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Band Pro seeking damages against ARRI and Michael Bravin, expects to get its data back
Should you ever get the itch to illegally peek at a former employer's servers, take a lesson from Michael Bravin: don't. The former ARRI executive's adventures in corporate espionage have landed him nothing but trouble. Although Bravin's previous plea agreement required him to pay back Band Pro for damages and legal fees, the outfit is now seeking punitive damages against both ARRI and Bravin himself. "Band Pro is informed and believes, and thereupon alleges that Glenn Kennel and Bill Russel, executives of ARRI, had firsthand knowledge of Bravin's hacking activities," asserts the recently filed complaint. In addition to damages, Band Pro is seeking orders requiring ARRI to return all information acquired from the said hacking and the destruction of "all business plans and strategies developed in reliance" of that information. Check out the PDF yourself for Band Pro's full list of demands and a detailed outline of its thirteen accusations against ARRI -- we'll let you know how things go down if the trial pans out.
Sony outs NEX-FS700 cinema camera: does crazy slow-mo now, 4K coming later
Sony stole our hearts with the NEX-FS100, which brought large-sensor filming into the reach of low-budget productions. When we heard rumors of a 4K-capable FS700 model coming for $9,000, known in North America as the NEX-FS700U or in Europe as the NEX-FS700E, we got ready to hand over our kidneys too. Now that the FS700 is official and scheduled to land in June, we're faced with a couple of caveats. The price seems to have shifted slightly to "less than $10,000," but more importantly the camera's 4K superpowers have been delayed until a promised firmware upgrade that will enable a 4K bitstream output from the 3G HD-SDI port to a compatible Sony recorder. Nevertheless, there are still plenty of reasons to get renal right away: The camera can shoot Super Slow Motion of up to 120 frames a second in a 16-second burst, or 240 fps in an 8-second burst. If you need even crazier time-suspension, the FS700 does 960 fps too, so long as you're prepared to sacrifice 1080p. It takes E-mount interchangeable lenses, has built-in ND filters and a packs a Super 35 sensor with 11.6 million pixels -- ready to spring to life once that new firmware arrives. Check out the press release after the break for more specs, including a full list of the 60/50Hz switchable output formats, and make sure you keep something left over for a suitable projector.
Sony to launch NEX-FS700E 4K cinema camera for $9,000 at NAB?
What would you pay for the ability to capture cinema quality 4K video? $36,000? $18,000? Try $9,000. That's the expected price of Sony's rumored NEX-FS700E, which could launch at NAB next month with a June ship date. EOSHD reports that the camera will pipe 4K video to a dedicated external recorder over 3G HD-SDI. It will reportedly use the same NEX E-mount as its predecessor, the FS100, and may include a trio of neutral density filters to increase versatility. We haven't been able to track down an image of the rumored cinema cam (the model in that image above looks identical to the FS100), but we wouldn't be surprised to see another detail or two leak out before the broadcast community's annual Vegas gathering kicks off in a little over two weeks. For its part, Canon is also expected to announce a 4K EOS-format DSLR at NAB, as a less-expensive alternative to the $16,000 C300, while RED's Scarlet already has 4K capabilities, and a $9,000 price tag.[Thanks, Andrew]
Kojima working on 'something' related to film, announcement coming in the 'near future'
During a heavily curated question and answer session at the Smithsonian Museum of Art, Hideo Kojima was asked whether he is interested in making films, as his lifelong passion for the cinema has heavily influenced the way he makes games.According to the Metal Gear Mogul himself, filmmaking is something he's always been interested in and has wanted to try, although he doesn't believe Metal Gear Solid would work as a film in its current form. That doesn't mean he isn't working on anything, however: "I'm working on something, and I hope in the near future I'll have something to announce."Well then! Here's hoping for that live-action Snatcher adaptation we've been dreaming of since 1994.
Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB?
With both its 1D and 5D-series models already confirmed for 2012, today's Canon teaser hints at something slightly different -- and, according to our sources, a major announcement. The event is set for April 15th -- during the National Association of Broadcasters (NAB) show in Las Vegas -- further confirming that whatever imaging device we'll see will likely be geared towards the motion picture and television communities. So, what could it be? A new Cinema EOS cam with a 1D form-factor? A lower-priced model poised to compete with the RED Scarlet? We have but a month to wait for confirmation, so if you haven't already placed your C300 order, it might not be a bad idea to hang tight until after Canon's Tax Day reveal.
Canon EOS C300 to hit Japanese stores on the 31st, PL version coming in March
Do you have deep pockets? And do those pockets happen to be located in Japan? Well if you're also in the market for Canon's EOS C300 cinema camera, you might be in luck. The company has confirmed that its motion-picture-shooting flagship will be available in Japanese retail stores by January 31st -- exactly one week from today. As the story goes with expensive electronics in Japan, pricing is "open" at this point, meaning you might have to hit up a retailer for an amount before making two dozen trips to the ATM. But if money's no object (just that pesky release date), you should be on your way to making Cinema EOS magic before the month is out. And if your kit is best suited for the PL-mount version, expect that to ship in late March, "open" pricing in tow.
