NAMM2020

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  • yanyong via Getty Images

    MIDI 2.0 overhauls the music interface for the first time in 35 years

    by 
    Richard Lawler
    Richard Lawler
    01.29.2020

    About 35 years after the MIDI 1.0 Detailed Specification was established, instrument manufacturers voted unanimously on January 18th to adopt the new MIDI 2.0 spec. So what's changing for audio interfaces? The "biggest advance in music technology in decades" brings two-way communication, among many other new features while remaining backwards compatible with the old spec. Companies like Roland, Native Instruments, Korg and Yamaha are part of the MIDI Manufacturers Association behind the update, and we've already seen Roland's A-88MKII keyboard that will be ready for the spec when it goes on sale in March.

  • Behringer

    Behringer clones more well-known synths from Moog and Roland

    by 
    Jon Fingas
    Jon Fingas
    01.19.2020

    Behringer isn't about to slow down in its effort to clone classic synths. The company has introduced two more not-so-subtle modernizations, headlined by the System 55 Modular Synthesizer (above). The Eurorack-friendly design includes more than 20 reproductions of modules from the legendary Moog 15, 35 and 55. It includes the requisite mix of attenuators, filters and oscillators needed to recreate that '70s Switched-On Bach-like sound as well as a Sequential Sequencer and a new power supply module.

  • Rainger FX

    Finally: A guitar pedal you’re supposed to spill beer on

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.17.2020

    I'm not going to pretend to be an expert on the history of guitar pedals. But, I'm fairly confident in saying there has never been a pedal quite like Rainger FX's Minibar. It's an overdrive pedal, but one that requires a little something extra to work -- a liquid. There's a small container on the top that says "pour liquid here" and, until you put something in there it simply wont make a sound.

  • Behringer

    Behringer’s synth clone train keeps rolling with modular System 100

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.16.2020

    Regardless of your opinion of Behringer, you can't deny that the company is tireless in its efforts to bring affordable versions of classic synths to the masses. In 2019 alone it successfully launched clones of the Korg MS-20, ARP Odyssey, Sequential Circuits Pro-One, Electronic Dream Plant (EDP) Wasp Deluxe, not to mention the TB-303, TR-808, VP330 and SH-101 all from Roland, and a polyphonic version of the Moog Model D. And we know there are plenty more to come, like the Octave Cat. So it's no surprise that, shortly after it revealed it was getting into the Eurorack case game, Behringer announced its plan to clone some of the most iconic modular synth components ever made: Roland's System 100m.

  • MicroFreak update adds new oscillator and modes for simplified noise-making

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.16.2020

    When Arturia announced the Microfreak at NAMM last year, we told you there was nothing stopping the company from adding new oscillators down the line through firmware updates. Well, guess what -- it's got a new oscillator.

  • Moog

    The Moog Subsequent 25 offers classic synth bass with modern amenities

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.16.2020

    Anytime Moog releases a new synth it's worth getting at least a little excited about. And the Subsequent 25 (or Sub 25) is no exception. It's the successor to the Sub Phatty -- basically the standard bearer for classic Moog bass sounds over the last several years. The Sub 25 takes what made its predecessor such a powerful and aggressive tone monster and just goes bigger.

  • Gamechanger Audio

    Gamechanger Audio introduces an optical spring reverb pedal

    by 
    Marc DeAngelis
    Marc DeAngelis
    01.15.2020

    Gamechanger may have only released two guitar pedals so far, but the company has shown that it can live up to its lofty name. Its Plasma Pedal, for one, stands out in an ocean of distortion effects, thanks to both a staticky, lo-fi timbre and its astounding visual presentation -- xenon plasma shoots around a vacuum tube as you play. The Light Pedal, the company's latest creation, rethinks the traditional engineering behind spring reverb effects, replacing the electromechanical components with optical sensors. The result is a vintage-sounding echo that sits somewhere between the snappy guitar sounds of the '60s and the atmospheric squeals heard in classic rock tracks from the '70s.

  • Akai

    Akai's MPC One is a (reasonably) affordable music production machine

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.15.2020

    It's been a few years since Akai's iconic MPC line has seen a significant new entry. But at NAMM 2020 the company is not only introducing a new model, but specifically going for the entry level... or at least what qualifies as entry level for an MPC. The MPC One in a $699 standalone production studio that basically takes all the essential parts of the series and skips the luxuries.

  • Blipblox

    Blipblox gives its kid synthesizer a grown-up makeover

    by 
    Rachel England
    Rachel England
    01.15.2020

    Blipblox made something of a name for itself creating a synthesizer for kids. But the brightly-coloured, big-buttoned device -- with a surprisingly robust digital synth engine under its hood -- has proven such a success with adults that the company has made a grown up version: Blipblox After Dark.

  • Roland

    Roland's Zen-Core engine lets instruments share synth sounds

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.15.2020

    Roland basically abandoned pure analog synths. Instead it's been focused on improving its digital instruments and software that pay homage to the past, while embracing the future. But here's the thing, thanks to powerful audio processors there's very little these days keeping one synth engine tied to any particular device; The Microfreak borrows heavily from Mutuable Instruments Plaits and the Organelle runs patches built in the cross-platform, for instance. Roland has apparently decided this is a harbinger of the future of synthesis and so it's launching Zen-Core, a synth engine that will work across a wide swath of its instruments.

