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Snap Spectacles 3 review: A better, more sophisticated novelty
In case you've forgotten, Snap makes video-recording sunglasses called Spectacles. The first two iterations didn't do very well, and you had to go to a special vending machine to pay $130 or $150 a pop. Despite lukewarm reviews, Snap is isn't giving up on Spectacles just yet. In fact, it's ready to launch the third-generation. In addition to a glam makeover, the Specs 3 feature a second camera for depth effects that feature prominently in the company's push into augmented reality. Snap's goal here isn't to sell a million units, though. It's more of an experiment to see how people use AR in hopes that it can learn enough to finally make it "a thing".
RED teases mysterious, compact Komodo camera
RED is countering the tales of its smartphone camera woes with something more exciting... if also cryptic. Company chief Jarred Land has teased an upcoming Komodo camera that doesn't appear to fit into the company's usual categories. While the lone image doesn't show much more than a compact body with an interchangeable lens mount, Land is happy to tell you what Komodo isn't.
Blackmagic launching a tiny, drone-friendly RAW cinema camera
Hollywood needs better quality than a GoPro can deliver for aerial footage, but heavy cinema cameras demand really expensive drones to lift them. Blackmagic Design clearly thought all this through and is about to launch a Micro Cinema Camera with a Micro Four Thirds mount (update: The product page is now live). It should suit high-end producers' needs with a Super 16 sensor (30 percent smaller than a Micro Four Thirds (MFT) sensor) and RAW video with 13 stops of dynamic range. It also has built-in drone radio control inputs (PWM and S-Bus), a giant nod to its intended usage.
i4software's Video Camera re-launches as Vizzywig, adds multi-camera support
Late last week, i4software updated its Video Camera app and transformed the title from its roots as a decent video recorder to a robust multi-camera video-editing suite. Besides its new and notable features, the app also received a new name and is now known as Vizzywig. The latest update brings some welcome improvements. Performance and stability have been improved, and a new iPad version opens up the video recorder to a whole new group of iOS users. There's also native support for the iPhone 5. Another interesting addition is a new multi-camera feature that lets you share the recording experience in real-time with other Vizzywig users. It's a compelling add-on that could produce unique content in the hands of creative videographers. Vizzywig is both a recorder and an editor, which means you can build, edit and export a video project without ever leaving the app. Vizzywig lets you record multiple clips in one session, so you can keep filming without having to break for an edit. While recording, a few helpful features let you snap a photo while recording and also switch between the front and rear camera. The app makes it very easy to switch between recording and editing. You can record a few clips and then open the editing mode to tweak the footage you just recorded. Vizzywig has editing controls that allow you to trim and duplicate clips as needed. You can also move clips around and add new titles and transitions to the timeline. Vizzywig lets you add an opening title or ending credits as well. You can customize the look of these text elements with a wide choice of fonts and colors. When you are done editing, you can hop back to recording mode or save the project. When you save, you have the option of saving the project so you can continue recording or saving it for later. You can also finish the project and export it to Facebook, YouTube, Vimeo and CNN iReport. The workflow on Vizzywig is robust enough for most mobile videographers, while also being user-friendly enough for those with some video-recording experience. The UI is a bit overwhelming at first, but you get used to it after you've used the app for a short time. Vizzywig is available for US$19.99 in the iOS App Store.
Sony VG900 leaks, packs full-frame sensor into a NEX camcorder
Sony must have a fixation on stuffing full-frame sensors into small spaces this year. A fresh photo and details slipping out to Sony Alpha Rumors show what's billed as the VG900, the first NEX-branded camcorder with a sensor larger than the APS-C spec -- the first NEX camera of any kind, for that matter. While there's only a light smattering of details, we're told the device has a 24-megapixel sensor (likely the same as in the RX1 or A99), records video in AVCHD 2.0 and should ship with an A-mount adapter for Alpha lenses. Not much else is on display, although you may want to take a pass if you're just looking to record a family wedding: at a rumored $3,300 price for the purportedly imminent launch, the VG900 isn't an impulse purchase for anyone short of a pro videographer.
Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K
Blackmagic Design has thrown its Cinema Camera MFT into the Micro Four Thirds arena, but it will only work with lenses that have manual iris and focus capability. The shooter is otherwise identical to the original Cinema Camera, with a 2.5k, sub-MFT sensor; CinemaDNG RAW, ProRes and DNxHD capture formats; built-in SSD; capacitive touchscreen; and an included copy of DaVinci Resolve color correction software. That means cineasts already on board that format will have another mount for their glass, and MFT's mirrorless aspect will also permit other lens formats, like PL or Nikon, to be added with third party adapters. So, if the relatively low price, claimed 13 stop dynamic range, higher-than-HD resolution and new mount is enough to push your "start" button, check the PR for the entire skinny.
Red introduces $42K Epic-M Monochrome cinema cam, on sale October 1st
Red Camera promised to stop hyping products that weren't ready to ship, and true to its word, just announced the Epic-M Monochrome, surprising even its rabid user base. Packing an all-new black and white-only Mysterium-X sensor, the new cinema cam follows in the footsteps of the Leica M Monochrom still shooter, right down to a similar moniker. Red claims the dedicated CMOS sensor means no color debayering, yielding a one-to-one pixel count and 15-20 percent bump in effective resolution compared to its chromatic cousin. It also touted a sensitivity gain as another advantage, asserting that the Monochrome will have a native ISO of 2,000 (while using the retro-sounding "ASA" term), more than double that of the Epic-M or X. The camera will have a new low pass filter to account for the higher resolution, and buyers who plop down $42,000 to get one on October 1st will be upgraded, gratis, to a new Dragon Monochrome Sensor next year. Like the Leica, if you have to ask why you'd pay such a sum for a camera that doesn't speak color, it may not be for you -- but it is for David Fincher, says Red, who's already shooting his next feature on one.
Sony NEX-VG30 camcorder images leak alongside rumor of $1,800 November arrival
The streetwise kids at SonyAlphaRumors say they're in possession of legit, leaked images of a forthcoming Sony NEX-VG30 camcorder, which they received from an unnamed tipster. The images themselves reveal very little about what's new in this model, and even the tipster seems to mainly confirm specs that are already present in the VG20 -- such as the big, 16-megapixel Exmor APS-C sensor (although it may have been upgraded), plus 24p and 60p recording at 1080. However, the top-down picture after break does reveal a new, healthy-sized zoom control on the grip, plus there's the happy possibility of an OLED XGA viewfinder. The official announcement may well reveal other changes under the hood, but in the meantime the tipster reports a November release with a $1,800 price tag -- which could either be a price drop or a hike depending on whether it's body-only.
Blackmagic Design starts shipping Cinema Cameras in limited quantity
Remember that $2,995 Blackmagic Cinema Camera that shoots full-res 21:9 16:9 video? It's now hitting shelves, or maybe we should say "a shelf," because the initial shipment was "rather small," according to the company. The arrival date was pushed back earlier, and now the 2.5k, 12-bit RAW, sub-four-thirds video camera won't roll out in volume until the "parts supply ramps up." Meanwhile, B&H got a handful along with several other dealers, but if you just decided to order one for tomorrow's shoot, you may wanna cool your ardor -- there's quite a back order to get through, first.
NHK developing hybrid renewable energy-powered video camera for use in disaster areas
You can always count on Japan's NHK to come up with new, exciting and innovative ways to bring us video coverage. The latest project? A wind- and solar-powered robot camera designed for situations such as natural disasters. Loaded with a 1,200 Ah battery, even if the elements don't bless it with sun and air, it can keep filming for two to three days. The combination of wind turbine and solar panels obviously allow it to generate more power than either method on its own, with the turbine reportedly generating 1 kW at 11 m/s wind speeds. A special power-saving mode prevent it draining too fast when full functionality -- such as the built-in wireless, cellular and satellite broadcasting systems aren't needed. Currently the prototype is installed on a rooftop while battery and power-generation are fully tested, but it's hoped that this could lead to further developments for disaster area broadcast equipment. Or -- here's hoping -- power-cut-proof sports coverage.
