photokina 2010

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  • Canon's X Mark I Mouse excites and exhilarates like few gadgets can (video)

    by 
    Darren Murph
    Darren Murph
    09.25.2010

    If there's one thing you don't expect to find at Photokina, it's a mouse. If there's another, it's a calculator. In some strange twist of fate, we found both in Canon's press lounge, and we couldn't possibly be more elated. The X Mark I Mouse captured our attention early last month, and we've been searching up and down to get our hands on one ever since. Nestled gently between legions of camcorders and a few dozen printers was the gem we'd be searching for, and we didn't hesitate to clear the area for a brief hands-on. Both models were surprisingly large, which simultaneously made the calculator buttons easy to press and the mouse as a whole difficult to grasp. The harsh, sharp edges were no friend of Mr. Ergonomic, but we'd probably forgive it if that $63 MSRP fell to a more reasonable level. Be sure to thank a lack of sleep and all of the companies pouring out news at the show for the delirium that's after the break. %Gallery-103100%

  • Minox PX3D concept camera eyes-on at Photokina 2010

    by 
    Darren Murph
    Darren Murph
    09.25.2010

    It took us a solid nine minutes of gawking at Minox's gilded DCC 5.1 in order to push through and locate the PX3D that premiered here at Photokina, but sadly, little was available other than the opportunity to snag a few glamor shots. The general idea is that this cutesy pocket camera will one day hit the market and capture 3D images that can then be viewed on-screen without 3D glasses. We're still under the impression that a parallax barrier panel will be required in order to witness the magic, but it's all still a mystery for now. It's still the most curious looking 3D camera that we've seen to date, so you can bet we'll be keeping you in the loop as this thing slowly crawls from prototype to profit maker. %Gallery-103099%

  • Samsung NX100 preview

    by 
    Darren Murph
    Darren Murph
    09.24.2010

    It's arguable, but we'd say that Samsung's NX100 is the news coming out of Photokina 2010. You could say that Panasonic's Lumix DMC-GH2 (and its 3D interchangeable lens), Fujifilm's not-yet-released FinePix X100 or Sigma's Foveon-packin' SD1 were of equal importance, but it's pretty clear who stands to lose (or gain) the most from their ginormous push in Cologne. You wouldn't know that Samsung even brought another product to the show if you casually glanced at its booth, and we were able to take the outfit's newest starlet out for a spin in order to gain a few impressions. Priced at just $599 (with a 20-50mm lens; the 20mm pancake lens bundle will run you $50 more), this October-bound camera is certainly positioned to rival the other major players in terms of MSRP. But does it actually live up to the hype? Join us after the break to find out. %Gallery-103165%

  • Pentax K-5 DSLR and Optio RZ10 hands-on

    by 
    Darren Murph
    Darren Murph
    09.23.2010

    We didn't get a chance to lay hands on any of the colored variants, but the solid black Optio RZ10 was easily one of the best feeling point-and-shoots we've touched in quite some time. Pentax doesn't advertise the coating as being "soft touch," but that's exactly the vibe we get. It's also shockingly small to have a full-on 10x optical zoomer, and while things will get pretty ugly at ISO 6400, it's one of the few handhelds that even give you the option. The K-5 DSLR, on the other hand, simply didn't feel like a $1,600 piece. And it should, given that's what Pentax is charging for it. Sure, it's solid enough and comfortable to grip, but it's got a lot of proving to do in the reviews to come before we fully recognize the value proposition. Head on down below if you're up for more eye candy. %Gallery-103095% %Gallery-103096%

  • GE stuffs DLP projector into 14MP PJ1 point-and-shoot camera, we go hands-on

    by 
    Darren Murph
    Darren Murph
    09.23.2010

    It ain't the first point-and-shoot to emerge with a beamer within, but it's the first from GE's General Imaging branch. Boasting a 14 megapixel sensor, a vanilla enclosure and a DLP projector, the PJ1 was seen making its debut here at Photokina in Germany. The highlight of the device is obviously the 854 x 480 resolution projector that's somehow stuffed within the casing, while the most impressive part to us was just how thin it remained with such a unit inside. In other words, the projector itself was certainly lacking, and with just 15 lumens, we felt that the darker-than-dark test room (shown in the video just past the break) still wasn't dark enough. On the capture side, there's a 7x optical zoom, SD / SDHC card slot and support for 720p movies; thankfully, GE's not planning to include too hefty a premium for the projector, as we were told to expect it for "around €250 ($334)" when it lands in Europe next February. %Gallery-103085%

