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Canon's 35x SX30 superzoomer reviewed: dazzling specs don't trump sub-par performance
The more things change, the more they stay the same, and though Canon's PowerShot superzoom line has gone from SX20 up to SX30, the new model has received a review that's strikingly similar to that applied to last year's model. On the SX20 they liked the focal range but hated the noisy image quality, and such is the case on the SX30 IS. This year it has a whopping 35x focal range, going from 24mm all the way up to 840mm and adding "very effective" IS to boot. The problem is double-trouble on the image quality front: noisy shots anywhere north of ISO 400, and chromatic aberrations that add a little too much Technicolor delight on contrasty shots. Ultimately it sounds like a hugely flexible and capable shooter, but only for those who aren't too picky about quality -- and who don't mind the $429 MSRP.
Leica V-Lux 2 looks like an FZ100, shoots like an FZ100, costs a lot more than an FZ100
Continuing today's series of rebadged Panasonic shooters, let us welcome the Leica V-Lux 2. As we noted yesterday when we spotted and photographed what was still unannounced hardware, this camera is pretty much a standard issue FZ100, only outfitted with a red dot logo and more highfalutin marketing language. Let's not let that detract from what's an appealing shooter, however: a 14 megapixel CMOS sensor can be brought 24 times closer to the action thanks to a superzoom lens, while an 11fps burst mode and 1080i video recording will cause a few of your DSLR-sporting buddies to look on in envy. Moreover, given the FZ100's sterling reputation, there should be little doubt the V-Lux 2 will be a similarly pleasing piece of kit -- although after seeing the £675 ($1,053) price tag for this October, we find ourselves asking a familiar question, why the massive markup, Leica? Update: Like its brethren the D-Lux 5, Leica's already priced this V-Lux 2 for stateside release -- it'll run you the tidy sum of $849 when it ships this October. Yes, we know, not much of an improvement. %Gallery-102821%
Leica quietly showcases D-Lux 5, redesigned X1 and rebranded DMC-FZ100
We're tucked away in Leica's high-brow design preview event here in Köln, and while it appears that the vast majority of those in attendance showed just to boast about their suit, we're strictly here for the gear. That being said, let us be the first to formally introduce you to the now-official D-Lux 5 rangefinder. Or, sort of official D-Lux 5. Unlike the M9 'Titanium' -- which the company spent a solid two hours boasting about -- the D-Lux 5 (a rebranded / tweaked LX5?) has been given nothing but a passing glance of affirmation, though we're anticipating a more formal release with specifications and the like tomorrow. Leica aficionados have likely been hearing whispers of this beaut for the past dozen months, but at long last, the unicorn has apparently transformed into a Gypsy Vanner. Though, still a mysterious one. In case that's not exactly your cup of million-dollar tea, it appears that Panasonic's DMC-FZ100 -- deemed the world's best megazoom by critics back in August -- has been reborn as a Leica, though the shell doesn't appear to have changed at all. Of course, we've seen Leica pull this rebranding trick before, but we're sure the so-called V-Lux 2M is far superior in some way that we've yet to be informed about. Rounding out the round of mystique is the gently refashioned X1, which was seen sporting a far more luxurious casing compared to the original. Feel free to drown yourself in the images below, and keep it locked right here for more as we hear it. %Gallery-102818% %Gallery-102820% %Gallery-102821%
Canon SX30IS packs a 35x zoom with auto framing for the casual paparazzo
Canon point-and-shoots usually chug along on a pretty iterative update cycle, but the new SX30IS takes a pretty major leap -- it now packs a crazy 24-840mm 35x wide angle zoom, which Canon says is a first on a point and shoot. That monster lens is backed by a 14.1 megapixel sensor with a 720p movie mode and a DIGIC 4 processor, along with a new zoom framing assist system that lets you push in to nail your subject on the 2.7-inch LCD and then back out again. Not bad for $429 when it hits later this month -- we'll have to see how well that lens does at max range, but if it's any good at all this thing is destined to become very popular indeed. PR after the break.
Panasonic Lumix DMC-FZ45 reviewed, bests the FZ35 but falls short of the FZ100
Panasonic's DMC-FZ35 (aka the FZ38 in some regions) was highly regarded in its time -- which was all of a year ago. The superzoomer won shootouts along with the hearts of many, but now it's being retired in favor of a new camera, the DMC-FZ45 (aka the FZ40). This one moves up to a 14 megapixel CCD sensor but, according to PhotographyBlog's review, doesn't suffer the resulting decrease in image quality you might expect. Its 24x, 25 - 600mm zoom lens is highly rated, as is the 720p30 mode. A total winner, then, right? Yes -- except that it doesn't compare to Panasonic's own recently-released FZ100, which does all that and throws in 1080p recording, better burst-shooting, and a few other niceties. That camera is, however, $100 more than the $399 FZ45, so you're going to have to let your budget be your guide here.
