Alexa
Latest
Amazon Echo connected home control reaches Insteon lights
The Amazon Echo just got a bit more useful with today's announcement that it would be integrated with Insteon's connected lights, dimmers and relays. In addition to the expected on and off capabilities, devices and lights can be part of five-item groups and dimmed with voice command. For example: "Alexa, set living room lamp to 50 percent." The Echo currently doesn't support Insteon's Scenes feature with its ability to combine an unlimited about of devices quiet yet. But, the company says that adding that capability is a high priority. Also, Echo integration will work with the company's latest regular Hub but not with the Hub Pro which was built specifically for HomeKit. The Echo already supports Philips' Hue, Belkin's WeMo, and Samsung's SmartThings. By adding Insteon, the voice-activated tube from Amazon is becoming more and more sleeper device in the connected home.
Amazon's Echo speaker reads you the top news headlines
Amazon just made it much, much easier to catch up on the news while you're getting chores done around the home. A newly-added option for its voice-guided Echo speaker, Trove, lets you ask the device to read the top news headlines on a given subject. Want to get the gist of the latest political drama? Just say as much -- you don't even have to glance at your phone or your wrist. This isn't going to provide insightful commentary, of course, but it could be good for those moments when you just don't have time (or the free hands) needed to go in depth.
Amazon Echo now supports shared Google calendars
Amazon's odd but intriguing Echo personal assistant / speaker has received a number of useful updates throughout its short lifespan, and today Amazon announced a few more tweaks to the device. If you're a Google Calendar user, the Echo now supports shared calendars, whereas before it could only pull in details from calendars that were owned by your personal account. In the Amazon Alexa app, you enter your Google Calendar details; from there, you can pick specific shared calendars to add to the Echo. That way, when you ask the Echo what's on your schedule, it'll only tell you things that are on the calendars you selected.
Amazon's voice-controlled Echo speaker is now available at Staples
If you find yourself re-ordering office supplies, you can also nab Amazon's smart speaker in one fell swoop. Staples is the only place other than Amazon where you can purchase the voice-controlled Echo device. While Echo is listed on the Staples website, it's unclear whether or not the speaker will be available in stores (the two stores closest to me don't have them). The retailer known for paper and pens may seem like an odd choice as the only "exclusive" spot to nab the Alexa-powered gadget, but Staples also sells Kindles, Fire TV and Fire tablets, so it's not too much of a stretch. If you're looking to grab one, it carries the same $180 price tag and is available now via the Staples website.
Amazon lets anyone put Alexa voice control in their devices
Amazon released the Alexa Appkit last month in hopes that developers will create cool new features for the voice technology that powers the Echo. This time, the e-commerce giant is offering the Alexa Voice Service (AVS) itself as a developer preview, which both hobbyists and legit hardware manufacturers can integrate into their own connected devices. The best part is the company's allowing the use of its technology for free. "By adding Alexa to your device, your users can request and receive information in the same way they would from an Amazon Echo," the company's Getting Started Guide reads. That means devices loaded with Alexa will also be able to answer questions about the weather and look up stuff or the traffic conditions online.
How I learned to love Alexa (and Amazon's Echo)
After the failure of the Fire Phone and the so-so Fire TV, it was hard to get excited about Amazon's $180 Echo wireless speaker. At best, it seemed like a superfluous device that simply mimicked voice-powered tech from our phones in monolithic speaker form. At worst, it felt like yet another way for the company to insert itself into your life -- all in an effort to make you buy more crap from Amazon. I'll admit, I wasn't in any rush to nab an Echo of my own after it was first announced (Prime members with a special invite were able to get it for $99). And, curiously, Amazon didn't make review units available at the time, either. But now that Echo is widely available to everyone, I was finally able to get my hands on one to test out. Surprisingly enough, I ended up falling for it big time.
Amazon is offering Echo voice tech to other manufacturers
Now that Amazon's voice-controlled Echo speaker is available to everyone, the company is hinting at third-party devices that will make use of the same voice tech that powers the Echo's built-in assistant, "Alexa." Additionally, Amazon is giving developers access to the Alexa Skills Kit, a free SDK that will make it easy for them to create new features for the Echo platform. Lastly, the company launched the Alexa Fund, a $100 million endowment designed to support developers, manufacturers and startups who are interested in making voice-powered products for its ecosystem. To be a part of it, Amazon says it's going to base those decisions on the technology's ability to influence the Alexa Skills Kit or the Alexa Voice Service. What this tells us, though, is that Amazon is getting serious about what appeared to be a simple side-project from the beginning.
