ago, if you were in a band and wanted to buy a basic monophonic analog synth with a keyboard, you had one option: eBay. Aside from Moog's in-no-way-basic Voyager (yours for $3,000 and up), all the other possibilities had been out of production for 20 years or more. Now all that's changed. A generation of musicians have grown up on the knob-covered retro-flavoured interfaces of software like Propellerheads' Reason. They've bought cheap "Virtual Analog" digital synths like Korg's incredibly popular (and endlessly complained-about) MicroKorg. But now they want the real thing. And if it comes with a guarantee and can actually stay in tune on stage, so much the better.