  • Ricoh's rugged G700SE point-and-shoot does Bluetooth, WiFi, GPS and more (eyes-on)

    by 
    Darren Murph
    Darren Murph
    09.23.2010

    And you thought Ricoh's G700 was fully featured. Premiering at Photokina this week, the souped-up G700SE is a modified version of the G700 that appeared last month, with this guy able to accept add-on modules that can boost functionality by a good bit. The prototype unit here in Germany was showcased alongside of the GP-1 GPS dongle and a BR-1 bar code scanning module, with the latter meant more for governments and enterprises. It's still encased in a dust- and water-resistant shell, and it packs integrated 802.11b/g WiFi and Bluetooth 2.1+EDR to boot. All of the other specs remain the same from the original G700 (which you can peek here), and if you're looking to buy one, you'll have to wait until the earlier half of 2011 for it to splash down at around €799 ($1,070) -- according to booth representatives, anyway. Oh, and for fans of the GXR series, we stumbled upon an A12 28mm f/2.5 lens module that'll slot right into the company's interchangeable camera starting in Q4. So long as you have €649 ($869) to spare. %Gallery-103092% %Gallery-103094%

  • Lensbaby rolls out Composer with Tilt Transformer kit for Micro Four Thirds, Sony NEX cameras (hands-on)

    by 
    Donald Melanson
    Donald Melanson
    09.23.2010

    We've already gotten our hands on Lensbaby's basic Composer lens, but the company has now gone and expanded its bag of tricks even further with its new Composer with Tilt Transformer kit. The key bit there is the Tilt Transformer (also available separately), which can also accommodate any Nikon mount lens and tilt it up to twice the amount of standard tilt-shift lenses. Have a Panasonic Lumix G Micro System or Olympus PEN Micro Four Thirds camera? Then you can get the kit now for $350 or just the Tilt Transformer for $250 -- Sony NEX camera users will have to wait until October 28th to get in on the act. Full press release is after the break, and our hands-on from the Photokina show floor is just below. Enjoy. %Gallery-103089%

  • Joby's Gorillapod Video breaks cover at Photokina, complete with swivel arm

    by 
    Darren Murph
    Darren Murph
    09.23.2010

    Joby has pretty much set the standard for portable, flexible, curious looking tripods, and while it has evolved over the years to include support for bulky DSLRs, it hasn't really made the same strides to cover the burgeoning pocket camcorder realm. Until today. Here in Köln, the outfit used Photokina as a launching pad for their newest portable tripod, the Gorillapod Video. For all intents and purposes, this is a classic Gorillapod with an omni-directional positioning video head, an extension arm for pans and tilts and magnetic feet for connecting it to your nearby barn. There's a small button on the head that allows the swivel arm to collapse for even easier travel, and during our moments with it here on the show floor, we were duly impressed with how it held the pocket camcorder strapped on top of it. It's available to order right now for $29.95, with shipments expected within the next fortnight. You know the drill -- gallery's below if you're craving more. %Gallery-103090% %Gallery-103091%

  • Sanyo debuts E1500TP point-and-shoot alongside Xacti CG21, PD1 and GH3 camcorders

    by 
    Darren Murph
    Darren Murph
    09.22.2010

    If there's a Photokina around, you can bet your bottom dollar that Sanyo will be there. Boasting a booth chock full of camcorders and pocketable cameras, we waded through to find three new Xacti camcorders (VPC-CG21, VPC-PD1 and VPC-GH3) on display alongside a simplistic new shooter, the VPC-E1500TP. Starting with the latter, this one brings just the basics in a fairly vanilla enclosure: a 14 megapixel CMOS sensor, 720p video, a 4x optical zoom, 3-inch rear touchpanel, 32MB of internal storage space, an SD / SDHC expansion slot, ISO range from 100 to 3200 and USB connectivity. Pricing and availability wasn't offered for this fellow, but we're betting it's below $150 and in stores tomorrowish. Moving on to the camcorders, the CG21 ($149) is a typical pistol-grip machine with a 10 megapixel sensor, the ability to capture 1080i, a 10x optical zoomer and an SDXC card slot. The $199 GH3 looks more like your mother's Handycam of old, offering a similar 10 megapixel sensor, SDHC card slot, 10x optical zoom and 1080i video capture. The starlet was the $199 PD1, a Flip Video-styled camcorder with dual microphones, 10 megapixel sensor, 3x optical zoom, SDXC card slot, 1080/30p recording, an integrated USB arm and a rather impressive rear LCD. The whole lot is making its way out to dealers now, so feel free to start poking and prodding if you must. Galleries are below, per usual. %Gallery-103042% %Gallery-103044% %Gallery-103043%

