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Sony's $9,000 drone for its Alpha cameras is available for pre-order
The Airpeak S1 will ship on December 24th.
Sony will reveal its long-awaited A7s III on July 28th
At the time, Kenji Tanaka, Senior General Manager of Sony’s Digital Imaging Group, told the publication that the company had embarked on a "complete redesign of the whole system, including the image sensor." Unfortunately, Tanaka's conversation was a little light on the technical detail. In the meantime, Sony Alpha Rumors has been dutifully chronicling new spces and features passed along by sources who claim to have been the camera's early testers.
Sony made a wireless camera grip for vloggers
Sony thinks it can help you become the next Casey Neistat or iJustine. The company just introduced a Shooting Grip With Wireless Remote Commander (or GP-VPT2BT, if you can memorize obscure model numbers) that makes it more comfortable to shoot vlogs or travel journals. The Bluetooth device includes controls for common tasks like snapping photos and videos, zooming and a custom function, and you can adjust the angle or flip it around to quickly capture yourself on screen. It can also transform into a tripod for timelapses and other fixed-in-place shots.
A first look at Sony’s A6600 flagship APS-C mirrorless camera
Canon isn't the only one introducing new cameras today. At an event in New York City, Sony has revealed its A6600 and A6100 shooters, the latest additions to its APS-C mirrorless lineup. Of the two, the flagship model is the A6600, which features a 24.2-megapixel APS-C sensor, an AI-powered Z-Bionz image processor, 425 phase-detection autofocus points and a ridiculously fast 0.02-second AF speed -- which Sony calls the "world's fastest." The A6100, meanwhile, comes with the same autofocus speed, 11-frames-per-second continuous shooting mode and 24.2-megapixel sensor as as the A6500, with the main differences being that it has a smaller battery and lacks a headphone port.
A closer look at Sony's A7R IV full-frame, 61-megapixel mirrorless camera
The successor to Sony's highly acclaimed A7R III has arrived. Today, at an event in New York City, the company introduced its A7R IV, a full-frame mirrorless camera that comes with a whopping 61-megapixel Exmor R sensor. Sony says this new shooter is all about offering "medium-format-level" image quality in a package that's both compact and lightweight. In addition to that pixel-packed sensor, the A7R IV features a 15-stop dynamic range, ISO sensitivity up to 32,000, continuous shooting up to 10 frames per second (with auto-focus and auto-exposure tracking) and 567 phase-detection points cover around 74 percent of the frame. Simply put, this thing is a powerhouse.
Zeiss's latest full-frame Sony lenses have OLED screens
Sony's full-frame Alpha cameras have serious game, and their only weakness -- a lack of lenses -- is quickly becoming a non-issue. Zeiss has just added a couple more full-frame "Batis" AF lenses that have a singular feature: an OLED display. That lets the 25mm f/2 wide angle and 85mm f/1.8 portrait lenses show the lens' focal plane and depth of field, two pieces of info your camera normally can't. That'll be of dubious utility for casual photographers, but could help pros who like to fine-tune shots. The price to be on the bleeding edge of lens tech? $1,199 and $1,299 for the 85mm and 25mm models, respectively, according to Adorama.
Sony Alpha firmware updates bring record button disabling on NEX-7, DSLR lens improvements
Sony's NEX-7 may be fast approaching its first birthday, but that doesn't mean the company's ready to give up on pushing out updates. The camera's first new firmware version, 1.01, should be hitting today, bringing with it the ability to disable the Movie Record button to avoid accidental taps (finally!), boosted image quality with a wide-angle lens, improved audio playback and expanded EV bracketing. An option to disable the EVF eye sensor doesn't appear to be included with this revision, unfortunately. Other updates hitting at the same time include E-mount lens firmware v.01 that'll enable NEX-5R/NEX-6 Hybrid AF functionality with older lenses, A65/A77 firmware v1.06 and A37/A57 firmware v1.03, both of which deliver the ability to enable/disable the movie record button while also adding a variety of lens compensation options for select Alpha optics. All of these updates should now be live -- head over to the source link below for the hook-up.