Canon EOS C300 cinema cam gets pre-order status, ships at month's end for $16,000
Back in November we joined Martin Scorsese and other Hollywood luminaries at Paramount Studios for the unveiling of Canon's latest cinema video camera, which is now available for pre-order. The EOS C300, that aims to compete directly against the Reds of the world, carries a Super 35mm CMOS sensor capable of up to 4K resolution 1080p capture, and should be helped in large part by the company's top-shelf lenses; like the 14.5 - 60mm and 30 - 300mm. When we first met the C300 we told you it'd be priced at a hefty $20,000, but that's no longer the case, instead it'll cost a less painful $16,000 for the body only. The camera will begin shipping "after January 30th," and if it seems like a little too much for you, at least you can still watch our precious hands-on time with it. Update: We've updated to clarify that while the sensor is 4K the camera only captures in 1080p.
A Red Scarlet-X 4K tour around CES 2012 (video)
For the third CES in a row, our old friend Ted Schilowitz has stopped by to let us drool over Red's latest high-end cameras. And boy, this is one helluva camera we have this time. You may recall that last year we were shown a working Scarlet prototype with 3K video resolution and a fixed lens; but fast forward to 2012 and we have the Scarlet-X, a sturdy 4K beast that not only supports interchangeable lens, but it's also actually out on the market. Obviously, the $9,700 base price (excluding the Canon EF lens mount; Nikon and Leica mounts coming soon) is aimed at film studios instead of us regular Joes, but Ted was kind enough to spend a whole afternoon showing us all the goodness on the Scarlet-X -- we even got to play with it on the CES show floor, and unsurprisingly, this Red kit became quite the celebrity. Read on to find out how we got on with it.
Red Epic-X gets disassembled, photographed by FCC
What do you find when you tear open (read: carefully disassemble) a Red Epic-X? Well, a whole lot of red, as it seems. Wireless Goodness has posted a hearty collection of teardown shots that it acquired from the FCC, revealing the camera's Mysterium-X sensor and Red 1242 processor. Sure, the Epic-X has been on the market for quite a few months now, but as you might imagine, those lucky enough to actually get their hands on the somewhat-elusive $34,500 rig probably don't list a warranty-crushing teardown at the top of their to-do lists. Ready to take a peek inside? Hit up the source link for 57 gloriously detailed shots from the other side.
Red Digital Cinema sues competitor Arri over e-mail hacking, adds new charges to the list
The behind-the-lens drama between camera makers Red Digital Cinema and Arri has taken yet another step recently, as Red filed suit December 21st against Arri alleging corporate espionage. Former Arri executive Michael Bravin has already plead guilty to criminal charges that he illegally accessed emails at his previous employer, camera distributor Band Pro Film & Digital. At the time Red founder Jim Jannard also revealed his personal account had been compromised, and now The Wrap reports the company is accusing Arri of "unfair competition based on email hacking, invasion of privacy, conversion, misappropriation of trade secrets and unlawful trade practices, among other charges". The extra charges come as a result of information it has indicating other Arri executives were aware of the hacking. Other than listening in on conversations between Red and Band Pro, Arri also stands accused of launching a false advertising campaign ahead of the launch of the Alexa, while Bravin posted with a pseudonym on RedUser.net. Hit the source link for additional details on the sordid affair, we'll find out what can be proven if / when Red gets the jury trial it's seeking.
Olive: the first feature film 'intentionally' shot on a smartphone (video)
Sure, your smartphone might shoot HD, you might even have a dolly, but most of us know that 30 seconds of accidental filming inside a pocket and a blurry clip from the office party are about the best we can hope for. Not director Hooman Khalili. He made a feature length film using his trusty Nokia N8 and a custom lens, and now plans to show it in movie theaters. The film, called Olive, tells the story of a mute little girl, and the impact she has on the lives of those who meet her. Partly financed by the former Facebook CPO Chris Kelly, this Kickstarter story has the making of a movie itself. Should it raise the required $300k in funding, Khalili hopes it might even get a sniff by the Academy. That's assuming, of course, they've had a recent change of policy. For a sneak peak and a look at the making of, check the video after the break.
RED Scarlet starts shipping for $9,750, first customer takes one home today
Announced at a curiously-timed event just minutes after Canon's C300 made its on-stage debut, we expected the RED Scarlet to be a hit with cinematographers the world abound. But we're perhaps even more impressed to see one actually make its way to a customer just two weeks after launch, than we were when RED revealed the 4K cam's low $9,750 price tag. Rental service owner Tonaci Tran (pictured front and center above) is the lucky winner, and if you happen to have a Scarlet loan scheduled with him, you could be too. Haven't had enough of the 4096 x 2160-pixel 4K cam? Check out our hands-on from RED's Hollywood launch event.
