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Sony Alpha NEX-7 emerges from the waters, ready for action
Sony leapt onto the stage to perfect its tap-dancing routine tell the world that the NEX-7, after being beset with flooding-based delays, will take a bow at the end of February. The company's flagship mirrorless ILC will set you back $1,350 for the kit edition with an 18-55mm lens. If you've got a little (weeny bit) more cash, a further £839 ($1,300) will place a compatible Carl Zeiss-branded 24mm F.1.8 lens in your grubby hands. If you're interested in learning what we thought about it, check out our detailed hands-on here.
Canon EOS C300 to hit Japanese stores on the 31st, PL version coming in March
Do you have deep pockets? And do those pockets happen to be located in Japan? Well if you're also in the market for Canon's EOS C300 cinema camera, you might be in luck. The company has confirmed that its motion-picture-shooting flagship will be available in Japanese retail stores by January 31st -- exactly one week from today. As the story goes with expensive electronics in Japan, pricing is "open" at this point, meaning you might have to hit up a retailer for an amount before making two dozen trips to the ATM. But if money's no object (just that pesky release date), you should be on your way to making Cinema EOS magic before the month is out. And if your kit is best suited for the PL-mount version, expect that to ship in late March, "open" pricing in tow.
Panasonic Lumix DMC-GX1 Micro Four Thirds camera review
It's no surprise that the mirrorless interchangeable lens camera category is continuing to grow at a rapid pace. These compact, pro-featured ILCs undoubtedly have a strong future, with mass consumer appeal and a widening assortment of price points. We're particularly taken with the technology's compact footprint -- we're focusing our camera reviews on mirrorless models, and even outfitted our entire CES team with Sony's NEX-C3. But long before the likes of Sony and Fujifilm launched their first cameras, Olympus and Panasonic dominated the then-infant mirrorless category, developing the Micro Four Thirds sensor standard, that, for better or worse, has failed to catch on among other manufacturers. Surprisingly, Panasonic's pioneering days were far stronger than those of recent past, with the company's GF1 melting the hearts of compact-seeking professionals. But following that successful first model, Panasonic opted to take the GF series in a different direction, launching a dumbed-down GF2 (and later GF3) in what was likely an attempt to appeal to the much larger amateur category. This left the GF1 faithful without a worthy successor -- until now. Panasonic's Lumix line gets a lot more crowded Panasonic Lumix GX1 Micro Four Thirds camera surfaces in leaked photos Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-onThe Panasonic Lumix DMC-GX1 looks pretty standard on paper: there's a 16-megapixel Live MOS sensor, a choice of body colors, RAW shooting, HD video and a top sensitivity of ISO 12,800. Just as it did with the GF2 and GF3 body designs, Panasonic took a different direction with its new X-series lenses, swapping the traditional manual zoom for a motorized version, enabling a much more compact footprint. The difference when positioned alongside the NEX-C3's 18-55mm zoom is staggering, but Panasonic didn't arrive at this slick design without compromise, particularly noticeable when it comes time to swallow the $950 kit price. Still, one look at the hardened matte black metal body is all it takes to know that this is no GF4 -- this is it, the long-awaited successor to the GF1 has finally arrived. So, will the GX1 be our new top pick for the mirrorless category? Join us past the break to find out.
Canon EOS C300 cinema cam gets pre-order status, ships at month's end for $16,000
Back in November we joined Martin Scorsese and other Hollywood luminaries at Paramount Studios for the unveiling of Canon's latest cinema video camera, which is now available for pre-order. The EOS C300, that aims to compete directly against the Reds of the world, carries a Super 35mm CMOS sensor capable of up to 4K resolution 1080p capture, and should be helped in large part by the company's top-shelf lenses; like the 14.5 - 60mm and 30 - 300mm. When we first met the C300 we told you it'd be priced at a hefty $20,000, but that's no longer the case, instead it'll cost a less painful $16,000 for the body only. The camera will begin shipping "after January 30th," and if it seems like a little too much for you, at least you can still watch our precious hands-on time with it. Update: We've updated to clarify that while the sensor is 4K the camera only captures in 1080p.