Amazon's voice-guided speaker juggles your IFTTT tasks
You can tell Amazon's Echo speaker to directly control certain apps and services, but what if you want it to send information to other apps that you use more often? That's where IFTTT's new Alexa channel might save the day. Give the Echo a command and IFTTT will relay certain tasks to key apps. You can deliver your to-do list to Gmail when you ask the speaker about your itinerary, for example, or add your grocery items to Evernote without touching your phone. Frankly, this makes the Echo a lot more useful in daily life -- you no longer have to change some of your app habits to make the most out of Amazon's audio cylinder.
Here's what our readers think of the Amazon Echo
Amazon seems determined to inch its way into every aspect of our lives. The company already has a phone, a set-top box and an entire line of tablets. But what about when you're nowhere near any such devices? Earlier this week Amazon introduced Dash, allowing you to order household products with the touch of a button. However, last year Amazon also released the Echo, a wireless speaker that doubles as a voice-activated personal assistant named Alexa. Need to play music, search the web or -- wait for it -- order products from Amazon? Ask and Alexa will make it happen. If having a virtual servant didn't already make you feel posh, it should be noted that the Amazon Echo ($199, or $99 currently for Prime members) is still an invitation-only product, making units hard to come by. Thus, we turn to our readers to find out if Alexa is your go-to gal, or if this is a waiting list you're better off skipping.
Amazon's Echo lets you control iTunes, Pandora and Spotify with your voice
If you accepted an invitation to buy Amazon's Echo speaker, you've noticed that the device didn't have a vast musical vocabulary at first -- you could tell it to play iHeartRadio or Prime Music tunes, and that's about it. You'll have a better time of things from now on, though. Amazon is rolling out an update that lets you use your voice to steer iTunes, Pandora radio or Spotify on your mobile device. It's not super-sophisticated, but you no longer have to reach for your phone just to skip tracks. And in case millions more songs won't keep you entertained, there's also a "Simon says" command that you can use to prank people (or simply tell them something) from across the home. We'd argue that the biggest upgrade to the Echo would be getting to buy one, but these new features will do in a pinch.
Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB?
With both its 1D and 5D-series models already confirmed for 2012, today's Canon teaser hints at something slightly different -- and, according to our sources, a major announcement. The event is set for April 15th -- during the National Association of Broadcasters (NAB) show in Las Vegas -- further confirming that whatever imaging device we'll see will likely be geared towards the motion picture and television communities. So, what could it be? A new Cinema EOS cam with a 1D form-factor? A lower-priced model poised to compete with the RED Scarlet? We have but a month to wait for confirmation, so if you haven't already placed your C300 order, it might not be a bad idea to hang tight until after Canon's Tax Day reveal.
Canon EOS C300 to hit Japanese stores on the 31st, PL version coming in March
Do you have deep pockets? And do those pockets happen to be located in Japan? Well if you're also in the market for Canon's EOS C300 cinema camera, you might be in luck. The company has confirmed that its motion-picture-shooting flagship will be available in Japanese retail stores by January 31st -- exactly one week from today. As the story goes with expensive electronics in Japan, pricing is "open" at this point, meaning you might have to hit up a retailer for an amount before making two dozen trips to the ATM. But if money's no object (just that pesky release date), you should be on your way to making Cinema EOS magic before the month is out. And if your kit is best suited for the PL-mount version, expect that to ship in late March, "open" pricing in tow.
Canon EOS C300 cinema cam gets pre-order status, ships at month's end for $16,000
Back in November we joined Martin Scorsese and other Hollywood luminaries at Paramount Studios for the unveiling of Canon's latest cinema video camera, which is now available for pre-order. The EOS C300, that aims to compete directly against the Reds of the world, carries a Super 35mm CMOS sensor capable of up to 4K resolution 1080p capture, and should be helped in large part by the company's top-shelf lenses; like the 14.5 - 60mm and 30 - 300mm. When we first met the C300 we told you it'd be priced at a hefty $20,000, but that's no longer the case, instead it'll cost a less painful $16,000 for the body only. The camera will begin shipping "after January 30th," and if it seems like a little too much for you, at least you can still watch our precious hands-on time with it. Update: We've updated to clarify that while the sensor is 4K the camera only captures in 1080p.