Blackmagic Cinema Camera pushed back a few weeks, new footage shown
Unfortunately, there's a delay for cinéastes anxiously awaiting their 12-bit RAW Blackmagic Cinema Cameras, but the news isn't all bad. The camera is "in the final stages of Thunderbolt certification and internal testing" and manufacturing will follow as soon as that's done -- probably in the second week of August, according to the company. It will still hit the market with the $2,995 price tag, Canon lens mount, 15.6 x 8 mm sensor and built-in SSD recorder intact. In more positive news, the company has identified the cause of aliasing noticed by some viewers and blames it on the workflow used. It's posted a few new videos to back up the claim, which can be viewed at the source link below. Considering the company might soon have similar competition, it's probably best to work out any bugs before shipping a boatload out to finicky cinema clients.
Sony broadcasts three-chip PMW-200 XDCAM with Android or iOS remote control app
If you're the reporter and camera operator for K-STIX, Sony's got good news: they just unveiled the PMW-200 XDCAM, and you can control it with your smartphone. The camcorder features a broadcast-friendly 50Mbps data rate drawing from three half-inch CMOS sensors -- bigger than any other broadcast handheld cam, according to Sony -- though that size is still a far cry from its own super-35 filmmaking cams and others on the market. The Japanese company claims the chips provide "exceptional" low-light powers, and other features include 30fps at 1080P or 60fps at 720P, a 14x zoom lens, 3.5-inch 852 x 480 LCD display and a 15 second pre-record cache. The camera will be available by September, but the aforementioned WiFi adapter for Android or iOS remote control won't fly in until the end of the year. Pricing has yet to be announced, but if you need an easier way to multitask or the approving nod from that rigid broadcaster, check the PR for all the specs.
Cinema rig takes the heat out of your NEX-5N, lets you slide in the accessories
The Sony NEX-5N, with it's goodly APS-C sized sensor and decent video quality, still has a couple of knocks against it as a video cam: its bitty size makes it hard to rig up and it doesn't dissipate heat well. Tinkerer Richard Gale has addressed those tics with his prototype NEX-5N cinema housing, by adding a heat sink and fan to stop the overheating problem and a possible anamorphic adapter and matte box to accommodate filters and gels. The provisional £1,500 price ($2,400) would get you the housing, NEX-5N with kit lens, 5" Sony LCD, and accessories, while the anamorphic kit with the matte box is still just a concept with no price tag. Neither idea will happen unless he gets enough orders, but wearing the boxy black outfit might finally give the petite mirrorless cam a shot of big-boy film cred. %Gallery-160155%
How would you change the GoPro Hero HD 2?
You can strap the GoPro HD Hero 2 to any number of things to document your extreme adventures in high definition. However, for all of the improvements in the second version, we found it to be distractingly heavy, difficult to mount and with audio that left plenty to the imagination. Still, a few days of testing, even with some aerial combat thrown in, can't match constant use over the last six months. So, why not tell us how you've found using this thing on a daily basis and if you could, what would you change about it?
Pivothead live streaming and WiFi Drive hands-on (video)
If you thought live streaming was the obvious next step for the Pivothead video glasses, you're not alone. We, for one, thought it immediately upon donning the HD-recording eyewear and the company's Zach Barbitta couldn't agree more. The proud rep was on hand at tonight's Pepcom event demoing a brand new prototype accessory that will hopefully hit the market in three to five months and enable you to stream video straight from your 8MP sunglasses to the web, anywhere there's a WiFi signal. The device is so early in the development stage that we don't have many details about it. The final package should be roughly the size of a small portable hard drive -- tiny enough to slip into a pocket, provided you're not a skinny jeans fan. You'll have to connect it to the glasses via USB, which could potentially prove unwieldy, but we're sure some creative paths for passing the wire around your torso could easily solve that.