Hasselblad announces Lunar mirrorless camera, fancies up Sony's NEX-7 for 5,000 euros
The bar's pretty high when your company is behind the first camera in space. Hasselblad's looking to build on that theme with its new Lunar mirrorless, which according to the company "revives the timeless charm" of 1957's 500c -- and if nothing else, the camera's got a curvy, space age body, built out of high grade aluminum with either a carbon fiber (available in black, silver or titanium colors) or wood (beech, olive, pear or mahogany) grip. Inside, you'll get a Bionz processor and an APS-C 24.3 megapixel sensor. The Lunar has a 10 frames per second burst mode, full HD recording and sports a 100 to 16000 ISO range. On the rear, you'll find a swiveling three-inch display. All of that's packed into a body that weighs roughly a pound. Update: While we didn't quite realize it at first, the layout of the camera and its specs are clearly that of a rehashed NEX-7. As SonyAlphaRumors points out, the shooter accepts Sony's e-mount lenses and is part of new partnership between the two photography giants -- looks like we're soon to have even more Sony cameras re-purposed as Hasselblad's, similar to Leica and Panasonic. While the NEX-7 itself will run you roughly $1,100 to 1,200k (body-only vs. with a kit lens), SAR has the Lunar pegged at $5,000 Euro (about $6,530, or six NEX-7s). That's almost $1k more than Leica's utilitarian M-E and about as much as an M9 for, those keeping count -- but hey, at least the lunar can shoot video, right? Joe Pollicino contributed to this post.
Sony reveals the Alpha A99, its first full-frame flagship since 2008's A900 (hands-on)
It's not every day that a digital SLR manufacturer releases a new full-frame camera -- in fact, it's not even every year. Sony's last top-end model, the A900, was first released four years ago, so you better believe its successor offers an overflowing boatload of enhancements. The Alpha A99 is a flagship if ever there was one, crushing every other Sony still camera in terms of capability, both when it comes to stills, and in the HD video realm as well. With this $2,800 behemoth, the company is targeting both professional photographers and leading filmmakers, with plenty of features that will appeal to both. The centerpiece is an all-new 24.3-megapixel Exmor sensor (nope, it's not the rumored 36MP chip you might be expecting), which features an increased photodiode area for boosted low light quality (up to ISO 102,400). The camera also features what Sony's calling the "world's first dual-AF system," which includes two different phase-detect AF systems, including the same 19-point system on the A77, plus an additional 102 points on the imager itself. Video shooters will find 1080/60p and 24p options with AVCHD 2.0, including uncompressed output through HDMI (with simultaneous output to a monitor) and phase-detect focus support in video mode. There's also a 6 frames-per-second burst mode, 14-bit RAW output for stills, the same 921k-dot Xtra Fine twilt-and-swivel LCD included with the A77 with WhiteMagic and TruBlack, and the same OLED viewfinder found on the A77, NEX-6 and NEX-7, that offers slightly boosted functionality thanks to the full-frame sensor, letting photographers snag a realtime depth-of-field preview without dimming the finder. It also offers a 34-degree viewing angle and color tone adjustment control. Because the A99 offers a translucent mirror, Sony was able to eliminate the pentaprism to keep the size and weight at bay, making the DSLR lighter than the Nikon D800 and Canon 5D Mark III. Jump past the break for our hands-on.%Gallery-163051%
Sony A99 rumored specs leak: 24.3 megapixels, 921k-dot LCD and 14 bit RAW output
Sony's not unleashed a full frame camera for some time, so when a purported spec-sheet for the upcoming Alpha A99 breaks cover, we're elbowing our way to the front to see it. According to Sony Alpha Rumors, it'll be a 24.3-megapixel CMOS Exmor sensor with an ISO range of 100-25,600, 14 bit RAW output and a 1/8000 maximum shutter speed. Other nuggets of interest include a 102 point AF system, full 1080p HD video recording (at 60fps) and a 921k dot LCD (like that seen on the A77 pictured). When might we see this come to market? According to the rumor-mill, sometime in October, with an official unveiling in early September. Along with everything else, it seems. Head on down to the source for the full spread.
Sony NEX-F3 and A37 cameras hands-on and sample shots
Sony's newest NEX and DSLR have already graced these pages -- albeit in decidedly unofficial fashion -- but the time has come for this duo of shooters to be revealed to the world with the blessing of their maker. In case you didn't catch the earlier leaks, the NEX-F3 is the replacement for the much-beloved NEX-C3 as the entry-level ILC from Sony, while the A37 slots in the same place in the company's Alpha DSLR lineup. Sony's also rolling out fresh glass for each this July, in the form of an E-mount 18-200mm, F3.5-6.3 zoom lens for $850, and an 18-135mm F3.5-5.6 A-mount telephoto unit that'll set you back $500. Both the NEX-F3 and A37 will come with kit 18-55mm lenses and cost $600 when they go on sale in June, which makes them quite competitively priced as compared to their competition. An enviable pricing position, to be sure, but can they deliver the imaging goods? Well, we spent time with each on a tour of San Francisco recently, so join us after the break for our impressions and some sample photos.%Gallery-155474%
Sony's Alpha A37 and NEX-F3 pose for the camera, reveal more angles, details
Well, well, talk about déjà vu! It was just yesterday that a corner of Sony's 16.1 megapixel NEX-F3 leaked onto the interwebs and now more photos have surfaced, along with a previously unannounced shooter, the Alpha A37 SLT. The pictures come courtesy of Yang Canggih, which says it had a chance to demo the two devices yesterday at Sony's Partner's Conference in Jakarta (curiously, the NEX-F3 post isn't live as of this writing, but Sony Alpha Rumors has the images up). Starting with the F3, the mirrorless camera has lost a smidgen of the curves found on its older sibling, the C3, adopting a slight bit of the angular edges that once made the NEX-7 the badass standout in the lineup. You'll notice that the shutter button and grip have an uncanny resemblance to the 7's, not to mention that it's clearly gained a pop-up flash -- a first for the lower-end NEXs. Past that, the rumored -- and self-portrait friendly -- 180 degree tilt-screen is also present, which'll likely give the C3 an edge over its siblings when it comes to composing shots. Also worth note, some of the buttons on back have been slightly repositioned. Moving along, those hoping for a successor to the A35 will apparently have their wish granted with the 16.1 megapixel A37. According to Yang Canggih, it features the articulating display from the last generation of NEX cams, Auto Portrait Framing (first introduced with the A57), four more effect modes than the A35 (up from 11) and an ergonomic grip in the vein of the A77. Sadly, that's about all that's currently known, so hopefully we'll get an official introduction to the cameras soon. Head past the break for a shot of the A37 and then check out the links below for even more of both.