Panasonic Lumix DMC-FZ100 reviewed: the best megazoom shooter your dough can buy
Panasonic and superzoom cameras go together like... well, like any two things that are undoubtedly meant to be together. The company has a history of outdoing itself time and time again when it comes to enlarged point-and-shoots with atypically long zooms, and the all-new DMC-FX100 is most certainly not bucking the trend. Announced just a few weeks back, this here Lumix carries a 24x optical zoom, 11fps burst mode, 1080p movie recording and a 14 megapixel sensor. The gurus over at PhotographyBLOG have been testing its every feature for the past few days, and they drew some rather positive conclusions. Confessing that the FZ38 was a hard act to follow, they still felt that the FZ100 managed to top even that, with the only real (expected) knock being the noise that made itself too evident once you pushed beyond the ISO 400 mark. They also felt that the $499.95 asking price was a bit on the high side, but now that Panny's building somewhat of a reputation in this space, we guess it's entitled to try and take advantage. Hit the source link for the fully skinny, but don't even bother if you're hoping for someone to talk you out of pulling the trigger.
Engadget's back to school guide: Digital cameras
Welcome to Engadget's Back to School guide! We know that this time of year can be pretty annoying and stressful for everyone, so we're here to help out with the heartbreaking process of gadget buying for the school-aged crowd. Today, we've got our optical viewfinders set firmly on digital cameras -- and you can head to the Back to School hub to see the rest of the product guides as they're added throughout the month. Be sure to keep checking back -- at the end of the month we'll be giving away a ton of the gear featured in our guides -- and hit up the hub page right here! Time for us to open up chapter two of this year's Back to School advice compendium. Up for discussion today are digital cameras, which have been in the gym all year working on their processing prowess and return today with 720p HD video as an almost standard feature. We've got a good cross-section of young pretenders and finely aged veterans for your perusal, so why not give your mouse a little exercise as well and click past the break?
Panasonic FZ35 and Canon SX20 IS superzoom cameras shoot it out in group test, rise to the top
The DP Review gang (motto: "blood in / blood out") has just done another one of its world famous superzoom group camera tests, and the results are guaranteed to frighten and enlighten you. Both the Panasonic FZ35 and Canon SX20 IS were singled out for boffo kudos (that's right -- boffo kudos). Apparently they're "the most refined models in this test," with lenses deemed "sharp across the zoom range," and kickass quality images and HD video. Of course, each of these bad boys has its own character, with the Canon feeling more like an entry-level DSLR to the reviewer, even with "by far the best viewfinder in this test." Panny's entry, on the other hand, gets points for portability and an intuitive user interface. Besides those two guys, there are a half dozen or so other cameras in the test. How did your favorite hold up? Hit the source link to check it out for your own self.
Pentax Optio X90 superzoom reviewed, trumps many beginner SLRs
The power of an SLR with the ease of a compact. That's what Pentax would like you to believe its Optio X90 offers and, according to a Photography Blog review, that's about what you can expect. The 12 megapixel, 26x superzoomer's lens offers amazing flexibility without doing the lens-swap shuffle, and image quality was said to deliver very good with "striking colours" (it's a British site, mind). This is definitely a camera with a focus on helping users, but there are controls for setting shutter and aperture priority, and you can go fully manual if you like to work it, work it. Pentax's shooter doesn't score a perfect recommendation, with an inability to optically zoom while filming being a definite bummer, but the X90 earns high marks for its combination of performance and usability -- and at $399 it's something of a good deal, too.
Fujifilm's FinePix F80EXR reviewed: mo' megapixels mo' problems
You all know the deal: the quest for higher numbers to put on stickers on the front of cameras hasn't necessarily resulted in a similarly exponential increase in image quality. If you needed more proof, check out Photography Blog's review of the Fujifilm FinePix F80EXR, an upgrade to last-year's compact 10x superzoom F70EXR. This year's revision get's a 20 percent boost in the all-important megapixel count, up to 12, but the sensor "delivers slightly worse image quality than its predecessor." That's not a good start, but the rest is better, with the camera's dynamic range shooting mode earning high marks, and the body's overall design and compactness scoring well too. It sounds like decent value for $299.99, but you'll want to read that full review before plunking down your digits.
