AudioInterface
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IK Multimedia unveils the iRig Pro digital audio interface for iOS and Mac, ships this month for $150 (video)
Looking to capture some vocals or record a few guitar riffs while you're out and about? Well, IK Multimedia has yet another gadget that looks to lend a hand. The outfit's iRig Pro serves up a digital audio and MIDI interface that connects to the full gamut of iOS devices and Mac machines via USB. Battery-powered and quite diminutive in stature, the device wrangles microphones, guitars, MIDI devices and other Hi-Z instruments for mobile recording -- with those audio and MIDI inputs able to be employed simultaneously. The connected phone, tablet or laptop actually powers the add-on, but that internal 9V kicks it when needed to provide phantom power to a mic. A smattering of the company's apps come packaged with the unit including AmpliTube, SampleTank and iRig Recorder. Folks with older Apple devices shouldn't worry: the iRig Pro ships with cables compatible with Lightning, 30-pin and USB connections. If all of that sounds too good to pass up, $149.99 will be the required investment later this month. For now, venture past the break and take a quick look at the setup in action.
Native Instruments outs Kontrol Z1: an iOS DJ mixer with audio interface
It wouldn't take a genius to figure out that Native Instruments was going to release some hardware to cozy up to that shiny new iOS version of Traktor DJ. And here it is -- the Kontrol Z1 -- a two-channel mixer with a built-in audio interface specifically for iPad and iPhone. Plug this into your iDevice, and Traktor DJ gets full pre-cue functionality, plus some proper (club-level, 24-bit) audio output, not to mention dedicated faders and 3-band EQ controls. The hardware (which is similar in size to the Kontrol F1) means you can break out the mixer section, leaving the touchscreen display dedicated to transport and performance. The Z1 will keep your iDevice charged up, too (it needs to be plugged in), so you're good for that epic Balearic chill-out set. Likewise, it also works with Traktor Pro 2, if you're looking to integrate something a little smaller into your laptop setup. It'll need a lightning adapter to work with the latest devices, and costs $199 / €199 from your favorite DJ outlet. The app won't support the hardware until a June 24th update, but in the meantime, roll past the break for the demo video.
Apogee revamps One and Duet audio interfaces for iOS and Mac, updates Quartet to match
Apogee wants bring pro audio interfaces to the mobile realm. To that end, it's coming to NAMM with a trio of options that cover most Apple-bound musicians and podcasters. Its next-generation One interface (seen after the break) can take simultaneous input from both a built-in condenser mic and one device plugged into either an XLR or quarter-inch jack, passing along the resulting tunes to an iOS device or a Mac's USB port. A similarly reworked Duet adds direct iOS connections to the two-input, four-output Duet (above). Full-fledged bands aren't left out of the equation, either -- the existing, four-input Quartet has received iPad support without changing its formula. Lighting-based iOS gear unfortunately requires an adapter, but we'll take consolation in a new Maestro app for iPads that offers control over connections and session monitoring. Producers hoping for more mobility can pick up the Duet or Quartet in February at their respective $595 and $1,295 prices, although they'll have to wait until March to buy the One at $349.
Focusrite launches Forte, 24-bit / 192kHz portable audio interface (video)
If you like your audio interfaces with added "on-the-go," then the new Forte from Focusrite might be worthy of your attention. The two-input four-output device has two remote control preamps with 24-bit 192kHz analog / digital converters. If you are worried that the pocket-friendly form means less space for meters etc, fear not, as an OLED display with on-screen buttons provides visual feedback, along with control over levels and even some software (DAW) parameters. There's a breakout cable included, and dedicated control software (PC and Mac) so even your devices with XLR connections will get a look in, while the aluminum casing should hold it all together nicely -- not to mention make it look pretty. How much you ask? That'd be £399 / $600 when it lands in stores in October. Promo video after the break.
Focusrite launches iTrack Solo, a two channel interface for iOS and desktops (video)
There's a stack of different plugs, cables and connectors aimed at piping sound into your iPad, but when studio-stalwart Focusrite makes one, we pay attention. The iTrack Solo is a two channel interface compatible with the iPad, as well as your Mac or PC, offering mobile recording all the way up to 24-bit / 96kHz. The onboard preamp is the same as used in the brand's flagship Liquid Saffire 56 interface, and there's phantom power for microphones. As well as the mic-in there's a quarter-inch input for guitars etc., as well as a chunky volume control for monitoring. Front "halo" indicators change from green to red if your recording levels go too high, and the aluminum casing should prevent it from getting damaged at the bottom of any gig bag. Once you've created a masterpiece in Garageband (or other recording app), you can use the line-level phono outputs to run it through your sound system of choice. Sound like something you can get down to? You'll be able to get your hands on the iTrack Solo starting next month, and it'll set you back $160 at your local dealer -- in the meantime, you can jam on the PR after the break.