Motrr Galileo nets $700k in Kickstarter pledges, available to pre-order now for $117
Perhaps you were discouraged by the uncertainty that comes along with a Kickstarter pledge, or you simply missed your chance to give Motrr's Galileo an $85 kick before the deadline hit. Whatever the reason, you're still in luck -- the iOS-controlled iPhone platform is now available for a proper pre-order, with a 10-percent discount and free shipping in tow. Galileo, which netted a whopping $702,427 in Kickstarter funding, could soon be on its way to a nursery or conference room near you, for the slightly increased sum of $116.99. That Benjamin and change will buy you one 360-degree rotating platform, complete with a rechargeable battery, USB cable, tripod screw and user manual. There's no word on when this latest round of pre-orders will be filled, but the company did confirm that it plans to ship the first batch this summer. Full deets (and pre-order option) are at the source link after the break.
Insert Coin: The Aviator Travel Jib lets you crane on the go (video)
In Insert Coin, we look at an exciting new tech project that requires funding before it can hit production. If you'd like to pitch a project, please send us a tip with "Insert Coin" as the subject line. The Aviator Travel Jib can give you the smooth camera moves to make your spectacle go from meh to marvel, while still being light enough to schlep around. At less than 3.75 pounds and 24-inches compacted, the device will tote anywhere but support up to six pounds, thanks to its sylphlike but rigid carbon fiber construction. It'll take your cinema cam or DSLR rig out to around six feet, and with its built-in fluid pan base, let you crane, track or truck to your heart's content. Pledge $400 and you'll get the jib, ballast, mounting hardware and a bubble level, while students can get the jib alone for $300. If that sounds like it could hit your mark, move fluidly past the break for the video.
Pivothead review: video recording eyewear for (reasonably) discreet POV clips
We won't mince words -- the Pivothead Durango have a decidedly "sporty" style that probably won't win it too many fans. But, if you're in the market for some POV video action, chances are style isn't particularly high on your list of must-have features. They have the appearance of low-key, but bulky Oakley knockoffs. But again, if you're hurtling yourself down a hill on a snowboard, how cool your specs look is probably secondary to recording high-quality video and absorbing a beating. So, we promise, this is the last you'll hear about how unsightly these things are. (And they are just that -- ugly.) Once you head past the break we'll have video samples, photo samples and field tests, but nary a word about how embarrassing it is to walk around in public with these on. Promise. So, join us below as we put Pivothead's video sunglasses through their paces.
Samsung ships QF20 camcorder with WiFi, toughened-up W300 pocket cam
Samsung's CES blitz included a tease of five new camcorders, but precious little in the way of launch details. Some of the mystery has ended, as two of the camcorders -- the QF20 and W300 -- are at last hitting US stores. The QF20 caters to the Internet crowd and, for $350, will let you upload your 20x-zoomed 1080p videos straight to Facebook, Picasa or YouTube without thrusting a computer into the process. If you're more concerned about your camera surviving a rafting trip than producing viral videos, the W300 will give you dustproofing, 15-foot waterproofing and 6-foot shockproofing in a pocketable form for a more frugal $160. We're still waiting on launches for the camcorders' closely-related F80, Q20 and W350 (pictured) cousins, but for now you can catch full details of the QF20 and W300 after the break.
Sony outs new waterproof HDR-GW77V Handycam, available May 25th in Japan
Despite having launched a full battalion of Handycams back at CES, Sony left the adventurous crowd out by not introducing any ruggedized shooters. With that in mind, the Japanese outfit has taken the wraps off of its first waterproof (and dustproof) Handycam, which packs a mouthwatering 20.4-megapixel Exmor R CMOS sensor capable of 1080p video at 60fps. Staying true to its Handycam roots, the HDR-GW77V sports a 3-inch swivel screen while also offering 16GB of internal storage and a 10x optical zoom. Sony claims the camcorder can handle up to 16 feet of water as well as sustain a five-foot freefall. The HDR-GW77V will be hitting Japanese shelves late next month for 70,000 yen (around $860), and there's no word on when -- or if -- it'll make a trip outside its home turf.