Nikon Coolpix P100 reviewed, found to contain oodles of zoom and superb movie mode
If there is such a thing as a no-compromise point and shooter, the Coolpix P100 might just be it. It throws a back-illuminated 10 megapixel CMOS sensor in behind a 26x optical zoom lens, and supplements them with the hardware to record 1080p video at 30fps, with stereo mics pulling in sound, or full-resolution photos at a stunning 10fps clip. Throw in the articulating display on the back and you might already be asking where to buy one. Not so fast, though, as the Photography Blog guys have some notes for you. Firstly, the 10fps mode fills up the camera's buffer after only 6 shots, and the usable burst mode is actually a (still decent) 2.8fps. There's also the criticism that low-contrast detail is often lost thanks to overzealous noise reduction, but on the whole their experience of the camera was still positive. Macro performance was rated as "outstanding," while Nikon's Vibration Reduction was credited with performing its job admirably, and the conclusion was that casual photographers would get a lot of mileage (and fun) out of the P100. Read on for the full analysis.
Pentax makes all-weather Optio W90 and superzoom X90 official
Pentax is going for broke with its take on the rugged camera, the W90, which is unlikely to ever be confused for a svelte and stylish point-and-shoot. What it loses in looks, it gains in usability, however, as the 12.1 megapixel shooter can withstand shocks from a height of four feet, go nearly 20 feet under water, and withstand temperatures as slow as -10 degrees Celsius. The dustproofing is just topping on that rugged cake, though it still offers things like 720p / 30fps video recording and 5x optical zoom that are now considered standard camera specs. There are also three forms of shake reduction: one is post-processing of affected images, the second is by automatically increasing the ISO in low light conditions, and the third is the use of "exclusive software" during movie mode. We can't say any one of those will be as good as a well-implemented optical image stabilization, but at least they're there and might offer some assistance. As to the X90, it joins a growing band of 26x and above optical superzoomers, while adding the W90's 720p video mode and anti-shake plus its own sensor-shift stabilizer for good measure. Both shooters are expected in April, priced at $330 for the W90 and $400 for the X90, though we've noticed the former will show up a month earlier in the UK with a £270 ($417) price tag.
Olympus' SP-800UZ 30x superzoom starts taking pre-orders
Thought your decision was made when Nikon's P100 superzoom hit online stores yesterday? You might wanna give Olympus' offering a quick peek as well, as today the SP-800UZ has debuted on Amazon with a similar shipping schedule of three to five weeks. It brings quite the punchy résumé too, with its 30x optical zoom and $349 price both being that little bit better than Nikon's hardware. Additional enticements include a 14 megapixel sensor with dual image stabilization, AF tracking, 720p video recording, face detection and a 3-inch LCD. Just to make sure you're completely comfortable with your purchase, the above price also includes a spare high-capacity battery, mini tripod, lens cleaning kit, and a USB card reader. Man, wish mobile operators treated us like this. [Thanks, Ron]
Nikon's 1080p CoolPix P100 superzoom up for pre-order, shipping soonish
The compact superzoom party is the place to be, and while Nikon's P100 may not be the most slinky model at soiree, it's got a great personality with its 26x zoom lens, backside-illuminated sensor, HDR functionality, and the ability to shoot H.264 video at 1080p. It's also newly available at a few different retailers for you to put your money ($399) where your mouth is, most sites listing some variation on "shipping soon." Amazon is the only one brazen enough to apply a date, but it's a rather vague and general one: three to five weeks. You can wait that long for something this good, right? [Thanks, Ron]
Ricoh CX3 gets back-illuminated CMOS sensor, much geek lust
Just like clockwork, here's Ricoh -- six months after its last CX series refresh -- with a new superzoom point-and-shooter to tempt us into breaking open those piggy banks. The package on offer is compelling: there's a new 10 megapixel back-illuminated CMOS sensor, an enhanced noise reduction algorithm borrowed from the GR Digital III, and a 3-inch 920k-dot LCD, while the 10.7x optical zoom lens (28-300mm in 35mm equivalence) is carried over from the CX2. 720p video recording -- fast becoming a standard feature in compact cameras -- is present and accounted for, with recording in 16:9 ratio available to the ubiquitous Motion JPEG format. The CX3 is arriving this month, with early prices of AU$499 ($441 in US currency) matching the cost of the current generation.