  • Panasonic Lumix GH2 and 3D interchangeable lens hands-on

    by 
    Darren Murph
    Darren Murph
    09.22.2010

    (function() { var s = document.createElement('SCRIPT'), s1 = document.getElementsByTagName('SCRIPT')[0]; s.type = 'text/javascript'; s.async = true; s.src = 'http://widgets.digg.com/buttons.js'; s1.parentNode.insertBefore(s, s1); })(); Digg To say the Micro Four Thirds / mirrorless battle is heating up would be understating things greatly. It's certainly the segment getting the most focus here at this year's Photokina, and with Panasonic cranking out yet another, we don't see any signs of it slowing down. The newfangled Lumix DMC-GH2 made its official debut yesterday, bringing with it an impressive list of specifications and compatibility with an oh-so-curious 3D lens that we peeked in prototype form back at IFA. When speaking to booth representatives here in Cologne, we learned that said lens will actually save both a 3D and 2D version of each picture you take, making it a far more viable option for someone who is just looking to test the 3D waters without giving up entirely on 2D. The camera itself felt sufficiently light, but it doesn't seem much more compact than the GH1 before it. And at $900, we've got our hearts set on a bona fide DSLR -- sorry, but it's true. Anywho, hit the gallery below if you're itching for a closer look at your maybe-possibly-probably next shooter (along with glimpses at the trio of lenses that were also revealed here at the show).%Gallery-103017%

  • Hasselblad intros Ferrari-branded H4D camera, refuses to talk pricing (hands-on)

    by 
    Darren Murph
    Darren Murph
    09.22.2010

    The big news out of Hasselblad this morning was the new entry(ish)-level H4D-31 at just under €10,000, with the CFV-50 adding yet another option in the higher-than-high-end category. But what really caught our eye was the flashy red version that popped up just as the press conference was concluding. We were told that Hasselblad had teamed with Ferrari in order to create a limited run of Ferrari-branded H4D medium format cameras, and the model on-hand had just received approval from Ferrari's paint squad yesterday. Yeah, it's like that. As for detailed specs? Fuhgetaboutit. And as for pricing? "You'll have to speak with Ferrari on that" was that line that we were fed. Only 499 of these beauties will ever be produced, and czars you never knew existed are phoning in their orders from the Seychelles right now. But hey, at least we had our camera (a lowly D3S) ready when it was unlocked from its carbon fiber box for a grand total of 30 seconds, right? Indulge yourself below -- but don't go getting too cocky, okay?

  • Hasselblad CFV-50 adds 50MP digital sensor to your V-System camera

    by 
    Vlad Savov
    Vlad Savov
    09.22.2010

    We know you're a hardy crowd and aren't impressed by mere megapixels, but how about this: the 50MP sensor inside Hasselblad's new CFV-50 digital back is physically twice as large as a full-frame imager. Yeah, now we've got your attention. Intended as the attachment that finally makes film shooters break down and go digital, the CFV-50 comes with Hasselblad's DAC lens correction features that'll hunt down and ruthlessly obliterate any distortion, vignetting, lateral chromatic aberrations, or stray feelings of buyer's remorse. Yours for only €11,990 ($15,750) plus whatever taxes your local bureaucrat elects to slap on top. Full press release and a closeup of the CFV-50 await after the break. Update: We managed to stop by the outfit's booth here at Photokina and snag a quick hands-on. Man, does this thing feel retro.

  • Hasselblad H4D-31 cuts the entry price for medium format excellence to $13k

    by 
    Vlad Savov
    Vlad Savov
    09.22.2010

    It might cost as much as a small car at €9,995 ($13,132) before tax, but believe it or not, the H4D-31 represents one of Hasselblad's most affordable offerings to date. Promising to bring all the goodness of the H4D-40, but at a more reasonable price point, this new shooter offers 31 megapixels of resolution and a choice of either an 80mm prime lens or a CF-lens adapter to let you attach V-System gear you've already got in your inventory. As such, it's attempting to perform the fine balancing act of appealing to both system stalwarts looking to go digital and DSLR enthusiasts tempted to step up to a larger sensor. We're still in love with Nikon's D3S, but you've got to admit, that H-embossed focusing ring sure looks sexy.

