Last month you let us know in the comments how you felt about the MPAA's latest effort to close the analog hole -- by removing the FCC's ban on selectable output control (SOC), giving them the ability to remotely disable the analog output on your cable box -- now try telling someone who can actually do something about it. The FCC has opened the petition to public comment until June 25, and replies to comments by July 7. Currently, the MPAA is arguing that allowing SOC will actually hasten the digital transition, once it feels comfortable offering early release flicks on HD video-on-demand, people will have more incentive to upgrade their TV sets. Of course, owners of older HDTVs without HDMI connections or anyone else who'd rather use analog outs would be left in the dark, and Ars Technica notes the EFF and Home Recording Rights Coalition have already spoken out against the plan. Give the MPAA's proposal a read then let the FCC know which side of the line you fall on before it's too late.

[Via Ars Technica]

Read - MPAA proposal (warning: PDF link)
Read - FCC Electronic Comment File Submission (The docket number for field #1 ("proceeding") is 08-82.)

Moving beyond day-and-date releases via internet and HD video-on-demand, movie studios may be ready to move towards regularly putting movies online ahead of the DVD release date for a premium price -- that surveys say some of us are willing to pay -- but prepare to have your analog hole plugged again. The MPAA petitioned the FCC earlier this month to lift the existing ban preventing cable and satellite providers from remotely disabling analog outputs on their set-top boxes via selectable output controls (SOC). In a bit of ICT redux, the movie studios haven't said definitively that they will use the technology, but insist on having the ability to force anyone wanting to view high definition movies to only see them through an HDCP-protected HDMI output to a compatible TV. The failure of AACS and BD+ to prevent high quality copies isn't a deterrent to the MPAA's push, so while ICT has gone unused on Blu-ray and HD DVD, we're still too fond of our component outs, switchers and homemade cables -- and too wary of a future change in policy -- to support any changes in the law.

The MPAA has never been too high on college kids -- remember the dishonor roll? -- but it looks like Hollywood set is bummed about not being invited to that last kegger, because the MPAA is now admitting that it drastically overstated the effect of college downloading in previous studies. Back in 2005, the MPAA claimed that a whopping 44 percent of revenue losses came directly at the hands of carefree coeds nationwide, and used that number to pressure colleges into enforcing harsher downloading policies and even propose legislation currently before Congress that would tie federal education funds to copyright enforcement requirements. We're not sure why the industry is now backing off that 44 percent number, but it's now saying that "human error" resulted in a miscalculation, and the revenue loss from college piracy is more like 15 percent -- a number which is further disputed by campus IT groups, who say it should be more like three percent. Of course, while it's good to see the MPAA take an upfront stance on this, simply admitting you're sleazy doesn't actually wipe the slime off, so let's see how the industry approaches future studies, shall we?

Santa Clara County police arrested a 27-year-old "entrepreneur" with roughly 50,000 pirated DVDs stashed. The estimated street value of the collection adds up to $250k, and the movies naturally included titles currently in theaters -- including the critically acclaimed "Alvin and the Chipmunks." Police found the stash thanks to a 911 hang up at the man's home, and currently have him sitting in jail while everybody waits for the MPAA to redouble its consumer education efforts on this menace to society -- we're going to run out of plastic, people.

[Thanks, Paul B]

Although we had heard that "another studio" would be mimicking the approach taken by Warner Home Video on the forthcoming Harry Potter DVD, now we're learning the who, what and when. Apparently, 20th Century Fox will be including an "electronic copy of the complete movie [that's Live Free or Die Hard, for those wondering] that can be played on a computer and select portable video players." This could debatably be seen as an "industry first" considering the November 20th release date (compared to Potter's December 11th), and while the Digital Copy system is expected to hit future Fox DVDs, we've no idea what those titles will be just yet. Furthermore, it's stated that the feature is "DRM-free," but after entering a 16-digit serial code found within the case, users can only "transfer the movie file to Windows-based computers or PMPs equipped with Microsoft Windows' PlaysForSure feature." Gotta love those limitations, eh?