Lomography LomoKino Super 35 Movie Maker hands-on (video)
"Unique and precious pieces of movie art." That's what Lomography is promising to deliver with the LomoKino Super 35 Movie Maker -- the company's very first movie camera. Announced earlier this month, the LomoKino is hardly a technological game changer. In fact, it's anything but. Much like every other camera to come off of Lomography's assembly line, the Movie Maker is entirely analog. Users must spool their own 35mm film and manually operate the device's crank to capture images at a frame rate of three to five frames per second, with a shutter speed of 1/100 second. From there, you can either send the film off to get developed and digitally formatted, or cut it yourself and scan it into your movie editing software of choice. You won't find any sound, many frills, or, for that matter, a ton of convenience, but that's also the idea -- to return filmmakers to the roots of early silent cinema, with a pared down device that reignites some of the photographic mystery lost with the dawn of the digital age. For those too young to remember the analog era, just think of it as a physical manifestation of Instagram, minus the "insta" part. And the results can be pretty stunning, as many in the Lomography community have already demonstrated with collections of hauntingly silent, washed out shorts. With our curiosity piqued, we decided to stop by Lomography's boutique in Paris to learn more about the LomoKino. Check out our hands-on gallery below, and click past the break for our initial impressions. %Gallery-139288%
Canon C300 cinema camera hands-on (video)
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot. The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.%Gallery-138415%
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa
Well, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success. Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video) Canon C300 cinema camera hands-on (video)Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.%Gallery-138391%%Gallery-138405%Christopher Trout contributed to this post
The Canon Hollywood event liveblog!
Lights, check! Camera? Well, it soon might be a Canon. We're live from the red carpet at Canon's Hollywood launch event, where we're expecting the company to reveal its first cinema camera. We'll be watching the action live as it hits the silver screen in SoCal, but you can catch it all from home right here! Things get started at 3PM local time, translated into times for your locales below. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th) Photos by Zach Honig.
LomoKino Super 35 Movie Maker lets you channel your inner Charlie Chaplin for $80
Ever wish you could return to a simpler cinematic era -- one characterized not by 3D graphics and Spielberg, but by silent images and Eisenstein? Well, you can now spearhead the movement yourself, with Lomography's new LomoKino Super 35 Movie Maker. With this device (pictured above), amateur filmmakers can manually produce their own frill-free movies on any roll of 35mm film. All you have to do is load your film into the so-called "magic box," turn the crank and let the LomoKino work its magic. The camera, which boasts a 25mm lens and max aperture of f/5.6, will capture 144 shots on a single roll of film, good for about 50 to 60 seconds of footage. It also supports a wide array of effects, including slide film, color negative, redscale and black and white. Once that's developed, you can run it through Lomography's LomoKinoScope, direct it toward a light source, and watch your homemade Baby's Lunch or Nanook of the North unfold before your eyes. You won't find any sound, special effects, or fancy post-production tools here -- just moving images, plain and cinematically pure. Lumiere enthusiasts can grab one now for $80, or opt for both the LomoKino and the LomoKinoScope, bundled together for $100. For more details, roll past the break for a sample video and the full PR, or get a closer look at the LomoKino in the gallery, below. %Gallery-138276%
The Canon Hollywood event is tomorrow -- get your liveblog here at 6PM ET!
Canon has been incredibly tight-lipped about its upcoming announcement, with only a few vague details leaking out since the event was announced in September. What we do know is that the imaging company plans to unveil a product that represents a "commitment to play a larger role in the film and television community," and that Martin Scorsese will be on hand -- and we assume he's not there to announce that Sinatra will be shot exclusively with the 5D Mark II. Curiously, Red has scheduled an event for tomorrow evening as well, just a few blocks away from the Canon venue. We'll be coming to you live from Hollywood tomorrow evening, and if the hype is any indication, legacy cinema camera manufacturers have but a few hours left of industry domination. The curtain comes up at 3PM local time, and we've included a handy list of round-the-world start times below. Bookmark this page right here and find out as it happens. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th)
Seagate GoFlex Cinema puts up to 3TB of media files at your TV's disposal
Seagate's latest addition to its GoFlex line of hard drives is dubbed the Cinema and, as you've probably guessed, it's designed to hook up to your home entertainment system. Inside is a set of spinning platters up to 3TB in size, and around back are HDMI, composite, and S/PDIF hookups. This isn't just some hard drive with a marketing gimmick though. The hardware itself is capable of pumping out 1080p video in a slew of different formats (including MKV and MP4 amongst others), and even comes packaged with a remote for perusing your media collection from the comfort of your milk crate couch. The GoFlex Cinema is available now in Europe, starting at €99 ($136) for the 1TB version and climbing to €179 ($246) for the 3TB model. No word yet on US pricing or availability.