Pioneer announces DDJ-WeGO two-channel DJ controller, provides entry-level jams
Remember that fancy-looking DDJ-AERO we saw from Pioneer recently? Well if that was a bit too "buttony," or perhaps just too expensive for your beginner DJ pockets, how about that which you see above? Announced today, this is the DDJ-WeGO an (or is that another) all-in-one DJ controller -- squarely aimed at the cheaper end of the market. With a suggested retail price of $399, it's Pioneer's cheapest controller to date, and comes bundled with Virtual DJ LE software. For your money, you get two platters and a mini-mixer, FX buttons, a choice of five colors (white, black, red, green or the pictured violet), as well as some built-in LED effects that help you learn to mix (the lights get brighter as the pitch of the two songs gets closer, etc.). On a more practical level, the unit is compact, USB-powered, and has a built-in audio-interface (no extra sound card required for headphone monitoring). You can get your spin on from next month, at the aforementioned quad-benjamin price-point, or tease yourself with the PR past the break.
Denon launches MC2000 DJ controller, invites prospective spinners to 'own the party' (video)
Load and start track A. Load, and start track B on the next down beat. Adjust pitch / speed of track B to keep in time with track A. Now you know the very basics of DJing, you might want some hardware to practice it on. Fortunately, for you beginners, Denon has just released the MC2000 DJ controller. An entry-level device that should get you (and your tracks) up to speed. Along with the plug and play USB device, you'll get a copy of Serato's DJ Intro mixing software (for which it was specifically designed) to get you started. If that's not for you, or perhaps you've already earned your spinning stripes, and are looking for something compact, no problem -- full MIDI output means this can work with other software options too. There's a basic two-channel mixer snug between the pair o'wheels, and all the usual buttons for hot-cues and loops etc. As is fast becoming standard, the audio interface is built-in, making the hook-up at parties and gigs a much simpler -- and less computer-bothering -- affair. If has ticked your boxes, it'll be available from October, commanding an estimated £269 / €325 / $299 out of your record budget when it does so. In the meantime you can cue-up the promo video after the break.
MOTU sneaks in MicroBook II post-NAMM, ships this Spring for $269
Looking to add some muscle to your mobile recording kit? MOTU waited to pull the curtain back on the MicroBook II until after NAMM, revealing a revamped portable audio interface for those who fancy tracking on-the-go. The studio-quality kit plays nice with both Mac and PC, offering a compact 4-input / 6-output, bus-powered recording option with 96kHz recording and playback support. Sporting inputs for mics (XLR), guitar, keyboard and powered speakers, the MicroBook II connects to your computer of choice via USB 2.0 and boasts on-board volume controls. All four inputs can be recorded simultaneously while internal CueMix tech allows for a unique stereo mix for each output pair. Speaking of outputs, the diminutive box houses six of said channels alongside TRS 1/4-inch, stereo mini, S/PDIF, and 1/4-inch headphone offerings. You'll have to wait until Spring to snag one, but for now hit the PR after the break for a full list of specs.
Fiio's E17 Alpen headphone amplifier 'peaks' performance
Most people are likely content with built-in sound when sneaking elicit Numa Numa viewings, but if you've laid down a little more than average on some cans, you might want something purpose-built. Fiio thinks its E17 / Alpen USB DAC headphone amplifier is the tool for the job. With a passing resemblance to a PMP, the E17 has a single 3.5 output, SPDIF and AUX inputs, with mini USB and a proprietary dock for hardware / computer connectivity. The dot matrix OLED screen and brushed metal finish make it look sexy, while the 96K / 24bit (USB) and 192K / 24bit (SPDIF) sample rates should nicely tickle most ears. Listeners on the go will profit from the 1,500 mAh battery, which Fiio claims is good for 15 hours. There are also basic bass, treble, mid and gain controls if you think you know better than the original engineers. Think this is what your life has been missing? Then be prepared to drop about $150 in the next week or so, when it lands in your favorite audio retailer.
Akai makes intentions clear with MPC Renaissance (video)
While the majority of technology execs are packing their cases for Vegas, for some it's all about Anaheim. Akai is clearly ramping up its NAMM campaign, outing the latest in its legendary MPC series: the Renaissance. While the new boy is no dumb controller -- it packs a full audio interface, USB hub and lots of I/O -- for the first time the MPC gets dedicated external software. Sound familiar? Well yes, it's no doubt a direct response to the popular Maschine hardware / software combo from Native Instruments, but Akai isn't just playing catch-up here. The new hardware includes a "vintage" mode that recreates some of that legendary MPC3000/60 crunch, and the standalone software comes with a massive sound library, instant VST mapping (so you can work with all your third-party synths) as well as the option to run in VST / AU / RTAS mode itself. If you're worried about the possible implications of a "tethered" MPC, take a peek at the promo video over the jump, which should soon allay your fears.