Users clamoring for alternate (read: easier) ways to transport commercial DVD footage to portable media players will likely enjoy knowing that the next Harry Potter DVD will reportedly feature "two downloadable digital files" for easy viewing on devices other than a vanilla DVD player. According to Jim Wuthrich, Warner senior VP of digital distribution, users can "buy the DVD and have the option of the digital copy," and apparently, he also suggested that "another studio was preparing to launch digital copies of a film tied to its DVD release." Unfortunately, details about the actual formats and whatnot weren't disclosed, so barring any unforeseen announcements, it looks like we'll be waiting for the December 11th release of Order of the Phoenix to find out exactly what this disc contains.

[Via ArsTechnica]

Just a week after the DVD CCA approved an unexciting (and incredibly restrictive) download-to-burn scheme, DataPlay has unveiled what it calls the "world's first CSS-managed recording DVD burner." Of course, this isn't the first time we've heard about this type of setup, and as it turns out, DataPlay is actually "participating in the Qflix technology and IP licensing program." The aptly-named MovieWriter is an external USB 2.0 device that is "capable of writing CSS encrypted content for playback on standard DVD players," but alas, you'll be forced to pick up the presumably expensive CSS-MR pre-keyed recordable discs through Verbatim or Taiyo Yuden before any burning can take place. Currently, no pricetag is being listed, but we are told that the outfit is already planning an internal version for OEMs to integrate into pre-fabricated machines. [Warning: PDF read link]

We resent writing about the MPAA, simply because every time the organization makes a statement it invariably exposes some aspect of its backwards perspective. This time the Association has made the rather preposterous claim that the efforts of staff and customers in preventing illegal recordings of Spider-Man 3 gave the film "a fair shot at its record-setting opening." In all, 31 people were caught illegally recording the movie, a figure which is apparently thanks to night vision equipped cinema staff (motivated by a $500 reward for each case) and reporting from the patrons themselves in a few cases. The logic that this in some way helped assure that the film would be a commercial success is shaky at best: it only takes a single recording for the film to become "pirated." And of course, if the system for detecting illegal recordings of movies is working so well, why do we still have to sit through those patronizing anti-piracy PSAs?

[Via TechDirt; Image credit]

Uh-oh. Looks like MPAA boss Dan Glickman skipped over his pal Steve's open letter. Speaking at a LexisNexis conference on DRM, Glickman announced that the major studios comprising the MPAA have made a "philosophical commitment" to interoperability and fair use and announced a plan to let people rip DVDs to home servers and iPods. The goal, he said, is to "make things simpler for the consumer." However, Glickman also stressed that the studios were going to move forward "legally and in a protected way," meaning, of course, DRM. Hammering the irony home, the solution he proposed -- a "technology summit" of academics, tech companies, and content producers to develop a workable DRM system -- is exactly the sort of wasted effort Steve-O lambasted in his open letter. And while it's encouraging that Glickman recognized the "impatience" of consumers, he didn't give a timeline, instead saying that pricing and business models were "way beyond" him. Now, to be fair, Steve himself doesn't think TV shows and movies need to be DRM-free, but on the whole, Glickman's plan to solve DRM's problems with more DRM isn't exactly our favorite idea ever. Still, it's nice to see the MPAA finally recognize the importance of interoperability. Let's just hope they're actually serious about it -- we're not holding our breath.

[Thanks, Todd]

Last month, the MPAA's two DVD sniffing dogs busted a ring of $3 million worth of pirated DVD movies and games in Malaysia. Over the weekend, Lucky and Flo sniffed down another $430,000 after police failed to find the discs during an initial search. After calling in the "canine brigade," the dogs were able to quickly sniff-out the discs hidden away in a room that could "only be accessed by the push of a button hidden under a plug outlet." Nice work pups, Scooby snacks for all.

Oh yes they did. The MPAA now has their own list of the most drug piracy-ridden schools in higher education: the MPAA's "dishonor role." In addition to receiving a top-25 ranking, each institution above is labeled with the number of students identified as making unauthorized use of copyrighted materials. Some schools like Ohio University, Purdue, and eight others have the dubious distinction of being on both the MPAA's and RIAA's lists with Purdue achieving the highest combined ranking -- #5 MPAA, #2 RIAA. Feel that, son? That's school pride welling within. Enjoy it while you can as we wait to see if the MPAA will take legal action.