Fujifilm X-Pro1 interchangeable lens camera preview (video)
The interchangeable lens camera market grew by one this week, following Fujifilm's confirmation of its new X-Pro1. The 16 megapixel APS-C ILC may be in fact be a mirrorless model, but company reps prefer that you don't use "the M-word," insisting that the shooter stands alone in its own category as a "premium" interchangeable lens camera. And after spending an hour with the oversized, solidly-built ILC and viewing a variety of comparison samples, it's not difficult to confirm that the assessment may not be far off. The entire hands-on experience was in line with that premium claim -- from the white gloves we were required to use when handling the camera to the Japanese design lead taking care to make sure sample models were clean of markings and positioned just right, it's clear that Fujifilm is taking this launch very seriously, and you should, too. Join us past the break for an early CES look at what may very well be the sharpest mirrorless interchangeable lens camera to date.
Samsung NX200 interchangeable lens camera review
There are some cameras that we absolutely love, some we find downright disappointing and others that get the job done, albeit with mediocre results. Samsung's digital imaging devices typically fall within that last category -- they're moderately innovative, generally affordable and often well-designed, but when it comes to image quality and performance, we're left... underwhelmed. So, when we first had a chance to try out the CE giant's new NX200 at IFA in Berlin, we weren't expecting a mind-blowing imaging device. The NX200 is Samsung's latest entrant into the interchangeable lens (ILC) category -- it's a mirrorless model, to be more precise, and a fairly impressive one at that -- at least when you glance at the spec sheet. It's the company's latest ILC to use an APS-C size sensor, which is the largest we've seen in a mirrorless cam. This sensor type implies that the NX200 may have a chance at competing with Sony's NEX-C3, which has been our top pick in the category, and its 20.3 megapixel rating suggests that Samsung wants to be taken seriously here, with a true contender on its hands. But has Samsung delivered a winner? Jump past the break for our take.%Gallery-141618%
Tamron unveils 18-200mm E-mount lens, ups your NEX glass selections
With a whopping total of eight official lens choices (and two wide angle converters), saying that Sony's NEX cameras could use a few more options in the decent glass category would be putting it lightly. Thankfully, Tamron today announced its latest zoom lens, the BO11 18-200MM F/3.5-6.3 DI III VC, which is made specifically for E-mount shooters. The BO11 weighs in at just over a pound and features a built-in stepping autofocus motor, along with Tamron's moving coil-equipped Vibration Compensation technology -- a must given that Sony's NEX shooters rely on their lenses for image stabilization. While there's no mention of price, the lens will be shipping to dealers starting December 15th and you'll have your choice of either black or silver. Of course, we'd be remiss not to point out the option of lens mount adapters, but if you're set on dedicated solutions you'll the full press release just past the break. Update: Tamron has announced pricing at $739.
Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-on
Remember the Lumix GF1? It was one of Panasonic's first Micro Four Thirds cameras, setting the bar quite high for models to come. But the GF1's successors -- the GF2 and GF3 -- did not live up to expectations, with the company gradually shifting the series towards transitioning point-and-shoot users, and away from early adopters who grew accustomed to the performance and build quality offered by that beloved early mirrorless cam. Now that familiar look and feel is back, in the form of the Lumix DMC-GX1. The 16 megapixel ILC includes a Live MOS sensor and Venus engine, with a maximum ISO of 12,800. Like other Panasonic G-series cameras, the GX1 uses a Micro Four Thirds mount, and is compatible with both Panasonic and Olympus lenses, including the standard 14-42mm zoom that ships with the $800 kit, or the Lumix G X Vario PZ 14-42mm retractable lens that comes packaged for $950. Existing lens owners can pick up just the body for $700. What we really missed was the solid feel of the GF1 -- everything from the housing to the controls felt well-made, while the design of later GF models, was... underwhelming. Picking up the GX1 helped to restore our confidence in the series -- it was a pleasure to hold. There's quite a bit of power under the hood, too. We weren't able to test the GX1, which is expected to hit stores in mid-December, but Panasonic promises autofocus speeds of 0.09 second -- you can focus simply by touching your subject on the 3-inch, 460,000-dot touchscreen. There's also an external EVF option, which attaches to the camera's hot shoe and offers a 1.44 million-dot display with 100-percent field of view. Movie buffs can capture 1080/60i HD video, with either MP4 or AVCHD compression. It goes without saying that the GX1 can shoot in RAW, and offers the complete gamut of advanced shooting modes. Of course the features don't stop there, so jump past the break for the full PR from Panasonic.%Gallery-138523%%Gallery-138519%
Canon C300 cinema camera hands-on (video)
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot. The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.%Gallery-138415%
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa
Well, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success. Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video) Canon C300 cinema camera hands-on (video)Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.%Gallery-138391%%Gallery-138405%Christopher Trout contributed to this post
The Canon Hollywood event liveblog!