  • Olympus Zuiko-equipped compact camera eyes-on: optical zoom, HDMI spotted

    by 
    Darren Murph
    Darren Murph
    09.21.2010

    Olympus' PR branch left us digging for details when announcing the outfit's new Zuiko-equipped camera, a concept piece that's actually on track for the real world in early 2011. It seems as if this, along with Fujifilm's FinePix X100, is carving out a new niche in the compact space. It lacks the flexibility of Micro Four Thirds / mirrorless, but it packs a bigger quality punch than any other point-and-shoot on the market. At least with this guy, though, you'll be getting an optical zoom. During our gaze session at Olympus' Photokina booth, we spotted "optical zoom" labeling as well as a toggle switch for pulling the lens in and out, and we also found an HDMI output, video record button, hot shoe accessory port and a pop-up flash. Join us as we go round and round in the video after the break. %Gallery-102945%

  • Sony reveals 'color variation concept' models of NEX-5 and NEX-3 (eyes-on)

    by 
    Darren Murph
    Darren Murph
    09.21.2010

    In typical Sony Style, the outfit's booth was comically large at this year's Photokina. Not that we're complaining or anything, particularly when it's using the show to demonstrate an eight-pack of colorful new mirrorless concepts. Tucked away in the NEX corner were four NEX-3 and four NEX-5 cameras, all doused in colors that aren't available anywhere at the moment. We're guessing that Sony's doing its best to beat Colorware to the punch here, and a kind booth representative noted that these were simply "ideas" and that the company wasn't yet committed to making any of them. If you're accepting opinions, Sony, the whole red-black-silver thing is getting a bit tired, so why not throw out a few more options for the style-conscious among us? We'll take two -- an orange and a white. Dankeschön.%Gallery-102894%

  • LaCie pushes serious pixels on 24-inch 324i professional IPS display

    by 
    Darren Murph
    Darren Murph
    09.21.2010

    Need a few new pixels to display your shiny new digital images on? LaCie's got you covered, with its new 324i offering a premium feature set to accompany a premium price. Aimed specifically at creative pros with the pockets to appreciate a 10-bit P-IPS panel, exceedingly wide color gamuts (102 percent NTSC; 98 percent Adobe RGB), a slew of input connectors (DVI-D, HDMI, component and DisplayPort), 178-degree viewing angles and an anti-glare coating. The 24-inch panel boasts a 1920 x 1200 resolution, and the multifunction stand enables users to pivot the display for horizontal or vertical viewing. We gawked at it for a few minutes here at Photokina, and while the design is thoroughly corporate, the picture quality is indeed stunning. Other specs include a 1000:1 contrast ratio, a trio of USB 2.0 ports and an integrated cable manager; she's on sale today for a stiff $1,249.99, but man, we'd almost pay it for that anti-glare action. %Gallery-102790% %Gallery-102883%

  • Sony 'Advanced Model' (Alpha A77?) DSLR emerges at Photokina, E-mount firmware coming soon

    by 
    Darren Murph
    Darren Murph
    09.21.2010

    We've heard Sony use the term "Advanced Model" when dealing with concepts before, and it seems that it's using said code once more to disguise what may end up being the A77. Rumors have been flaring over the past few weeks, noting that this particular Alpha DSLR would be showcased at Photokina before being officially unveiled at CES 2011. Few details were given, but we're able to tell that it'll shoot HD video in AVCHD and will be compatible with a vertical grip. Moreover, it'll ship with a translucent mirror (as found in the A55 and A33) and an Exmor APS HD CMOS sensor. At the company's Photokina press conference, an executive noted that the cam will be "far more powerful than the a55," and that it'll be aimed at "serious enthusiast photographers." A slew of concept / prototype lenses were also encased (including a comically large 500mm f/4 cannon) at Sony's booth, not to mention a few that'll definitely be available from 2011 and 2012. Back at the presser, we were informed that a grand total of ten A-mount (Alpha DSLR compatible) lenses will be on sale by 2012, and it's also considering working with a number of partners in order to develop third-party E-mount lenses for the NEX range. Moreover, a firmware update is slated for mid-October to bring autofocus support to A-mount lenses used on E-mount cameras, aperture control in video mode and customizable keys, while the NEX-VG10 Handycam will see an A-mount lens firmware update in November. Speaking of E-mount cameras, Sony's also developing its own micro flash for use in low(er)-light situations, and considering that it recently grabbed a full 50 percent of the mirrorless market share in Europe, we'd guess it's nowhere near slowing down on the innovation. Smiles all around, right? %Gallery-102896% %Gallery-102902%