Olympus intros $600 12.3 megapixel PEN E-PL1 Micro Four Thirds camera
It certainly took them long enough, but Olympus has finally (finally!) introduced a Micro Four Thirds camera with a price tag that's a little closer to earth. If you'll recall, both of the previous PENs cost upwards of $750, but the E-PL1 touts a much more reasonable MSRP of $599.99. And that doesn't mean Olympus has been stingy on features. Nope, quite the contrary as the the minuscule body is packed with the same 12.3 megapixel image sensor as the E-30 and E-620 (check the images in the gallery to see a size comparison of the actual sensors), in-body image stabilization, continuous autofocus, a 2.7-inch rear LCD, HD movie mode, in-camera "art filters" and a bundled ED 14-42mm f3.5/5.6 zoom lens (28-84mm equivalent in 35mm cameras). Oh and don't forget the addition of the pop-up flash which just reminds us of E.T. You won't be able to nab a E-PL1 until next month, but hit the break for some of our hands-on impressions. %Gallery-84512% %Gallery-84408%
Nikon Coolpix P100 joins the superzoom party at 26x (updated)
Nikon just fired off its first pre-PMA camera announcement with the new Coolpix P100 superzoom, which packs a five-way stabilized 26x optical zoom lens in front of a 10.3 megapixel CMOS sensor with ISO 3200 sensitivity, Backside Illumination and Active D-Lighting. Yeah, it's not quite the 30x zoom from the new Olympus SP-800UX, but the lens can also do macro shots at 0.4 inches, and there are in-camera HDR features, a 40-shot pre-shooting cache, and a 3-inch 460,000-dot tilting LCD. We're also told the P100 shoots 1080p video, but we don't know anything about frame rates or formats yet -- we're looking for more, we'll let you know. Should be out in March for $400; peep the full PR after the break. Update: Just got word from Nikon that it shoots in MOV (H.264) format at HD 1080p (1920 x 1080) 30fps, HD 720p (1280 x 720) 30fps, VGA (640 x 480) 30fps, or QVGA (320 x 240) 30fps. %Gallery-84532%
Olympus intros SP-800UZ and SP-600UZ megazooms, Stylus Tough 8010 / 6020 (Updated: with hands-on impressions)
Aw, yeah. The pre-PMA part is officially on. Olympus is kicking out a foursome of new shooters this fine morning (or evening, for those camped out in the great state of Hawaii), so we'll just get right to it. The SP-800UZ megazoom (which we spotted a few days ago) boasts an almost mind-melting 30x optical zoomer, a 14 megapixel image sensor, dual image stabilization, AF tracking, 720p movie mode, face detection and a 3-inch rear LCD. The SP-600UZ sports a stepped-down list of features, including a 12 megapixel sensor, 15x optical zoom and a 2.7-inch rear LCD. Both cams support SDHC / SD cards and are slated to ship next month, with the big boy setting you back $349.99 and the other guy $249.99. Moving on, there's the "shockproof, waterproof, crushproof and freezeproof" Stylus Tough 8010 and 6020, both of which feature a 14 megapixel sensor, HD movie mode, 5x wide-angle optical zoom, 2.7-inch rear LCD and an HDMI output. The only major difference is the toughness level; the 8010 can withstand a 6.6-foot drop and 220 pounds of pressure, whereas the 6020 can only withstand a 5-foot drop and undisclosed amount of pressure. Check 'em later this month for $399.99 (8010) / $299.99 (6020). Full releases are after the break, per usual. Updated: The good guys at Olympus gave us a chance to check out the new cams today. The Stylus Tough point and shoots continue to feel really solid, and the SP-800UZ felt surpsingly light in our hands. We also dig the comfortable rubberry grip on both the SP-800UZ and the SP-600UZ. But the new bodies aside, the Magic Filter mode is pretty cool, especially the drawing function that turns your shot into a sketch. Check out some of our hands-on shots below. %Gallery-84510%
Panasonic's geotagging DMC-ZS7 compact superzoom gets handled
It's been just a few days since Panasonic took the wraps off its update to the DMC-ZS3 that we liked so very much, the new DMC-ZS7, and Zumo Blog has been already given the opportunity to take a few pictures of one in the wild. The changes here are mostly evolutionary, with the same impressive 25 - 300mm 12x zoom lens on the front and the same AVCHD Lite 720p recording mode. New, though, is a GPS module nestled on top, capable of automatically tagging your photos, the SD slot can now accept SDXC cards, and it looks like the mode dial has been moved to a more natural position left of the shutter release. Still no word on price, but expect this one not to fall far from its predecessor's $399 MSRP.
Samsung's camcorders and one big dummy camera at CES
Right after seeing the ultra-slim TVs we went to the other end of Samsung's CES booth for its camcorder lineup. As expected, we saw the previously-announced S series SSD models, the F series with 52x optical zoom and the stylish C series, but we also spotted what appears to be a refresh of the HMX-U10 camcorder brick. Admittedly, we were more interested in this dummy gigantic TL225 camera, and it wasn't even new. %Gallery-82132%
