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9110091100Panasonic G9 II review: Its best Micro Four Thirds camera to date
Panasonic's $1,900 G9 II is one of the most capable hybrid cameras available, and the best Micro Four Thirds camera in the company's lineup.
9210092100Panasonic S5 IIX review: Power and value in one vlogging package
Panasonic's S5 IIX has phase-detect autofocus and all other benefits of the S5 II, but lets you record directly to an SSD.
Panasonic and Leica unveil 'L squared' project to jointly develop cameras and lenses
Panasonic and Leica have formed a new collaboration called L² (L squared) that will see them jointly develop cameras, lenses and imaging technology.
Panasonic's BS1H is a box-style camera with a full-frame sensor
The full-frame S1H becomes the latest Panasonic to get the box-style treatment from the electronics company.
Panasonic's first box-style mirrorless camera is meant for videographers
The Micro Four Thirds-based LUMIX BGH1 will be available next month.
Panasonic Lumix S5 review: Incredible video power in a smaller package
In the last month or two, Canon and Sony released formidable video-centric cameras that can match the S1 for video, while being considerably smaller than the two-pound-plus S1. Now, Panasonic has responded with the full-frame Lumix S5. It takes nearly everything that’s good about the Lumix S1 and puts it into a much smaller and lighter body.
Panasonic S1H review: Production quality video in a mirrorless camera
The day that it came out, Panasonic's S1H shot to the top of filmmakers' lists of must-have mirrorless cameras for video. The company's GH5 was already a hugely popular camera among vloggers and videographers, and the S1H is much like that model, on steroids. It has a dual-ISO, 24.2-megapixel full-frame sensor that lets you shoot 60 fps, 4K and even 6K video. Better still, it recently became the first-ever mirrorless camera approved for Netflix productions. The fact that it's been poked and prodded by Netflix means you can be confident about the video quality. Still, I was very curious, and I'm sure you were, too, to see what else the S1H can do. At $4,000, it's expensive for a consumer camera, but for TV and film producers, it will actually be a tempting low-budget option -- especially given the artistic possibilities of a full-frame sensor. With a flip-around screen, vloggers with some money (and muscle, because it's heavy) will be looking at this big camera, too. All that said, the S1H is expensive and there are lot of other options in its price range. To see what it's capable of, I brought it into Paris to shoot (a lot of) video and take some photos, too.
Panasonic's cinema-centric S1H mirrorless camera can shoot 6K video
Panasonic has added a third full-frame mirrorless camera to its L-Mount lineup with the launch of the video-oriented Lumix S1H, revealed at Cine Gear Expo 2019. It packs many of the specs we were hoping for but didn't receive with the S1, like 6K video, 10-bit 4:2:2 internal recording and V-Log/V-Gamut with a Sony A7 III-beating 14+ stops of dynamic range.
Panasonic's FZ1000 II 16x superzoom targets Sony's RX10
If you're looking at Sony's RX10 IV but don't want to pay 1,700 freaking dollars, Panasonic might have the camera for you. It just unveiled the FZ-1000 II, an upgrade to the 2014 FZ-1000, that costs nearly half that. It's got a 1-inch, 20.1-megapixel "high-sensitivity" CMOS sensor and 16x 25-400mm f/2.8-4.0 (35mm equivalent) Leica zoom, only a bit less than the 24-600mm reach of its rival. It also has a fully articulating 3-inch touchscreen ideal for selfies and vlogging, bettering the tilt-only display on the RX10 IV.
Sony's full-frame mirrorless cameras finally have some competition
Since the launch of the A7 and A7R in 2013, Sony has had virtually no competition in the full-frame mirrorless space. Major players like Canon, Nikon and Panasonic were keeping their focus on other camera formats, such as APS-C, Micro Four Thirds, point-and-shoots and full-frame DSLRs. But that's all starting to change. At Photokina 2018, Panasonic introduced its first full-frame mirrorless cameras, the Lumix S1R and S1, which feature 47- and 24-megapixel sensors, respectively. While these are still in development and likely won't launch until next year, the fact that Panasonic has finally given in and is making a full-frame mirrorless shows Sony is about to start facing some serious competition. It validates all the efforts the company's been making in that market for the past few years, leading up to the gold standard that's its latest model, the A7 III.
Panasonic's LX100 II gets a resolution boost and touchscreen
Panasonic has launched the Lumix LX100 II, a compact camera for photographers who might want a bigger sensor than on models like Sony's RX100 VI. The biggest change over the last model is a higher resolution 17-megapixel Four Thirds MOS sensor, a large boost over the 12.8-megapixel chip on the last model. It has much lower noise levels, even at high ISOs, meaning you can get clean shots at up to the maximum 25,600 ISO. It also gained a touchscreen, making it easier to manually set focus points, exposure and other functions.
Panasonic’s GH5s is perfect for video shooters and no one else
Panasonic was the first company to embrace mirrorless camera video, with the GH1, helping to change the way low-budget movies could be made. Finally, videographers had a (reasonably) large sensor camera that could handle autofocus, external microphones and 1080p video. The company raised the bar with each subsequent model, introducing 4K video with the GH4 and internal 10-bit 4K with the GH5. With the launch of the GH5s, however, Panasonic made a gutsy move by launching a mirrorless camera that prioritizes video in a way that none of its rivals have. As a fan of large-sensor video, I was curious to test it out, especially for low-light shooting. My conclusion? It produces the best video of any mirrorless camera on the market. But many folks considering it -- like documentary makers, event videographers and vloggers -- will likely prefer the GH5, which has built-in stabilization and costs $400 less.