  • Fujifilm's FinePix X100 ships March 2011 for $1,000, we go hands-on (update: video!)

    by 
    Darren Murph
    Darren Murph
    09.21.2010

    It's fitting that Fujifilm's thoroughly gorgeous FinePix X100 kicked off this week's flood of Photokina releases, and now we've learned a few more precious details from the outfit's press conference. For starters, it'll be a non-zoom apparatus, much like Olympus' Zuiko-equipped concept that was also launched here in Köln. Fujifilm's Adrian Clarke noted that the decision to include only a 23mm f/2 fixed lens was made in order to not make image quality compromises that are necessary when allowing for a zoom. We're sure that'll strike some as displeasing, but those who aren't afraid of moving forward and back could probably care less. Furthermore, he affirmed that the company was aiming for a March 2011 ship date, with a retail price to hit near the $1,000 mark. That's hardly affordable, but Fuji's making no bones about this being a decidedly high-end piece. After the presser, we were able to score some hands-on time with a pre-production model, and we have to say, this thing just feels like a thousand bucks. It's as solid as a stone, though light packers won't appreciate just how heavy it is. Regardless, the body exudes quality, and the grip was as comfortable as ever. Sadly, no fully functional units are present here at Photokina, but we're cautiously optimistic that we'll see one at CES. It's doubtful that Fuji will sell oodles of these given the limitations and price, but to the niche that's interested, things are looking up. Update: We just stopped by the Fujifilm booth in order to grab some video time with this guy, and sadly, the model that they had on display lacked a sensor of any kind. However, the dedicated toggle switch to flip between the OVF and EVF is a lovely touch, as were the dedicated control dials up top. Have a look yourself just beyond the break. %Gallery-102872% %Gallery-102874%

  • Sigma SD1 has a 15.3MP sensor, weather-sealed magnesium alloy body, and no video mode at all (update: eyes-on!)

    by 
    Vlad Savov
    Vlad Savov
    09.21.2010

    It'd be too easy to describe this as "one for the purists," but it really rather is. The Sigma SD1 eschews any pretenses of being a video camera and gets right on with the business of taking gorgeous stills instead. Employing a 24mm x 16mm X3 CMOS sensor -- you know, the one with three stacked layers, one each for absorbing red, green and blue light -- dual TRUE II image processors, and an 11-point autofocusing system, the SD1 is eager to sweep up enthusiast photographers into its magnesium alloy embrace. 98 percent viewfinder coverage, a 3-inch, 460k-dot LCD and CompactFlash compatibility fill out the spec sheet, while price is indicated as somewhere in the neighborhood of the Canon EOS 7D. Without any live view or video options, Sigma had better have some truly spectacular image quality to show us when this thing ships in February of next year. Update: Our hopes and dreams of caressing this rugged beast were dashed upon learning that the only SD1 at Photokina was held behind a glass box of emotion, but that didn't stop us from pointing our own camera at it and firing off a few shots. Trust us, it looks just as beastly in person as it does in the press shots. Have a gander below, won't you? %Gallery-102882%

  • Leica V-Lux 2 looks like an FZ100, shoots like an FZ100, costs a lot more than an FZ100

    by 
    Vlad Savov
    Vlad Savov
    09.21.2010

    Continuing today's series of rebadged Panasonic shooters, let us welcome the Leica V-Lux 2. As we noted yesterday when we spotted and photographed what was still unannounced hardware, this camera is pretty much a standard issue FZ100, only outfitted with a red dot logo and more highfalutin marketing language. Let's not let that detract from what's an appealing shooter, however: a 14 megapixel CMOS sensor can be brought 24 times closer to the action thanks to a superzoom lens, while an 11fps burst mode and 1080i video recording will cause a few of your DSLR-sporting buddies to look on in envy. Moreover, given the FZ100's sterling reputation, there should be little doubt the V-Lux 2 will be a similarly pleasing piece of kit -- although after seeing the £675 ($1,053) price tag for this October, we find ourselves asking a familiar question, why the massive markup, Leica? Update: Like its brethren the D-Lux 5, Leica's already priced this V-Lux 2 for stateside release -- it'll run you the tidy sum of $849 when it ships this October. Yes, we know, not much of an improvement. %Gallery-102821%