It's roamed relatively unscathed for a few months now, but it appears that BackupHDDVD -- the app that helps bypass the AACS copy protection on HD DVDs -- has been hit with its first major setback, drawing a DMCA takedown notice and vanishing from its perch at SourceForge as a result. Speaking to Wired blog 27B Stroke 6, SourceForge parent company VA Software's General Counsel Jay Seirmarco revealed that the AACS's complaint centered on copyrighted cryptographic keys allegedly contained within BackupHDDVD, which he says was verified to be true, giving SourceForge reason to remove the software. He added, however, that SourceForge would be willing to host a version of BackupHDDVD that did not contain the keys in question. This course of events will no doubt be familiar to anyone's who's followed the FairUse4WM saga, in which Microsoft issued a similar notice demanding that the software be taken down from its host site. Of course, BackupHDDVD isn't the only bit of software that messes with the copy protection on HD DVDs, although, as of yet, it's main rival AnyDVD HD remains untouched and readily available, albeit for a price.

[Via Slashdot]

Ah, the day we've all been waiting for has finally arrived -- well, sort of. Yeah, it is still a bill, but it's a refreshing start on a long overdue amendment. While content guardians (we're looking your way, MPAA / RIAA) have done their fair share of beating around the issue and insisting that DRM-laced content was the only way to go, consumers haven't exactly been thrilled about such limitations since day one. In yet another glorious case of red and blue coming together for the good of mankind, Rich Boucher (D-Va.) and John Dolittle (R-Calif.) introduced a breath of fresh air they call FAIR USE, or Freedom and Innovation Revitalizing U.S. Entrepreneurship. The idea, of course, is to simply "make it easier for digital media consumers to use the content they buy" by amending the Digital Millennium Copyright Act; according to the duo, the DMCA simply "goes too far by dramatically tilting the copyright balance toward complete copyright protection at the expense of the public's right to fair use." Boucher further substantiates his case for the most down-to-earth politician of all time by suggesting that if the DMCA remains unadulterated, "individuals will be less willing to purchase digital media" due to the unacceptable restrictions that come along with it. We'd ask for an amen, but we don't want to set off any minor earthquakes.

[Thanks, Kevin M.]

It's hard out there for DRM these days, as we've got diligent users working 'round the clock to reinstate the fair use rights that AACS and similar restrictions seem to remove, and now there's an easy, streamlined, and costly method to cracking down on your HD DVD's DRM scheme. Those out there looking to make backups, view your content sans PowerDVD Ultra (or without an HDCP-compliant graphics card / display), get rid of user prohibitions, and skip over studio logos and warning messages should look no further, as SlySoft's AnyDVD HD has been relinquished from its brief stay in beta territory and is ready for purchase. While we've already seen just how compromised DRM is as a whole, and we've witnessed giant steps leading up to this occasion, this $79.99 software gives users a point-and-click approach to freeing up their protected content in order to make it a tad more user-friendly. Moreover, the company's marketing director insinuated that a Blu-ray version of the software should be hitting the beta stage "later this quarter," so if you're anxious to remove those chains from your precious HD DVDs, and don't want the bother with the free alternatives already out there, be sure to hit the read link with credit card in hand.

[Via DTV]

We don't seeing anything with helping a man out, or cutting him a sweet deal if he picks up a bundle of goods, but apparently the MPAA isn't down with companies loading the DVDs that consumers purchase onto their iPods as a friendly convenience. In another round of studios forcing consumers to purchase content multiple times for no good reason at all, Paramount Pictures has filed a lawsuit against the all but helpless Load 'N Go Video, which provided customers picking up an iPod and a few DVDs with a converting service to get flicks onto their handheld as a thank you for their business. According to the suit, the actual ripping of the DVD is illegal under the almighty DMCA, making the entire process illegal, fair use or not. Evidently selling millions of copies of Mission: Impossible III isn't good enough, as it appears that customers will be asked to shell out multiple times for the same (admittedly subpar) content. While pirating copies for personal gain is certainly aggravating the law, transcoding content for personal use sure seems harmless to us, but you'll have an exceedingly difficult time convincing Hollywood of that.