Lights, check! Camera? Well, it soon might be a Canon. We're live from the red carpet at Canon's Hollywood launch event, where we're expecting the company to reveal its first cinema camera. We'll be watching the action live as it hits the silver screen in SoCal, but you can catch it all from home right here! Things get started at 3PM local time, translated into times for your locales below. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th) Photos by Zach Honig.
The Canon Hollywood event is tomorrow -- get your liveblog here at 6PM ET!
Canon has been incredibly tight-lipped about its upcoming announcement, with only a few vague details leaking out since the event was announced in September. What we do know is that the imaging company plans to unveil a product that represents a "commitment to play a larger role in the film and television community," and that Martin Scorsese will be on hand -- and we assume he's not there to announce that Sinatra will be shot exclusively with the 5D Mark II. Curiously, Red has scheduled an event for tomorrow evening as well, just a few blocks away from the Canon venue. We'll be coming to you live from Hollywood tomorrow evening, and if the hype is any indication, legacy cinema camera manufacturers have but a few hours left of industry domination. The curtain comes up at 3PM local time, and we've included a handy list of round-the-world start times below. Bookmark this page right here and find out as it happens. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th)
Pentax Q interchangeable lens camera review
Sony announces NEX-C3 and Alpha A35 cameras, new macro lens Pentax intros Q, world's smallest interchangeable lens digital camera (hands-on video) Nikon 1 J1 review (video) Most of the interchangeable lens cameras we've seen to date seem to follow a standard mold: they have similarly sized bodies, comparable designs and either an APS-C or Micro Four Thirds sensor at the core. But recently, some manufacturers -- namely, Nikon and Pentax -- have begun shrinking camera bodies in an attempt to make them even more appealing to point-and-shoot users. The result: a smaller, lighter, more fashionable ILC -- that also happens to have an itsy bitsy image sensor. Sensor size, not megapixel rating, translates directly to image quality, but also lens and body size, so you can either have an incredibly small body with an incredibly small sensor, or a larger body with a larger sensor. Are you willing to pay a premium for the "world's smallest" interchangeable lens camera, even if it has the same size sensor used in many point-and-shoot cams available for a fraction of the cost? Pentax seems to think that you are -- to the tune of $800. The 12.4 megapixel Pentax Q is tiny -- it's so small, in fact, that you wouldn't be alone in mistaking it for a toy. There is a fully functional camera inside that petite magnesium alloy housing, though it's admittedly not as powerful as you'd expect an $800 camera to be. The pricey kit ships with an 8.5mm f/1.9 lens, and you can grow your collection from Pentax's modest selection of Q-mount lenses, which also happen to have laughably small focal lengths (a 3.2mm fish eye, anyone?), due to the 1/2.3-inch backlit CMOS sensor's massive 5.5x multiplication factor. So how does the Q fare when it comes to performance and image quality? Jump past the break to find out.%Gallery-137376%
Nikon 1 J1 review (video)
Pentax Q interchangeable lens camera review Samsung's NX200 camera: 20.3 megapixels, interchangeable lenses, full HD video Two megapixel mini-camera measures in at under a cubic inch, weighs under an ounce So, Nikon finally has a mirrorless camera, after what was quite possibly the most dramatic launch event the company has ever conducted. Sure, competing models from Panasonic, Olympus and Sony have already reached the second, or even third generation before Nikon lifted the veil on its J1, but did last month's long-awaited announcement bring us the ILC to rule all ILCs? Well, no, not at all. Nikon isn't targeting pros or even advanced amateur shooters with its latest addition to the interchangeable lens camera family. Instead, the company is marketing its J1 to soccer moms (and dads), fashion-conscious young folk, and casual shooters who want some of the versatility of a DSLR, but are willing to sacrifice excellent image quality for a more compact design. But what about the rest of us? Will Nikon one day reward our patience with a true class competitor? Perhaps, but that's definitely not what we have here. Nikon built the $650 J1 "from the ground up" -- a reference to its 10.1 megapixel, CX-size sensor with a 2.7x crop factor, along with a handful of quirky features that we probably won't use, but that some of you (or perhaps your family members) may love. Jump past the break to see what we really liked about the camera, and what left us rather unimpressed. And it you're dying to judge its performance for yourself, you can check out a handful of untouched images at the coverage link below the conclusion, along with a variety of sample videos spattered throughout.%Gallery-135514%
Sony offers 'adjustment' for NEX-5N camera to reduce clicking sound while recording video
Looks like we weren't the only one afflicted by the Sony NEX-5N camera's annoying click problem. In case you missed it, the camera displayed the disruptive tendency of producing an audible click loud enough to ruin any 1080/60p video if it was moved suddenly while shooting. Tonight Sony updated its support site to promise a "performance improvement" available to all owners under the camera's warranty that it claims reduces the sound. At the moment we don't have any more information on what's causing the sound or what the improvement entails, but owners can dial 888-868-7392 to get their units upgraded.