  • Arturia

    KeyStep Pro aims to be the MIDI command center of your home studio

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.14.2020

    Arturia's KeyStep is pretty beloved among hardware synth enthusiasts and bedroom producers alike. It's an affordable, versatile and impeccably built MIDI controller. Honestly, the only real criticism I have of it is that, for something that's supposed to be portable, it's just a bit too big and heavy. So, Arturia decided to lean into the idea of the Keystep as a studio staple with the KeyStep Pro and just forgot about the whole portable thing. Instead of simply adding a bunch more keys though, Arturia decided to focus on what made the KeyStep so popular in the first place. It beefed up the sequencing capabilities and added even more ports to the back for connecting gear.

  • Novation

    Novation's Launchpad Pro controller is now a standalone MIDI sequencer

    by 
    Georgina Torbet
    Georgina Torbet
    01.14.2020

    Novation's Launchpad is one of the most popular pad-based MIDI controllers out there, but the company hasn't been resting on its laurels -- it just released its Launchkey Mini keyboard controller that we are big fans of. The Launchpad is getting an upgrade too, with the announcement of a new Pro version of the controller.

  • Korg

    Korg unveils a full-sized, assembly-free MS-20

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.14.2020

    The Korg MS-20 is an undeniable classic. It's been reborn as an app. As a shrunken-down mini model. As a DIY kit. And then as a DIY kit again, but without the keyboard. Until now though, there hasn't been a ready-to-roll, full-size reissue. But for NAMM 2020 Korg is going all in on the nostalgia with a faithful to a fault rendition of the MS-20 -- right down to the packaging and manual.

  • Empress Effects

    ZOIA Euroburo is a modular synth you can put inside your modular synth

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.13.2020

    Empress Effects ZOIA is perhaps one of the most exciting guitar pedals to come out in recent years. It's effectively a self-contained modular synth in a stompbox format. So, it only makes sense then that Empress would take it and stick in a Eurorack format, so that this mini digital modular synth could sit inside a larger modular synth.

  • Solid State Logic

    Pro audio giant Solid State Logic makes a play for bedroom producers

    by 
    Jon Fingas
    Jon Fingas
    01.13.2020

    Solid State Logic is a big name in the pro audio space, but it's entering a new category by serving a very different customer: the bedroom producer with a tight budget. Its first dedicated audio interfaces, the USB-based SSL 2 and 2+, aim to translate the company's technology and retro styling to personal recording scenarios where it's often down to just you and your devices. They both include two "class-leading" mic preamps with 24-bit/192kHz conversion, balanced monitor outputs, a simple monitor mix control and a "Legacy 4K" mode that adds the analog sound of the company's 4000-series consoles to your inputs. There's not much more than you likely need, but what's there may be above-board.

  • Korg

    Korg's DIY headphone amp and overdrive pedal go on sale in February

    by 
    Billy Steele
    Billy Steele
    01.10.2020

    Korg officially introduced its line of DIY music gear under the Nu:Tekt name in September. Even before it announced the NTS-1 synth, the company had showed off two other devices: a headphone amp and an overdrive pedal. Now that pair is official, and Korg says you'll be able to buy them next month.

  • Korg

    Korg resurrects the legendary ARP 2600 synth for a limited run

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.10.2020

    The ARP 2600 is one of the most iconic synthesizers ever made. (And easily the most expensive piece of music equipment I've ever actually touched.) Everyone from Brian Eno, to the Beastie Boys, Nine Inch Nails and Stevie Wonder have played one. It was even used to create the voice of R2-D2. And after being discontinued 39 years ago it's making a limited return to production thanks to Korg.

  • Korg

    Korg made a feature-rich set of DJ headphones that block out the club

    by 
    Billy Steele
    Billy Steele
    01.08.2020

    NAMM doesn't start for a few days, but Korg has begun to announce new gear in advance of the show. Today, the company revealed a set of active noise cancelling (ANC) headphones designed for DJs. More specifically, Korg says the new NC-Q1 can offer distortion-free ANC even in "extremely loud environments." Obviously, a club or other performance venue fits that description.

  • Korg

    Korg's Wavestate resurrects a classic '90s synth for the modern age

    by 
    Terrence O'Brien
    Terrence O'Brien
    01.07.2020

    There are countless different styles of synthesis, but one of the more rare and distinctive is vector synthesis, in which different sound sources are dynamically blended to give a sense of movement. One of the most iconic vector synthesizers is the Korg Wavestation. Its unique sound was all over the place in the early 90s, from Genesis, to Depeche Mode to the X-Files. It was particularly well regarded for its pad sounds. But, it was also a very short lived family of instruments, being introduced in 1990 and discontinued in 1994. There have been a few other vector synths (including the Korg OASYS) in the years since, but none have resonated with musicians quite like the Wavestation. Korg is ready to give it a go again with a spiritual successor called the Wavestate.