Native Instruments Traktor Kontrol S2 review
Native Instruments Maschine Mikro just wants to make the world dance, forget about the price tag T2 is not a cyborg, is the new more colorful Traktor Moldover's limited edition Mojo MIDI controller for serious musicians with seriously deep pockets (video) In the world of DJ'ing there are few certainties, be it the music you play, where you play it, or what you play it on. One thing's for sure, and that is that technology is changing the craft of mixing as we know it. Controllers in particular are responsible for bringing the craft closer to the masses: they're bedroom-friendly, full of gadgetry and they bring the time honored two-decks-and-a-mixer set up into the 21st century. Native Instruments already has offerings in this area in the form of the Kontrol X1 and Kontrol S4, both of which have been hugely popular. How, then, will its latest addition to the family – the Kontrol S2 – hold up against its established elder siblings, along with an increasingly crowded pool of competing models? Is this an evolutionary refinement of its bigger brother – the S4 – or a stripped-down, slightly more economical ($669) controller for those looking to dip a toe into the whole DJ thing? Let's get under the hood and find out. %Gallery-138510%
Native Instruments' Audio 2 DJ claims to be 'world's smallest' USB audio interface
You know you're living in the digital age when even DJs start ogling capacitive touchscreens with glee and turntables can be replaced by pocket DJ systems. Aiding this trend along is the newly announced Audio 2 DJ, which packs studio-grade 24-bit / 96 KHz Cirrus Logic converters inside an impossibly svelte and stylish package. This USB-powered device can best be understood as a supercharged sound card: two 1/4-inch stereo outputs are amplified to a "pristine" +9.7 dBu, while low-latency OS drivers ensure rapid responsiveness. The best thing about the Audio 2 DJ, though, might just be the price -- at $119, it's reasonable enough to make the product appealing to non-professionals too. Should you care about souped-up sound on the move, there's not long to wait now, with availability set for September 1.[Via Macworld]
Apogee Duet: BREAKOUT box simplifies connections
Generally speaking, folks who sprung for Apogee's Duet have been pleased with the performance, but as we learn each and every week, there's nothing that can't be improved upon. Take the Duet's factory breakout cable, for instance. Sure, it provides a plethora of connection options, but it also creates a rat's nest in no time flat. Thankfully, a few engineering souls decided to take matters into their own hands, create a much better alternative, and then offer the thing up for sale for the lazy folks (read: us) on the outside. The duet:BREAKOUT box provides one simple box-to-Duet connection, after which you can run XLR / 1/4" cables straight to the ultra-rugged accessory. Get yours now with 1/4" or RCA outputs for $100 apiece.
Apogee's Duet: pro audio at a mini size
If you've been in the market for a small, handsome, and high-quality portable audio recording solution, Apogee (makers of some of the finest AD/DA converters and interfaces in the industry) may have just what you're looking for. Say hello to the Duet, a two-channel, 24bit / 96kHz interface that should make your next field job or impromptu jam recording nothing but net. The Duet's breakout cable provides two phantom powered, XLR inputs, two unbalanced instrument inputs, and two unbalanced monitor outs; a headphone jack, multi-function knob, LED meters, and Firewire port (for getting the audio to your computer) are located on the unit. Apogee is known for its rugged, low-noise, high-performance audio tools, and the Duet is likely no exception -- despite the fact that the need for an interface this small is certainly up for debate. Available in September for $495.[Thanks, Tyler M]
DJmix 2000 USB audio interface streamlines internet broadcasting
Wannabe Casey Kasems out there not terrified of being sued into oblivion over broadcasting fees will want to check out NTI Comodo's DJmix 2000, a USB audio interface / control surface with bundled Shoutcast-compatible software that'll have you counting down your personal Hot 100 in no time. The unit features 1/8-inch mic and line inputs, an LED level meter, transport controls, and a giant echo control perfect for simulating that Timmy O'Toole interview. No word on whether we'll see the DJmix 2000 hit the States, but visitors to South Korea can start their broadcast careers for 128,000 won ($140).
Apple patents audio user interface
Another day, another Apple patent filing. This time, Apple calls dibs on an "audio user interface for computing devices." Nothing new right? Afterall, we've had audio assisted navigation for years. The system described however, uses the relative power of a host system to auto-generate audio tags from text strings which can then be played by a hand-held device such as an "MP3 player, mobile phone, or PDA." Still not following? Ok, imagine a system whereby your PC or Mac automatically converts the metadata stored on your iTunes Music Store purchases -- you know, song or video title, artist, album, episode, etc -- into audio tags which are then synch'd to your video iPod, iPhone, or Apple handheld via iTunes thereby allowing you to find and play your favorite song, playlist, whutevah without ever looking at the device and straining your eyes. And since this could likely be a software only enhancement to existing Apple 'ware, implementing it could be just be a free, point-release upgrade away... hear that display-less Shuffle owners?[Via Unwired View, Thanks Staska]