Lensbaby Composer Pro gets Samsung, Sony, Micro Four Thirds mirrorless mounts
Lensbaby faithfuls awaiting a mirrorless-compatible Composer Pro lens need not hold out any longer. The company's high-end creative optic is now shipping for mirrorless mounts of the Samsung NX, Sony NEX and Micro Four Thirds variety -- including the Panasonic Lumix G and Olympus PEN. These latest additions join Canon, Nikon, Sony Alpha, Pentax K and Four Thirds versions, which are all available for 300 bucks at the source link below.
Sony A77 and A65 firmware update v1.05 peps up your laggy dials, improves autofocus
It's no secret that Sony's A77 and A65 SLT cameras have suffered from noticeable lag when it comes to adjusting exposure settings, among other things. For those irked, you'll be pleased to know that the company has just updated both cameras to firmware version 1.05, claiming it'll "sharpen their responses." Specifically, you'll be noticing faster cold startups shutdowns, quicker response times from the front and rear dials and faster access to images in auto review. That's not all, however, as Sony has also added in-camera shading and chromatic aberration compensation for 11 of its A-mount lenses, which can translate to less time cooking your images in post. Last, but not least, the A77 gets an extra bonus for its autofocus system that improves its abilities in high-contrast environments, while the SAL500F40G 500mm F4 G SSM super-telephoto lens will now focus faster with both shooters. Shutter finger already twitching? Don't delay, you'll find full details in the press release after the break and download information at the source link below. Be sure to let us know how it treats you in the comments.
Sony outs Alpha A57 translucent mirror camera with 12fps shooting, improved autofocus system
DSLRs tend to have longer refresh cycles than oh, we don't know, phones with RAZR in the name, but every shooter must eventually go to heaven nonetheless. About a year and a half after introducing the Alpha A55 translucent mirror camera, Sony's putting that model out to pasture to make way for its replacement, the Alpha A57. This time around, Sony's bumped the ISO to 16000 and boosted the continuous shooting rate from 10 frames per second to 12. It's also rolling out some improvements to the 15-point autofocus system, including enhanced object-tracking and quick AF in Full HD movie mode. Like the A55 before it, the A57 packs a 16-megapixel APS HD CMOS sensor, though this guy records 1920 x 1080 video at 60p, 60i and 24p/25p. It also packs the relatively new Bionz imaging engine introduced with Sony's fall 2011 models. Also on board: effects like Auto Portrait Framing (it is what it sounds like) and Clear Image Zoom, which promises an effective two-fold increase in focal length. Design-wise, the A57 takes some cues from the A65, and sports a tilting, 921,600-dot LCD. It'll start at $699 for the body only when it goes on sale next month, though it will also be offered as a $799 kit with an 18-55mm lens. Until then, we've got official press shots below and the PR just past the break.
Sony 500mm f/4 G SSM lens hands-on (video)
You don't see many lenses pop up 'round these parts, but Sony's new 500mm f/4 G SSM optic is impressive enough to warrant some hands-on attention. We spotted the new A-mount telephoto mounted on an Alpha A77 at Sony's booth at CP+ 2012, and queued up for a chance to take some shots. The lens focused surprisingly quickly, especially given its massive 500mm fixed focal length. Moving from subject to subject at varying distances, we were typically able to achieve focus in a fraction of a second. Long lenses have traditionally been tricky on the focus front, but this guy handled it like a champ, with speeds that appeared to rival far shorter primes. The SAL500F40G, as it's to be known, will be hand built to order beginning in March, with a yet-to-be-confirmed (likely sky-high) price tag. Click on past the break to see just how quickly we can zero in on some wild CP+ show floor action.