Canon C300 cinema camera hands-on (video)
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot. The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.%Gallery-138415%
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa
Well, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success. Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video) Canon C300 cinema camera hands-on (video)Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.%Gallery-138391%%Gallery-138405%Christopher Trout contributed to this post
Red One faces Arri Alexa in high-res, Choose Your Own Adventure-style face-off
Most of the time when one product takes on another in a no-holds-barred face-off somebody walks away with a championship belt. Not this time. Here it's Gunleik Groven, Norwegian filmmaker and photographer, comparing the RED One Mysterium X and the Arri Alexa, two pro-quality shooters that come in at a price semi-pro producers can afford -- the RED clocking in at $42,485 the way Gunleik configured it, the Arri at $70,000. There are some obvious differences, like the RED shooting at 4K and the Arri at 1080p, but the vast majority of the comparisons here are far, far more subtle than that, meaning you're just going to have to pore over the comparison on the other end of the source link yourself and download the gigabytes of sample footage that's been thoughtfully provided. If you do need something of a conclusion, though, it's this: "These are both excellent cameras we could only dream of 5 years back... you cannot really complain on the equipment if you don't get your shot with either of these."
Visualized: world's most trafficked websites and their favicons
We knew Google Search was an iconic service (we had to), but seeing it dwarf the rest of the web like this is pretty humbling. This here map of the internets uses Alexa data from earlier this year to assign the favicon dimensions of each of the top 288,945 sites around the world. Oh, and if you don't have an icon sidled up next to your URL, tough luck, you're not on here. See how many you can spot before your eyes start bleeding, then hit up the source to look up your favorite sites. As to your absolute favoritest site of them all, you can spot us somewhere in the space between vBulletin and Wikipedia.
ARRI's ALEXA busts out native ProRes recording, plans for RED smiting
It's taken three years, but one of the big boys may finally have an answer to the RED ONE camera -- the device that took the cinema world by storm in 2007 as the first affordable digital movie cam with a 35mm, full-frame sensor, 4k resolution, and rugged good looks. Venerable camera-maker ARRI has finally revealed both the full specs for its upcoming ALEXA digital camera and reconfirms Hollywood's propensity for over-capitalization. Regarding the specs, you can color us impressed. The ALEXA is something of a follow up to the ARRIFLEX D-21, the company's first foray into digital cams, but besides writing data in 0s and 1s the two cameras share little in common. ARRI is positioning the ALEXA to compete directly with the RED ONE (and forthcoming EPIC and SCARLET cameras), so you can expect a price point in the sub-$60k range. Besides the low price tag (for a professional movie camera), a few newly-announced features may have indie-shooters on a budget thinking hard about picking up an ALEXA for their next bit-crafted, cinematic yarn. We'll break it down for you after the break.
ARRI Alexa joins RED to kill celluloid in 2010
Got 50k to spend big daddy? Good, then meet Alexa from ARRI, a German company founded in 1917 that just happens to be the world's largest motion picture equipment manufacturer. Alexa is ARRI's answer to the RED ONE digital, so don't be held captive by your consumer-based experience of what a camera is or what it should look like. ARRI has a trio of cams slated for release in 2010 offering a 3.5k pixel count, 800+ El equivalent sensitivity, 1 to 60fps frame rate, electronic viewfinder and on-board HD recording. The A-EV Plus model adds uncompressed on-board recording and wireless remote control to the 16:9 aspect ratio shooting A-EV. The A-OV Plus switches things up to a 4:3 aspect and adds an optical viewfinder to the mix. The rest of the details will arrive during an April 6th launch event where ARRI will reveal the complete media, format, and what's promised to be a "super fast workflow." Until then, check a side-by-side test done by the cats over at Animation World Network pitting a prototype Alexa against a RED One equipped with a new MysteriumX sensor and software. AWN was so enthusiastic by the results of the two cams that it proclaimed, "2010 is the year that celluloid died." Jim Jannard, RED CEO, graciously responded to the test by saying, "We had expected the images to be very similar and it appears that this test confirms that." He then added the following: "We have believed, since IBC last year, that these two platforms would be the ones standing for the future. We are very proud to be in such good company. But for the moment, we tip our hats to Arri." Now hit the source links for the full read because the future of film looks set to become historic.