Panasonic's ZS200 compact camera doubles down on zoom
Along with the all-new GX9, Panasonic launched the ZS200 compact superzoom, a successor to the excellent ZS100. The new model hasn't massively changed, as it still offers a 1-inch, 20.1 megapixel sensor, 5-axis stabilization, 4K, 30 fps video and more. However, there's enough new stuff there to make it interesting. Mainly, the Leica-built zoom lens has an increased range of 24-360x, compared to 25-250x (35mm equivalent) for the last model, albeit at a loss in aperture speed from f/2.8-5.9 to f/3.3-6.4.
Panasonic's latest super-zoom camera also shoots selfies
Point-and-shoot cameras have had a bad rep lately, since they're neither as convenient as a smartphone nor as powerful as a mirrorless cam or DSLR. However, there are a few areas where they still excel: they can include ridiculously long-zoom lenses in small bodies, and take selfies that would be difficult or impossible to manage on your phone. And Panasonic, at least, is determined to make the most of those advantages. The company has just introduced the Lumix ZS70, a successor to the ZS60 that crams more into its compact frame. It now has a 20.3-megapixel sensor (up from 18MP), an even longer-ranged 24-720mm equivalent lens, and -- most importantly -- a flip-out 3-inch touchscreen. If you've ever wanted to take a high-quality selfie (including a new 4K mode) without sacrificing your ability to shoot far-off subjects, you might want to consider this model.
Panasonic's GH5 flagship camera arrives in March for $2,000
After teasing the Lumix GH5 a few months ago, Panasonic is finally ready to share definitive details about its flagship mirrorless camera. The system, geared toward photographers and videographers alike, features a 20.3-megapixel Live MOS sensor (with no low-pass filter), a new Venus Engine image processor, up to 25,600 ISO and in-body dual 5 axis image stabilization. Naturally, the GH5 is expected to shine in video mode, where it'll offer 10-bit, 60fps shooting at 4K resolution. You'll also get 6K photo burst at 30fps, a 3.2-inch LCD screen, 3.6-million-dot OLED viewfinder, as well as Bluetooth and WiFi for remote connectivity.
Panasonic rolls out the 4K, full-metal LX10 compact camera
Today, Panasonic is celebrating the 15th anniversary of its Lumix series with a new camera, the LX10. This compact shooter, which the company says is designed to fit in most jean pockets, features a 1-inch, 20.1-megapixel sensor and 24-75mm f/1.4-2.8 fixed Leica lens. The LX10 has a full metal body, giving it a premium look that you don't often see in other $700 cameras. Of course, being a Panasonic product, it shoots 4K video at 24, 25 and 30 fps.
Panasonic's mirrorless selfie camera fixes your flaws
To get the best possible pictures -- of yourself -- you could do worse than Panasonic's latest Lumix, the GF8. With a 16-megapixel sensor and flip-around screen, the mirrorless camera will certainly take far better pictures of you (and other stuff) than a smartphone. The drawback of putting an interchangeable-lens camera next to your face is that it also highlights your flaws, so Panasonic has introduced "Beauty Retouch" mode for selfies. In its own words, the feature "enables users –- especially women -- to shoot portraits more attractively with its Soft Skin, Defocusing and Slimming effects."
Panasonic's new compact camera features a 30x zoom and 4K
Canon isn't the only camera maker announcing new products at CES 2016. Panasonic today revealed the Lumix DMC-ZS60, a compact shooter with an 18-megapixel MOS sensor and a 30x zoom lens. The glass, which is a 24-700mm equivalent, is powered by Leica -- an aspect set to appeal to many people. In addition to this, the DMC-ZS60 is capable of capturing 4K (3,840 x 2,160) at 30fps and 1080p at 60 fps, as well as weighing a mere 11 ounces. If you're interested, it'll be available in mid-March for $450.
Panasonic's Lumix GX8 is a sleek and compact flagship camera
Only two months after introducing the G7 Micro Four Thirds camera, Panasonic is now expanding its compact line with the Lumix GX8. The new shooter, which is dustproof and splashproof, features a 20.3-megapixel Digital Live MOS sensor, Venus Engine imaging processor, an ISO range of up to 25,600, high-speed burst shooting modes of either 8 or 6 fps, NFC, WiFi and a 3-inch LCD. Panasonic's also going after the video-making crowd with this flagship camera, since it can shoot 4K (3,840 x 2,160) at both 24 and 30 fps -- similar to other members of the Lumix series. Most notably, the mirrorless GX8 packs a dual image stabilizer, an attribute that should push out clearer shots across the board, especially in handheld, low-lit scenarios. If it grabs your interest, Panasonic's Lumix GX8 will be available in mid-August for a cool $1,200 -- although that won't include any lenses.
Panasonic's behemoth camera phone hits the US for $1,000
Did you take one look at Panasonic's Lumix DMC-CM1 and vow to pay whatever it took to get this smartphone/mirrorless camera hybrid in the US? You now have a chance to put your money where your mouth is. Panasonic has started selling an unlocked version of the CM1 in the US, and it'll set you back an eye-watering $1,000 -- suddenly, that 128GB Galaxy S6 seems like a bargain. There's a good reason for the giant price tag, mind you. While the phone half is no great shakes between its 4.7-inch 1080p screen, Android 4.4 KitKat and a Snapdragon 801 chip, you're also getting a big 1-inch, 20-megapixel imaging sensor with a bright, high-quality f/2.8 lens. If you already treat your smartphone as a camera that just happens to make calls, this might be your handset of choice.