Sony Alpha NEX-5N makes clicking sound when moved, renders captured audio useless (video)
We've spent a few click days shooting click with click Sony's new click NEX-5N click click click and were very click impressed with its click still image performance click click but click noticed some... Oh man, we've gotta hit Stop. As you can see, the camera suffers from a rather significant yet-to-be-diagnosed condition that outputs a mysterious clicking sound whenever you move it about. Since it's quite faint, this is little more than a minor nuisance when shooting stills, but when you go to playback video click it's impossible to ignore, rendering the audio component of your video virtually useless. We've been able to isolate the sound to the camera body itself, so it's completely independent of the lens and other accessories. We also happen to be testing a variety of new Sony products this week in San Diego, and had Sony reps on hand to acknowledge and confirm the issue, which seems to plague every NEX-5N that we've tried. This is still very fresh, so Sony doesn't have a fix or even a statement to issue, but because 1080/60p video is one of this camera's headline features, we're going to recommend holding off on your purchase until the company can confirm what's causing the issue. Jump past the break to hear it for yourself in our demo video. Update: To clarify our experience, we've only tested four cameras, all of which were likely manufactured at the same time. All four cameras presented the same clicking sound, but Sony is still investigating the issue, and has by no means implied yet that all NEX-5Ns are affected. We will of course share any updates as we receive them from Sony. [Thanks to everyone who sent this in]
Canon plans Hollywood event, ready to roll out the red carpet on November 3rd
Oh, what's this, Canon? You want your turn in the spotlight as well? Well, we suppose a hint of an announcement is better than a non-announcement, so bring it on! The imaging company just sent us word of a presumably star-studded SoCal event on November 3rd, giving its cameras a chance to walk the red carpet in a rather surprising Hollywood role reversal. We're not sure exactly what Canon plans to unveil that night -- a new mirrorless camera, or perhaps some fancy pants camcorder, destined for Hollywood's elite? But assuming the company isn't crying wolf, we'll be there with a live report from the red carpet.
Sony Alpha NEX-7 hands-on preview (video)
There are some cameras that we would be willing to use in a bind, some that we wouldn't hesitate to shoot with, and a very select few that would motivate a cross-country journey, just for the chance to spend a few days behind the lens. Sony's Alpha NEX-7 falls within that incredibly unique final category -- in fact, we've done just that, flying from New York to San Diego to go hands-on with one of only a half-dozen pre-production samples to have landed on American soil. After seeing a very early NEX-7 prototype a few months ago, it didn't take much convincing to get us on a plane. Sony's 24.3 megapixel APS-C masterpiece represents a giant leap forward for the interchangeable lens market, theoretically capable of capturing images identical in quality to its much larger Alpha A77 counterpart, but in a body only slightly larger than the NEX-C3. Pair that image quality with an XGA OLED electronic viewfinder, a revamped tri-navi interface, standard hot-shoe, 1080 / 60p AVCHD video, microphone input, and a built-in flash, and you have one very worthy compact DSLR replacement. That said, the NEX-7 kit's $1,350 price tag is far more than many are willing to spend on a camera. But is that premium pricing justified? Jump past the break to find out.%Gallery-133835%
Olympus Pen E-PM1 hands-on (video)
Joining the family of Olympus Pen products is the lovingly nicknamed "PEN Mini," or E-PM1. Compared to its big brothers the PEN E-PL2 and E-PL3, this little guy packs some serious punch in a tiny body, with a similarly small price tag of $500. But can this ILC that Olympus claims offers "DSLR quality in a compact camera design" stack up against the big boys in the pit at the US Open? The 12.3 megapixel camera comes with a 14-42mm f/3.5-5.6 kit lens and includes a Micro Four Thirds mount, enabling it to accept compatible lenses from both Olympus and Panasonic -- something that was really easy to get the hang of for speedy switching between sets. Check out our impressions as we go hands-on with the camera at one of the biggest tennis matches of the year. %Gallery-132239% %Gallery-132243%