Sony Alpha NEX-7 mirrorless camera review
Remember the NEX-7? Ever since a days-long shooting session back in September, Sony's prized mirrorless cam has eluded us -- and the rest of the world. As you may recall, the flagship Alpha ILC was hit by the Thailand floods, resulting in delay after delay, eventually missing the holiday shopping season entirely before resurfacing late last month. Another week later and our beloved Sony Alpha NEX-7 has finally arrived, ready to take on the streets of New York City. So what exactly is the NEX-7, and why does it cost as much as a mid-range DSLR? First off, the 24.3-megapixel APS-C ILC captures, well, 24.3-megapixel images, offering the highest resolution of any mirrorless model on the market. Its APS-C sensor is identical to the one found in Sony's A77 DSLR, measuring larger than Micro Four Thirds and on par with most full-size digital SLRs.If having the ability to capture mural-size images ranks fairly low on your digicam wish list, you may take comfort in some of the NEX-7's other features, such as its gorgeous and durable magnesium alloy body, built-in XGA OLED electronic viewfinder, 3-inch, 921k-dot articulating LCD and unique tri-navi control interface that enables direct access to key settings adjustments, including both aperture and shutter speed in manual mode. There's also 1080/60p HD movie capture with full manual control and microphone input support, a 10 frames-per-second continuous shooting mode (with exposure and focus locked) and a BIONZ image processor that's capable of delivering low-noise images all the way through ISO 16,000. These features combine to make the NEX-7 one of the most powerful mirrorless cameras to date, but are they enough to justify the $1,200 body-only price tag? Join us past the break to find out.
Sony DEV-5 Digital Recording Binoculars sample photos and video
We can't say that we were too keen on Sony's DEV-5 Digital Recording Binoculars at first look -- it really is hard to get past that $2,000 price tag. But after Sony finally allowed us to shoot photos and video (albeit for a mere three minutes) at the company's CEATEC booth, we were pleasantly surprised at the image quality, at least some of the time. The images we shot were in 16:9 format, and were roughly 5.3 megapixels in size (the camera's maximum resolution is 7.1 megapixels). With only a few minutes to play around, we didn't have time to switch the menu from Japanese to English (CEATEC is held just outside Tokyo), so we had no choice but to use the default settings. Still, images shot at f/1.8 appeared crisp, even with moderate shake (it's difficult to keep a heavy pair of binoculars steady when holding them at eye level), with accurate exposure and white balance. When zooming to 10x, however, still photos appeared very noisy, as you'll see in the gallery below. So are they worth the sky-high price tag? Well, it's safe to say that we're not ready to whip out the credit card, though they did perform better than we expected, based only on what we had initially seen through those dual high-res viewfinders. Jump past the break for an HD sample clip, or click the more coverage link below for the untouched samples.%Gallery-135896%
Sony A77 reviewed: A 24.3 megapixel game-changer?
It's been a long time coming, but the patience has paid off with Sony's A77 finally getting its first pro review. Sure, the $1,400 cost of entry (body only) will weigh heavily on even the most enthusiastic cameraman conscious. But, what's a few hundred dollars when it comes to a camera that Popular Photography says has "radically changed the world of DSLRs"? It seems only the rival Canon 7D holds a candle to this would-be king, besting Sony's latest when it comes to noise and performance at higher ISOs. However, the A77 wins on its all-around charm, with a 24.3 megapixel Exmor APS-C sensor, articulated LCD screen, world-first OLED EVF and impressive video-shooting chops. Video-wise, that top dollar gets you a high-end performance of 60fps at 1920 x 1080 with the fast phase-detection auto-focus we've also seen on its predecessors, the Sony A55 and A33. Popular Photography does add a single caveat to the largely very positive conclusion: video enthusiasts should probably hold tight to see what Canon and Nikon counter with. Especially if you're in possession of multiple lenses. Aside from that, what's stopping you? Dig in to all the nitty-gritty details below, and we'd advise cutting down on those impulse eBay purchases -- this magnesium-alloyed beauty will certainly make a financial dent when it lands, if not a physical one.
Sony offers 'adjustment' for NEX-5N camera to reduce clicking sound while recording video
Looks like we weren't the only one afflicted by the Sony NEX-5N camera's annoying click problem. In case you missed it, the camera displayed the disruptive tendency of producing an audible click loud enough to ruin any 1080/60p video if it was moved suddenly while shooting. Tonight Sony updated its support site to promise a "performance improvement" available to all owners under the camera's warranty that it claims reduces the sound. At the moment we don't have any more information on what's causing the sound or what the improvement entails, but owners can dial 888-868-7392 to get their units upgraded.
